BEGIN:VCALENDAR VERSION:2.0 CALSCALE:GREGORIAN PRODID:iCalendar-Ruby BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:Medieval | Renaissance: A Dialogue on Early Italian Painting\n\ nOn view: August 25–29 for BC Classes by appointment (contact rachel.chambe rlain@bc.edu)\n\nOpen to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \n\nPress Release\n\nThe closing centuries of the Middle Ages in Italy witnessed profound transformations in the art of painting. N ew techniques gave way to an expanded repertoire of formats and artistic st yles\; patronage systems and workshop practices evolved in tandem with reas sessments of the merit of authorship\; and long-standardized criteria for v alue and authenticity in representation were steadily redefined. These para digm-shifting developments—exemplified in Early Italian painting—ramified i nto the academic study and connoisseurship of the nineteenth and twentieth centuries\, creating a blurry line between the Medieval period and early mo dernity that has proven difficult to shake.\n\nMedieval | Renaissance foreg rounds this distinction\, exhibiting nineteen rarely shown works from the F rascione Collection in Florence\, founded in 1893. Featuring devotional ico ns\, altarpiece panels\, narrative scenes\, and portraits from the late thi rteenth through early sixteenth centuries\, the exhibition charts innovatio ns in the craft and conceptualization of painting in Italy after 1300. Thes e paintings represent a liminal epoch between the later Middle Ages and the Early Renaissance\, whose works and artists are shared—even “claimed”—by t wo divergent art historical fields\, “Medieval” and “Renaissance\,” with th eir own cultures\, questions\, and interpretive methods.\n\nCurated by John Lansdowne and Stephanie C. Leone\, specialists in Medieval and Renaissance art\, respectively\, the exhibition invites viewers to contemplate the wor ks through two distinct art historical lenses and from either side of a lon g-standing and long-debated disciplinary divide.\n\nOrganized by the McMull en Museum\, Medieval | Renaissance has been underwritten by Boston College with major support from the Patrons of the McMullen Museum. DTEND:20250902T210000Z DTSTAMP:20260308T044512Z DTSTART:20250902T140000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "Medieval | Renaissance: A Dialogue on Early Italian Pa inting" UID:tag:localist.com\,2008:EventInstance_50524251937633 URL:https://events.bc.edu/event/exhibition-medieval-renaissance-a-dialogue- on-early-italian-painting END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:Medieval | Renaissance: A Dialogue on Early Italian Painting\n\ nOn view: August 25–29 for BC Classes by appointment (contact rachel.chambe rlain@bc.edu)\n\nOpen to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \n\nPress Release\n\nThe closing centuries of the Middle Ages in Italy witnessed profound transformations in the art of painting. N ew techniques gave way to an expanded repertoire of formats and artistic st yles\; patronage systems and workshop practices evolved in tandem with reas sessments of the merit of authorship\; and long-standardized criteria for v alue and authenticity in representation were steadily redefined. These para digm-shifting developments—exemplified in Early Italian painting—ramified i nto the academic study and connoisseurship of the nineteenth and twentieth centuries\, creating a blurry line between the Medieval period and early mo dernity that has proven difficult to shake.\n\nMedieval | Renaissance foreg rounds this distinction\, exhibiting nineteen rarely shown works from the F rascione Collection in Florence\, founded in 1893. Featuring devotional ico ns\, altarpiece panels\, narrative scenes\, and portraits from the late thi rteenth through early sixteenth centuries\, the exhibition charts innovatio ns in the craft and conceptualization of painting in Italy after 1300. Thes e paintings represent a liminal epoch between the later Middle Ages and the Early Renaissance\, whose works and artists are shared—even “claimed”—by t wo divergent art historical fields\, “Medieval” and “Renaissance\,” with th eir own cultures\, questions\, and interpretive methods.\n\nCurated by John Lansdowne and Stephanie C. Leone\, specialists in Medieval and Renaissance art\, respectively\, the exhibition invites viewers to contemplate the wor ks through two distinct art historical lenses and from either side of a lon g-standing and long-debated disciplinary divide.\n\nOrganized by the McMull en Museum\, Medieval | Renaissance has been underwritten by Boston College with major support from the Patrons of the McMullen Museum. DTEND:20250903T210000Z DTSTAMP:20260308T044512Z DTSTART:20250903T140000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "Medieval | Renaissance: A Dialogue on Early Italian Pa inting" UID:tag:localist.com\,2008:EventInstance_50524251938658 URL:https://events.bc.edu/event/exhibition-medieval-renaissance-a-dialogue- on-early-italian-painting END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:Medieval | Renaissance: A Dialogue on Early Italian Painting\n\ nOn view: August 25–29 for BC Classes by appointment (contact rachel.chambe rlain@bc.edu)\n\nOpen to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \n\nPress Release\n\nThe closing centuries of the Middle Ages in Italy witnessed profound transformations in the art of painting. N ew techniques gave way to an expanded repertoire of formats and artistic st yles\; patronage systems and workshop practices evolved in tandem with reas sessments of the merit of authorship\; and long-standardized criteria for v alue and authenticity in representation were steadily redefined. These para digm-shifting developments—exemplified in Early Italian painting—ramified i nto the academic study and connoisseurship of the nineteenth and twentieth centuries\, creating a blurry line between the Medieval period and early mo dernity that has proven difficult to shake.\n\nMedieval | Renaissance foreg rounds this distinction\, exhibiting nineteen rarely shown works from the F rascione Collection in Florence\, founded in 1893. Featuring devotional ico ns\, altarpiece panels\, narrative scenes\, and portraits from the late thi rteenth through early sixteenth centuries\, the exhibition charts innovatio ns in the craft and conceptualization of painting in Italy after 1300. Thes e paintings represent a liminal epoch between the later Middle Ages and the Early Renaissance\, whose works and artists are shared—even “claimed”—by t wo divergent art historical fields\, “Medieval” and “Renaissance\,” with th eir own cultures\, questions\, and interpretive methods.\n\nCurated by John Lansdowne and Stephanie C. Leone\, specialists in Medieval and Renaissance art\, respectively\, the exhibition invites viewers to contemplate the wor ks through two distinct art historical lenses and from either side of a lon g-standing and long-debated disciplinary divide.\n\nOrganized by the McMull en Museum\, Medieval | Renaissance has been underwritten by Boston College with major support from the Patrons of the McMullen Museum. DTEND:20250904T210000Z DTSTAMP:20260308T044512Z DTSTART:20250904T140000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "Medieval | Renaissance: A Dialogue on Early Italian Pa inting" UID:tag:localist.com\,2008:EventInstance_50524251940707 URL:https://events.bc.edu/event/exhibition-medieval-renaissance-a-dialogue- on-early-italian-painting END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:Medieval | Renaissance: A Dialogue on Early Italian Painting\n\ nOn view: August 25–29 for BC Classes by appointment (contact rachel.chambe rlain@bc.edu)\n\nOpen to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \n\nPress Release\n\nThe closing centuries of the Middle Ages in Italy witnessed profound transformations in the art of painting. N ew techniques gave way to an expanded repertoire of formats and artistic st yles\; patronage systems and workshop practices evolved in tandem with reas sessments of the merit of authorship\; and long-standardized criteria for v alue and authenticity in representation were steadily redefined. These para digm-shifting developments—exemplified in Early Italian painting—ramified i nto the academic study and connoisseurship of the nineteenth and twentieth centuries\, creating a blurry line between the Medieval period and early mo dernity that has proven difficult to shake.\n\nMedieval | Renaissance foreg rounds this distinction\, exhibiting nineteen rarely shown works from the F rascione Collection in Florence\, founded in 1893. Featuring devotional ico ns\, altarpiece panels\, narrative scenes\, and portraits from the late thi rteenth through early sixteenth centuries\, the exhibition charts innovatio ns in the craft and conceptualization of painting in Italy after 1300. Thes e paintings represent a liminal epoch between the later Middle Ages and the Early Renaissance\, whose works and artists are shared—even “claimed”—by t wo divergent art historical fields\, “Medieval” and “Renaissance\,” with th eir own cultures\, questions\, and interpretive methods.\n\nCurated by John Lansdowne and Stephanie C. Leone\, specialists in Medieval and Renaissance art\, respectively\, the exhibition invites viewers to contemplate the wor ks through two distinct art historical lenses and from either side of a lon g-standing and long-debated disciplinary divide.\n\nOrganized by the McMull en Museum\, Medieval | Renaissance has been underwritten by Boston College with major support from the Patrons of the McMullen Museum. DTEND:20250905T210000Z DTSTAMP:20260308T044512Z DTSTART:20250905T140000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "Medieval | Renaissance: A Dialogue on Early Italian Pa inting" UID:tag:localist.com\,2008:EventInstance_50524251941732 URL:https://events.bc.edu/event/exhibition-medieval-renaissance-a-dialogue- on-early-italian-painting END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:Medieval | Renaissance: A Dialogue on Early Italian Painting\n\ nOn view: August 25–29 for BC Classes by appointment (contact rachel.chambe rlain@bc.edu)\n\nOpen to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \n\nPress Release\n\nThe closing centuries of the Middle Ages in Italy witnessed profound transformations in the art of painting. N ew techniques gave way to an expanded repertoire of formats and artistic st yles\; patronage systems and workshop practices evolved in tandem with reas sessments of the merit of authorship\; and long-standardized criteria for v alue and authenticity in representation were steadily redefined. These para digm-shifting developments—exemplified in Early Italian painting—ramified i nto the academic study and connoisseurship of the nineteenth and twentieth centuries\, creating a blurry line between the Medieval period and early mo dernity that has proven difficult to shake.\n\nMedieval | Renaissance foreg rounds this distinction\, exhibiting nineteen rarely shown works from the F rascione Collection in Florence\, founded in 1893. Featuring devotional ico ns\, altarpiece panels\, narrative scenes\, and portraits from the late thi rteenth through early sixteenth centuries\, the exhibition charts innovatio ns in the craft and conceptualization of painting in Italy after 1300. Thes e paintings represent a liminal epoch between the later Middle Ages and the Early Renaissance\, whose works and artists are shared—even “claimed”—by t wo divergent art historical fields\, “Medieval” and “Renaissance\,” with th eir own cultures\, questions\, and interpretive methods.\n\nCurated by John Lansdowne and Stephanie C. Leone\, specialists in Medieval and Renaissance art\, respectively\, the exhibition invites viewers to contemplate the wor ks through two distinct art historical lenses and from either side of a lon g-standing and long-debated disciplinary divide.\n\nOrganized by the McMull en Museum\, Medieval | Renaissance has been underwritten by Boston College with major support from the Patrons of the McMullen Museum. DTEND:20250906T210000Z DTSTAMP:20260308T044512Z DTSTART:20250906T160000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "Medieval | Renaissance: A Dialogue on Early Italian Pa inting" UID:tag:localist.com\,2008:EventInstance_50524251942757 URL:https://events.bc.edu/event/exhibition-medieval-renaissance-a-dialogue- on-early-italian-painting END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:Medieval | Renaissance: A Dialogue on Early Italian Painting\n\ nOn view: August 25–29 for BC Classes by appointment (contact rachel.chambe rlain@bc.edu)\n\nOpen to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \n\nPress Release\n\nThe closing centuries of the Middle Ages in Italy witnessed profound transformations in the art of painting. N ew techniques gave way to an expanded repertoire of formats and artistic st yles\; patronage systems and workshop practices evolved in tandem with reas sessments of the merit of authorship\; and long-standardized criteria for v alue and authenticity in representation were steadily redefined. These para digm-shifting developments—exemplified in Early Italian painting—ramified i nto the academic study and connoisseurship of the nineteenth and twentieth centuries\, creating a blurry line between the Medieval period and early mo dernity that has proven difficult to shake.\n\nMedieval | Renaissance foreg rounds this distinction\, exhibiting nineteen rarely shown works from the F rascione Collection in Florence\, founded in 1893. Featuring devotional ico ns\, altarpiece panels\, narrative scenes\, and portraits from the late thi rteenth through early sixteenth centuries\, the exhibition charts innovatio ns in the craft and conceptualization of painting in Italy after 1300. Thes e paintings represent a liminal epoch between the later Middle Ages and the Early Renaissance\, whose works and artists are shared—even “claimed”—by t wo divergent art historical fields\, “Medieval” and “Renaissance\,” with th eir own cultures\, questions\, and interpretive methods.\n\nCurated by John Lansdowne and Stephanie C. Leone\, specialists in Medieval and Renaissance art\, respectively\, the exhibition invites viewers to contemplate the wor ks through two distinct art historical lenses and from either side of a lon g-standing and long-debated disciplinary divide.\n\nOrganized by the McMull en Museum\, Medieval | Renaissance has been underwritten by Boston College with major support from the Patrons of the McMullen Museum. DTEND:20250907T210000Z DTSTAMP:20260308T044512Z DTSTART:20250907T160000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "Medieval | Renaissance: A Dialogue on Early Italian Pa inting" UID:tag:localist.com\,2008:EventInstance_50524251944806 URL:https://events.bc.edu/event/exhibition-medieval-renaissance-a-dialogue- on-early-italian-painting END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:Medieval | Renaissance: A Dialogue on Early Italian Painting\n\ nOn view: August 25–29 for BC Classes by appointment (contact rachel.chambe rlain@bc.edu)\n\nOpen to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \n\nPress Release\n\nThe closing centuries of the Middle Ages in Italy witnessed profound transformations in the art of painting. N ew techniques gave way to an expanded repertoire of formats and artistic st yles\; patronage systems and workshop practices evolved in tandem with reas sessments of the merit of authorship\; and long-standardized criteria for v alue and authenticity in representation were steadily redefined. These para digm-shifting developments—exemplified in Early Italian painting—ramified i nto the academic study and connoisseurship of the nineteenth and twentieth centuries\, creating a blurry line between the Medieval period and early mo dernity that has proven difficult to shake.\n\nMedieval | Renaissance foreg rounds this distinction\, exhibiting nineteen rarely shown works from the F rascione Collection in Florence\, founded in 1893. Featuring devotional ico ns\, altarpiece panels\, narrative scenes\, and portraits from the late thi rteenth through early sixteenth centuries\, the exhibition charts innovatio ns in the craft and conceptualization of painting in Italy after 1300. Thes e paintings represent a liminal epoch between the later Middle Ages and the Early Renaissance\, whose works and artists are shared—even “claimed”—by t wo divergent art historical fields\, “Medieval” and “Renaissance\,” with th eir own cultures\, questions\, and interpretive methods.\n\nCurated by John Lansdowne and Stephanie C. Leone\, specialists in Medieval and Renaissance art\, respectively\, the exhibition invites viewers to contemplate the wor ks through two distinct art historical lenses and from either side of a lon g-standing and long-debated disciplinary divide.\n\nOrganized by the McMull en Museum\, Medieval | Renaissance has been underwritten by Boston College with major support from the Patrons of the McMullen Museum. DTEND:20250908T210000Z DTSTAMP:20260308T044512Z DTSTART:20250908T140000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "Medieval | Renaissance: A Dialogue on Early Italian Pa inting" UID:tag:localist.com\,2008:EventInstance_50524251945831 URL:https://events.bc.edu/event/exhibition-medieval-renaissance-a-dialogue- on-early-italian-painting END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:Medieval | Renaissance: A Dialogue on Early Italian Painting\n\ nOn view: August 25–29 for BC Classes by appointment (contact rachel.chambe rlain@bc.edu)\n\nOpen to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \n\nPress Release\n\nThe closing centuries of the Middle Ages in Italy witnessed profound transformations in the art of painting. N ew techniques gave way to an expanded repertoire of formats and artistic st yles\; patronage systems and workshop practices evolved in tandem with reas sessments of the merit of authorship\; and long-standardized criteria for v alue and authenticity in representation were steadily redefined. These para digm-shifting developments—exemplified in Early Italian painting—ramified i nto the academic study and connoisseurship of the nineteenth and twentieth centuries\, creating a blurry line between the Medieval period and early mo dernity that has proven difficult to shake.\n\nMedieval | Renaissance foreg rounds this distinction\, exhibiting nineteen rarely shown works from the F rascione Collection in Florence\, founded in 1893. Featuring devotional ico ns\, altarpiece panels\, narrative scenes\, and portraits from the late thi rteenth through early sixteenth centuries\, the exhibition charts innovatio ns in the craft and conceptualization of painting in Italy after 1300. Thes e paintings represent a liminal epoch between the later Middle Ages and the Early Renaissance\, whose works and artists are shared—even “claimed”—by t wo divergent art historical fields\, “Medieval” and “Renaissance\,” with th eir own cultures\, questions\, and interpretive methods.\n\nCurated by John Lansdowne and Stephanie C. Leone\, specialists in Medieval and Renaissance art\, respectively\, the exhibition invites viewers to contemplate the wor ks through two distinct art historical lenses and from either side of a lon g-standing and long-debated disciplinary divide.\n\nOrganized by the McMull en Museum\, Medieval | Renaissance has been underwritten by Boston College with major support from the Patrons of the McMullen Museum. DTEND:20250909T210000Z DTSTAMP:20260308T044512Z DTSTART:20250909T140000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "Medieval | Renaissance: A Dialogue on Early Italian Pa inting" UID:tag:localist.com\,2008:EventInstance_50524251947880 URL:https://events.bc.edu/event/exhibition-medieval-renaissance-a-dialogue- on-early-italian-painting END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:Medieval | Renaissance: A Dialogue on Early Italian Painting\n\ nOn view: August 25–29 for BC Classes by appointment (contact rachel.chambe rlain@bc.edu)\n\nOpen to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \n\nPress Release\n\nThe closing centuries of the Middle Ages in Italy witnessed profound transformations in the art of painting. N ew techniques gave way to an expanded repertoire of formats and artistic st yles\; patronage systems and workshop practices evolved in tandem with reas sessments of the merit of authorship\; and long-standardized criteria for v alue and authenticity in representation were steadily redefined. These para digm-shifting developments—exemplified in Early Italian painting—ramified i nto the academic study and connoisseurship of the nineteenth and twentieth centuries\, creating a blurry line between the Medieval period and early mo dernity that has proven difficult to shake.\n\nMedieval | Renaissance foreg rounds this distinction\, exhibiting nineteen rarely shown works from the F rascione Collection in Florence\, founded in 1893. Featuring devotional ico ns\, altarpiece panels\, narrative scenes\, and portraits from the late thi rteenth through early sixteenth centuries\, the exhibition charts innovatio ns in the craft and conceptualization of painting in Italy after 1300. Thes e paintings represent a liminal epoch between the later Middle Ages and the Early Renaissance\, whose works and artists are shared—even “claimed”—by t wo divergent art historical fields\, “Medieval” and “Renaissance\,” with th eir own cultures\, questions\, and interpretive methods.\n\nCurated by John Lansdowne and Stephanie C. Leone\, specialists in Medieval and Renaissance art\, respectively\, the exhibition invites viewers to contemplate the wor ks through two distinct art historical lenses and from either side of a lon g-standing and long-debated disciplinary divide.\n\nOrganized by the McMull en Museum\, Medieval | Renaissance has been underwritten by Boston College with major support from the Patrons of the McMullen Museum. DTEND:20250910T210000Z DTSTAMP:20260308T044512Z DTSTART:20250910T140000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "Medieval | Renaissance: A Dialogue on Early Italian Pa inting" UID:tag:localist.com\,2008:EventInstance_50524251948905 URL:https://events.bc.edu/event/exhibition-medieval-renaissance-a-dialogue- on-early-italian-painting END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:Medieval | Renaissance: A Dialogue on Early Italian Painting\n\ nOn view: August 25–29 for BC Classes by appointment (contact rachel.chambe rlain@bc.edu)\n\nOpen to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \n\nPress Release\n\nThe closing centuries of the Middle Ages in Italy witnessed profound transformations in the art of painting. N ew techniques gave way to an expanded repertoire of formats and artistic st yles\; patronage systems and workshop practices evolved in tandem with reas sessments of the merit of authorship\; and long-standardized criteria for v alue and authenticity in representation were steadily redefined. These para digm-shifting developments—exemplified in Early Italian painting—ramified i nto the academic study and connoisseurship of the nineteenth and twentieth centuries\, creating a blurry line between the Medieval period and early mo dernity that has proven difficult to shake.\n\nMedieval | Renaissance foreg rounds this distinction\, exhibiting nineteen rarely shown works from the F rascione Collection in Florence\, founded in 1893. Featuring devotional ico ns\, altarpiece panels\, narrative scenes\, and portraits from the late thi rteenth through early sixteenth centuries\, the exhibition charts innovatio ns in the craft and conceptualization of painting in Italy after 1300. Thes e paintings represent a liminal epoch between the later Middle Ages and the Early Renaissance\, whose works and artists are shared—even “claimed”—by t wo divergent art historical fields\, “Medieval” and “Renaissance\,” with th eir own cultures\, questions\, and interpretive methods.\n\nCurated by John Lansdowne and Stephanie C. Leone\, specialists in Medieval and Renaissance art\, respectively\, the exhibition invites viewers to contemplate the wor ks through two distinct art historical lenses and from either side of a lon g-standing and long-debated disciplinary divide.\n\nOrganized by the McMull en Museum\, Medieval | Renaissance has been underwritten by Boston College with major support from the Patrons of the McMullen Museum. DTEND:20250911T210000Z DTSTAMP:20260308T044512Z DTSTART:20250911T140000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "Medieval | Renaissance: A Dialogue on Early Italian Pa inting" UID:tag:localist.com\,2008:EventInstance_50524251950954 URL:https://events.bc.edu/event/exhibition-medieval-renaissance-a-dialogue- on-early-italian-painting END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:Medieval | Renaissance: A Dialogue on Early Italian Painting\n\ nOn view: August 25–29 for BC Classes by appointment (contact rachel.chambe rlain@bc.edu)\n\nOpen to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \n\nPress Release\n\nThe closing centuries of the Middle Ages in Italy witnessed profound transformations in the art of painting. N ew techniques gave way to an expanded repertoire of formats and artistic st yles\; patronage systems and workshop practices evolved in tandem with reas sessments of the merit of authorship\; and long-standardized criteria for v alue and authenticity in representation were steadily redefined. These para digm-shifting developments—exemplified in Early Italian painting—ramified i nto the academic study and connoisseurship of the nineteenth and twentieth centuries\, creating a blurry line between the Medieval period and early mo dernity that has proven difficult to shake.\n\nMedieval | Renaissance foreg rounds this distinction\, exhibiting nineteen rarely shown works from the F rascione Collection in Florence\, founded in 1893. Featuring devotional ico ns\, altarpiece panels\, narrative scenes\, and portraits from the late thi rteenth through early sixteenth centuries\, the exhibition charts innovatio ns in the craft and conceptualization of painting in Italy after 1300. Thes e paintings represent a liminal epoch between the later Middle Ages and the Early Renaissance\, whose works and artists are shared—even “claimed”—by t wo divergent art historical fields\, “Medieval” and “Renaissance\,” with th eir own cultures\, questions\, and interpretive methods.\n\nCurated by John Lansdowne and Stephanie C. Leone\, specialists in Medieval and Renaissance art\, respectively\, the exhibition invites viewers to contemplate the wor ks through two distinct art historical lenses and from either side of a lon g-standing and long-debated disciplinary divide.\n\nOrganized by the McMull en Museum\, Medieval | Renaissance has been underwritten by Boston College with major support from the Patrons of the McMullen Museum. DTEND:20250912T210000Z DTSTAMP:20260308T044512Z DTSTART:20250912T140000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "Medieval | Renaissance: A Dialogue on Early Italian Pa inting" UID:tag:localist.com\,2008:EventInstance_50524251951979 URL:https://events.bc.edu/event/exhibition-medieval-renaissance-a-dialogue- on-early-italian-painting END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:Medieval | Renaissance: A Dialogue on Early Italian Painting\n\ nOn view: August 25–29 for BC Classes by appointment (contact rachel.chambe rlain@bc.edu)\n\nOpen to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \n\nPress Release\n\nThe closing centuries of the Middle Ages in Italy witnessed profound transformations in the art of painting. N ew techniques gave way to an expanded repertoire of formats and artistic st yles\; patronage systems and workshop practices evolved in tandem with reas sessments of the merit of authorship\; and long-standardized criteria for v alue and authenticity in representation were steadily redefined. These para digm-shifting developments—exemplified in Early Italian painting—ramified i nto the academic study and connoisseurship of the nineteenth and twentieth centuries\, creating a blurry line between the Medieval period and early mo dernity that has proven difficult to shake.\n\nMedieval | Renaissance foreg rounds this distinction\, exhibiting nineteen rarely shown works from the F rascione Collection in Florence\, founded in 1893. Featuring devotional ico ns\, altarpiece panels\, narrative scenes\, and portraits from the late thi rteenth through early sixteenth centuries\, the exhibition charts innovatio ns in the craft and conceptualization of painting in Italy after 1300. Thes e paintings represent a liminal epoch between the later Middle Ages and the Early Renaissance\, whose works and artists are shared—even “claimed”—by t wo divergent art historical fields\, “Medieval” and “Renaissance\,” with th eir own cultures\, questions\, and interpretive methods.\n\nCurated by John Lansdowne and Stephanie C. Leone\, specialists in Medieval and Renaissance art\, respectively\, the exhibition invites viewers to contemplate the wor ks through two distinct art historical lenses and from either side of a lon g-standing and long-debated disciplinary divide.\n\nOrganized by the McMull en Museum\, Medieval | Renaissance has been underwritten by Boston College with major support from the Patrons of the McMullen Museum. DTEND:20250913T210000Z DTSTAMP:20260308T044513Z DTSTART:20250913T160000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "Medieval | Renaissance: A Dialogue on Early Italian Pa inting" UID:tag:localist.com\,2008:EventInstance_50524251954028 URL:https://events.bc.edu/event/exhibition-medieval-renaissance-a-dialogue- on-early-italian-painting END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:Medieval | Renaissance: A Dialogue on Early Italian Painting\n\ nOn view: August 25–29 for BC Classes by appointment (contact rachel.chambe rlain@bc.edu)\n\nOpen to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \n\nPress Release\n\nThe closing centuries of the Middle Ages in Italy witnessed profound transformations in the art of painting. N ew techniques gave way to an expanded repertoire of formats and artistic st yles\; patronage systems and workshop practices evolved in tandem with reas sessments of the merit of authorship\; and long-standardized criteria for v alue and authenticity in representation were steadily redefined. These para digm-shifting developments—exemplified in Early Italian painting—ramified i nto the academic study and connoisseurship of the nineteenth and twentieth centuries\, creating a blurry line between the Medieval period and early mo dernity that has proven difficult to shake.\n\nMedieval | Renaissance foreg rounds this distinction\, exhibiting nineteen rarely shown works from the F rascione Collection in Florence\, founded in 1893. Featuring devotional ico ns\, altarpiece panels\, narrative scenes\, and portraits from the late thi rteenth through early sixteenth centuries\, the exhibition charts innovatio ns in the craft and conceptualization of painting in Italy after 1300. Thes e paintings represent a liminal epoch between the later Middle Ages and the Early Renaissance\, whose works and artists are shared—even “claimed”—by t wo divergent art historical fields\, “Medieval” and “Renaissance\,” with th eir own cultures\, questions\, and interpretive methods.\n\nCurated by John Lansdowne and Stephanie C. Leone\, specialists in Medieval and Renaissance art\, respectively\, the exhibition invites viewers to contemplate the wor ks through two distinct art historical lenses and from either side of a lon g-standing and long-debated disciplinary divide.\n\nOrganized by the McMull en Museum\, Medieval | Renaissance has been underwritten by Boston College with major support from the Patrons of the McMullen Museum. DTEND:20250914T210000Z DTSTAMP:20260308T044513Z DTSTART:20250914T160000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "Medieval | Renaissance: A Dialogue on Early Italian Pa inting" UID:tag:localist.com\,2008:EventInstance_50524251956077 URL:https://events.bc.edu/event/exhibition-medieval-renaissance-a-dialogue- on-early-italian-painting END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:Medieval | Renaissance: A Dialogue on Early Italian Painting\n\ nOn view: August 25–29 for BC Classes by appointment (contact rachel.chambe rlain@bc.edu)\n\nOpen to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \n\nPress Release\n\nThe closing centuries of the Middle Ages in Italy witnessed profound transformations in the art of painting. N ew techniques gave way to an expanded repertoire of formats and artistic st yles\; patronage systems and workshop practices evolved in tandem with reas sessments of the merit of authorship\; and long-standardized criteria for v alue and authenticity in representation were steadily redefined. These para digm-shifting developments—exemplified in Early Italian painting—ramified i nto the academic study and connoisseurship of the nineteenth and twentieth centuries\, creating a blurry line between the Medieval period and early mo dernity that has proven difficult to shake.\n\nMedieval | Renaissance foreg rounds this distinction\, exhibiting nineteen rarely shown works from the F rascione Collection in Florence\, founded in 1893. Featuring devotional ico ns\, altarpiece panels\, narrative scenes\, and portraits from the late thi rteenth through early sixteenth centuries\, the exhibition charts innovatio ns in the craft and conceptualization of painting in Italy after 1300. Thes e paintings represent a liminal epoch between the later Middle Ages and the Early Renaissance\, whose works and artists are shared—even “claimed”—by t wo divergent art historical fields\, “Medieval” and “Renaissance\,” with th eir own cultures\, questions\, and interpretive methods.\n\nCurated by John Lansdowne and Stephanie C. Leone\, specialists in Medieval and Renaissance art\, respectively\, the exhibition invites viewers to contemplate the wor ks through two distinct art historical lenses and from either side of a lon g-standing and long-debated disciplinary divide.\n\nOrganized by the McMull en Museum\, Medieval | Renaissance has been underwritten by Boston College with major support from the Patrons of the McMullen Museum. DTEND:20250915T210000Z DTSTAMP:20260308T044513Z DTSTART:20250915T140000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "Medieval | Renaissance: A Dialogue on Early Italian Pa inting" UID:tag:localist.com\,2008:EventInstance_50524251958126 URL:https://events.bc.edu/event/exhibition-medieval-renaissance-a-dialogue- on-early-italian-painting END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:Medieval | Renaissance: A Dialogue on Early Italian Painting\n\ nOn view: August 25–29 for BC Classes by appointment (contact rachel.chambe rlain@bc.edu)\n\nOpen to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \n\nPress Release\n\nThe closing centuries of the Middle Ages in Italy witnessed profound transformations in the art of painting. N ew techniques gave way to an expanded repertoire of formats and artistic st yles\; patronage systems and workshop practices evolved in tandem with reas sessments of the merit of authorship\; and long-standardized criteria for v alue and authenticity in representation were steadily redefined. These para digm-shifting developments—exemplified in Early Italian painting—ramified i nto the academic study and connoisseurship of the nineteenth and twentieth centuries\, creating a blurry line between the Medieval period and early mo dernity that has proven difficult to shake.\n\nMedieval | Renaissance foreg rounds this distinction\, exhibiting nineteen rarely shown works from the F rascione Collection in Florence\, founded in 1893. Featuring devotional ico ns\, altarpiece panels\, narrative scenes\, and portraits from the late thi rteenth through early sixteenth centuries\, the exhibition charts innovatio ns in the craft and conceptualization of painting in Italy after 1300. Thes e paintings represent a liminal epoch between the later Middle Ages and the Early Renaissance\, whose works and artists are shared—even “claimed”—by t wo divergent art historical fields\, “Medieval” and “Renaissance\,” with th eir own cultures\, questions\, and interpretive methods.\n\nCurated by John Lansdowne and Stephanie C. Leone\, specialists in Medieval and Renaissance art\, respectively\, the exhibition invites viewers to contemplate the wor ks through two distinct art historical lenses and from either side of a lon g-standing and long-debated disciplinary divide.\n\nOrganized by the McMull en Museum\, Medieval | Renaissance has been underwritten by Boston College with major support from the Patrons of the McMullen Museum. DTEND:20250916T210000Z DTSTAMP:20260308T044513Z DTSTART:20250916T140000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "Medieval | Renaissance: A Dialogue on Early Italian Pa inting" UID:tag:localist.com\,2008:EventInstance_50524251959151 URL:https://events.bc.edu/event/exhibition-medieval-renaissance-a-dialogue- on-early-italian-painting END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:Medieval | Renaissance: A Dialogue on Early Italian Painting\n\ nOn view: August 25–29 for BC Classes by appointment (contact rachel.chambe rlain@bc.edu)\n\nOpen to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \n\nPress Release\n\nThe closing centuries of the Middle Ages in Italy witnessed profound transformations in the art of painting. N ew techniques gave way to an expanded repertoire of formats and artistic st yles\; patronage systems and workshop practices evolved in tandem with reas sessments of the merit of authorship\; and long-standardized criteria for v alue and authenticity in representation were steadily redefined. These para digm-shifting developments—exemplified in Early Italian painting—ramified i nto the academic study and connoisseurship of the nineteenth and twentieth centuries\, creating a blurry line between the Medieval period and early mo dernity that has proven difficult to shake.\n\nMedieval | Renaissance foreg rounds this distinction\, exhibiting nineteen rarely shown works from the F rascione Collection in Florence\, founded in 1893. Featuring devotional ico ns\, altarpiece panels\, narrative scenes\, and portraits from the late thi rteenth through early sixteenth centuries\, the exhibition charts innovatio ns in the craft and conceptualization of painting in Italy after 1300. Thes e paintings represent a liminal epoch between the later Middle Ages and the Early Renaissance\, whose works and artists are shared—even “claimed”—by t wo divergent art historical fields\, “Medieval” and “Renaissance\,” with th eir own cultures\, questions\, and interpretive methods.\n\nCurated by John Lansdowne and Stephanie C. Leone\, specialists in Medieval and Renaissance art\, respectively\, the exhibition invites viewers to contemplate the wor ks through two distinct art historical lenses and from either side of a lon g-standing and long-debated disciplinary divide.\n\nOrganized by the McMull en Museum\, Medieval | Renaissance has been underwritten by Boston College with major support from the Patrons of the McMullen Museum. DTEND:20250917T210000Z DTSTAMP:20260308T044513Z DTSTART:20250917T140000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "Medieval | Renaissance: A Dialogue on Early Italian Pa inting" UID:tag:localist.com\,2008:EventInstance_50524251961200 URL:https://events.bc.edu/event/exhibition-medieval-renaissance-a-dialogue- on-early-italian-painting END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:Medieval | Renaissance: A Dialogue on Early Italian Painting\n\ nOn view: August 25–29 for BC Classes by appointment (contact rachel.chambe rlain@bc.edu)\n\nOpen to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \n\nPress Release\n\nThe closing centuries of the Middle Ages in Italy witnessed profound transformations in the art of painting. N ew techniques gave way to an expanded repertoire of formats and artistic st yles\; patronage systems and workshop practices evolved in tandem with reas sessments of the merit of authorship\; and long-standardized criteria for v alue and authenticity in representation were steadily redefined. These para digm-shifting developments—exemplified in Early Italian painting—ramified i nto the academic study and connoisseurship of the nineteenth and twentieth centuries\, creating a blurry line between the Medieval period and early mo dernity that has proven difficult to shake.\n\nMedieval | Renaissance foreg rounds this distinction\, exhibiting nineteen rarely shown works from the F rascione Collection in Florence\, founded in 1893. Featuring devotional ico ns\, altarpiece panels\, narrative scenes\, and portraits from the late thi rteenth through early sixteenth centuries\, the exhibition charts innovatio ns in the craft and conceptualization of painting in Italy after 1300. Thes e paintings represent a liminal epoch between the later Middle Ages and the Early Renaissance\, whose works and artists are shared—even “claimed”—by t wo divergent art historical fields\, “Medieval” and “Renaissance\,” with th eir own cultures\, questions\, and interpretive methods.\n\nCurated by John Lansdowne and Stephanie C. Leone\, specialists in Medieval and Renaissance art\, respectively\, the exhibition invites viewers to contemplate the wor ks through two distinct art historical lenses and from either side of a lon g-standing and long-debated disciplinary divide.\n\nOrganized by the McMull en Museum\, Medieval | Renaissance has been underwritten by Boston College with major support from the Patrons of the McMullen Museum. DTEND:20250918T210000Z DTSTAMP:20260308T044513Z DTSTART:20250918T140000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "Medieval | Renaissance: A Dialogue on Early Italian Pa inting" UID:tag:localist.com\,2008:EventInstance_50524251963249 URL:https://events.bc.edu/event/exhibition-medieval-renaissance-a-dialogue- on-early-italian-painting END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:Medieval | Renaissance: A Dialogue on Early Italian Painting\n\ nOn view: August 25–29 for BC Classes by appointment (contact rachel.chambe rlain@bc.edu)\n\nOpen to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \n\nPress Release\n\nThe closing centuries of the Middle Ages in Italy witnessed profound transformations in the art of painting. N ew techniques gave way to an expanded repertoire of formats and artistic st yles\; patronage systems and workshop practices evolved in tandem with reas sessments of the merit of authorship\; and long-standardized criteria for v alue and authenticity in representation were steadily redefined. These para digm-shifting developments—exemplified in Early Italian painting—ramified i nto the academic study and connoisseurship of the nineteenth and twentieth centuries\, creating a blurry line between the Medieval period and early mo dernity that has proven difficult to shake.\n\nMedieval | Renaissance foreg rounds this distinction\, exhibiting nineteen rarely shown works from the F rascione Collection in Florence\, founded in 1893. Featuring devotional ico ns\, altarpiece panels\, narrative scenes\, and portraits from the late thi rteenth through early sixteenth centuries\, the exhibition charts innovatio ns in the craft and conceptualization of painting in Italy after 1300. Thes e paintings represent a liminal epoch between the later Middle Ages and the Early Renaissance\, whose works and artists are shared—even “claimed”—by t wo divergent art historical fields\, “Medieval” and “Renaissance\,” with th eir own cultures\, questions\, and interpretive methods.\n\nCurated by John Lansdowne and Stephanie C. Leone\, specialists in Medieval and Renaissance art\, respectively\, the exhibition invites viewers to contemplate the wor ks through two distinct art historical lenses and from either side of a lon g-standing and long-debated disciplinary divide.\n\nOrganized by the McMull en Museum\, Medieval | Renaissance has been underwritten by Boston College with major support from the Patrons of the McMullen Museum. DTEND:20250919T210000Z DTSTAMP:20260308T044513Z DTSTART:20250919T140000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "Medieval | Renaissance: A Dialogue on Early Italian Pa inting" UID:tag:localist.com\,2008:EventInstance_50524251965298 URL:https://events.bc.edu/event/exhibition-medieval-renaissance-a-dialogue- on-early-italian-painting END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:Medieval | Renaissance: A Dialogue on Early Italian Painting\n\ nOn view: August 25–29 for BC Classes by appointment (contact rachel.chambe rlain@bc.edu)\n\nOpen to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \n\nPress Release\n\nThe closing centuries of the Middle Ages in Italy witnessed profound transformations in the art of painting. N ew techniques gave way to an expanded repertoire of formats and artistic st yles\; patronage systems and workshop practices evolved in tandem with reas sessments of the merit of authorship\; and long-standardized criteria for v alue and authenticity in representation were steadily redefined. These para digm-shifting developments—exemplified in Early Italian painting—ramified i nto the academic study and connoisseurship of the nineteenth and twentieth centuries\, creating a blurry line between the Medieval period and early mo dernity that has proven difficult to shake.\n\nMedieval | Renaissance foreg rounds this distinction\, exhibiting nineteen rarely shown works from the F rascione Collection in Florence\, founded in 1893. Featuring devotional ico ns\, altarpiece panels\, narrative scenes\, and portraits from the late thi rteenth through early sixteenth centuries\, the exhibition charts innovatio ns in the craft and conceptualization of painting in Italy after 1300. Thes e paintings represent a liminal epoch between the later Middle Ages and the Early Renaissance\, whose works and artists are shared—even “claimed”—by t wo divergent art historical fields\, “Medieval” and “Renaissance\,” with th eir own cultures\, questions\, and interpretive methods.\n\nCurated by John Lansdowne and Stephanie C. Leone\, specialists in Medieval and Renaissance art\, respectively\, the exhibition invites viewers to contemplate the wor ks through two distinct art historical lenses and from either side of a lon g-standing and long-debated disciplinary divide.\n\nOrganized by the McMull en Museum\, Medieval | Renaissance has been underwritten by Boston College with major support from the Patrons of the McMullen Museum. DTEND:20250920T210000Z DTSTAMP:20260308T044513Z DTSTART:20250920T160000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "Medieval | Renaissance: A Dialogue on Early Italian Pa inting" UID:tag:localist.com\,2008:EventInstance_50524251967347 URL:https://events.bc.edu/event/exhibition-medieval-renaissance-a-dialogue- on-early-italian-painting END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:Medieval | Renaissance: A Dialogue on Early Italian Painting\n\ nOn view: August 25–29 for BC Classes by appointment (contact rachel.chambe rlain@bc.edu)\n\nOpen to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \n\nPress Release\n\nThe closing centuries of the Middle Ages in Italy witnessed profound transformations in the art of painting. N ew techniques gave way to an expanded repertoire of formats and artistic st yles\; patronage systems and workshop practices evolved in tandem with reas sessments of the merit of authorship\; and long-standardized criteria for v alue and authenticity in representation were steadily redefined. These para digm-shifting developments—exemplified in Early Italian painting—ramified i nto the academic study and connoisseurship of the nineteenth and twentieth centuries\, creating a blurry line between the Medieval period and early mo dernity that has proven difficult to shake.\n\nMedieval | Renaissance foreg rounds this distinction\, exhibiting nineteen rarely shown works from the F rascione Collection in Florence\, founded in 1893. Featuring devotional ico ns\, altarpiece panels\, narrative scenes\, and portraits from the late thi rteenth through early sixteenth centuries\, the exhibition charts innovatio ns in the craft and conceptualization of painting in Italy after 1300. Thes e paintings represent a liminal epoch between the later Middle Ages and the Early Renaissance\, whose works and artists are shared—even “claimed”—by t wo divergent art historical fields\, “Medieval” and “Renaissance\,” with th eir own cultures\, questions\, and interpretive methods.\n\nCurated by John Lansdowne and Stephanie C. Leone\, specialists in Medieval and Renaissance art\, respectively\, the exhibition invites viewers to contemplate the wor ks through two distinct art historical lenses and from either side of a lon g-standing and long-debated disciplinary divide.\n\nOrganized by the McMull en Museum\, Medieval | Renaissance has been underwritten by Boston College with major support from the Patrons of the McMullen Museum. DTEND:20250921T210000Z DTSTAMP:20260308T044513Z DTSTART:20250921T160000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "Medieval | Renaissance: A Dialogue on Early Italian Pa inting" UID:tag:localist.com\,2008:EventInstance_50524251969396 URL:https://events.bc.edu/event/exhibition-medieval-renaissance-a-dialogue- on-early-italian-painting END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:Medieval | Renaissance: A Dialogue on Early Italian Painting\n\ nOn view: August 25–29 for BC Classes by appointment (contact rachel.chambe rlain@bc.edu)\n\nOpen to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \n\nPress Release\n\nThe closing centuries of the Middle Ages in Italy witnessed profound transformations in the art of painting. N ew techniques gave way to an expanded repertoire of formats and artistic st yles\; patronage systems and workshop practices evolved in tandem with reas sessments of the merit of authorship\; and long-standardized criteria for v alue and authenticity in representation were steadily redefined. These para digm-shifting developments—exemplified in Early Italian painting—ramified i nto the academic study and connoisseurship of the nineteenth and twentieth centuries\, creating a blurry line between the Medieval period and early mo dernity that has proven difficult to shake.\n\nMedieval | Renaissance foreg rounds this distinction\, exhibiting nineteen rarely shown works from the F rascione Collection in Florence\, founded in 1893. Featuring devotional ico ns\, altarpiece panels\, narrative scenes\, and portraits from the late thi rteenth through early sixteenth centuries\, the exhibition charts innovatio ns in the craft and conceptualization of painting in Italy after 1300. Thes e paintings represent a liminal epoch between the later Middle Ages and the Early Renaissance\, whose works and artists are shared—even “claimed”—by t wo divergent art historical fields\, “Medieval” and “Renaissance\,” with th eir own cultures\, questions\, and interpretive methods.\n\nCurated by John Lansdowne and Stephanie C. Leone\, specialists in Medieval and Renaissance art\, respectively\, the exhibition invites viewers to contemplate the wor ks through two distinct art historical lenses and from either side of a lon g-standing and long-debated disciplinary divide.\n\nOrganized by the McMull en Museum\, Medieval | Renaissance has been underwritten by Boston College with major support from the Patrons of the McMullen Museum. DTEND:20250922T210000Z DTSTAMP:20260308T044513Z DTSTART:20250922T140000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "Medieval | Renaissance: A Dialogue on Early Italian Pa inting" UID:tag:localist.com\,2008:EventInstance_50524251970421 URL:https://events.bc.edu/event/exhibition-medieval-renaissance-a-dialogue- on-early-italian-painting END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:Medieval | Renaissance: A Dialogue on Early Italian Painting\n\ nOn view: August 25–29 for BC Classes by appointment (contact rachel.chambe rlain@bc.edu)\n\nOpen to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \n\nPress Release\n\nThe closing centuries of the Middle Ages in Italy witnessed profound transformations in the art of painting. N ew techniques gave way to an expanded repertoire of formats and artistic st yles\; patronage systems and workshop practices evolved in tandem with reas sessments of the merit of authorship\; and long-standardized criteria for v alue and authenticity in representation were steadily redefined. These para digm-shifting developments—exemplified in Early Italian painting—ramified i nto the academic study and connoisseurship of the nineteenth and twentieth centuries\, creating a blurry line between the Medieval period and early mo dernity that has proven difficult to shake.\n\nMedieval | Renaissance foreg rounds this distinction\, exhibiting nineteen rarely shown works from the F rascione Collection in Florence\, founded in 1893. Featuring devotional ico ns\, altarpiece panels\, narrative scenes\, and portraits from the late thi rteenth through early sixteenth centuries\, the exhibition charts innovatio ns in the craft and conceptualization of painting in Italy after 1300. Thes e paintings represent a liminal epoch between the later Middle Ages and the Early Renaissance\, whose works and artists are shared—even “claimed”—by t wo divergent art historical fields\, “Medieval” and “Renaissance\,” with th eir own cultures\, questions\, and interpretive methods.\n\nCurated by John Lansdowne and Stephanie C. Leone\, specialists in Medieval and Renaissance art\, respectively\, the exhibition invites viewers to contemplate the wor ks through two distinct art historical lenses and from either side of a lon g-standing and long-debated disciplinary divide.\n\nOrganized by the McMull en Museum\, Medieval | Renaissance has been underwritten by Boston College with major support from the Patrons of the McMullen Museum. DTEND:20250923T210000Z DTSTAMP:20260308T044513Z DTSTART:20250923T140000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "Medieval | Renaissance: A Dialogue on Early Italian Pa inting" UID:tag:localist.com\,2008:EventInstance_50524251972470 URL:https://events.bc.edu/event/exhibition-medieval-renaissance-a-dialogue- on-early-italian-painting END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:Medieval | Renaissance: A Dialogue on Early Italian Painting\n\ nOn view: August 25–29 for BC Classes by appointment (contact rachel.chambe rlain@bc.edu)\n\nOpen to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \n\nPress Release\n\nThe closing centuries of the Middle Ages in Italy witnessed profound transformations in the art of painting. N ew techniques gave way to an expanded repertoire of formats and artistic st yles\; patronage systems and workshop practices evolved in tandem with reas sessments of the merit of authorship\; and long-standardized criteria for v alue and authenticity in representation were steadily redefined. These para digm-shifting developments—exemplified in Early Italian painting—ramified i nto the academic study and connoisseurship of the nineteenth and twentieth centuries\, creating a blurry line between the Medieval period and early mo dernity that has proven difficult to shake.\n\nMedieval | Renaissance foreg rounds this distinction\, exhibiting nineteen rarely shown works from the F rascione Collection in Florence\, founded in 1893. Featuring devotional ico ns\, altarpiece panels\, narrative scenes\, and portraits from the late thi rteenth through early sixteenth centuries\, the exhibition charts innovatio ns in the craft and conceptualization of painting in Italy after 1300. Thes e paintings represent a liminal epoch between the later Middle Ages and the Early Renaissance\, whose works and artists are shared—even “claimed”—by t wo divergent art historical fields\, “Medieval” and “Renaissance\,” with th eir own cultures\, questions\, and interpretive methods.\n\nCurated by John Lansdowne and Stephanie C. Leone\, specialists in Medieval and Renaissance art\, respectively\, the exhibition invites viewers to contemplate the wor ks through two distinct art historical lenses and from either side of a lon g-standing and long-debated disciplinary divide.\n\nOrganized by the McMull en Museum\, Medieval | Renaissance has been underwritten by Boston College with major support from the Patrons of the McMullen Museum. DTEND:20250924T210000Z DTSTAMP:20260308T044513Z DTSTART:20250924T140000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "Medieval | Renaissance: A Dialogue on Early Italian Pa inting" UID:tag:localist.com\,2008:EventInstance_50524251973495 URL:https://events.bc.edu/event/exhibition-medieval-renaissance-a-dialogue- on-early-italian-painting END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:Medieval | Renaissance: A Dialogue on Early Italian Painting\n\ nOn view: August 25–29 for BC Classes by appointment (contact rachel.chambe rlain@bc.edu)\n\nOpen to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \n\nPress Release\n\nThe closing centuries of the Middle Ages in Italy witnessed profound transformations in the art of painting. N ew techniques gave way to an expanded repertoire of formats and artistic st yles\; patronage systems and workshop practices evolved in tandem with reas sessments of the merit of authorship\; and long-standardized criteria for v alue and authenticity in representation were steadily redefined. These para digm-shifting developments—exemplified in Early Italian painting—ramified i nto the academic study and connoisseurship of the nineteenth and twentieth centuries\, creating a blurry line between the Medieval period and early mo dernity that has proven difficult to shake.\n\nMedieval | Renaissance foreg rounds this distinction\, exhibiting nineteen rarely shown works from the F rascione Collection in Florence\, founded in 1893. Featuring devotional ico ns\, altarpiece panels\, narrative scenes\, and portraits from the late thi rteenth through early sixteenth centuries\, the exhibition charts innovatio ns in the craft and conceptualization of painting in Italy after 1300. Thes e paintings represent a liminal epoch between the later Middle Ages and the Early Renaissance\, whose works and artists are shared—even “claimed”—by t wo divergent art historical fields\, “Medieval” and “Renaissance\,” with th eir own cultures\, questions\, and interpretive methods.\n\nCurated by John Lansdowne and Stephanie C. Leone\, specialists in Medieval and Renaissance art\, respectively\, the exhibition invites viewers to contemplate the wor ks through two distinct art historical lenses and from either side of a lon g-standing and long-debated disciplinary divide.\n\nOrganized by the McMull en Museum\, Medieval | Renaissance has been underwritten by Boston College with major support from the Patrons of the McMullen Museum. DTEND:20250925T210000Z DTSTAMP:20260308T044513Z DTSTART:20250925T140000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "Medieval | Renaissance: A Dialogue on Early Italian Pa inting" UID:tag:localist.com\,2008:EventInstance_50524251974520 URL:https://events.bc.edu/event/exhibition-medieval-renaissance-a-dialogue- on-early-italian-painting END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:Medieval | Renaissance: A Dialogue on Early Italian Painting\n\ nOn view: August 25–29 for BC Classes by appointment (contact rachel.chambe rlain@bc.edu)\n\nOpen to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \n\nPress Release\n\nThe closing centuries of the Middle Ages in Italy witnessed profound transformations in the art of painting. N ew techniques gave way to an expanded repertoire of formats and artistic st yles\; patronage systems and workshop practices evolved in tandem with reas sessments of the merit of authorship\; and long-standardized criteria for v alue and authenticity in representation were steadily redefined. These para digm-shifting developments—exemplified in Early Italian painting—ramified i nto the academic study and connoisseurship of the nineteenth and twentieth centuries\, creating a blurry line between the Medieval period and early mo dernity that has proven difficult to shake.\n\nMedieval | Renaissance foreg rounds this distinction\, exhibiting nineteen rarely shown works from the F rascione Collection in Florence\, founded in 1893. Featuring devotional ico ns\, altarpiece panels\, narrative scenes\, and portraits from the late thi rteenth through early sixteenth centuries\, the exhibition charts innovatio ns in the craft and conceptualization of painting in Italy after 1300. Thes e paintings represent a liminal epoch between the later Middle Ages and the Early Renaissance\, whose works and artists are shared—even “claimed”—by t wo divergent art historical fields\, “Medieval” and “Renaissance\,” with th eir own cultures\, questions\, and interpretive methods.\n\nCurated by John Lansdowne and Stephanie C. Leone\, specialists in Medieval and Renaissance art\, respectively\, the exhibition invites viewers to contemplate the wor ks through two distinct art historical lenses and from either side of a lon g-standing and long-debated disciplinary divide.\n\nOrganized by the McMull en Museum\, Medieval | Renaissance has been underwritten by Boston College with major support from the Patrons of the McMullen Museum. DTEND:20250926T210000Z DTSTAMP:20260308T044513Z DTSTART:20250926T140000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "Medieval | Renaissance: A Dialogue on Early Italian Pa inting" UID:tag:localist.com\,2008:EventInstance_50524251976569 URL:https://events.bc.edu/event/exhibition-medieval-renaissance-a-dialogue- on-early-italian-painting END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:Medieval | Renaissance: A Dialogue on Early Italian Painting\n\ nOn view: August 25–29 for BC Classes by appointment (contact rachel.chambe rlain@bc.edu)\n\nOpen to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \n\nPress Release\n\nThe closing centuries of the Middle Ages in Italy witnessed profound transformations in the art of painting. N ew techniques gave way to an expanded repertoire of formats and artistic st yles\; patronage systems and workshop practices evolved in tandem with reas sessments of the merit of authorship\; and long-standardized criteria for v alue and authenticity in representation were steadily redefined. These para digm-shifting developments—exemplified in Early Italian painting—ramified i nto the academic study and connoisseurship of the nineteenth and twentieth centuries\, creating a blurry line between the Medieval period and early mo dernity that has proven difficult to shake.\n\nMedieval | Renaissance foreg rounds this distinction\, exhibiting nineteen rarely shown works from the F rascione Collection in Florence\, founded in 1893. Featuring devotional ico ns\, altarpiece panels\, narrative scenes\, and portraits from the late thi rteenth through early sixteenth centuries\, the exhibition charts innovatio ns in the craft and conceptualization of painting in Italy after 1300. Thes e paintings represent a liminal epoch between the later Middle Ages and the Early Renaissance\, whose works and artists are shared—even “claimed”—by t wo divergent art historical fields\, “Medieval” and “Renaissance\,” with th eir own cultures\, questions\, and interpretive methods.\n\nCurated by John Lansdowne and Stephanie C. Leone\, specialists in Medieval and Renaissance art\, respectively\, the exhibition invites viewers to contemplate the wor ks through two distinct art historical lenses and from either side of a lon g-standing and long-debated disciplinary divide.\n\nOrganized by the McMull en Museum\, Medieval | Renaissance has been underwritten by Boston College with major support from the Patrons of the McMullen Museum. DTEND:20250927T210000Z DTSTAMP:20260308T044513Z DTSTART:20250927T160000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "Medieval | Renaissance: A Dialogue on Early Italian Pa inting" UID:tag:localist.com\,2008:EventInstance_50524251977594 URL:https://events.bc.edu/event/exhibition-medieval-renaissance-a-dialogue- on-early-italian-painting END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:Medieval | Renaissance: A Dialogue on Early Italian Painting\n\ nOn view: August 25–29 for BC Classes by appointment (contact rachel.chambe rlain@bc.edu)\n\nOpen to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \n\nPress Release\n\nThe closing centuries of the Middle Ages in Italy witnessed profound transformations in the art of painting. N ew techniques gave way to an expanded repertoire of formats and artistic st yles\; patronage systems and workshop practices evolved in tandem with reas sessments of the merit of authorship\; and long-standardized criteria for v alue and authenticity in representation were steadily redefined. These para digm-shifting developments—exemplified in Early Italian painting—ramified i nto the academic study and connoisseurship of the nineteenth and twentieth centuries\, creating a blurry line between the Medieval period and early mo dernity that has proven difficult to shake.\n\nMedieval | Renaissance foreg rounds this distinction\, exhibiting nineteen rarely shown works from the F rascione Collection in Florence\, founded in 1893. Featuring devotional ico ns\, altarpiece panels\, narrative scenes\, and portraits from the late thi rteenth through early sixteenth centuries\, the exhibition charts innovatio ns in the craft and conceptualization of painting in Italy after 1300. Thes e paintings represent a liminal epoch between the later Middle Ages and the Early Renaissance\, whose works and artists are shared—even “claimed”—by t wo divergent art historical fields\, “Medieval” and “Renaissance\,” with th eir own cultures\, questions\, and interpretive methods.\n\nCurated by John Lansdowne and Stephanie C. Leone\, specialists in Medieval and Renaissance art\, respectively\, the exhibition invites viewers to contemplate the wor ks through two distinct art historical lenses and from either side of a lon g-standing and long-debated disciplinary divide.\n\nOrganized by the McMull en Museum\, Medieval | Renaissance has been underwritten by Boston College with major support from the Patrons of the McMullen Museum. DTEND:20250928T210000Z DTSTAMP:20260308T044513Z DTSTART:20250928T160000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "Medieval | Renaissance: A Dialogue on Early Italian Pa inting" UID:tag:localist.com\,2008:EventInstance_50524251978619 URL:https://events.bc.edu/event/exhibition-medieval-renaissance-a-dialogue- on-early-italian-painting END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:Medieval | Renaissance: A Dialogue on Early Italian Painting\n\ nOn view: August 25–29 for BC Classes by appointment (contact rachel.chambe rlain@bc.edu)\n\nOpen to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \n\nPress Release\n\nThe closing centuries of the Middle Ages in Italy witnessed profound transformations in the art of painting. N ew techniques gave way to an expanded repertoire of formats and artistic st yles\; patronage systems and workshop practices evolved in tandem with reas sessments of the merit of authorship\; and long-standardized criteria for v alue and authenticity in representation were steadily redefined. These para digm-shifting developments—exemplified in Early Italian painting—ramified i nto the academic study and connoisseurship of the nineteenth and twentieth centuries\, creating a blurry line between the Medieval period and early mo dernity that has proven difficult to shake.\n\nMedieval | Renaissance foreg rounds this distinction\, exhibiting nineteen rarely shown works from the F rascione Collection in Florence\, founded in 1893. Featuring devotional ico ns\, altarpiece panels\, narrative scenes\, and portraits from the late thi rteenth through early sixteenth centuries\, the exhibition charts innovatio ns in the craft and conceptualization of painting in Italy after 1300. Thes e paintings represent a liminal epoch between the later Middle Ages and the Early Renaissance\, whose works and artists are shared—even “claimed”—by t wo divergent art historical fields\, “Medieval” and “Renaissance\,” with th eir own cultures\, questions\, and interpretive methods.\n\nCurated by John Lansdowne and Stephanie C. Leone\, specialists in Medieval and Renaissance art\, respectively\, the exhibition invites viewers to contemplate the wor ks through two distinct art historical lenses and from either side of a lon g-standing and long-debated disciplinary divide.\n\nOrganized by the McMull en Museum\, Medieval | Renaissance has been underwritten by Boston College with major support from the Patrons of the McMullen Museum. DTEND:20250929T210000Z DTSTAMP:20260308T044513Z DTSTART:20250929T140000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "Medieval | Renaissance: A Dialogue on Early Italian Pa inting" UID:tag:localist.com\,2008:EventInstance_50524251980668 URL:https://events.bc.edu/event/exhibition-medieval-renaissance-a-dialogue- on-early-italian-painting END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:Medieval | Renaissance: A Dialogue on Early Italian Painting\n\ nOn view: August 25–29 for BC Classes by appointment (contact rachel.chambe rlain@bc.edu)\n\nOpen to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \n\nPress Release\n\nThe closing centuries of the Middle Ages in Italy witnessed profound transformations in the art of painting. N ew techniques gave way to an expanded repertoire of formats and artistic st yles\; patronage systems and workshop practices evolved in tandem with reas sessments of the merit of authorship\; and long-standardized criteria for v alue and authenticity in representation were steadily redefined. These para digm-shifting developments—exemplified in Early Italian painting—ramified i nto the academic study and connoisseurship of the nineteenth and twentieth centuries\, creating a blurry line between the Medieval period and early mo dernity that has proven difficult to shake.\n\nMedieval | Renaissance foreg rounds this distinction\, exhibiting nineteen rarely shown works from the F rascione Collection in Florence\, founded in 1893. Featuring devotional ico ns\, altarpiece panels\, narrative scenes\, and portraits from the late thi rteenth through early sixteenth centuries\, the exhibition charts innovatio ns in the craft and conceptualization of painting in Italy after 1300. Thes e paintings represent a liminal epoch between the later Middle Ages and the Early Renaissance\, whose works and artists are shared—even “claimed”—by t wo divergent art historical fields\, “Medieval” and “Renaissance\,” with th eir own cultures\, questions\, and interpretive methods.\n\nCurated by John Lansdowne and Stephanie C. Leone\, specialists in Medieval and Renaissance art\, respectively\, the exhibition invites viewers to contemplate the wor ks through two distinct art historical lenses and from either side of a lon g-standing and long-debated disciplinary divide.\n\nOrganized by the McMull en Museum\, Medieval | Renaissance has been underwritten by Boston College with major support from the Patrons of the McMullen Museum. DTEND:20250930T210000Z DTSTAMP:20260308T044513Z DTSTART:20250930T140000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "Medieval | Renaissance: A Dialogue on Early Italian Pa inting" UID:tag:localist.com\,2008:EventInstance_50524251981693 URL:https://events.bc.edu/event/exhibition-medieval-renaissance-a-dialogue- on-early-italian-painting END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:Medieval | Renaissance: A Dialogue on Early Italian Painting\n\ nOn view: August 25–29 for BC Classes by appointment (contact rachel.chambe rlain@bc.edu)\n\nOpen to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \n\nPress Release\n\nThe closing centuries of the Middle Ages in Italy witnessed profound transformations in the art of painting. N ew techniques gave way to an expanded repertoire of formats and artistic st yles\; patronage systems and workshop practices evolved in tandem with reas sessments of the merit of authorship\; and long-standardized criteria for v alue and authenticity in representation were steadily redefined. These para digm-shifting developments—exemplified in Early Italian painting—ramified i nto the academic study and connoisseurship of the nineteenth and twentieth centuries\, creating a blurry line between the Medieval period and early mo dernity that has proven difficult to shake.\n\nMedieval | Renaissance foreg rounds this distinction\, exhibiting nineteen rarely shown works from the F rascione Collection in Florence\, founded in 1893. Featuring devotional ico ns\, altarpiece panels\, narrative scenes\, and portraits from the late thi rteenth through early sixteenth centuries\, the exhibition charts innovatio ns in the craft and conceptualization of painting in Italy after 1300. Thes e paintings represent a liminal epoch between the later Middle Ages and the Early Renaissance\, whose works and artists are shared—even “claimed”—by t wo divergent art historical fields\, “Medieval” and “Renaissance\,” with th eir own cultures\, questions\, and interpretive methods.\n\nCurated by John Lansdowne and Stephanie C. Leone\, specialists in Medieval and Renaissance art\, respectively\, the exhibition invites viewers to contemplate the wor ks through two distinct art historical lenses and from either side of a lon g-standing and long-debated disciplinary divide.\n\nOrganized by the McMull en Museum\, Medieval | Renaissance has been underwritten by Boston College with major support from the Patrons of the McMullen Museum. DTEND:20251001T210000Z DTSTAMP:20260308T044513Z DTSTART:20251001T140000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "Medieval | Renaissance: A Dialogue on Early Italian Pa inting" UID:tag:localist.com\,2008:EventInstance_50524251982718 URL:https://events.bc.edu/event/exhibition-medieval-renaissance-a-dialogue- on-early-italian-painting END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:Medieval | Renaissance: A Dialogue on Early Italian Painting\n\ nOn view: August 25–29 for BC Classes by appointment (contact rachel.chambe rlain@bc.edu)\n\nOpen to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \n\nPress Release\n\nThe closing centuries of the Middle Ages in Italy witnessed profound transformations in the art of painting. N ew techniques gave way to an expanded repertoire of formats and artistic st yles\; patronage systems and workshop practices evolved in tandem with reas sessments of the merit of authorship\; and long-standardized criteria for v alue and authenticity in representation were steadily redefined. These para digm-shifting developments—exemplified in Early Italian painting—ramified i nto the academic study and connoisseurship of the nineteenth and twentieth centuries\, creating a blurry line between the Medieval period and early mo dernity that has proven difficult to shake.\n\nMedieval | Renaissance foreg rounds this distinction\, exhibiting nineteen rarely shown works from the F rascione Collection in Florence\, founded in 1893. Featuring devotional ico ns\, altarpiece panels\, narrative scenes\, and portraits from the late thi rteenth through early sixteenth centuries\, the exhibition charts innovatio ns in the craft and conceptualization of painting in Italy after 1300. Thes e paintings represent a liminal epoch between the later Middle Ages and the Early Renaissance\, whose works and artists are shared—even “claimed”—by t wo divergent art historical fields\, “Medieval” and “Renaissance\,” with th eir own cultures\, questions\, and interpretive methods.\n\nCurated by John Lansdowne and Stephanie C. Leone\, specialists in Medieval and Renaissance art\, respectively\, the exhibition invites viewers to contemplate the wor ks through two distinct art historical lenses and from either side of a lon g-standing and long-debated disciplinary divide.\n\nOrganized by the McMull en Museum\, Medieval | Renaissance has been underwritten by Boston College with major support from the Patrons of the McMullen Museum. DTEND:20251002T210000Z DTSTAMP:20260308T044513Z DTSTART:20251002T140000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "Medieval | Renaissance: A Dialogue on Early Italian Pa inting" UID:tag:localist.com\,2008:EventInstance_50524251984767 URL:https://events.bc.edu/event/exhibition-medieval-renaissance-a-dialogue- on-early-italian-painting END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:Medieval | Renaissance: A Dialogue on Early Italian Painting\n\ nOn view: August 25–29 for BC Classes by appointment (contact rachel.chambe rlain@bc.edu)\n\nOpen to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \n\nPress Release\n\nThe closing centuries of the Middle Ages in Italy witnessed profound transformations in the art of painting. N ew techniques gave way to an expanded repertoire of formats and artistic st yles\; patronage systems and workshop practices evolved in tandem with reas sessments of the merit of authorship\; and long-standardized criteria for v alue and authenticity in representation were steadily redefined. These para digm-shifting developments—exemplified in Early Italian painting—ramified i nto the academic study and connoisseurship of the nineteenth and twentieth centuries\, creating a blurry line between the Medieval period and early mo dernity that has proven difficult to shake.\n\nMedieval | Renaissance foreg rounds this distinction\, exhibiting nineteen rarely shown works from the F rascione Collection in Florence\, founded in 1893. Featuring devotional ico ns\, altarpiece panels\, narrative scenes\, and portraits from the late thi rteenth through early sixteenth centuries\, the exhibition charts innovatio ns in the craft and conceptualization of painting in Italy after 1300. Thes e paintings represent a liminal epoch between the later Middle Ages and the Early Renaissance\, whose works and artists are shared—even “claimed”—by t wo divergent art historical fields\, “Medieval” and “Renaissance\,” with th eir own cultures\, questions\, and interpretive methods.\n\nCurated by John Lansdowne and Stephanie C. Leone\, specialists in Medieval and Renaissance art\, respectively\, the exhibition invites viewers to contemplate the wor ks through two distinct art historical lenses and from either side of a lon g-standing and long-debated disciplinary divide.\n\nOrganized by the McMull en Museum\, Medieval | Renaissance has been underwritten by Boston College with major support from the Patrons of the McMullen Museum. DTEND:20251003T210000Z DTSTAMP:20260308T044513Z DTSTART:20251003T140000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "Medieval | Renaissance: A Dialogue on Early Italian Pa inting" UID:tag:localist.com\,2008:EventInstance_50524251985792 URL:https://events.bc.edu/event/exhibition-medieval-renaissance-a-dialogue- on-early-italian-painting END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:Medieval | Renaissance: A Dialogue on Early Italian Painting\n\ nOn view: August 25–29 for BC Classes by appointment (contact rachel.chambe rlain@bc.edu)\n\nOpen to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \n\nPress Release\n\nThe closing centuries of the Middle Ages in Italy witnessed profound transformations in the art of painting. N ew techniques gave way to an expanded repertoire of formats and artistic st yles\; patronage systems and workshop practices evolved in tandem with reas sessments of the merit of authorship\; and long-standardized criteria for v alue and authenticity in representation were steadily redefined. These para digm-shifting developments—exemplified in Early Italian painting—ramified i nto the academic study and connoisseurship of the nineteenth and twentieth centuries\, creating a blurry line between the Medieval period and early mo dernity that has proven difficult to shake.\n\nMedieval | Renaissance foreg rounds this distinction\, exhibiting nineteen rarely shown works from the F rascione Collection in Florence\, founded in 1893. Featuring devotional ico ns\, altarpiece panels\, narrative scenes\, and portraits from the late thi rteenth through early sixteenth centuries\, the exhibition charts innovatio ns in the craft and conceptualization of painting in Italy after 1300. Thes e paintings represent a liminal epoch between the later Middle Ages and the Early Renaissance\, whose works and artists are shared—even “claimed”—by t wo divergent art historical fields\, “Medieval” and “Renaissance\,” with th eir own cultures\, questions\, and interpretive methods.\n\nCurated by John Lansdowne and Stephanie C. Leone\, specialists in Medieval and Renaissance art\, respectively\, the exhibition invites viewers to contemplate the wor ks through two distinct art historical lenses and from either side of a lon g-standing and long-debated disciplinary divide.\n\nOrganized by the McMull en Museum\, Medieval | Renaissance has been underwritten by Boston College with major support from the Patrons of the McMullen Museum. DTEND:20251004T210000Z DTSTAMP:20260308T044513Z DTSTART:20251004T160000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "Medieval | Renaissance: A Dialogue on Early Italian Pa inting" UID:tag:localist.com\,2008:EventInstance_50524251987841 URL:https://events.bc.edu/event/exhibition-medieval-renaissance-a-dialogue- on-early-italian-painting END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:Medieval | Renaissance: A Dialogue on Early Italian Painting\n\ nOn view: August 25–29 for BC Classes by appointment (contact rachel.chambe rlain@bc.edu)\n\nOpen to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \n\nPress Release\n\nThe closing centuries of the Middle Ages in Italy witnessed profound transformations in the art of painting. N ew techniques gave way to an expanded repertoire of formats and artistic st yles\; patronage systems and workshop practices evolved in tandem with reas sessments of the merit of authorship\; and long-standardized criteria for v alue and authenticity in representation were steadily redefined. These para digm-shifting developments—exemplified in Early Italian painting—ramified i nto the academic study and connoisseurship of the nineteenth and twentieth centuries\, creating a blurry line between the Medieval period and early mo dernity that has proven difficult to shake.\n\nMedieval | Renaissance foreg rounds this distinction\, exhibiting nineteen rarely shown works from the F rascione Collection in Florence\, founded in 1893. Featuring devotional ico ns\, altarpiece panels\, narrative scenes\, and portraits from the late thi rteenth through early sixteenth centuries\, the exhibition charts innovatio ns in the craft and conceptualization of painting in Italy after 1300. Thes e paintings represent a liminal epoch between the later Middle Ages and the Early Renaissance\, whose works and artists are shared—even “claimed”—by t wo divergent art historical fields\, “Medieval” and “Renaissance\,” with th eir own cultures\, questions\, and interpretive methods.\n\nCurated by John Lansdowne and Stephanie C. Leone\, specialists in Medieval and Renaissance art\, respectively\, the exhibition invites viewers to contemplate the wor ks through two distinct art historical lenses and from either side of a lon g-standing and long-debated disciplinary divide.\n\nOrganized by the McMull en Museum\, Medieval | Renaissance has been underwritten by Boston College with major support from the Patrons of the McMullen Museum. DTEND:20251005T210000Z DTSTAMP:20260308T044513Z DTSTART:20251005T160000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "Medieval | Renaissance: A Dialogue on Early Italian Pa inting" UID:tag:localist.com\,2008:EventInstance_50524251988866 URL:https://events.bc.edu/event/exhibition-medieval-renaissance-a-dialogue- on-early-italian-painting END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:Medieval | Renaissance: A Dialogue on Early Italian Painting\n\ nOn view: August 25–29 for BC Classes by appointment (contact rachel.chambe rlain@bc.edu)\n\nOpen to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \n\nPress Release\n\nThe closing centuries of the Middle Ages in Italy witnessed profound transformations in the art of painting. N ew techniques gave way to an expanded repertoire of formats and artistic st yles\; patronage systems and workshop practices evolved in tandem with reas sessments of the merit of authorship\; and long-standardized criteria for v alue and authenticity in representation were steadily redefined. These para digm-shifting developments—exemplified in Early Italian painting—ramified i nto the academic study and connoisseurship of the nineteenth and twentieth centuries\, creating a blurry line between the Medieval period and early mo dernity that has proven difficult to shake.\n\nMedieval | Renaissance foreg rounds this distinction\, exhibiting nineteen rarely shown works from the F rascione Collection in Florence\, founded in 1893. Featuring devotional ico ns\, altarpiece panels\, narrative scenes\, and portraits from the late thi rteenth through early sixteenth centuries\, the exhibition charts innovatio ns in the craft and conceptualization of painting in Italy after 1300. Thes e paintings represent a liminal epoch between the later Middle Ages and the Early Renaissance\, whose works and artists are shared—even “claimed”—by t wo divergent art historical fields\, “Medieval” and “Renaissance\,” with th eir own cultures\, questions\, and interpretive methods.\n\nCurated by John Lansdowne and Stephanie C. Leone\, specialists in Medieval and Renaissance art\, respectively\, the exhibition invites viewers to contemplate the wor ks through two distinct art historical lenses and from either side of a lon g-standing and long-debated disciplinary divide.\n\nOrganized by the McMull en Museum\, Medieval | Renaissance has been underwritten by Boston College with major support from the Patrons of the McMullen Museum. DTEND:20251006T210000Z DTSTAMP:20260308T044513Z DTSTART:20251006T140000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "Medieval | Renaissance: A Dialogue on Early Italian Pa inting" UID:tag:localist.com\,2008:EventInstance_50524251990915 URL:https://events.bc.edu/event/exhibition-medieval-renaissance-a-dialogue- on-early-italian-painting END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:Medieval | Renaissance: A Dialogue on Early Italian Painting\n\ nOn view: August 25–29 for BC Classes by appointment (contact rachel.chambe rlain@bc.edu)\n\nOpen to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \n\nPress Release\n\nThe closing centuries of the Middle Ages in Italy witnessed profound transformations in the art of painting. N ew techniques gave way to an expanded repertoire of formats and artistic st yles\; patronage systems and workshop practices evolved in tandem with reas sessments of the merit of authorship\; and long-standardized criteria for v alue and authenticity in representation were steadily redefined. These para digm-shifting developments—exemplified in Early Italian painting—ramified i nto the academic study and connoisseurship of the nineteenth and twentieth centuries\, creating a blurry line between the Medieval period and early mo dernity that has proven difficult to shake.\n\nMedieval | Renaissance foreg rounds this distinction\, exhibiting nineteen rarely shown works from the F rascione Collection in Florence\, founded in 1893. Featuring devotional ico ns\, altarpiece panels\, narrative scenes\, and portraits from the late thi rteenth through early sixteenth centuries\, the exhibition charts innovatio ns in the craft and conceptualization of painting in Italy after 1300. Thes e paintings represent a liminal epoch between the later Middle Ages and the Early Renaissance\, whose works and artists are shared—even “claimed”—by t wo divergent art historical fields\, “Medieval” and “Renaissance\,” with th eir own cultures\, questions\, and interpretive methods.\n\nCurated by John Lansdowne and Stephanie C. Leone\, specialists in Medieval and Renaissance art\, respectively\, the exhibition invites viewers to contemplate the wor ks through two distinct art historical lenses and from either side of a lon g-standing and long-debated disciplinary divide.\n\nOrganized by the McMull en Museum\, Medieval | Renaissance has been underwritten by Boston College with major support from the Patrons of the McMullen Museum. DTEND:20251007T210000Z DTSTAMP:20260308T044513Z DTSTART:20251007T140000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "Medieval | Renaissance: A Dialogue on Early Italian Pa inting" UID:tag:localist.com\,2008:EventInstance_50524251991940 URL:https://events.bc.edu/event/exhibition-medieval-renaissance-a-dialogue- on-early-italian-painting END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:Medieval | Renaissance: A Dialogue on Early Italian Painting\n\ nOn view: August 25–29 for BC Classes by appointment (contact rachel.chambe rlain@bc.edu)\n\nOpen to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \n\nPress Release\n\nThe closing centuries of the Middle Ages in Italy witnessed profound transformations in the art of painting. N ew techniques gave way to an expanded repertoire of formats and artistic st yles\; patronage systems and workshop practices evolved in tandem with reas sessments of the merit of authorship\; and long-standardized criteria for v alue and authenticity in representation were steadily redefined. These para digm-shifting developments—exemplified in Early Italian painting—ramified i nto the academic study and connoisseurship of the nineteenth and twentieth centuries\, creating a blurry line between the Medieval period and early mo dernity that has proven difficult to shake.\n\nMedieval | Renaissance foreg rounds this distinction\, exhibiting nineteen rarely shown works from the F rascione Collection in Florence\, founded in 1893. Featuring devotional ico ns\, altarpiece panels\, narrative scenes\, and portraits from the late thi rteenth through early sixteenth centuries\, the exhibition charts innovatio ns in the craft and conceptualization of painting in Italy after 1300. Thes e paintings represent a liminal epoch between the later Middle Ages and the Early Renaissance\, whose works and artists are shared—even “claimed”—by t wo divergent art historical fields\, “Medieval” and “Renaissance\,” with th eir own cultures\, questions\, and interpretive methods.\n\nCurated by John Lansdowne and Stephanie C. Leone\, specialists in Medieval and Renaissance art\, respectively\, the exhibition invites viewers to contemplate the wor ks through two distinct art historical lenses and from either side of a lon g-standing and long-debated disciplinary divide.\n\nOrganized by the McMull en Museum\, Medieval | Renaissance has been underwritten by Boston College with major support from the Patrons of the McMullen Museum. DTEND:20251008T210000Z DTSTAMP:20260308T044513Z DTSTART:20251008T140000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "Medieval | Renaissance: A Dialogue on Early Italian Pa inting" UID:tag:localist.com\,2008:EventInstance_50524251992965 URL:https://events.bc.edu/event/exhibition-medieval-renaissance-a-dialogue- on-early-italian-painting END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:Medieval | Renaissance: A Dialogue on Early Italian Painting\n\ nOn view: August 25–29 for BC Classes by appointment (contact rachel.chambe rlain@bc.edu)\n\nOpen to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \n\nPress Release\n\nThe closing centuries of the Middle Ages in Italy witnessed profound transformations in the art of painting. N ew techniques gave way to an expanded repertoire of formats and artistic st yles\; patronage systems and workshop practices evolved in tandem with reas sessments of the merit of authorship\; and long-standardized criteria for v alue and authenticity in representation were steadily redefined. These para digm-shifting developments—exemplified in Early Italian painting—ramified i nto the academic study and connoisseurship of the nineteenth and twentieth centuries\, creating a blurry line between the Medieval period and early mo dernity that has proven difficult to shake.\n\nMedieval | Renaissance foreg rounds this distinction\, exhibiting nineteen rarely shown works from the F rascione Collection in Florence\, founded in 1893. Featuring devotional ico ns\, altarpiece panels\, narrative scenes\, and portraits from the late thi rteenth through early sixteenth centuries\, the exhibition charts innovatio ns in the craft and conceptualization of painting in Italy after 1300. Thes e paintings represent a liminal epoch between the later Middle Ages and the Early Renaissance\, whose works and artists are shared—even “claimed”—by t wo divergent art historical fields\, “Medieval” and “Renaissance\,” with th eir own cultures\, questions\, and interpretive methods.\n\nCurated by John Lansdowne and Stephanie C. Leone\, specialists in Medieval and Renaissance art\, respectively\, the exhibition invites viewers to contemplate the wor ks through two distinct art historical lenses and from either side of a lon g-standing and long-debated disciplinary divide.\n\nOrganized by the McMull en Museum\, Medieval | Renaissance has been underwritten by Boston College with major support from the Patrons of the McMullen Museum. DTEND:20251009T210000Z DTSTAMP:20260308T044513Z DTSTART:20251009T140000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "Medieval | Renaissance: A Dialogue on Early Italian Pa inting" UID:tag:localist.com\,2008:EventInstance_50524251995014 URL:https://events.bc.edu/event/exhibition-medieval-renaissance-a-dialogue- on-early-italian-painting END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:Medieval | Renaissance: A Dialogue on Early Italian Painting\n\ nOn view: August 25–29 for BC Classes by appointment (contact rachel.chambe rlain@bc.edu)\n\nOpen to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \n\nPress Release\n\nThe closing centuries of the Middle Ages in Italy witnessed profound transformations in the art of painting. N ew techniques gave way to an expanded repertoire of formats and artistic st yles\; patronage systems and workshop practices evolved in tandem with reas sessments of the merit of authorship\; and long-standardized criteria for v alue and authenticity in representation were steadily redefined. These para digm-shifting developments—exemplified in Early Italian painting—ramified i nto the academic study and connoisseurship of the nineteenth and twentieth centuries\, creating a blurry line between the Medieval period and early mo dernity that has proven difficult to shake.\n\nMedieval | Renaissance foreg rounds this distinction\, exhibiting nineteen rarely shown works from the F rascione Collection in Florence\, founded in 1893. Featuring devotional ico ns\, altarpiece panels\, narrative scenes\, and portraits from the late thi rteenth through early sixteenth centuries\, the exhibition charts innovatio ns in the craft and conceptualization of painting in Italy after 1300. Thes e paintings represent a liminal epoch between the later Middle Ages and the Early Renaissance\, whose works and artists are shared—even “claimed”—by t wo divergent art historical fields\, “Medieval” and “Renaissance\,” with th eir own cultures\, questions\, and interpretive methods.\n\nCurated by John Lansdowne and Stephanie C. Leone\, specialists in Medieval and Renaissance art\, respectively\, the exhibition invites viewers to contemplate the wor ks through two distinct art historical lenses and from either side of a lon g-standing and long-debated disciplinary divide.\n\nOrganized by the McMull en Museum\, Medieval | Renaissance has been underwritten by Boston College with major support from the Patrons of the McMullen Museum. DTEND:20251010T210000Z DTSTAMP:20260308T044513Z DTSTART:20251010T140000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "Medieval | Renaissance: A Dialogue on Early Italian Pa inting" UID:tag:localist.com\,2008:EventInstance_50524251996039 URL:https://events.bc.edu/event/exhibition-medieval-renaissance-a-dialogue- on-early-italian-painting END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:Medieval | Renaissance: A Dialogue on Early Italian Painting\n\ nOn view: August 25–29 for BC Classes by appointment (contact rachel.chambe rlain@bc.edu)\n\nOpen to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \n\nPress Release\n\nThe closing centuries of the Middle Ages in Italy witnessed profound transformations in the art of painting. N ew techniques gave way to an expanded repertoire of formats and artistic st yles\; patronage systems and workshop practices evolved in tandem with reas sessments of the merit of authorship\; and long-standardized criteria for v alue and authenticity in representation were steadily redefined. These para digm-shifting developments—exemplified in Early Italian painting—ramified i nto the academic study and connoisseurship of the nineteenth and twentieth centuries\, creating a blurry line between the Medieval period and early mo dernity that has proven difficult to shake.\n\nMedieval | Renaissance foreg rounds this distinction\, exhibiting nineteen rarely shown works from the F rascione Collection in Florence\, founded in 1893. Featuring devotional ico ns\, altarpiece panels\, narrative scenes\, and portraits from the late thi rteenth through early sixteenth centuries\, the exhibition charts innovatio ns in the craft and conceptualization of painting in Italy after 1300. Thes e paintings represent a liminal epoch between the later Middle Ages and the Early Renaissance\, whose works and artists are shared—even “claimed”—by t wo divergent art historical fields\, “Medieval” and “Renaissance\,” with th eir own cultures\, questions\, and interpretive methods.\n\nCurated by John Lansdowne and Stephanie C. Leone\, specialists in Medieval and Renaissance art\, respectively\, the exhibition invites viewers to contemplate the wor ks through two distinct art historical lenses and from either side of a lon g-standing and long-debated disciplinary divide.\n\nOrganized by the McMull en Museum\, Medieval | Renaissance has been underwritten by Boston College with major support from the Patrons of the McMullen Museum. DTEND:20251011T210000Z DTSTAMP:20260308T044513Z DTSTART:20251011T160000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "Medieval | Renaissance: A Dialogue on Early Italian Pa inting" UID:tag:localist.com\,2008:EventInstance_50524251998088 URL:https://events.bc.edu/event/exhibition-medieval-renaissance-a-dialogue- on-early-italian-painting END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:Medieval | Renaissance: A Dialogue on Early Italian Painting\n\ nOn view: August 25–29 for BC Classes by appointment (contact rachel.chambe rlain@bc.edu)\n\nOpen to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \n\nPress Release\n\nThe closing centuries of the Middle Ages in Italy witnessed profound transformations in the art of painting. N ew techniques gave way to an expanded repertoire of formats and artistic st yles\; patronage systems and workshop practices evolved in tandem with reas sessments of the merit of authorship\; and long-standardized criteria for v alue and authenticity in representation were steadily redefined. These para digm-shifting developments—exemplified in Early Italian painting—ramified i nto the academic study and connoisseurship of the nineteenth and twentieth centuries\, creating a blurry line between the Medieval period and early mo dernity that has proven difficult to shake.\n\nMedieval | Renaissance foreg rounds this distinction\, exhibiting nineteen rarely shown works from the F rascione Collection in Florence\, founded in 1893. Featuring devotional ico ns\, altarpiece panels\, narrative scenes\, and portraits from the late thi rteenth through early sixteenth centuries\, the exhibition charts innovatio ns in the craft and conceptualization of painting in Italy after 1300. Thes e paintings represent a liminal epoch between the later Middle Ages and the Early Renaissance\, whose works and artists are shared—even “claimed”—by t wo divergent art historical fields\, “Medieval” and “Renaissance\,” with th eir own cultures\, questions\, and interpretive methods.\n\nCurated by John Lansdowne and Stephanie C. Leone\, specialists in Medieval and Renaissance art\, respectively\, the exhibition invites viewers to contemplate the wor ks through two distinct art historical lenses and from either side of a lon g-standing and long-debated disciplinary divide.\n\nOrganized by the McMull en Museum\, Medieval | Renaissance has been underwritten by Boston College with major support from the Patrons of the McMullen Museum. DTEND:20251012T210000Z DTSTAMP:20260308T044513Z DTSTART:20251012T160000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "Medieval | Renaissance: A Dialogue on Early Italian Pa inting" UID:tag:localist.com\,2008:EventInstance_50524251999113 URL:https://events.bc.edu/event/exhibition-medieval-renaissance-a-dialogue- on-early-italian-painting END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:Medieval | Renaissance: A Dialogue on Early Italian Painting\n\ nOn view: August 25–29 for BC Classes by appointment (contact rachel.chambe rlain@bc.edu)\n\nOpen to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \n\nPress Release\n\nThe closing centuries of the Middle Ages in Italy witnessed profound transformations in the art of painting. N ew techniques gave way to an expanded repertoire of formats and artistic st yles\; patronage systems and workshop practices evolved in tandem with reas sessments of the merit of authorship\; and long-standardized criteria for v alue and authenticity in representation were steadily redefined. These para digm-shifting developments—exemplified in Early Italian painting—ramified i nto the academic study and connoisseurship of the nineteenth and twentieth centuries\, creating a blurry line between the Medieval period and early mo dernity that has proven difficult to shake.\n\nMedieval | Renaissance foreg rounds this distinction\, exhibiting nineteen rarely shown works from the F rascione Collection in Florence\, founded in 1893. Featuring devotional ico ns\, altarpiece panels\, narrative scenes\, and portraits from the late thi rteenth through early sixteenth centuries\, the exhibition charts innovatio ns in the craft and conceptualization of painting in Italy after 1300. Thes e paintings represent a liminal epoch between the later Middle Ages and the Early Renaissance\, whose works and artists are shared—even “claimed”—by t wo divergent art historical fields\, “Medieval” and “Renaissance\,” with th eir own cultures\, questions\, and interpretive methods.\n\nCurated by John Lansdowne and Stephanie C. Leone\, specialists in Medieval and Renaissance art\, respectively\, the exhibition invites viewers to contemplate the wor ks through two distinct art historical lenses and from either side of a lon g-standing and long-debated disciplinary divide.\n\nOrganized by the McMull en Museum\, Medieval | Renaissance has been underwritten by Boston College with major support from the Patrons of the McMullen Museum. DTEND:20251014T210000Z DTSTAMP:20260308T044513Z DTSTART:20251014T140000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "Medieval | Renaissance: A Dialogue on Early Italian Pa inting" UID:tag:localist.com\,2008:EventInstance_50524252000138 URL:https://events.bc.edu/event/exhibition-medieval-renaissance-a-dialogue- on-early-italian-painting END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:Medieval | Renaissance: A Dialogue on Early Italian Painting\n\ nOn view: August 25–29 for BC Classes by appointment (contact rachel.chambe rlain@bc.edu)\n\nOpen to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \n\nPress Release\n\nThe closing centuries of the Middle Ages in Italy witnessed profound transformations in the art of painting. N ew techniques gave way to an expanded repertoire of formats and artistic st yles\; patronage systems and workshop practices evolved in tandem with reas sessments of the merit of authorship\; and long-standardized criteria for v alue and authenticity in representation were steadily redefined. These para digm-shifting developments—exemplified in Early Italian painting—ramified i nto the academic study and connoisseurship of the nineteenth and twentieth centuries\, creating a blurry line between the Medieval period and early mo dernity that has proven difficult to shake.\n\nMedieval | Renaissance foreg rounds this distinction\, exhibiting nineteen rarely shown works from the F rascione Collection in Florence\, founded in 1893. Featuring devotional ico ns\, altarpiece panels\, narrative scenes\, and portraits from the late thi rteenth through early sixteenth centuries\, the exhibition charts innovatio ns in the craft and conceptualization of painting in Italy after 1300. Thes e paintings represent a liminal epoch between the later Middle Ages and the Early Renaissance\, whose works and artists are shared—even “claimed”—by t wo divergent art historical fields\, “Medieval” and “Renaissance\,” with th eir own cultures\, questions\, and interpretive methods.\n\nCurated by John Lansdowne and Stephanie C. Leone\, specialists in Medieval and Renaissance art\, respectively\, the exhibition invites viewers to contemplate the wor ks through two distinct art historical lenses and from either side of a lon g-standing and long-debated disciplinary divide.\n\nOrganized by the McMull en Museum\, Medieval | Renaissance has been underwritten by Boston College with major support from the Patrons of the McMullen Museum. DTEND:20251015T210000Z DTSTAMP:20260308T044513Z DTSTART:20251015T140000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "Medieval | Renaissance: A Dialogue on Early Italian Pa inting" UID:tag:localist.com\,2008:EventInstance_50524252002187 URL:https://events.bc.edu/event/exhibition-medieval-renaissance-a-dialogue- on-early-italian-painting END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:Medieval | Renaissance: A Dialogue on Early Italian Painting\n\ nOn view: August 25–29 for BC Classes by appointment (contact rachel.chambe rlain@bc.edu)\n\nOpen to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \n\nPress Release\n\nThe closing centuries of the Middle Ages in Italy witnessed profound transformations in the art of painting. N ew techniques gave way to an expanded repertoire of formats and artistic st yles\; patronage systems and workshop practices evolved in tandem with reas sessments of the merit of authorship\; and long-standardized criteria for v alue and authenticity in representation were steadily redefined. These para digm-shifting developments—exemplified in Early Italian painting—ramified i nto the academic study and connoisseurship of the nineteenth and twentieth centuries\, creating a blurry line between the Medieval period and early mo dernity that has proven difficult to shake.\n\nMedieval | Renaissance foreg rounds this distinction\, exhibiting nineteen rarely shown works from the F rascione Collection in Florence\, founded in 1893. Featuring devotional ico ns\, altarpiece panels\, narrative scenes\, and portraits from the late thi rteenth through early sixteenth centuries\, the exhibition charts innovatio ns in the craft and conceptualization of painting in Italy after 1300. Thes e paintings represent a liminal epoch between the later Middle Ages and the Early Renaissance\, whose works and artists are shared—even “claimed”—by t wo divergent art historical fields\, “Medieval” and “Renaissance\,” with th eir own cultures\, questions\, and interpretive methods.\n\nCurated by John Lansdowne and Stephanie C. Leone\, specialists in Medieval and Renaissance art\, respectively\, the exhibition invites viewers to contemplate the wor ks through two distinct art historical lenses and from either side of a lon g-standing and long-debated disciplinary divide.\n\nOrganized by the McMull en Museum\, Medieval | Renaissance has been underwritten by Boston College with major support from the Patrons of the McMullen Museum. DTEND:20251016T210000Z DTSTAMP:20260308T044513Z DTSTART:20251016T140000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "Medieval | Renaissance: A Dialogue on Early Italian Pa inting" UID:tag:localist.com\,2008:EventInstance_50524252003212 URL:https://events.bc.edu/event/exhibition-medieval-renaissance-a-dialogue- on-early-italian-painting END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:Medieval | Renaissance: A Dialogue on Early Italian Painting\n\ nOn view: August 25–29 for BC Classes by appointment (contact rachel.chambe rlain@bc.edu)\n\nOpen to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \n\nPress Release\n\nThe closing centuries of the Middle Ages in Italy witnessed profound transformations in the art of painting. N ew techniques gave way to an expanded repertoire of formats and artistic st yles\; patronage systems and workshop practices evolved in tandem with reas sessments of the merit of authorship\; and long-standardized criteria for v alue and authenticity in representation were steadily redefined. These para digm-shifting developments—exemplified in Early Italian painting—ramified i nto the academic study and connoisseurship of the nineteenth and twentieth centuries\, creating a blurry line between the Medieval period and early mo dernity that has proven difficult to shake.\n\nMedieval | Renaissance foreg rounds this distinction\, exhibiting nineteen rarely shown works from the F rascione Collection in Florence\, founded in 1893. Featuring devotional ico ns\, altarpiece panels\, narrative scenes\, and portraits from the late thi rteenth through early sixteenth centuries\, the exhibition charts innovatio ns in the craft and conceptualization of painting in Italy after 1300. Thes e paintings represent a liminal epoch between the later Middle Ages and the Early Renaissance\, whose works and artists are shared—even “claimed”—by t wo divergent art historical fields\, “Medieval” and “Renaissance\,” with th eir own cultures\, questions\, and interpretive methods.\n\nCurated by John Lansdowne and Stephanie C. Leone\, specialists in Medieval and Renaissance art\, respectively\, the exhibition invites viewers to contemplate the wor ks through two distinct art historical lenses and from either side of a lon g-standing and long-debated disciplinary divide.\n\nOrganized by the McMull en Museum\, Medieval | Renaissance has been underwritten by Boston College with major support from the Patrons of the McMullen Museum. DTEND:20251017T210000Z DTSTAMP:20260308T044513Z DTSTART:20251017T140000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "Medieval | Renaissance: A Dialogue on Early Italian Pa inting" UID:tag:localist.com\,2008:EventInstance_50524252056461 URL:https://events.bc.edu/event/exhibition-medieval-renaissance-a-dialogue- on-early-italian-painting END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:Medieval | Renaissance: A Dialogue on Early Italian Painting\n\ nOn view: August 25–29 for BC Classes by appointment (contact rachel.chambe rlain@bc.edu)\n\nOpen to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \n\nPress Release\n\nThe closing centuries of the Middle Ages in Italy witnessed profound transformations in the art of painting. N ew techniques gave way to an expanded repertoire of formats and artistic st yles\; patronage systems and workshop practices evolved in tandem with reas sessments of the merit of authorship\; and long-standardized criteria for v alue and authenticity in representation were steadily redefined. These para digm-shifting developments—exemplified in Early Italian painting—ramified i nto the academic study and connoisseurship of the nineteenth and twentieth centuries\, creating a blurry line between the Medieval period and early mo dernity that has proven difficult to shake.\n\nMedieval | Renaissance foreg rounds this distinction\, exhibiting nineteen rarely shown works from the F rascione Collection in Florence\, founded in 1893. Featuring devotional ico ns\, altarpiece panels\, narrative scenes\, and portraits from the late thi rteenth through early sixteenth centuries\, the exhibition charts innovatio ns in the craft and conceptualization of painting in Italy after 1300. Thes e paintings represent a liminal epoch between the later Middle Ages and the Early Renaissance\, whose works and artists are shared—even “claimed”—by t wo divergent art historical fields\, “Medieval” and “Renaissance\,” with th eir own cultures\, questions\, and interpretive methods.\n\nCurated by John Lansdowne and Stephanie C. Leone\, specialists in Medieval and Renaissance art\, respectively\, the exhibition invites viewers to contemplate the wor ks through two distinct art historical lenses and from either side of a lon g-standing and long-debated disciplinary divide.\n\nOrganized by the McMull en Museum\, Medieval | Renaissance has been underwritten by Boston College with major support from the Patrons of the McMullen Museum. DTEND:20251018T210000Z DTSTAMP:20260308T044513Z DTSTART:20251018T160000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "Medieval | Renaissance: A Dialogue on Early Italian Pa inting" UID:tag:localist.com\,2008:EventInstance_50524252057486 URL:https://events.bc.edu/event/exhibition-medieval-renaissance-a-dialogue- on-early-italian-painting END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:Medieval | Renaissance: A Dialogue on Early Italian Painting\n\ nOn view: August 25–29 for BC Classes by appointment (contact rachel.chambe rlain@bc.edu)\n\nOpen to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \n\nPress Release\n\nThe closing centuries of the Middle Ages in Italy witnessed profound transformations in the art of painting. N ew techniques gave way to an expanded repertoire of formats and artistic st yles\; patronage systems and workshop practices evolved in tandem with reas sessments of the merit of authorship\; and long-standardized criteria for v alue and authenticity in representation were steadily redefined. These para digm-shifting developments—exemplified in Early Italian painting—ramified i nto the academic study and connoisseurship of the nineteenth and twentieth centuries\, creating a blurry line between the Medieval period and early mo dernity that has proven difficult to shake.\n\nMedieval | Renaissance foreg rounds this distinction\, exhibiting nineteen rarely shown works from the F rascione Collection in Florence\, founded in 1893. Featuring devotional ico ns\, altarpiece panels\, narrative scenes\, and portraits from the late thi rteenth through early sixteenth centuries\, the exhibition charts innovatio ns in the craft and conceptualization of painting in Italy after 1300. Thes e paintings represent a liminal epoch between the later Middle Ages and the Early Renaissance\, whose works and artists are shared—even “claimed”—by t wo divergent art historical fields\, “Medieval” and “Renaissance\,” with th eir own cultures\, questions\, and interpretive methods.\n\nCurated by John Lansdowne and Stephanie C. Leone\, specialists in Medieval and Renaissance art\, respectively\, the exhibition invites viewers to contemplate the wor ks through two distinct art historical lenses and from either side of a lon g-standing and long-debated disciplinary divide.\n\nOrganized by the McMull en Museum\, Medieval | Renaissance has been underwritten by Boston College with major support from the Patrons of the McMullen Museum. DTEND:20251019T210000Z DTSTAMP:20260308T044513Z DTSTART:20251019T160000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "Medieval | Renaissance: A Dialogue on Early Italian Pa inting" UID:tag:localist.com\,2008:EventInstance_50524252059535 URL:https://events.bc.edu/event/exhibition-medieval-renaissance-a-dialogue- on-early-italian-painting END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:Medieval | Renaissance: A Dialogue on Early Italian Painting\n\ nOn view: August 25–29 for BC Classes by appointment (contact rachel.chambe rlain@bc.edu)\n\nOpen to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \n\nPress Release\n\nThe closing centuries of the Middle Ages in Italy witnessed profound transformations in the art of painting. N ew techniques gave way to an expanded repertoire of formats and artistic st yles\; patronage systems and workshop practices evolved in tandem with reas sessments of the merit of authorship\; and long-standardized criteria for v alue and authenticity in representation were steadily redefined. These para digm-shifting developments—exemplified in Early Italian painting—ramified i nto the academic study and connoisseurship of the nineteenth and twentieth centuries\, creating a blurry line between the Medieval period and early mo dernity that has proven difficult to shake.\n\nMedieval | Renaissance foreg rounds this distinction\, exhibiting nineteen rarely shown works from the F rascione Collection in Florence\, founded in 1893. Featuring devotional ico ns\, altarpiece panels\, narrative scenes\, and portraits from the late thi rteenth through early sixteenth centuries\, the exhibition charts innovatio ns in the craft and conceptualization of painting in Italy after 1300. Thes e paintings represent a liminal epoch between the later Middle Ages and the Early Renaissance\, whose works and artists are shared—even “claimed”—by t wo divergent art historical fields\, “Medieval” and “Renaissance\,” with th eir own cultures\, questions\, and interpretive methods.\n\nCurated by John Lansdowne and Stephanie C. Leone\, specialists in Medieval and Renaissance art\, respectively\, the exhibition invites viewers to contemplate the wor ks through two distinct art historical lenses and from either side of a lon g-standing and long-debated disciplinary divide.\n\nOrganized by the McMull en Museum\, Medieval | Renaissance has been underwritten by Boston College with major support from the Patrons of the McMullen Museum. DTEND:20251020T210000Z DTSTAMP:20260308T044513Z DTSTART:20251020T140000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "Medieval | Renaissance: A Dialogue on Early Italian Pa inting" UID:tag:localist.com\,2008:EventInstance_50524252061584 URL:https://events.bc.edu/event/exhibition-medieval-renaissance-a-dialogue- on-early-italian-painting END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:Medieval | Renaissance: A Dialogue on Early Italian Painting\n\ nOn view: August 25–29 for BC Classes by appointment (contact rachel.chambe rlain@bc.edu)\n\nOpen to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \n\nPress Release\n\nThe closing centuries of the Middle Ages in Italy witnessed profound transformations in the art of painting. N ew techniques gave way to an expanded repertoire of formats and artistic st yles\; patronage systems and workshop practices evolved in tandem with reas sessments of the merit of authorship\; and long-standardized criteria for v alue and authenticity in representation were steadily redefined. These para digm-shifting developments—exemplified in Early Italian painting—ramified i nto the academic study and connoisseurship of the nineteenth and twentieth centuries\, creating a blurry line between the Medieval period and early mo dernity that has proven difficult to shake.\n\nMedieval | Renaissance foreg rounds this distinction\, exhibiting nineteen rarely shown works from the F rascione Collection in Florence\, founded in 1893. Featuring devotional ico ns\, altarpiece panels\, narrative scenes\, and portraits from the late thi rteenth through early sixteenth centuries\, the exhibition charts innovatio ns in the craft and conceptualization of painting in Italy after 1300. Thes e paintings represent a liminal epoch between the later Middle Ages and the Early Renaissance\, whose works and artists are shared—even “claimed”—by t wo divergent art historical fields\, “Medieval” and “Renaissance\,” with th eir own cultures\, questions\, and interpretive methods.\n\nCurated by John Lansdowne and Stephanie C. Leone\, specialists in Medieval and Renaissance art\, respectively\, the exhibition invites viewers to contemplate the wor ks through two distinct art historical lenses and from either side of a lon g-standing and long-debated disciplinary divide.\n\nOrganized by the McMull en Museum\, Medieval | Renaissance has been underwritten by Boston College with major support from the Patrons of the McMullen Museum. DTEND:20251021T210000Z DTSTAMP:20260308T044513Z DTSTART:20251021T140000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "Medieval | Renaissance: A Dialogue on Early Italian Pa inting" UID:tag:localist.com\,2008:EventInstance_50524252062609 URL:https://events.bc.edu/event/exhibition-medieval-renaissance-a-dialogue- on-early-italian-painting END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:Medieval | Renaissance: A Dialogue on Early Italian Painting\n\ nOn view: August 25–29 for BC Classes by appointment (contact rachel.chambe rlain@bc.edu)\n\nOpen to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \n\nPress Release\n\nThe closing centuries of the Middle Ages in Italy witnessed profound transformations in the art of painting. N ew techniques gave way to an expanded repertoire of formats and artistic st yles\; patronage systems and workshop practices evolved in tandem with reas sessments of the merit of authorship\; and long-standardized criteria for v alue and authenticity in representation were steadily redefined. These para digm-shifting developments—exemplified in Early Italian painting—ramified i nto the academic study and connoisseurship of the nineteenth and twentieth centuries\, creating a blurry line between the Medieval period and early mo dernity that has proven difficult to shake.\n\nMedieval | Renaissance foreg rounds this distinction\, exhibiting nineteen rarely shown works from the F rascione Collection in Florence\, founded in 1893. Featuring devotional ico ns\, altarpiece panels\, narrative scenes\, and portraits from the late thi rteenth through early sixteenth centuries\, the exhibition charts innovatio ns in the craft and conceptualization of painting in Italy after 1300. Thes e paintings represent a liminal epoch between the later Middle Ages and the Early Renaissance\, whose works and artists are shared—even “claimed”—by t wo divergent art historical fields\, “Medieval” and “Renaissance\,” with th eir own cultures\, questions\, and interpretive methods.\n\nCurated by John Lansdowne and Stephanie C. Leone\, specialists in Medieval and Renaissance art\, respectively\, the exhibition invites viewers to contemplate the wor ks through two distinct art historical lenses and from either side of a lon g-standing and long-debated disciplinary divide.\n\nOrganized by the McMull en Museum\, Medieval | Renaissance has been underwritten by Boston College with major support from the Patrons of the McMullen Museum. DTEND:20251022T210000Z DTSTAMP:20260308T044513Z DTSTART:20251022T140000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "Medieval | Renaissance: A Dialogue on Early Italian Pa inting" UID:tag:localist.com\,2008:EventInstance_50524252064658 URL:https://events.bc.edu/event/exhibition-medieval-renaissance-a-dialogue- on-early-italian-painting END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:Medieval | Renaissance: A Dialogue on Early Italian Painting\n\ nOn view: August 25–29 for BC Classes by appointment (contact rachel.chambe rlain@bc.edu)\n\nOpen to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \n\nPress Release\n\nThe closing centuries of the Middle Ages in Italy witnessed profound transformations in the art of painting. N ew techniques gave way to an expanded repertoire of formats and artistic st yles\; patronage systems and workshop practices evolved in tandem with reas sessments of the merit of authorship\; and long-standardized criteria for v alue and authenticity in representation were steadily redefined. These para digm-shifting developments—exemplified in Early Italian painting—ramified i nto the academic study and connoisseurship of the nineteenth and twentieth centuries\, creating a blurry line between the Medieval period and early mo dernity that has proven difficult to shake.\n\nMedieval | Renaissance foreg rounds this distinction\, exhibiting nineteen rarely shown works from the F rascione Collection in Florence\, founded in 1893. Featuring devotional ico ns\, altarpiece panels\, narrative scenes\, and portraits from the late thi rteenth through early sixteenth centuries\, the exhibition charts innovatio ns in the craft and conceptualization of painting in Italy after 1300. Thes e paintings represent a liminal epoch between the later Middle Ages and the Early Renaissance\, whose works and artists are shared—even “claimed”—by t wo divergent art historical fields\, “Medieval” and “Renaissance\,” with th eir own cultures\, questions\, and interpretive methods.\n\nCurated by John Lansdowne and Stephanie C. Leone\, specialists in Medieval and Renaissance art\, respectively\, the exhibition invites viewers to contemplate the wor ks through two distinct art historical lenses and from either side of a lon g-standing and long-debated disciplinary divide.\n\nOrganized by the McMull en Museum\, Medieval | Renaissance has been underwritten by Boston College with major support from the Patrons of the McMullen Museum. DTEND:20251023T210000Z DTSTAMP:20260308T044513Z DTSTART:20251023T140000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "Medieval | Renaissance: A Dialogue on Early Italian Pa inting" UID:tag:localist.com\,2008:EventInstance_50524252065683 URL:https://events.bc.edu/event/exhibition-medieval-renaissance-a-dialogue- on-early-italian-painting END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:Medieval | Renaissance: A Dialogue on Early Italian Painting\n\ nOn view: August 25–29 for BC Classes by appointment (contact rachel.chambe rlain@bc.edu)\n\nOpen to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \n\nPress Release\n\nThe closing centuries of the Middle Ages in Italy witnessed profound transformations in the art of painting. N ew techniques gave way to an expanded repertoire of formats and artistic st yles\; patronage systems and workshop practices evolved in tandem with reas sessments of the merit of authorship\; and long-standardized criteria for v alue and authenticity in representation were steadily redefined. These para digm-shifting developments—exemplified in Early Italian painting—ramified i nto the academic study and connoisseurship of the nineteenth and twentieth centuries\, creating a blurry line between the Medieval period and early mo dernity that has proven difficult to shake.\n\nMedieval | Renaissance foreg rounds this distinction\, exhibiting nineteen rarely shown works from the F rascione Collection in Florence\, founded in 1893. Featuring devotional ico ns\, altarpiece panels\, narrative scenes\, and portraits from the late thi rteenth through early sixteenth centuries\, the exhibition charts innovatio ns in the craft and conceptualization of painting in Italy after 1300. Thes e paintings represent a liminal epoch between the later Middle Ages and the Early Renaissance\, whose works and artists are shared—even “claimed”—by t wo divergent art historical fields\, “Medieval” and “Renaissance\,” with th eir own cultures\, questions\, and interpretive methods.\n\nCurated by John Lansdowne and Stephanie C. Leone\, specialists in Medieval and Renaissance art\, respectively\, the exhibition invites viewers to contemplate the wor ks through two distinct art historical lenses and from either side of a lon g-standing and long-debated disciplinary divide.\n\nOrganized by the McMull en Museum\, Medieval | Renaissance has been underwritten by Boston College with major support from the Patrons of the McMullen Museum. DTEND:20251024T210000Z DTSTAMP:20260308T044513Z DTSTART:20251024T140000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "Medieval | Renaissance: A Dialogue on Early Italian Pa inting" UID:tag:localist.com\,2008:EventInstance_50524252067732 URL:https://events.bc.edu/event/exhibition-medieval-renaissance-a-dialogue- on-early-italian-painting END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:Medieval | Renaissance: A Dialogue on Early Italian Painting\n\ nOn view: August 25–29 for BC Classes by appointment (contact rachel.chambe rlain@bc.edu)\n\nOpen to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \n\nPress Release\n\nThe closing centuries of the Middle Ages in Italy witnessed profound transformations in the art of painting. N ew techniques gave way to an expanded repertoire of formats and artistic st yles\; patronage systems and workshop practices evolved in tandem with reas sessments of the merit of authorship\; and long-standardized criteria for v alue and authenticity in representation were steadily redefined. These para digm-shifting developments—exemplified in Early Italian painting—ramified i nto the academic study and connoisseurship of the nineteenth and twentieth centuries\, creating a blurry line between the Medieval period and early mo dernity that has proven difficult to shake.\n\nMedieval | Renaissance foreg rounds this distinction\, exhibiting nineteen rarely shown works from the F rascione Collection in Florence\, founded in 1893. Featuring devotional ico ns\, altarpiece panels\, narrative scenes\, and portraits from the late thi rteenth through early sixteenth centuries\, the exhibition charts innovatio ns in the craft and conceptualization of painting in Italy after 1300. Thes e paintings represent a liminal epoch between the later Middle Ages and the Early Renaissance\, whose works and artists are shared—even “claimed”—by t wo divergent art historical fields\, “Medieval” and “Renaissance\,” with th eir own cultures\, questions\, and interpretive methods.\n\nCurated by John Lansdowne and Stephanie C. Leone\, specialists in Medieval and Renaissance art\, respectively\, the exhibition invites viewers to contemplate the wor ks through two distinct art historical lenses and from either side of a lon g-standing and long-debated disciplinary divide.\n\nOrganized by the McMull en Museum\, Medieval | Renaissance has been underwritten by Boston College with major support from the Patrons of the McMullen Museum. DTEND:20251025T210000Z DTSTAMP:20260308T044513Z DTSTART:20251025T160000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "Medieval | Renaissance: A Dialogue on Early Italian Pa inting" UID:tag:localist.com\,2008:EventInstance_50524252069781 URL:https://events.bc.edu/event/exhibition-medieval-renaissance-a-dialogue- on-early-italian-painting END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:Medieval | Renaissance: A Dialogue on Early Italian Painting\n\ nOn view: August 25–29 for BC Classes by appointment (contact rachel.chambe rlain@bc.edu)\n\nOpen to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \n\nPress Release\n\nThe closing centuries of the Middle Ages in Italy witnessed profound transformations in the art of painting. N ew techniques gave way to an expanded repertoire of formats and artistic st yles\; patronage systems and workshop practices evolved in tandem with reas sessments of the merit of authorship\; and long-standardized criteria for v alue and authenticity in representation were steadily redefined. These para digm-shifting developments—exemplified in Early Italian painting—ramified i nto the academic study and connoisseurship of the nineteenth and twentieth centuries\, creating a blurry line between the Medieval period and early mo dernity that has proven difficult to shake.\n\nMedieval | Renaissance foreg rounds this distinction\, exhibiting nineteen rarely shown works from the F rascione Collection in Florence\, founded in 1893. Featuring devotional ico ns\, altarpiece panels\, narrative scenes\, and portraits from the late thi rteenth through early sixteenth centuries\, the exhibition charts innovatio ns in the craft and conceptualization of painting in Italy after 1300. Thes e paintings represent a liminal epoch between the later Middle Ages and the Early Renaissance\, whose works and artists are shared—even “claimed”—by t wo divergent art historical fields\, “Medieval” and “Renaissance\,” with th eir own cultures\, questions\, and interpretive methods.\n\nCurated by John Lansdowne and Stephanie C. Leone\, specialists in Medieval and Renaissance art\, respectively\, the exhibition invites viewers to contemplate the wor ks through two distinct art historical lenses and from either side of a lon g-standing and long-debated disciplinary divide.\n\nOrganized by the McMull en Museum\, Medieval | Renaissance has been underwritten by Boston College with major support from the Patrons of the McMullen Museum. DTEND:20251026T210000Z DTSTAMP:20260308T044513Z DTSTART:20251026T160000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "Medieval | Renaissance: A Dialogue on Early Italian Pa inting" UID:tag:localist.com\,2008:EventInstance_50524252073878 URL:https://events.bc.edu/event/exhibition-medieval-renaissance-a-dialogue- on-early-italian-painting END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:Medieval | Renaissance: A Dialogue on Early Italian Painting\n\ nOn view: August 25–29 for BC Classes by appointment (contact rachel.chambe rlain@bc.edu)\n\nOpen to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \n\nPress Release\n\nThe closing centuries of the Middle Ages in Italy witnessed profound transformations in the art of painting. N ew techniques gave way to an expanded repertoire of formats and artistic st yles\; patronage systems and workshop practices evolved in tandem with reas sessments of the merit of authorship\; and long-standardized criteria for v alue and authenticity in representation were steadily redefined. These para digm-shifting developments—exemplified in Early Italian painting—ramified i nto the academic study and connoisseurship of the nineteenth and twentieth centuries\, creating a blurry line between the Medieval period and early mo dernity that has proven difficult to shake.\n\nMedieval | Renaissance foreg rounds this distinction\, exhibiting nineteen rarely shown works from the F rascione Collection in Florence\, founded in 1893. Featuring devotional ico ns\, altarpiece panels\, narrative scenes\, and portraits from the late thi rteenth through early sixteenth centuries\, the exhibition charts innovatio ns in the craft and conceptualization of painting in Italy after 1300. Thes e paintings represent a liminal epoch between the later Middle Ages and the Early Renaissance\, whose works and artists are shared—even “claimed”—by t wo divergent art historical fields\, “Medieval” and “Renaissance\,” with th eir own cultures\, questions\, and interpretive methods.\n\nCurated by John Lansdowne and Stephanie C. Leone\, specialists in Medieval and Renaissance art\, respectively\, the exhibition invites viewers to contemplate the wor ks through two distinct art historical lenses and from either side of a lon g-standing and long-debated disciplinary divide.\n\nOrganized by the McMull en Museum\, Medieval | Renaissance has been underwritten by Boston College with major support from the Patrons of the McMullen Museum. DTEND:20251027T210000Z DTSTAMP:20260308T044513Z DTSTART:20251027T140000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "Medieval | Renaissance: A Dialogue on Early Italian Pa inting" UID:tag:localist.com\,2008:EventInstance_50524252076951 URL:https://events.bc.edu/event/exhibition-medieval-renaissance-a-dialogue- on-early-italian-painting END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:Medieval | Renaissance: A Dialogue on Early Italian Painting\n\ nOn view: August 25–29 for BC Classes by appointment (contact rachel.chambe rlain@bc.edu)\n\nOpen to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \n\nPress Release\n\nThe closing centuries of the Middle Ages in Italy witnessed profound transformations in the art of painting. N ew techniques gave way to an expanded repertoire of formats and artistic st yles\; patronage systems and workshop practices evolved in tandem with reas sessments of the merit of authorship\; and long-standardized criteria for v alue and authenticity in representation were steadily redefined. These para digm-shifting developments—exemplified in Early Italian painting—ramified i nto the academic study and connoisseurship of the nineteenth and twentieth centuries\, creating a blurry line between the Medieval period and early mo dernity that has proven difficult to shake.\n\nMedieval | Renaissance foreg rounds this distinction\, exhibiting nineteen rarely shown works from the F rascione Collection in Florence\, founded in 1893. Featuring devotional ico ns\, altarpiece panels\, narrative scenes\, and portraits from the late thi rteenth through early sixteenth centuries\, the exhibition charts innovatio ns in the craft and conceptualization of painting in Italy after 1300. Thes e paintings represent a liminal epoch between the later Middle Ages and the Early Renaissance\, whose works and artists are shared—even “claimed”—by t wo divergent art historical fields\, “Medieval” and “Renaissance\,” with th eir own cultures\, questions\, and interpretive methods.\n\nCurated by John Lansdowne and Stephanie C. Leone\, specialists in Medieval and Renaissance art\, respectively\, the exhibition invites viewers to contemplate the wor ks through two distinct art historical lenses and from either side of a lon g-standing and long-debated disciplinary divide.\n\nOrganized by the McMull en Museum\, Medieval | Renaissance has been underwritten by Boston College with major support from the Patrons of the McMullen Museum. DTEND:20251028T210000Z DTSTAMP:20260308T044513Z DTSTART:20251028T140000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "Medieval | Renaissance: A Dialogue on Early Italian Pa inting" UID:tag:localist.com\,2008:EventInstance_50524252079000 URL:https://events.bc.edu/event/exhibition-medieval-renaissance-a-dialogue- on-early-italian-painting END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:Medieval | Renaissance: A Dialogue on Early Italian Painting\n\ nOn view: August 25–29 for BC Classes by appointment (contact rachel.chambe rlain@bc.edu)\n\nOpen to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \n\nPress Release\n\nThe closing centuries of the Middle Ages in Italy witnessed profound transformations in the art of painting. N ew techniques gave way to an expanded repertoire of formats and artistic st yles\; patronage systems and workshop practices evolved in tandem with reas sessments of the merit of authorship\; and long-standardized criteria for v alue and authenticity in representation were steadily redefined. These para digm-shifting developments—exemplified in Early Italian painting—ramified i nto the academic study and connoisseurship of the nineteenth and twentieth centuries\, creating a blurry line between the Medieval period and early mo dernity that has proven difficult to shake.\n\nMedieval | Renaissance foreg rounds this distinction\, exhibiting nineteen rarely shown works from the F rascione Collection in Florence\, founded in 1893. Featuring devotional ico ns\, altarpiece panels\, narrative scenes\, and portraits from the late thi rteenth through early sixteenth centuries\, the exhibition charts innovatio ns in the craft and conceptualization of painting in Italy after 1300. Thes e paintings represent a liminal epoch between the later Middle Ages and the Early Renaissance\, whose works and artists are shared—even “claimed”—by t wo divergent art historical fields\, “Medieval” and “Renaissance\,” with th eir own cultures\, questions\, and interpretive methods.\n\nCurated by John Lansdowne and Stephanie C. Leone\, specialists in Medieval and Renaissance art\, respectively\, the exhibition invites viewers to contemplate the wor ks through two distinct art historical lenses and from either side of a lon g-standing and long-debated disciplinary divide.\n\nOrganized by the McMull en Museum\, Medieval | Renaissance has been underwritten by Boston College with major support from the Patrons of the McMullen Museum. DTEND:20251029T210000Z DTSTAMP:20260308T044513Z DTSTART:20251029T140000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "Medieval | Renaissance: A Dialogue on Early Italian Pa inting" UID:tag:localist.com\,2008:EventInstance_50524252081049 URL:https://events.bc.edu/event/exhibition-medieval-renaissance-a-dialogue- on-early-italian-painting END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:Medieval | Renaissance: A Dialogue on Early Italian Painting\n\ nOn view: August 25–29 for BC Classes by appointment (contact rachel.chambe rlain@bc.edu)\n\nOpen to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \n\nPress Release\n\nThe closing centuries of the Middle Ages in Italy witnessed profound transformations in the art of painting. N ew techniques gave way to an expanded repertoire of formats and artistic st yles\; patronage systems and workshop practices evolved in tandem with reas sessments of the merit of authorship\; and long-standardized criteria for v alue and authenticity in representation were steadily redefined. These para digm-shifting developments—exemplified in Early Italian painting—ramified i nto the academic study and connoisseurship of the nineteenth and twentieth centuries\, creating a blurry line between the Medieval period and early mo dernity that has proven difficult to shake.\n\nMedieval | Renaissance foreg rounds this distinction\, exhibiting nineteen rarely shown works from the F rascione Collection in Florence\, founded in 1893. Featuring devotional ico ns\, altarpiece panels\, narrative scenes\, and portraits from the late thi rteenth through early sixteenth centuries\, the exhibition charts innovatio ns in the craft and conceptualization of painting in Italy after 1300. Thes e paintings represent a liminal epoch between the later Middle Ages and the Early Renaissance\, whose works and artists are shared—even “claimed”—by t wo divergent art historical fields\, “Medieval” and “Renaissance\,” with th eir own cultures\, questions\, and interpretive methods.\n\nCurated by John Lansdowne and Stephanie C. Leone\, specialists in Medieval and Renaissance art\, respectively\, the exhibition invites viewers to contemplate the wor ks through two distinct art historical lenses and from either side of a lon g-standing and long-debated disciplinary divide.\n\nOrganized by the McMull en Museum\, Medieval | Renaissance has been underwritten by Boston College with major support from the Patrons of the McMullen Museum. DTEND:20251030T210000Z DTSTAMP:20260308T044513Z DTSTART:20251030T140000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "Medieval | Renaissance: A Dialogue on Early Italian Pa inting" UID:tag:localist.com\,2008:EventInstance_50524252083098 URL:https://events.bc.edu/event/exhibition-medieval-renaissance-a-dialogue- on-early-italian-painting END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:Medieval | Renaissance: A Dialogue on Early Italian Painting\n\ nOn view: August 25–29 for BC Classes by appointment (contact rachel.chambe rlain@bc.edu)\n\nOpen to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \n\nPress Release\n\nThe closing centuries of the Middle Ages in Italy witnessed profound transformations in the art of painting. N ew techniques gave way to an expanded repertoire of formats and artistic st yles\; patronage systems and workshop practices evolved in tandem with reas sessments of the merit of authorship\; and long-standardized criteria for v alue and authenticity in representation were steadily redefined. These para digm-shifting developments—exemplified in Early Italian painting—ramified i nto the academic study and connoisseurship of the nineteenth and twentieth centuries\, creating a blurry line between the Medieval period and early mo dernity that has proven difficult to shake.\n\nMedieval | Renaissance foreg rounds this distinction\, exhibiting nineteen rarely shown works from the F rascione Collection in Florence\, founded in 1893. Featuring devotional ico ns\, altarpiece panels\, narrative scenes\, and portraits from the late thi rteenth through early sixteenth centuries\, the exhibition charts innovatio ns in the craft and conceptualization of painting in Italy after 1300. Thes e paintings represent a liminal epoch between the later Middle Ages and the Early Renaissance\, whose works and artists are shared—even “claimed”—by t wo divergent art historical fields\, “Medieval” and “Renaissance\,” with th eir own cultures\, questions\, and interpretive methods.\n\nCurated by John Lansdowne and Stephanie C. Leone\, specialists in Medieval and Renaissance art\, respectively\, the exhibition invites viewers to contemplate the wor ks through two distinct art historical lenses and from either side of a lon g-standing and long-debated disciplinary divide.\n\nOrganized by the McMull en Museum\, Medieval | Renaissance has been underwritten by Boston College with major support from the Patrons of the McMullen Museum. DTEND:20251031T210000Z DTSTAMP:20260308T044513Z DTSTART:20251031T140000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "Medieval | Renaissance: A Dialogue on Early Italian Pa inting" UID:tag:localist.com\,2008:EventInstance_50524252084123 URL:https://events.bc.edu/event/exhibition-medieval-renaissance-a-dialogue- on-early-italian-painting END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:Medieval | Renaissance: A Dialogue on Early Italian Painting\n\ nOn view: August 25–29 for BC Classes by appointment (contact rachel.chambe rlain@bc.edu)\n\nOpen to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \n\nPress Release\n\nThe closing centuries of the Middle Ages in Italy witnessed profound transformations in the art of painting. N ew techniques gave way to an expanded repertoire of formats and artistic st yles\; patronage systems and workshop practices evolved in tandem with reas sessments of the merit of authorship\; and long-standardized criteria for v alue and authenticity in representation were steadily redefined. These para digm-shifting developments—exemplified in Early Italian painting—ramified i nto the academic study and connoisseurship of the nineteenth and twentieth centuries\, creating a blurry line between the Medieval period and early mo dernity that has proven difficult to shake.\n\nMedieval | Renaissance foreg rounds this distinction\, exhibiting nineteen rarely shown works from the F rascione Collection in Florence\, founded in 1893. Featuring devotional ico ns\, altarpiece panels\, narrative scenes\, and portraits from the late thi rteenth through early sixteenth centuries\, the exhibition charts innovatio ns in the craft and conceptualization of painting in Italy after 1300. Thes e paintings represent a liminal epoch between the later Middle Ages and the Early Renaissance\, whose works and artists are shared—even “claimed”—by t wo divergent art historical fields\, “Medieval” and “Renaissance\,” with th eir own cultures\, questions\, and interpretive methods.\n\nCurated by John Lansdowne and Stephanie C. Leone\, specialists in Medieval and Renaissance art\, respectively\, the exhibition invites viewers to contemplate the wor ks through two distinct art historical lenses and from either side of a lon g-standing and long-debated disciplinary divide.\n\nOrganized by the McMull en Museum\, Medieval | Renaissance has been underwritten by Boston College with major support from the Patrons of the McMullen Museum. DTEND:20251101T210000Z DTSTAMP:20260308T044513Z DTSTART:20251101T160000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "Medieval | Renaissance: A Dialogue on Early Italian Pa inting" UID:tag:localist.com\,2008:EventInstance_50524252087196 URL:https://events.bc.edu/event/exhibition-medieval-renaissance-a-dialogue- on-early-italian-painting END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:Medieval | Renaissance: A Dialogue on Early Italian Painting\n\ nOn view: August 25–29 for BC Classes by appointment (contact rachel.chambe rlain@bc.edu)\n\nOpen to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \n\nPress Release\n\nThe closing centuries of the Middle Ages in Italy witnessed profound transformations in the art of painting. N ew techniques gave way to an expanded repertoire of formats and artistic st yles\; patronage systems and workshop practices evolved in tandem with reas sessments of the merit of authorship\; and long-standardized criteria for v alue and authenticity in representation were steadily redefined. These para digm-shifting developments—exemplified in Early Italian painting—ramified i nto the academic study and connoisseurship of the nineteenth and twentieth centuries\, creating a blurry line between the Medieval period and early mo dernity that has proven difficult to shake.\n\nMedieval | Renaissance foreg rounds this distinction\, exhibiting nineteen rarely shown works from the F rascione Collection in Florence\, founded in 1893. Featuring devotional ico ns\, altarpiece panels\, narrative scenes\, and portraits from the late thi rteenth through early sixteenth centuries\, the exhibition charts innovatio ns in the craft and conceptualization of painting in Italy after 1300. Thes e paintings represent a liminal epoch between the later Middle Ages and the Early Renaissance\, whose works and artists are shared—even “claimed”—by t wo divergent art historical fields\, “Medieval” and “Renaissance\,” with th eir own cultures\, questions\, and interpretive methods.\n\nCurated by John Lansdowne and Stephanie C. Leone\, specialists in Medieval and Renaissance art\, respectively\, the exhibition invites viewers to contemplate the wor ks through two distinct art historical lenses and from either side of a lon g-standing and long-debated disciplinary divide.\n\nOrganized by the McMull en Museum\, Medieval | Renaissance has been underwritten by Boston College with major support from the Patrons of the McMullen Museum. DTEND:20251102T220000Z DTSTAMP:20260308T044513Z DTSTART:20251102T170000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "Medieval | Renaissance: A Dialogue on Early Italian Pa inting" UID:tag:localist.com\,2008:EventInstance_50524252088221 URL:https://events.bc.edu/event/exhibition-medieval-renaissance-a-dialogue- on-early-italian-painting END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:Medieval | Renaissance: A Dialogue on Early Italian Painting\n\ nOn view: August 25–29 for BC Classes by appointment (contact rachel.chambe rlain@bc.edu)\n\nOpen to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \n\nPress Release\n\nThe closing centuries of the Middle Ages in Italy witnessed profound transformations in the art of painting. N ew techniques gave way to an expanded repertoire of formats and artistic st yles\; patronage systems and workshop practices evolved in tandem with reas sessments of the merit of authorship\; and long-standardized criteria for v alue and authenticity in representation were steadily redefined. These para digm-shifting developments—exemplified in Early Italian painting—ramified i nto the academic study and connoisseurship of the nineteenth and twentieth centuries\, creating a blurry line between the Medieval period and early mo dernity that has proven difficult to shake.\n\nMedieval | Renaissance foreg rounds this distinction\, exhibiting nineteen rarely shown works from the F rascione Collection in Florence\, founded in 1893. Featuring devotional ico ns\, altarpiece panels\, narrative scenes\, and portraits from the late thi rteenth through early sixteenth centuries\, the exhibition charts innovatio ns in the craft and conceptualization of painting in Italy after 1300. Thes e paintings represent a liminal epoch between the later Middle Ages and the Early Renaissance\, whose works and artists are shared—even “claimed”—by t wo divergent art historical fields\, “Medieval” and “Renaissance\,” with th eir own cultures\, questions\, and interpretive methods.\n\nCurated by John Lansdowne and Stephanie C. Leone\, specialists in Medieval and Renaissance art\, respectively\, the exhibition invites viewers to contemplate the wor ks through two distinct art historical lenses and from either side of a lon g-standing and long-debated disciplinary divide.\n\nOrganized by the McMull en Museum\, Medieval | Renaissance has been underwritten by Boston College with major support from the Patrons of the McMullen Museum. DTEND:20251103T220000Z DTSTAMP:20260308T044513Z DTSTART:20251103T150000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "Medieval | Renaissance: A Dialogue on Early Italian Pa inting" UID:tag:localist.com\,2008:EventInstance_50524252090270 URL:https://events.bc.edu/event/exhibition-medieval-renaissance-a-dialogue- on-early-italian-painting END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:Medieval | Renaissance: A Dialogue on Early Italian Painting\n\ nOn view: August 25–29 for BC Classes by appointment (contact rachel.chambe rlain@bc.edu)\n\nOpen to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \n\nPress Release\n\nThe closing centuries of the Middle Ages in Italy witnessed profound transformations in the art of painting. N ew techniques gave way to an expanded repertoire of formats and artistic st yles\; patronage systems and workshop practices evolved in tandem with reas sessments of the merit of authorship\; and long-standardized criteria for v alue and authenticity in representation were steadily redefined. These para digm-shifting developments—exemplified in Early Italian painting—ramified i nto the academic study and connoisseurship of the nineteenth and twentieth centuries\, creating a blurry line between the Medieval period and early mo dernity that has proven difficult to shake.\n\nMedieval | Renaissance foreg rounds this distinction\, exhibiting nineteen rarely shown works from the F rascione Collection in Florence\, founded in 1893. Featuring devotional ico ns\, altarpiece panels\, narrative scenes\, and portraits from the late thi rteenth through early sixteenth centuries\, the exhibition charts innovatio ns in the craft and conceptualization of painting in Italy after 1300. Thes e paintings represent a liminal epoch between the later Middle Ages and the Early Renaissance\, whose works and artists are shared—even “claimed”—by t wo divergent art historical fields\, “Medieval” and “Renaissance\,” with th eir own cultures\, questions\, and interpretive methods.\n\nCurated by John Lansdowne and Stephanie C. Leone\, specialists in Medieval and Renaissance art\, respectively\, the exhibition invites viewers to contemplate the wor ks through two distinct art historical lenses and from either side of a lon g-standing and long-debated disciplinary divide.\n\nOrganized by the McMull en Museum\, Medieval | Renaissance has been underwritten by Boston College with major support from the Patrons of the McMullen Museum. DTEND:20251104T220000Z DTSTAMP:20260308T044513Z DTSTART:20251104T150000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "Medieval | Renaissance: A Dialogue on Early Italian Pa inting" UID:tag:localist.com\,2008:EventInstance_50524252091295 URL:https://events.bc.edu/event/exhibition-medieval-renaissance-a-dialogue- on-early-italian-painting END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:Medieval | Renaissance: A Dialogue on Early Italian Painting\n\ nOn view: August 25–29 for BC Classes by appointment (contact rachel.chambe rlain@bc.edu)\n\nOpen to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \n\nPress Release\n\nThe closing centuries of the Middle Ages in Italy witnessed profound transformations in the art of painting. N ew techniques gave way to an expanded repertoire of formats and artistic st yles\; patronage systems and workshop practices evolved in tandem with reas sessments of the merit of authorship\; and long-standardized criteria for v alue and authenticity in representation were steadily redefined. These para digm-shifting developments—exemplified in Early Italian painting—ramified i nto the academic study and connoisseurship of the nineteenth and twentieth centuries\, creating a blurry line between the Medieval period and early mo dernity that has proven difficult to shake.\n\nMedieval | Renaissance foreg rounds this distinction\, exhibiting nineteen rarely shown works from the F rascione Collection in Florence\, founded in 1893. Featuring devotional ico ns\, altarpiece panels\, narrative scenes\, and portraits from the late thi rteenth through early sixteenth centuries\, the exhibition charts innovatio ns in the craft and conceptualization of painting in Italy after 1300. Thes e paintings represent a liminal epoch between the later Middle Ages and the Early Renaissance\, whose works and artists are shared—even “claimed”—by t wo divergent art historical fields\, “Medieval” and “Renaissance\,” with th eir own cultures\, questions\, and interpretive methods.\n\nCurated by John Lansdowne and Stephanie C. Leone\, specialists in Medieval and Renaissance art\, respectively\, the exhibition invites viewers to contemplate the wor ks through two distinct art historical lenses and from either side of a lon g-standing and long-debated disciplinary divide.\n\nOrganized by the McMull en Museum\, Medieval | Renaissance has been underwritten by Boston College with major support from the Patrons of the McMullen Museum. DTEND:20251105T220000Z DTSTAMP:20260308T044513Z DTSTART:20251105T150000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "Medieval | Renaissance: A Dialogue on Early Italian Pa inting" UID:tag:localist.com\,2008:EventInstance_50524252093344 URL:https://events.bc.edu/event/exhibition-medieval-renaissance-a-dialogue- on-early-italian-painting END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:Medieval | Renaissance: A Dialogue on Early Italian Painting\n\ nOn view: August 25–29 for BC Classes by appointment (contact rachel.chambe rlain@bc.edu)\n\nOpen to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \n\nPress Release\n\nThe closing centuries of the Middle Ages in Italy witnessed profound transformations in the art of painting. N ew techniques gave way to an expanded repertoire of formats and artistic st yles\; patronage systems and workshop practices evolved in tandem with reas sessments of the merit of authorship\; and long-standardized criteria for v alue and authenticity in representation were steadily redefined. These para digm-shifting developments—exemplified in Early Italian painting—ramified i nto the academic study and connoisseurship of the nineteenth and twentieth centuries\, creating a blurry line between the Medieval period and early mo dernity that has proven difficult to shake.\n\nMedieval | Renaissance foreg rounds this distinction\, exhibiting nineteen rarely shown works from the F rascione Collection in Florence\, founded in 1893. Featuring devotional ico ns\, altarpiece panels\, narrative scenes\, and portraits from the late thi rteenth through early sixteenth centuries\, the exhibition charts innovatio ns in the craft and conceptualization of painting in Italy after 1300. Thes e paintings represent a liminal epoch between the later Middle Ages and the Early Renaissance\, whose works and artists are shared—even “claimed”—by t wo divergent art historical fields\, “Medieval” and “Renaissance\,” with th eir own cultures\, questions\, and interpretive methods.\n\nCurated by John Lansdowne and Stephanie C. Leone\, specialists in Medieval and Renaissance art\, respectively\, the exhibition invites viewers to contemplate the wor ks through two distinct art historical lenses and from either side of a lon g-standing and long-debated disciplinary divide.\n\nOrganized by the McMull en Museum\, Medieval | Renaissance has been underwritten by Boston College with major support from the Patrons of the McMullen Museum. DTEND:20251106T220000Z DTSTAMP:20260308T044513Z DTSTART:20251106T150000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "Medieval | Renaissance: A Dialogue on Early Italian Pa inting" UID:tag:localist.com\,2008:EventInstance_50524252094369 URL:https://events.bc.edu/event/exhibition-medieval-renaissance-a-dialogue- on-early-italian-painting END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:Medieval | Renaissance: A Dialogue on Early Italian Painting\n\ nOn view: August 25–29 for BC Classes by appointment (contact rachel.chambe rlain@bc.edu)\n\nOpen to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \n\nPress Release\n\nThe closing centuries of the Middle Ages in Italy witnessed profound transformations in the art of painting. N ew techniques gave way to an expanded repertoire of formats and artistic st yles\; patronage systems and workshop practices evolved in tandem with reas sessments of the merit of authorship\; and long-standardized criteria for v alue and authenticity in representation were steadily redefined. These para digm-shifting developments—exemplified in Early Italian painting—ramified i nto the academic study and connoisseurship of the nineteenth and twentieth centuries\, creating a blurry line between the Medieval period and early mo dernity that has proven difficult to shake.\n\nMedieval | Renaissance foreg rounds this distinction\, exhibiting nineteen rarely shown works from the F rascione Collection in Florence\, founded in 1893. Featuring devotional ico ns\, altarpiece panels\, narrative scenes\, and portraits from the late thi rteenth through early sixteenth centuries\, the exhibition charts innovatio ns in the craft and conceptualization of painting in Italy after 1300. Thes e paintings represent a liminal epoch between the later Middle Ages and the Early Renaissance\, whose works and artists are shared—even “claimed”—by t wo divergent art historical fields\, “Medieval” and “Renaissance\,” with th eir own cultures\, questions\, and interpretive methods.\n\nCurated by John Lansdowne and Stephanie C. Leone\, specialists in Medieval and Renaissance art\, respectively\, the exhibition invites viewers to contemplate the wor ks through two distinct art historical lenses and from either side of a lon g-standing and long-debated disciplinary divide.\n\nOrganized by the McMull en Museum\, Medieval | Renaissance has been underwritten by Boston College with major support from the Patrons of the McMullen Museum. DTEND:20251107T220000Z DTSTAMP:20260308T044513Z DTSTART:20251107T150000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "Medieval | Renaissance: A Dialogue on Early Italian Pa inting" UID:tag:localist.com\,2008:EventInstance_50524252095394 URL:https://events.bc.edu/event/exhibition-medieval-renaissance-a-dialogue- on-early-italian-painting END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:Medieval | Renaissance: A Dialogue on Early Italian Painting\n\ nOn view: August 25–29 for BC Classes by appointment (contact rachel.chambe rlain@bc.edu)\n\nOpen to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \n\nPress Release\n\nThe closing centuries of the Middle Ages in Italy witnessed profound transformations in the art of painting. N ew techniques gave way to an expanded repertoire of formats and artistic st yles\; patronage systems and workshop practices evolved in tandem with reas sessments of the merit of authorship\; and long-standardized criteria for v alue and authenticity in representation were steadily redefined. These para digm-shifting developments—exemplified in Early Italian painting—ramified i nto the academic study and connoisseurship of the nineteenth and twentieth centuries\, creating a blurry line between the Medieval period and early mo dernity that has proven difficult to shake.\n\nMedieval | Renaissance foreg rounds this distinction\, exhibiting nineteen rarely shown works from the F rascione Collection in Florence\, founded in 1893. Featuring devotional ico ns\, altarpiece panels\, narrative scenes\, and portraits from the late thi rteenth through early sixteenth centuries\, the exhibition charts innovatio ns in the craft and conceptualization of painting in Italy after 1300. Thes e paintings represent a liminal epoch between the later Middle Ages and the Early Renaissance\, whose works and artists are shared—even “claimed”—by t wo divergent art historical fields\, “Medieval” and “Renaissance\,” with th eir own cultures\, questions\, and interpretive methods.\n\nCurated by John Lansdowne and Stephanie C. Leone\, specialists in Medieval and Renaissance art\, respectively\, the exhibition invites viewers to contemplate the wor ks through two distinct art historical lenses and from either side of a lon g-standing and long-debated disciplinary divide.\n\nOrganized by the McMull en Museum\, Medieval | Renaissance has been underwritten by Boston College with major support from the Patrons of the McMullen Museum. DTEND:20251108T220000Z DTSTAMP:20260308T044513Z DTSTART:20251108T170000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "Medieval | Renaissance: A Dialogue on Early Italian Pa inting" UID:tag:localist.com\,2008:EventInstance_50524252097443 URL:https://events.bc.edu/event/exhibition-medieval-renaissance-a-dialogue- on-early-italian-painting END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:Medieval | Renaissance: A Dialogue on Early Italian Painting\n\ nOn view: August 25–29 for BC Classes by appointment (contact rachel.chambe rlain@bc.edu)\n\nOpen to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \n\nPress Release\n\nThe closing centuries of the Middle Ages in Italy witnessed profound transformations in the art of painting. N ew techniques gave way to an expanded repertoire of formats and artistic st yles\; patronage systems and workshop practices evolved in tandem with reas sessments of the merit of authorship\; and long-standardized criteria for v alue and authenticity in representation were steadily redefined. These para digm-shifting developments—exemplified in Early Italian painting—ramified i nto the academic study and connoisseurship of the nineteenth and twentieth centuries\, creating a blurry line between the Medieval period and early mo dernity that has proven difficult to shake.\n\nMedieval | Renaissance foreg rounds this distinction\, exhibiting nineteen rarely shown works from the F rascione Collection in Florence\, founded in 1893. Featuring devotional ico ns\, altarpiece panels\, narrative scenes\, and portraits from the late thi rteenth through early sixteenth centuries\, the exhibition charts innovatio ns in the craft and conceptualization of painting in Italy after 1300. Thes e paintings represent a liminal epoch between the later Middle Ages and the Early Renaissance\, whose works and artists are shared—even “claimed”—by t wo divergent art historical fields\, “Medieval” and “Renaissance\,” with th eir own cultures\, questions\, and interpretive methods.\n\nCurated by John Lansdowne and Stephanie C. Leone\, specialists in Medieval and Renaissance art\, respectively\, the exhibition invites viewers to contemplate the wor ks through two distinct art historical lenses and from either side of a lon g-standing and long-debated disciplinary divide.\n\nOrganized by the McMull en Museum\, Medieval | Renaissance has been underwritten by Boston College with major support from the Patrons of the McMullen Museum. DTEND:20251109T220000Z DTSTAMP:20260308T044513Z DTSTART:20251109T170000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "Medieval | Renaissance: A Dialogue on Early Italian Pa inting" UID:tag:localist.com\,2008:EventInstance_50524252098468 URL:https://events.bc.edu/event/exhibition-medieval-renaissance-a-dialogue- on-early-italian-painting END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:Medieval | Renaissance: A Dialogue on Early Italian Painting\n\ nOn view: August 25–29 for BC Classes by appointment (contact rachel.chambe rlain@bc.edu)\n\nOpen to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \n\nPress Release\n\nThe closing centuries of the Middle Ages in Italy witnessed profound transformations in the art of painting. N ew techniques gave way to an expanded repertoire of formats and artistic st yles\; patronage systems and workshop practices evolved in tandem with reas sessments of the merit of authorship\; and long-standardized criteria for v alue and authenticity in representation were steadily redefined. These para digm-shifting developments—exemplified in Early Italian painting—ramified i nto the academic study and connoisseurship of the nineteenth and twentieth centuries\, creating a blurry line between the Medieval period and early mo dernity that has proven difficult to shake.\n\nMedieval | Renaissance foreg rounds this distinction\, exhibiting nineteen rarely shown works from the F rascione Collection in Florence\, founded in 1893. Featuring devotional ico ns\, altarpiece panels\, narrative scenes\, and portraits from the late thi rteenth through early sixteenth centuries\, the exhibition charts innovatio ns in the craft and conceptualization of painting in Italy after 1300. Thes e paintings represent a liminal epoch between the later Middle Ages and the Early Renaissance\, whose works and artists are shared—even “claimed”—by t wo divergent art historical fields\, “Medieval” and “Renaissance\,” with th eir own cultures\, questions\, and interpretive methods.\n\nCurated by John Lansdowne and Stephanie C. Leone\, specialists in Medieval and Renaissance art\, respectively\, the exhibition invites viewers to contemplate the wor ks through two distinct art historical lenses and from either side of a lon g-standing and long-debated disciplinary divide.\n\nOrganized by the McMull en Museum\, Medieval | Renaissance has been underwritten by Boston College with major support from the Patrons of the McMullen Museum. DTEND:20251110T220000Z DTSTAMP:20260308T044513Z DTSTART:20251110T150000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "Medieval | Renaissance: A Dialogue on Early Italian Pa inting" UID:tag:localist.com\,2008:EventInstance_50524252099493 URL:https://events.bc.edu/event/exhibition-medieval-renaissance-a-dialogue- on-early-italian-painting END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:Medieval | Renaissance: A Dialogue on Early Italian Painting\n\ nOn view: August 25–29 for BC Classes by appointment (contact rachel.chambe rlain@bc.edu)\n\nOpen to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \n\nPress Release\n\nThe closing centuries of the Middle Ages in Italy witnessed profound transformations in the art of painting. N ew techniques gave way to an expanded repertoire of formats and artistic st yles\; patronage systems and workshop practices evolved in tandem with reas sessments of the merit of authorship\; and long-standardized criteria for v alue and authenticity in representation were steadily redefined. These para digm-shifting developments—exemplified in Early Italian painting—ramified i nto the academic study and connoisseurship of the nineteenth and twentieth centuries\, creating a blurry line between the Medieval period and early mo dernity that has proven difficult to shake.\n\nMedieval | Renaissance foreg rounds this distinction\, exhibiting nineteen rarely shown works from the F rascione Collection in Florence\, founded in 1893. Featuring devotional ico ns\, altarpiece panels\, narrative scenes\, and portraits from the late thi rteenth through early sixteenth centuries\, the exhibition charts innovatio ns in the craft and conceptualization of painting in Italy after 1300. Thes e paintings represent a liminal epoch between the later Middle Ages and the Early Renaissance\, whose works and artists are shared—even “claimed”—by t wo divergent art historical fields\, “Medieval” and “Renaissance\,” with th eir own cultures\, questions\, and interpretive methods.\n\nCurated by John Lansdowne and Stephanie C. Leone\, specialists in Medieval and Renaissance art\, respectively\, the exhibition invites viewers to contemplate the wor ks through two distinct art historical lenses and from either side of a lon g-standing and long-debated disciplinary divide.\n\nOrganized by the McMull en Museum\, Medieval | Renaissance has been underwritten by Boston College with major support from the Patrons of the McMullen Museum. DTEND:20251111T220000Z DTSTAMP:20260308T044513Z DTSTART:20251111T150000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "Medieval | Renaissance: A Dialogue on Early Italian Pa inting" UID:tag:localist.com\,2008:EventInstance_50524252100518 URL:https://events.bc.edu/event/exhibition-medieval-renaissance-a-dialogue- on-early-italian-painting END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:Medieval | Renaissance: A Dialogue on Early Italian Painting\n\ nOn view: August 25–29 for BC Classes by appointment (contact rachel.chambe rlain@bc.edu)\n\nOpen to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \n\nPress Release\n\nThe closing centuries of the Middle Ages in Italy witnessed profound transformations in the art of painting. N ew techniques gave way to an expanded repertoire of formats and artistic st yles\; patronage systems and workshop practices evolved in tandem with reas sessments of the merit of authorship\; and long-standardized criteria for v alue and authenticity in representation were steadily redefined. These para digm-shifting developments—exemplified in Early Italian painting—ramified i nto the academic study and connoisseurship of the nineteenth and twentieth centuries\, creating a blurry line between the Medieval period and early mo dernity that has proven difficult to shake.\n\nMedieval | Renaissance foreg rounds this distinction\, exhibiting nineteen rarely shown works from the F rascione Collection in Florence\, founded in 1893. Featuring devotional ico ns\, altarpiece panels\, narrative scenes\, and portraits from the late thi rteenth through early sixteenth centuries\, the exhibition charts innovatio ns in the craft and conceptualization of painting in Italy after 1300. Thes e paintings represent a liminal epoch between the later Middle Ages and the Early Renaissance\, whose works and artists are shared—even “claimed”—by t wo divergent art historical fields\, “Medieval” and “Renaissance\,” with th eir own cultures\, questions\, and interpretive methods.\n\nCurated by John Lansdowne and Stephanie C. Leone\, specialists in Medieval and Renaissance art\, respectively\, the exhibition invites viewers to contemplate the wor ks through two distinct art historical lenses and from either side of a lon g-standing and long-debated disciplinary divide.\n\nOrganized by the McMull en Museum\, Medieval | Renaissance has been underwritten by Boston College with major support from the Patrons of the McMullen Museum. DTEND:20251112T220000Z DTSTAMP:20260308T044513Z DTSTART:20251112T150000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "Medieval | Renaissance: A Dialogue on Early Italian Pa inting" UID:tag:localist.com\,2008:EventInstance_50524252102567 URL:https://events.bc.edu/event/exhibition-medieval-renaissance-a-dialogue- on-early-italian-painting END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:Medieval | Renaissance: A Dialogue on Early Italian Painting\n\ nOn view: August 25–29 for BC Classes by appointment (contact rachel.chambe rlain@bc.edu)\n\nOpen to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \n\nPress Release\n\nThe closing centuries of the Middle Ages in Italy witnessed profound transformations in the art of painting. N ew techniques gave way to an expanded repertoire of formats and artistic st yles\; patronage systems and workshop practices evolved in tandem with reas sessments of the merit of authorship\; and long-standardized criteria for v alue and authenticity in representation were steadily redefined. These para digm-shifting developments—exemplified in Early Italian painting—ramified i nto the academic study and connoisseurship of the nineteenth and twentieth centuries\, creating a blurry line between the Medieval period and early mo dernity that has proven difficult to shake.\n\nMedieval | Renaissance foreg rounds this distinction\, exhibiting nineteen rarely shown works from the F rascione Collection in Florence\, founded in 1893. Featuring devotional ico ns\, altarpiece panels\, narrative scenes\, and portraits from the late thi rteenth through early sixteenth centuries\, the exhibition charts innovatio ns in the craft and conceptualization of painting in Italy after 1300. Thes e paintings represent a liminal epoch between the later Middle Ages and the Early Renaissance\, whose works and artists are shared—even “claimed”—by t wo divergent art historical fields\, “Medieval” and “Renaissance\,” with th eir own cultures\, questions\, and interpretive methods.\n\nCurated by John Lansdowne and Stephanie C. Leone\, specialists in Medieval and Renaissance art\, respectively\, the exhibition invites viewers to contemplate the wor ks through two distinct art historical lenses and from either side of a lon g-standing and long-debated disciplinary divide.\n\nOrganized by the McMull en Museum\, Medieval | Renaissance has been underwritten by Boston College with major support from the Patrons of the McMullen Museum. DTEND:20251113T220000Z DTSTAMP:20260308T044513Z DTSTART:20251113T150000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "Medieval | Renaissance: A Dialogue on Early Italian Pa inting" UID:tag:localist.com\,2008:EventInstance_50524252103592 URL:https://events.bc.edu/event/exhibition-medieval-renaissance-a-dialogue- on-early-italian-painting END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:Medieval | Renaissance: A Dialogue on Early Italian Painting\n\ nOn view: August 25–29 for BC Classes by appointment (contact rachel.chambe rlain@bc.edu)\n\nOpen to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \n\nPress Release\n\nThe closing centuries of the Middle Ages in Italy witnessed profound transformations in the art of painting. N ew techniques gave way to an expanded repertoire of formats and artistic st yles\; patronage systems and workshop practices evolved in tandem with reas sessments of the merit of authorship\; and long-standardized criteria for v alue and authenticity in representation were steadily redefined. These para digm-shifting developments—exemplified in Early Italian painting—ramified i nto the academic study and connoisseurship of the nineteenth and twentieth centuries\, creating a blurry line between the Medieval period and early mo dernity that has proven difficult to shake.\n\nMedieval | Renaissance foreg rounds this distinction\, exhibiting nineteen rarely shown works from the F rascione Collection in Florence\, founded in 1893. Featuring devotional ico ns\, altarpiece panels\, narrative scenes\, and portraits from the late thi rteenth through early sixteenth centuries\, the exhibition charts innovatio ns in the craft and conceptualization of painting in Italy after 1300. Thes e paintings represent a liminal epoch between the later Middle Ages and the Early Renaissance\, whose works and artists are shared—even “claimed”—by t wo divergent art historical fields\, “Medieval” and “Renaissance\,” with th eir own cultures\, questions\, and interpretive methods.\n\nCurated by John Lansdowne and Stephanie C. Leone\, specialists in Medieval and Renaissance art\, respectively\, the exhibition invites viewers to contemplate the wor ks through two distinct art historical lenses and from either side of a lon g-standing and long-debated disciplinary divide.\n\nOrganized by the McMull en Museum\, Medieval | Renaissance has been underwritten by Boston College with major support from the Patrons of the McMullen Museum. DTEND:20251114T220000Z DTSTAMP:20260308T044513Z DTSTART:20251114T150000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "Medieval | Renaissance: A Dialogue on Early Italian Pa inting" UID:tag:localist.com\,2008:EventInstance_50524252104617 URL:https://events.bc.edu/event/exhibition-medieval-renaissance-a-dialogue- on-early-italian-painting END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:Medieval | Renaissance: A Dialogue on Early Italian Painting\n\ nOn view: August 25–29 for BC Classes by appointment (contact rachel.chambe rlain@bc.edu)\n\nOpen to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \n\nPress Release\n\nThe closing centuries of the Middle Ages in Italy witnessed profound transformations in the art of painting. N ew techniques gave way to an expanded repertoire of formats and artistic st yles\; patronage systems and workshop practices evolved in tandem with reas sessments of the merit of authorship\; and long-standardized criteria for v alue and authenticity in representation were steadily redefined. These para digm-shifting developments—exemplified in Early Italian painting—ramified i nto the academic study and connoisseurship of the nineteenth and twentieth centuries\, creating a blurry line between the Medieval period and early mo dernity that has proven difficult to shake.\n\nMedieval | Renaissance foreg rounds this distinction\, exhibiting nineteen rarely shown works from the F rascione Collection in Florence\, founded in 1893. Featuring devotional ico ns\, altarpiece panels\, narrative scenes\, and portraits from the late thi rteenth through early sixteenth centuries\, the exhibition charts innovatio ns in the craft and conceptualization of painting in Italy after 1300. Thes e paintings represent a liminal epoch between the later Middle Ages and the Early Renaissance\, whose works and artists are shared—even “claimed”—by t wo divergent art historical fields\, “Medieval” and “Renaissance\,” with th eir own cultures\, questions\, and interpretive methods.\n\nCurated by John Lansdowne and Stephanie C. Leone\, specialists in Medieval and Renaissance art\, respectively\, the exhibition invites viewers to contemplate the wor ks through two distinct art historical lenses and from either side of a lon g-standing and long-debated disciplinary divide.\n\nOrganized by the McMull en Museum\, Medieval | Renaissance has been underwritten by Boston College with major support from the Patrons of the McMullen Museum. DTEND:20251115T220000Z DTSTAMP:20260308T044513Z DTSTART:20251115T170000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "Medieval | Renaissance: A Dialogue on Early Italian Pa inting" UID:tag:localist.com\,2008:EventInstance_50524252106666 URL:https://events.bc.edu/event/exhibition-medieval-renaissance-a-dialogue- on-early-italian-painting END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:Medieval | Renaissance: A Dialogue on Early Italian Painting\n\ nOn view: August 25–29 for BC Classes by appointment (contact rachel.chambe rlain@bc.edu)\n\nOpen to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \n\nPress Release\n\nThe closing centuries of the Middle Ages in Italy witnessed profound transformations in the art of painting. N ew techniques gave way to an expanded repertoire of formats and artistic st yles\; patronage systems and workshop practices evolved in tandem with reas sessments of the merit of authorship\; and long-standardized criteria for v alue and authenticity in representation were steadily redefined. These para digm-shifting developments—exemplified in Early Italian painting—ramified i nto the academic study and connoisseurship of the nineteenth and twentieth centuries\, creating a blurry line between the Medieval period and early mo dernity that has proven difficult to shake.\n\nMedieval | Renaissance foreg rounds this distinction\, exhibiting nineteen rarely shown works from the F rascione Collection in Florence\, founded in 1893. Featuring devotional ico ns\, altarpiece panels\, narrative scenes\, and portraits from the late thi rteenth through early sixteenth centuries\, the exhibition charts innovatio ns in the craft and conceptualization of painting in Italy after 1300. Thes e paintings represent a liminal epoch between the later Middle Ages and the Early Renaissance\, whose works and artists are shared—even “claimed”—by t wo divergent art historical fields\, “Medieval” and “Renaissance\,” with th eir own cultures\, questions\, and interpretive methods.\n\nCurated by John Lansdowne and Stephanie C. Leone\, specialists in Medieval and Renaissance art\, respectively\, the exhibition invites viewers to contemplate the wor ks through two distinct art historical lenses and from either side of a lon g-standing and long-debated disciplinary divide.\n\nOrganized by the McMull en Museum\, Medieval | Renaissance has been underwritten by Boston College with major support from the Patrons of the McMullen Museum. DTEND:20251116T220000Z DTSTAMP:20260308T044513Z DTSTART:20251116T170000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "Medieval | Renaissance: A Dialogue on Early Italian Pa inting" UID:tag:localist.com\,2008:EventInstance_50524252108715 URL:https://events.bc.edu/event/exhibition-medieval-renaissance-a-dialogue- on-early-italian-painting END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:Medieval | Renaissance: A Dialogue on Early Italian Painting\n\ nOn view: August 25–29 for BC Classes by appointment (contact rachel.chambe rlain@bc.edu)\n\nOpen to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \n\nPress Release\n\nThe closing centuries of the Middle Ages in Italy witnessed profound transformations in the art of painting. N ew techniques gave way to an expanded repertoire of formats and artistic st yles\; patronage systems and workshop practices evolved in tandem with reas sessments of the merit of authorship\; and long-standardized criteria for v alue and authenticity in representation were steadily redefined. These para digm-shifting developments—exemplified in Early Italian painting—ramified i nto the academic study and connoisseurship of the nineteenth and twentieth centuries\, creating a blurry line between the Medieval period and early mo dernity that has proven difficult to shake.\n\nMedieval | Renaissance foreg rounds this distinction\, exhibiting nineteen rarely shown works from the F rascione Collection in Florence\, founded in 1893. Featuring devotional ico ns\, altarpiece panels\, narrative scenes\, and portraits from the late thi rteenth through early sixteenth centuries\, the exhibition charts innovatio ns in the craft and conceptualization of painting in Italy after 1300. Thes e paintings represent a liminal epoch between the later Middle Ages and the Early Renaissance\, whose works and artists are shared—even “claimed”—by t wo divergent art historical fields\, “Medieval” and “Renaissance\,” with th eir own cultures\, questions\, and interpretive methods.\n\nCurated by John Lansdowne and Stephanie C. Leone\, specialists in Medieval and Renaissance art\, respectively\, the exhibition invites viewers to contemplate the wor ks through two distinct art historical lenses and from either side of a lon g-standing and long-debated disciplinary divide.\n\nOrganized by the McMull en Museum\, Medieval | Renaissance has been underwritten by Boston College with major support from the Patrons of the McMullen Museum. DTEND:20251117T220000Z DTSTAMP:20260308T044513Z DTSTART:20251117T150000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "Medieval | Renaissance: A Dialogue on Early Italian Pa inting" UID:tag:localist.com\,2008:EventInstance_50524252109740 URL:https://events.bc.edu/event/exhibition-medieval-renaissance-a-dialogue- on-early-italian-painting END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:Medieval | Renaissance: A Dialogue on Early Italian Painting\n\ nOn view: August 25–29 for BC Classes by appointment (contact rachel.chambe rlain@bc.edu)\n\nOpen to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \n\nPress Release\n\nThe closing centuries of the Middle Ages in Italy witnessed profound transformations in the art of painting. N ew techniques gave way to an expanded repertoire of formats and artistic st yles\; patronage systems and workshop practices evolved in tandem with reas sessments of the merit of authorship\; and long-standardized criteria for v alue and authenticity in representation were steadily redefined. These para digm-shifting developments—exemplified in Early Italian painting—ramified i nto the academic study and connoisseurship of the nineteenth and twentieth centuries\, creating a blurry line between the Medieval period and early mo dernity that has proven difficult to shake.\n\nMedieval | Renaissance foreg rounds this distinction\, exhibiting nineteen rarely shown works from the F rascione Collection in Florence\, founded in 1893. Featuring devotional ico ns\, altarpiece panels\, narrative scenes\, and portraits from the late thi rteenth through early sixteenth centuries\, the exhibition charts innovatio ns in the craft and conceptualization of painting in Italy after 1300. Thes e paintings represent a liminal epoch between the later Middle Ages and the Early Renaissance\, whose works and artists are shared—even “claimed”—by t wo divergent art historical fields\, “Medieval” and “Renaissance\,” with th eir own cultures\, questions\, and interpretive methods.\n\nCurated by John Lansdowne and Stephanie C. Leone\, specialists in Medieval and Renaissance art\, respectively\, the exhibition invites viewers to contemplate the wor ks through two distinct art historical lenses and from either side of a lon g-standing and long-debated disciplinary divide.\n\nOrganized by the McMull en Museum\, Medieval | Renaissance has been underwritten by Boston College with major support from the Patrons of the McMullen Museum. DTEND:20251118T220000Z DTSTAMP:20260308T044513Z DTSTART:20251118T150000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "Medieval | Renaissance: A Dialogue on Early Italian Pa inting" UID:tag:localist.com\,2008:EventInstance_50524252111789 URL:https://events.bc.edu/event/exhibition-medieval-renaissance-a-dialogue- on-early-italian-painting END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:Medieval | Renaissance: A Dialogue on Early Italian Painting\n\ nOn view: August 25–29 for BC Classes by appointment (contact rachel.chambe rlain@bc.edu)\n\nOpen to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \n\nPress Release\n\nThe closing centuries of the Middle Ages in Italy witnessed profound transformations in the art of painting. N ew techniques gave way to an expanded repertoire of formats and artistic st yles\; patronage systems and workshop practices evolved in tandem with reas sessments of the merit of authorship\; and long-standardized criteria for v alue and authenticity in representation were steadily redefined. These para digm-shifting developments—exemplified in Early Italian painting—ramified i nto the academic study and connoisseurship of the nineteenth and twentieth centuries\, creating a blurry line between the Medieval period and early mo dernity that has proven difficult to shake.\n\nMedieval | Renaissance foreg rounds this distinction\, exhibiting nineteen rarely shown works from the F rascione Collection in Florence\, founded in 1893. Featuring devotional ico ns\, altarpiece panels\, narrative scenes\, and portraits from the late thi rteenth through early sixteenth centuries\, the exhibition charts innovatio ns in the craft and conceptualization of painting in Italy after 1300. Thes e paintings represent a liminal epoch between the later Middle Ages and the Early Renaissance\, whose works and artists are shared—even “claimed”—by t wo divergent art historical fields\, “Medieval” and “Renaissance\,” with th eir own cultures\, questions\, and interpretive methods.\n\nCurated by John Lansdowne and Stephanie C. Leone\, specialists in Medieval and Renaissance art\, respectively\, the exhibition invites viewers to contemplate the wor ks through two distinct art historical lenses and from either side of a lon g-standing and long-debated disciplinary divide.\n\nOrganized by the McMull en Museum\, Medieval | Renaissance has been underwritten by Boston College with major support from the Patrons of the McMullen Museum. DTEND:20251119T220000Z DTSTAMP:20260308T044513Z DTSTART:20251119T150000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "Medieval | Renaissance: A Dialogue on Early Italian Pa inting" UID:tag:localist.com\,2008:EventInstance_50524252113838 URL:https://events.bc.edu/event/exhibition-medieval-renaissance-a-dialogue- on-early-italian-painting END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:Medieval | Renaissance: A Dialogue on Early Italian Painting\n\ nOn view: August 25–29 for BC Classes by appointment (contact rachel.chambe rlain@bc.edu)\n\nOpen to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \n\nPress Release\n\nThe closing centuries of the Middle Ages in Italy witnessed profound transformations in the art of painting. N ew techniques gave way to an expanded repertoire of formats and artistic st yles\; patronage systems and workshop practices evolved in tandem with reas sessments of the merit of authorship\; and long-standardized criteria for v alue and authenticity in representation were steadily redefined. These para digm-shifting developments—exemplified in Early Italian painting—ramified i nto the academic study and connoisseurship of the nineteenth and twentieth centuries\, creating a blurry line between the Medieval period and early mo dernity that has proven difficult to shake.\n\nMedieval | Renaissance foreg rounds this distinction\, exhibiting nineteen rarely shown works from the F rascione Collection in Florence\, founded in 1893. Featuring devotional ico ns\, altarpiece panels\, narrative scenes\, and portraits from the late thi rteenth through early sixteenth centuries\, the exhibition charts innovatio ns in the craft and conceptualization of painting in Italy after 1300. Thes e paintings represent a liminal epoch between the later Middle Ages and the Early Renaissance\, whose works and artists are shared—even “claimed”—by t wo divergent art historical fields\, “Medieval” and “Renaissance\,” with th eir own cultures\, questions\, and interpretive methods.\n\nCurated by John Lansdowne and Stephanie C. Leone\, specialists in Medieval and Renaissance art\, respectively\, the exhibition invites viewers to contemplate the wor ks through two distinct art historical lenses and from either side of a lon g-standing and long-debated disciplinary divide.\n\nOrganized by the McMull en Museum\, Medieval | Renaissance has been underwritten by Boston College with major support from the Patrons of the McMullen Museum. DTEND:20251120T220000Z DTSTAMP:20260308T044513Z DTSTART:20251120T150000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "Medieval | Renaissance: A Dialogue on Early Italian Pa inting" UID:tag:localist.com\,2008:EventInstance_50524252115887 URL:https://events.bc.edu/event/exhibition-medieval-renaissance-a-dialogue- on-early-italian-painting END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:Medieval | Renaissance: A Dialogue on Early Italian Painting\n\ nOn view: August 25–29 for BC Classes by appointment (contact rachel.chambe rlain@bc.edu)\n\nOpen to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \n\nPress Release\n\nThe closing centuries of the Middle Ages in Italy witnessed profound transformations in the art of painting. N ew techniques gave way to an expanded repertoire of formats and artistic st yles\; patronage systems and workshop practices evolved in tandem with reas sessments of the merit of authorship\; and long-standardized criteria for v alue and authenticity in representation were steadily redefined. These para digm-shifting developments—exemplified in Early Italian painting—ramified i nto the academic study and connoisseurship of the nineteenth and twentieth centuries\, creating a blurry line between the Medieval period and early mo dernity that has proven difficult to shake.\n\nMedieval | Renaissance foreg rounds this distinction\, exhibiting nineteen rarely shown works from the F rascione Collection in Florence\, founded in 1893. Featuring devotional ico ns\, altarpiece panels\, narrative scenes\, and portraits from the late thi rteenth through early sixteenth centuries\, the exhibition charts innovatio ns in the craft and conceptualization of painting in Italy after 1300. Thes e paintings represent a liminal epoch between the later Middle Ages and the Early Renaissance\, whose works and artists are shared—even “claimed”—by t wo divergent art historical fields\, “Medieval” and “Renaissance\,” with th eir own cultures\, questions\, and interpretive methods.\n\nCurated by John Lansdowne and Stephanie C. Leone\, specialists in Medieval and Renaissance art\, respectively\, the exhibition invites viewers to contemplate the wor ks through two distinct art historical lenses and from either side of a lon g-standing and long-debated disciplinary divide.\n\nOrganized by the McMull en Museum\, Medieval | Renaissance has been underwritten by Boston College with major support from the Patrons of the McMullen Museum. DTEND:20251121T220000Z DTSTAMP:20260308T044513Z DTSTART:20251121T150000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "Medieval | Renaissance: A Dialogue on Early Italian Pa inting" UID:tag:localist.com\,2008:EventInstance_50524252117936 URL:https://events.bc.edu/event/exhibition-medieval-renaissance-a-dialogue- on-early-italian-painting END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:Medieval | Renaissance: A Dialogue on Early Italian Painting\n\ nOn view: August 25–29 for BC Classes by appointment (contact rachel.chambe rlain@bc.edu)\n\nOpen to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \n\nPress Release\n\nThe closing centuries of the Middle Ages in Italy witnessed profound transformations in the art of painting. N ew techniques gave way to an expanded repertoire of formats and artistic st yles\; patronage systems and workshop practices evolved in tandem with reas sessments of the merit of authorship\; and long-standardized criteria for v alue and authenticity in representation were steadily redefined. These para digm-shifting developments—exemplified in Early Italian painting—ramified i nto the academic study and connoisseurship of the nineteenth and twentieth centuries\, creating a blurry line between the Medieval period and early mo dernity that has proven difficult to shake.\n\nMedieval | Renaissance foreg rounds this distinction\, exhibiting nineteen rarely shown works from the F rascione Collection in Florence\, founded in 1893. Featuring devotional ico ns\, altarpiece panels\, narrative scenes\, and portraits from the late thi rteenth through early sixteenth centuries\, the exhibition charts innovatio ns in the craft and conceptualization of painting in Italy after 1300. Thes e paintings represent a liminal epoch between the later Middle Ages and the Early Renaissance\, whose works and artists are shared—even “claimed”—by t wo divergent art historical fields\, “Medieval” and “Renaissance\,” with th eir own cultures\, questions\, and interpretive methods.\n\nCurated by John Lansdowne and Stephanie C. Leone\, specialists in Medieval and Renaissance art\, respectively\, the exhibition invites viewers to contemplate the wor ks through two distinct art historical lenses and from either side of a lon g-standing and long-debated disciplinary divide.\n\nOrganized by the McMull en Museum\, Medieval | Renaissance has been underwritten by Boston College with major support from the Patrons of the McMullen Museum. DTEND:20251122T220000Z DTSTAMP:20260308T044513Z DTSTART:20251122T170000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "Medieval | Renaissance: A Dialogue on Early Italian Pa inting" UID:tag:localist.com\,2008:EventInstance_50524252119985 URL:https://events.bc.edu/event/exhibition-medieval-renaissance-a-dialogue- on-early-italian-painting END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:Medieval | Renaissance: A Dialogue on Early Italian Painting\n\ nOn view: August 25–29 for BC Classes by appointment (contact rachel.chambe rlain@bc.edu)\n\nOpen to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \n\nPress Release\n\nThe closing centuries of the Middle Ages in Italy witnessed profound transformations in the art of painting. N ew techniques gave way to an expanded repertoire of formats and artistic st yles\; patronage systems and workshop practices evolved in tandem with reas sessments of the merit of authorship\; and long-standardized criteria for v alue and authenticity in representation were steadily redefined. These para digm-shifting developments—exemplified in Early Italian painting—ramified i nto the academic study and connoisseurship of the nineteenth and twentieth centuries\, creating a blurry line between the Medieval period and early mo dernity that has proven difficult to shake.\n\nMedieval | Renaissance foreg rounds this distinction\, exhibiting nineteen rarely shown works from the F rascione Collection in Florence\, founded in 1893. Featuring devotional ico ns\, altarpiece panels\, narrative scenes\, and portraits from the late thi rteenth through early sixteenth centuries\, the exhibition charts innovatio ns in the craft and conceptualization of painting in Italy after 1300. Thes e paintings represent a liminal epoch between the later Middle Ages and the Early Renaissance\, whose works and artists are shared—even “claimed”—by t wo divergent art historical fields\, “Medieval” and “Renaissance\,” with th eir own cultures\, questions\, and interpretive methods.\n\nCurated by John Lansdowne and Stephanie C. Leone\, specialists in Medieval and Renaissance art\, respectively\, the exhibition invites viewers to contemplate the wor ks through two distinct art historical lenses and from either side of a lon g-standing and long-debated disciplinary divide.\n\nOrganized by the McMull en Museum\, Medieval | Renaissance has been underwritten by Boston College with major support from the Patrons of the McMullen Museum. DTEND:20251123T220000Z DTSTAMP:20260308T044513Z DTSTART:20251123T170000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "Medieval | Renaissance: A Dialogue on Early Italian Pa inting" UID:tag:localist.com\,2008:EventInstance_50524252122034 URL:https://events.bc.edu/event/exhibition-medieval-renaissance-a-dialogue- on-early-italian-painting END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:Medieval | Renaissance: A Dialogue on Early Italian Painting\n\ nOn view: August 25–29 for BC Classes by appointment (contact rachel.chambe rlain@bc.edu)\n\nOpen to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \n\nPress Release\n\nThe closing centuries of the Middle Ages in Italy witnessed profound transformations in the art of painting. N ew techniques gave way to an expanded repertoire of formats and artistic st yles\; patronage systems and workshop practices evolved in tandem with reas sessments of the merit of authorship\; and long-standardized criteria for v alue and authenticity in representation were steadily redefined. These para digm-shifting developments—exemplified in Early Italian painting—ramified i nto the academic study and connoisseurship of the nineteenth and twentieth centuries\, creating a blurry line between the Medieval period and early mo dernity that has proven difficult to shake.\n\nMedieval | Renaissance foreg rounds this distinction\, exhibiting nineteen rarely shown works from the F rascione Collection in Florence\, founded in 1893. Featuring devotional ico ns\, altarpiece panels\, narrative scenes\, and portraits from the late thi rteenth through early sixteenth centuries\, the exhibition charts innovatio ns in the craft and conceptualization of painting in Italy after 1300. Thes e paintings represent a liminal epoch between the later Middle Ages and the Early Renaissance\, whose works and artists are shared—even “claimed”—by t wo divergent art historical fields\, “Medieval” and “Renaissance\,” with th eir own cultures\, questions\, and interpretive methods.\n\nCurated by John Lansdowne and Stephanie C. Leone\, specialists in Medieval and Renaissance art\, respectively\, the exhibition invites viewers to contemplate the wor ks through two distinct art historical lenses and from either side of a lon g-standing and long-debated disciplinary divide.\n\nOrganized by the McMull en Museum\, Medieval | Renaissance has been underwritten by Boston College with major support from the Patrons of the McMullen Museum. DTEND:20251124T220000Z DTSTAMP:20260308T044513Z DTSTART:20251124T150000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "Medieval | Renaissance: A Dialogue on Early Italian Pa inting" UID:tag:localist.com\,2008:EventInstance_50524252124083 URL:https://events.bc.edu/event/exhibition-medieval-renaissance-a-dialogue- on-early-italian-painting END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:Medieval | Renaissance: A Dialogue on Early Italian Painting\n\ nOn view: August 25–29 for BC Classes by appointment (contact rachel.chambe rlain@bc.edu)\n\nOpen to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \n\nPress Release\n\nThe closing centuries of the Middle Ages in Italy witnessed profound transformations in the art of painting. N ew techniques gave way to an expanded repertoire of formats and artistic st yles\; patronage systems and workshop practices evolved in tandem with reas sessments of the merit of authorship\; and long-standardized criteria for v alue and authenticity in representation were steadily redefined. These para digm-shifting developments—exemplified in Early Italian painting—ramified i nto the academic study and connoisseurship of the nineteenth and twentieth centuries\, creating a blurry line between the Medieval period and early mo dernity that has proven difficult to shake.\n\nMedieval | Renaissance foreg rounds this distinction\, exhibiting nineteen rarely shown works from the F rascione Collection in Florence\, founded in 1893. Featuring devotional ico ns\, altarpiece panels\, narrative scenes\, and portraits from the late thi rteenth through early sixteenth centuries\, the exhibition charts innovatio ns in the craft and conceptualization of painting in Italy after 1300. Thes e paintings represent a liminal epoch between the later Middle Ages and the Early Renaissance\, whose works and artists are shared—even “claimed”—by t wo divergent art historical fields\, “Medieval” and “Renaissance\,” with th eir own cultures\, questions\, and interpretive methods.\n\nCurated by John Lansdowne and Stephanie C. Leone\, specialists in Medieval and Renaissance art\, respectively\, the exhibition invites viewers to contemplate the wor ks through two distinct art historical lenses and from either side of a lon g-standing and long-debated disciplinary divide.\n\nOrganized by the McMull en Museum\, Medieval | Renaissance has been underwritten by Boston College with major support from the Patrons of the McMullen Museum. DTEND:20251125T220000Z DTSTAMP:20260308T044513Z DTSTART:20251125T150000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "Medieval | Renaissance: A Dialogue on Early Italian Pa inting" UID:tag:localist.com\,2008:EventInstance_50524252126132 URL:https://events.bc.edu/event/exhibition-medieval-renaissance-a-dialogue- on-early-italian-painting END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:Medieval | Renaissance: A Dialogue on Early Italian Painting\n\ nOn view: August 25–29 for BC Classes by appointment (contact rachel.chambe rlain@bc.edu)\n\nOpen to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \n\nPress Release\n\nThe closing centuries of the Middle Ages in Italy witnessed profound transformations in the art of painting. N ew techniques gave way to an expanded repertoire of formats and artistic st yles\; patronage systems and workshop practices evolved in tandem with reas sessments of the merit of authorship\; and long-standardized criteria for v alue and authenticity in representation were steadily redefined. These para digm-shifting developments—exemplified in Early Italian painting—ramified i nto the academic study and connoisseurship of the nineteenth and twentieth centuries\, creating a blurry line between the Medieval period and early mo dernity that has proven difficult to shake.\n\nMedieval | Renaissance foreg rounds this distinction\, exhibiting nineteen rarely shown works from the F rascione Collection in Florence\, founded in 1893. Featuring devotional ico ns\, altarpiece panels\, narrative scenes\, and portraits from the late thi rteenth through early sixteenth centuries\, the exhibition charts innovatio ns in the craft and conceptualization of painting in Italy after 1300. Thes e paintings represent a liminal epoch between the later Middle Ages and the Early Renaissance\, whose works and artists are shared—even “claimed”—by t wo divergent art historical fields\, “Medieval” and “Renaissance\,” with th eir own cultures\, questions\, and interpretive methods.\n\nCurated by John Lansdowne and Stephanie C. Leone\, specialists in Medieval and Renaissance art\, respectively\, the exhibition invites viewers to contemplate the wor ks through two distinct art historical lenses and from either side of a lon g-standing and long-debated disciplinary divide.\n\nOrganized by the McMull en Museum\, Medieval | Renaissance has been underwritten by Boston College with major support from the Patrons of the McMullen Museum. DTEND:20251126T220000Z DTSTAMP:20260308T044513Z DTSTART:20251126T150000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "Medieval | Renaissance: A Dialogue on Early Italian Pa inting" UID:tag:localist.com\,2008:EventInstance_50524252128181 URL:https://events.bc.edu/event/exhibition-medieval-renaissance-a-dialogue- on-early-italian-painting END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:Medieval | Renaissance: A Dialogue on Early Italian Painting\n\ nOn view: August 25–29 for BC Classes by appointment (contact rachel.chambe rlain@bc.edu)\n\nOpen to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \n\nPress Release\n\nThe closing centuries of the Middle Ages in Italy witnessed profound transformations in the art of painting. N ew techniques gave way to an expanded repertoire of formats and artistic st yles\; patronage systems and workshop practices evolved in tandem with reas sessments of the merit of authorship\; and long-standardized criteria for v alue and authenticity in representation were steadily redefined. These para digm-shifting developments—exemplified in Early Italian painting—ramified i nto the academic study and connoisseurship of the nineteenth and twentieth centuries\, creating a blurry line between the Medieval period and early mo dernity that has proven difficult to shake.\n\nMedieval | Renaissance foreg rounds this distinction\, exhibiting nineteen rarely shown works from the F rascione Collection in Florence\, founded in 1893. Featuring devotional ico ns\, altarpiece panels\, narrative scenes\, and portraits from the late thi rteenth through early sixteenth centuries\, the exhibition charts innovatio ns in the craft and conceptualization of painting in Italy after 1300. Thes e paintings represent a liminal epoch between the later Middle Ages and the Early Renaissance\, whose works and artists are shared—even “claimed”—by t wo divergent art historical fields\, “Medieval” and “Renaissance\,” with th eir own cultures\, questions\, and interpretive methods.\n\nCurated by John Lansdowne and Stephanie C. Leone\, specialists in Medieval and Renaissance art\, respectively\, the exhibition invites viewers to contemplate the wor ks through two distinct art historical lenses and from either side of a lon g-standing and long-debated disciplinary divide.\n\nOrganized by the McMull en Museum\, Medieval | Renaissance has been underwritten by Boston College with major support from the Patrons of the McMullen Museum. DTEND:20251129T220000Z DTSTAMP:20260308T044513Z DTSTART:20251129T170000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "Medieval | Renaissance: A Dialogue on Early Italian Pa inting" UID:tag:localist.com\,2008:EventInstance_50524252130230 URL:https://events.bc.edu/event/exhibition-medieval-renaissance-a-dialogue- on-early-italian-painting END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:Medieval | Renaissance: A Dialogue on Early Italian Painting\n\ nOn view: August 25–29 for BC Classes by appointment (contact rachel.chambe rlain@bc.edu)\n\nOpen to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \n\nPress Release\n\nThe closing centuries of the Middle Ages in Italy witnessed profound transformations in the art of painting. N ew techniques gave way to an expanded repertoire of formats and artistic st yles\; patronage systems and workshop practices evolved in tandem with reas sessments of the merit of authorship\; and long-standardized criteria for v alue and authenticity in representation were steadily redefined. These para digm-shifting developments—exemplified in Early Italian painting—ramified i nto the academic study and connoisseurship of the nineteenth and twentieth centuries\, creating a blurry line between the Medieval period and early mo dernity that has proven difficult to shake.\n\nMedieval | Renaissance foreg rounds this distinction\, exhibiting nineteen rarely shown works from the F rascione Collection in Florence\, founded in 1893. Featuring devotional ico ns\, altarpiece panels\, narrative scenes\, and portraits from the late thi rteenth through early sixteenth centuries\, the exhibition charts innovatio ns in the craft and conceptualization of painting in Italy after 1300. Thes e paintings represent a liminal epoch between the later Middle Ages and the Early Renaissance\, whose works and artists are shared—even “claimed”—by t wo divergent art historical fields\, “Medieval” and “Renaissance\,” with th eir own cultures\, questions\, and interpretive methods.\n\nCurated by John Lansdowne and Stephanie C. Leone\, specialists in Medieval and Renaissance art\, respectively\, the exhibition invites viewers to contemplate the wor ks through two distinct art historical lenses and from either side of a lon g-standing and long-debated disciplinary divide.\n\nOrganized by the McMull en Museum\, Medieval | Renaissance has been underwritten by Boston College with major support from the Patrons of the McMullen Museum. DTEND:20251130T220000Z DTSTAMP:20260308T044513Z DTSTART:20251130T170000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "Medieval | Renaissance: A Dialogue on Early Italian Pa inting" UID:tag:localist.com\,2008:EventInstance_50524252132279 URL:https://events.bc.edu/event/exhibition-medieval-renaissance-a-dialogue- on-early-italian-painting END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:Medieval | Renaissance: A Dialogue on Early Italian Painting\n\ nOn view: August 25–29 for BC Classes by appointment (contact rachel.chambe rlain@bc.edu)\n\nOpen to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \n\nPress Release\n\nThe closing centuries of the Middle Ages in Italy witnessed profound transformations in the art of painting. N ew techniques gave way to an expanded repertoire of formats and artistic st yles\; patronage systems and workshop practices evolved in tandem with reas sessments of the merit of authorship\; and long-standardized criteria for v alue and authenticity in representation were steadily redefined. These para digm-shifting developments—exemplified in Early Italian painting—ramified i nto the academic study and connoisseurship of the nineteenth and twentieth centuries\, creating a blurry line between the Medieval period and early mo dernity that has proven difficult to shake.\n\nMedieval | Renaissance foreg rounds this distinction\, exhibiting nineteen rarely shown works from the F rascione Collection in Florence\, founded in 1893. Featuring devotional ico ns\, altarpiece panels\, narrative scenes\, and portraits from the late thi rteenth through early sixteenth centuries\, the exhibition charts innovatio ns in the craft and conceptualization of painting in Italy after 1300. Thes e paintings represent a liminal epoch between the later Middle Ages and the Early Renaissance\, whose works and artists are shared—even “claimed”—by t wo divergent art historical fields\, “Medieval” and “Renaissance\,” with th eir own cultures\, questions\, and interpretive methods.\n\nCurated by John Lansdowne and Stephanie C. Leone\, specialists in Medieval and Renaissance art\, respectively\, the exhibition invites viewers to contemplate the wor ks through two distinct art historical lenses and from either side of a lon g-standing and long-debated disciplinary divide.\n\nOrganized by the McMull en Museum\, Medieval | Renaissance has been underwritten by Boston College with major support from the Patrons of the McMullen Museum. DTEND:20251201T220000Z DTSTAMP:20260308T044513Z DTSTART:20251201T150000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "Medieval | Renaissance: A Dialogue on Early Italian Pa inting" UID:tag:localist.com\,2008:EventInstance_50524252133304 URL:https://events.bc.edu/event/exhibition-medieval-renaissance-a-dialogue- on-early-italian-painting END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:Medieval | Renaissance: A Dialogue on Early Italian Painting\n\ nOn view: August 25–29 for BC Classes by appointment (contact rachel.chambe rlain@bc.edu)\n\nOpen to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \n\nPress Release\n\nThe closing centuries of the Middle Ages in Italy witnessed profound transformations in the art of painting. N ew techniques gave way to an expanded repertoire of formats and artistic st yles\; patronage systems and workshop practices evolved in tandem with reas sessments of the merit of authorship\; and long-standardized criteria for v alue and authenticity in representation were steadily redefined. These para digm-shifting developments—exemplified in Early Italian painting—ramified i nto the academic study and connoisseurship of the nineteenth and twentieth centuries\, creating a blurry line between the Medieval period and early mo dernity that has proven difficult to shake.\n\nMedieval | Renaissance foreg rounds this distinction\, exhibiting nineteen rarely shown works from the F rascione Collection in Florence\, founded in 1893. Featuring devotional ico ns\, altarpiece panels\, narrative scenes\, and portraits from the late thi rteenth through early sixteenth centuries\, the exhibition charts innovatio ns in the craft and conceptualization of painting in Italy after 1300. Thes e paintings represent a liminal epoch between the later Middle Ages and the Early Renaissance\, whose works and artists are shared—even “claimed”—by t wo divergent art historical fields\, “Medieval” and “Renaissance\,” with th eir own cultures\, questions\, and interpretive methods.\n\nCurated by John Lansdowne and Stephanie C. Leone\, specialists in Medieval and Renaissance art\, respectively\, the exhibition invites viewers to contemplate the wor ks through two distinct art historical lenses and from either side of a lon g-standing and long-debated disciplinary divide.\n\nOrganized by the McMull en Museum\, Medieval | Renaissance has been underwritten by Boston College with major support from the Patrons of the McMullen Museum. DTEND:20251202T220000Z DTSTAMP:20260308T044513Z DTSTART:20251202T150000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "Medieval | Renaissance: A Dialogue on Early Italian Pa inting" UID:tag:localist.com\,2008:EventInstance_50524252135353 URL:https://events.bc.edu/event/exhibition-medieval-renaissance-a-dialogue- on-early-italian-painting END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:Medieval | Renaissance: A Dialogue on Early Italian Painting\n\ nOn view: August 25–29 for BC Classes by appointment (contact rachel.chambe rlain@bc.edu)\n\nOpen to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \n\nPress Release\n\nThe closing centuries of the Middle Ages in Italy witnessed profound transformations in the art of painting. N ew techniques gave way to an expanded repertoire of formats and artistic st yles\; patronage systems and workshop practices evolved in tandem with reas sessments of the merit of authorship\; and long-standardized criteria for v alue and authenticity in representation were steadily redefined. These para digm-shifting developments—exemplified in Early Italian painting—ramified i nto the academic study and connoisseurship of the nineteenth and twentieth centuries\, creating a blurry line between the Medieval period and early mo dernity that has proven difficult to shake.\n\nMedieval | Renaissance foreg rounds this distinction\, exhibiting nineteen rarely shown works from the F rascione Collection in Florence\, founded in 1893. Featuring devotional ico ns\, altarpiece panels\, narrative scenes\, and portraits from the late thi rteenth through early sixteenth centuries\, the exhibition charts innovatio ns in the craft and conceptualization of painting in Italy after 1300. Thes e paintings represent a liminal epoch between the later Middle Ages and the Early Renaissance\, whose works and artists are shared—even “claimed”—by t wo divergent art historical fields\, “Medieval” and “Renaissance\,” with th eir own cultures\, questions\, and interpretive methods.\n\nCurated by John Lansdowne and Stephanie C. Leone\, specialists in Medieval and Renaissance art\, respectively\, the exhibition invites viewers to contemplate the wor ks through two distinct art historical lenses and from either side of a lon g-standing and long-debated disciplinary divide.\n\nOrganized by the McMull en Museum\, Medieval | Renaissance has been underwritten by Boston College with major support from the Patrons of the McMullen Museum. DTEND:20251203T220000Z DTSTAMP:20260308T044513Z DTSTART:20251203T150000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "Medieval | Renaissance: A Dialogue on Early Italian Pa inting" UID:tag:localist.com\,2008:EventInstance_50524252137402 URL:https://events.bc.edu/event/exhibition-medieval-renaissance-a-dialogue- on-early-italian-painting END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:Medieval | Renaissance: A Dialogue on Early Italian Painting\n\ nOn view: August 25–29 for BC Classes by appointment (contact rachel.chambe rlain@bc.edu)\n\nOpen to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \n\nPress Release\n\nThe closing centuries of the Middle Ages in Italy witnessed profound transformations in the art of painting. N ew techniques gave way to an expanded repertoire of formats and artistic st yles\; patronage systems and workshop practices evolved in tandem with reas sessments of the merit of authorship\; and long-standardized criteria for v alue and authenticity in representation were steadily redefined. These para digm-shifting developments—exemplified in Early Italian painting—ramified i nto the academic study and connoisseurship of the nineteenth and twentieth centuries\, creating a blurry line between the Medieval period and early mo dernity that has proven difficult to shake.\n\nMedieval | Renaissance foreg rounds this distinction\, exhibiting nineteen rarely shown works from the F rascione Collection in Florence\, founded in 1893. Featuring devotional ico ns\, altarpiece panels\, narrative scenes\, and portraits from the late thi rteenth through early sixteenth centuries\, the exhibition charts innovatio ns in the craft and conceptualization of painting in Italy after 1300. Thes e paintings represent a liminal epoch between the later Middle Ages and the Early Renaissance\, whose works and artists are shared—even “claimed”—by t wo divergent art historical fields\, “Medieval” and “Renaissance\,” with th eir own cultures\, questions\, and interpretive methods.\n\nCurated by John Lansdowne and Stephanie C. Leone\, specialists in Medieval and Renaissance art\, respectively\, the exhibition invites viewers to contemplate the wor ks through two distinct art historical lenses and from either side of a lon g-standing and long-debated disciplinary divide.\n\nOrganized by the McMull en Museum\, Medieval | Renaissance has been underwritten by Boston College with major support from the Patrons of the McMullen Museum. DTEND:20251204T220000Z DTSTAMP:20260308T044513Z DTSTART:20251204T150000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "Medieval | Renaissance: A Dialogue on Early Italian Pa inting" UID:tag:localist.com\,2008:EventInstance_50524252139451 URL:https://events.bc.edu/event/exhibition-medieval-renaissance-a-dialogue- on-early-italian-painting END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:Medieval | Renaissance: A Dialogue on Early Italian Painting\n\ nOn view: August 25–29 for BC Classes by appointment (contact rachel.chambe rlain@bc.edu)\n\nOpen to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \n\nPress Release\n\nThe closing centuries of the Middle Ages in Italy witnessed profound transformations in the art of painting. N ew techniques gave way to an expanded repertoire of formats and artistic st yles\; patronage systems and workshop practices evolved in tandem with reas sessments of the merit of authorship\; and long-standardized criteria for v alue and authenticity in representation were steadily redefined. These para digm-shifting developments—exemplified in Early Italian painting—ramified i nto the academic study and connoisseurship of the nineteenth and twentieth centuries\, creating a blurry line between the Medieval period and early mo dernity that has proven difficult to shake.\n\nMedieval | Renaissance foreg rounds this distinction\, exhibiting nineteen rarely shown works from the F rascione Collection in Florence\, founded in 1893. Featuring devotional ico ns\, altarpiece panels\, narrative scenes\, and portraits from the late thi rteenth through early sixteenth centuries\, the exhibition charts innovatio ns in the craft and conceptualization of painting in Italy after 1300. Thes e paintings represent a liminal epoch between the later Middle Ages and the Early Renaissance\, whose works and artists are shared—even “claimed”—by t wo divergent art historical fields\, “Medieval” and “Renaissance\,” with th eir own cultures\, questions\, and interpretive methods.\n\nCurated by John Lansdowne and Stephanie C. Leone\, specialists in Medieval and Renaissance art\, respectively\, the exhibition invites viewers to contemplate the wor ks through two distinct art historical lenses and from either side of a lon g-standing and long-debated disciplinary divide.\n\nOrganized by the McMull en Museum\, Medieval | Renaissance has been underwritten by Boston College with major support from the Patrons of the McMullen Museum. DTEND:20251205T220000Z DTSTAMP:20260308T044513Z DTSTART:20251205T150000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "Medieval | Renaissance: A Dialogue on Early Italian Pa inting" UID:tag:localist.com\,2008:EventInstance_50524252140476 URL:https://events.bc.edu/event/exhibition-medieval-renaissance-a-dialogue- on-early-italian-painting END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:Medieval | Renaissance: A Dialogue on Early Italian Painting\n\ nOn view: August 25–29 for BC Classes by appointment (contact rachel.chambe rlain@bc.edu)\n\nOpen to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \n\nPress Release\n\nThe closing centuries of the Middle Ages in Italy witnessed profound transformations in the art of painting. N ew techniques gave way to an expanded repertoire of formats and artistic st yles\; patronage systems and workshop practices evolved in tandem with reas sessments of the merit of authorship\; and long-standardized criteria for v alue and authenticity in representation were steadily redefined. These para digm-shifting developments—exemplified in Early Italian painting—ramified i nto the academic study and connoisseurship of the nineteenth and twentieth centuries\, creating a blurry line between the Medieval period and early mo dernity that has proven difficult to shake.\n\nMedieval | Renaissance foreg rounds this distinction\, exhibiting nineteen rarely shown works from the F rascione Collection in Florence\, founded in 1893. Featuring devotional ico ns\, altarpiece panels\, narrative scenes\, and portraits from the late thi rteenth through early sixteenth centuries\, the exhibition charts innovatio ns in the craft and conceptualization of painting in Italy after 1300. Thes e paintings represent a liminal epoch between the later Middle Ages and the Early Renaissance\, whose works and artists are shared—even “claimed”—by t wo divergent art historical fields\, “Medieval” and “Renaissance\,” with th eir own cultures\, questions\, and interpretive methods.\n\nCurated by John Lansdowne and Stephanie C. Leone\, specialists in Medieval and Renaissance art\, respectively\, the exhibition invites viewers to contemplate the wor ks through two distinct art historical lenses and from either side of a lon g-standing and long-debated disciplinary divide.\n\nOrganized by the McMull en Museum\, Medieval | Renaissance has been underwritten by Boston College with major support from the Patrons of the McMullen Museum. DTEND:20251206T220000Z DTSTAMP:20260308T044513Z DTSTART:20251206T170000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "Medieval | Renaissance: A Dialogue on Early Italian Pa inting" UID:tag:localist.com\,2008:EventInstance_50524252142525 URL:https://events.bc.edu/event/exhibition-medieval-renaissance-a-dialogue- on-early-italian-painting END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:Medieval | Renaissance: A Dialogue on Early Italian Painting\n\ nOn view: August 25–29 for BC Classes by appointment (contact rachel.chambe rlain@bc.edu)\n\nOpen to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \n\nPress Release\n\nThe closing centuries of the Middle Ages in Italy witnessed profound transformations in the art of painting. N ew techniques gave way to an expanded repertoire of formats and artistic st yles\; patronage systems and workshop practices evolved in tandem with reas sessments of the merit of authorship\; and long-standardized criteria for v alue and authenticity in representation were steadily redefined. These para digm-shifting developments—exemplified in Early Italian painting—ramified i nto the academic study and connoisseurship of the nineteenth and twentieth centuries\, creating a blurry line between the Medieval period and early mo dernity that has proven difficult to shake.\n\nMedieval | Renaissance foreg rounds this distinction\, exhibiting nineteen rarely shown works from the F rascione Collection in Florence\, founded in 1893. Featuring devotional ico ns\, altarpiece panels\, narrative scenes\, and portraits from the late thi rteenth through early sixteenth centuries\, the exhibition charts innovatio ns in the craft and conceptualization of painting in Italy after 1300. Thes e paintings represent a liminal epoch between the later Middle Ages and the Early Renaissance\, whose works and artists are shared—even “claimed”—by t wo divergent art historical fields\, “Medieval” and “Renaissance\,” with th eir own cultures\, questions\, and interpretive methods.\n\nCurated by John Lansdowne and Stephanie C. Leone\, specialists in Medieval and Renaissance art\, respectively\, the exhibition invites viewers to contemplate the wor ks through two distinct art historical lenses and from either side of a lon g-standing and long-debated disciplinary divide.\n\nOrganized by the McMull en Museum\, Medieval | Renaissance has been underwritten by Boston College with major support from the Patrons of the McMullen Museum. DTEND:20251207T220000Z DTSTAMP:20260308T044514Z DTSTART:20251207T170000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "Medieval | Renaissance: A Dialogue on Early Italian Pa inting" UID:tag:localist.com\,2008:EventInstance_50524252143550 URL:https://events.bc.edu/event/exhibition-medieval-renaissance-a-dialogue- on-early-italian-painting END:VEVENT END:VCALENDAR