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VERSION:2.0
CALSCALE:GREGORIAN
PRODID:iCalendar-Ruby
BEGIN:VEVENT
CATEGORIES:Arts,Exhibition,Visual Arts
DESCRIPTION:Medieval | Renaissance: A Dialogue on Early Italian Painting\n\
 nOn view: August 25–29 to BC classes by appointment (contact rachel.chamber
 lain@bc.edu)\n\nOpen to the public: September 2–December 7\, 2025\n\nPress 
 Release\n\nThe closing centuries of the Middle Ages in Italy witnessed prof
 ound transformations in the art of painting. New techniques gave way to an 
 expanded repertoire of formats and artistic styles\; patronage systems and 
 workshop practices evolved in tandem with reassessments of the merit of aut
 horship\; and long-standardized criteria for value and authenticity in repr
 esentation were steadily redefined. These paradigm-shifting developments—ex
 emplified in Early Italian painting—ramified into the academic study and co
 nnoisseurship of the nineteenth and twentieth centuries\, creating a blurry
  line between the Medieval period and early modernity that has proven diffi
 cult to shake.\n\nMedieval | Renaissance foregrounds this distinction\, exh
 ibiting nineteen rarely shown works from the Frascione Collection in Floren
 ce\, founded in 1893. Featuring devotional icons\, altarpiece panels\, narr
 ative scenes\, and portraits from the late thirteenth through early sixteen
 th centuries\, the exhibition charts innovations in the craft and conceptua
 lization of painting in Italy after 1300. These paintings represent a limin
 al epoch between the later Middle Ages and the Early Renaissance\, whose wo
 rks and artists are shared—even “claimed”—by two divergent art historical f
 ields\, “Medieval” and “Renaissance\,” with their own cultures\, questions\
 , and interpretive methods.\n\nCurated by John Lansdowne and Stephanie C. L
 eone\, specialists in Medieval and Renaissance art\, respectively\, the exh
 ibition invites viewers to contemplate the works through two distinct art h
 istorical lenses and from either side of a long-standing and long-debated d
 isciplinary divide.\n\nOrganized by the McMullen Museum\, Medieval | Renais
 sance has been underwritten by Boston College with major support from the P
 atrons of the McMullen Museum.
DTEND:20250825T210000Z
DTSTAMP:20260305T180952Z
DTSTART:20250825T140000Z
GEO:42.340795;-71.162583
LOCATION:McMullen Museum of Art
SEQUENCE:0
SUMMARY:Exhibition: "Medieval | Renaissance: A Dialogue on Early Italian Pa
 inting"
UID:tag:localist.com\,2008:EventInstance_50524451883638
URL:https://events.bc.edu/event/exhibition-medieval-renaissance-a-dialogue-
 on-early-italian-painting-6465
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts,Exhibition,Visual Arts
DESCRIPTION:Medieval | Renaissance: A Dialogue on Early Italian Painting\n\
 nOn view: August 25–29 to BC classes by appointment (contact rachel.chamber
 lain@bc.edu)\n\nOpen to the public: September 2–December 7\, 2025\n\nPress 
 Release\n\nThe closing centuries of the Middle Ages in Italy witnessed prof
 ound transformations in the art of painting. New techniques gave way to an 
 expanded repertoire of formats and artistic styles\; patronage systems and 
 workshop practices evolved in tandem with reassessments of the merit of aut
 horship\; and long-standardized criteria for value and authenticity in repr
 esentation were steadily redefined. These paradigm-shifting developments—ex
 emplified in Early Italian painting—ramified into the academic study and co
 nnoisseurship of the nineteenth and twentieth centuries\, creating a blurry
  line between the Medieval period and early modernity that has proven diffi
 cult to shake.\n\nMedieval | Renaissance foregrounds this distinction\, exh
 ibiting nineteen rarely shown works from the Frascione Collection in Floren
 ce\, founded in 1893. Featuring devotional icons\, altarpiece panels\, narr
 ative scenes\, and portraits from the late thirteenth through early sixteen
 th centuries\, the exhibition charts innovations in the craft and conceptua
 lization of painting in Italy after 1300. These paintings represent a limin
 al epoch between the later Middle Ages and the Early Renaissance\, whose wo
 rks and artists are shared—even “claimed”—by two divergent art historical f
 ields\, “Medieval” and “Renaissance\,” with their own cultures\, questions\
 , and interpretive methods.\n\nCurated by John Lansdowne and Stephanie C. L
 eone\, specialists in Medieval and Renaissance art\, respectively\, the exh
 ibition invites viewers to contemplate the works through two distinct art h
 istorical lenses and from either side of a long-standing and long-debated d
 isciplinary divide.\n\nOrganized by the McMullen Museum\, Medieval | Renais
 sance has been underwritten by Boston College with major support from the P
 atrons of the McMullen Museum.
DTEND:20250901T210000Z
DTSTAMP:20260305T180952Z
DTSTART:20250901T140000Z
GEO:42.340795;-71.162583
LOCATION:McMullen Museum of Art
SEQUENCE:0
SUMMARY:Exhibition: "Medieval | Renaissance: A Dialogue on Early Italian Pa
 inting"
UID:tag:localist.com\,2008:EventInstance_50524451884663
URL:https://events.bc.edu/event/exhibition-medieval-renaissance-a-dialogue-
 on-early-italian-painting-6465
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts,Exhibition,Visual Arts
DESCRIPTION:Medieval | Renaissance: A Dialogue on Early Italian Painting\n\
 nOn view: August 25–29 to BC classes by appointment (contact rachel.chamber
 lain@bc.edu)\n\nOpen to the public: September 2–December 7\, 2025\n\nPress 
 Release\n\nThe closing centuries of the Middle Ages in Italy witnessed prof
 ound transformations in the art of painting. New techniques gave way to an 
 expanded repertoire of formats and artistic styles\; patronage systems and 
 workshop practices evolved in tandem with reassessments of the merit of aut
 horship\; and long-standardized criteria for value and authenticity in repr
 esentation were steadily redefined. These paradigm-shifting developments—ex
 emplified in Early Italian painting—ramified into the academic study and co
 nnoisseurship of the nineteenth and twentieth centuries\, creating a blurry
  line between the Medieval period and early modernity that has proven diffi
 cult to shake.\n\nMedieval | Renaissance foregrounds this distinction\, exh
 ibiting nineteen rarely shown works from the Frascione Collection in Floren
 ce\, founded in 1893. Featuring devotional icons\, altarpiece panels\, narr
 ative scenes\, and portraits from the late thirteenth through early sixteen
 th centuries\, the exhibition charts innovations in the craft and conceptua
 lization of painting in Italy after 1300. These paintings represent a limin
 al epoch between the later Middle Ages and the Early Renaissance\, whose wo
 rks and artists are shared—even “claimed”—by two divergent art historical f
 ields\, “Medieval” and “Renaissance\,” with their own cultures\, questions\
 , and interpretive methods.\n\nCurated by John Lansdowne and Stephanie C. L
 eone\, specialists in Medieval and Renaissance art\, respectively\, the exh
 ibition invites viewers to contemplate the works through two distinct art h
 istorical lenses and from either side of a long-standing and long-debated d
 isciplinary divide.\n\nOrganized by the McMullen Museum\, Medieval | Renais
 sance has been underwritten by Boston College with major support from the P
 atrons of the McMullen Museum.
DTEND:20250915T210000Z
DTSTAMP:20260305T180952Z
DTSTART:20250915T140000Z
GEO:42.340795;-71.162583
LOCATION:McMullen Museum of Art
SEQUENCE:0
SUMMARY:Exhibition: "Medieval | Renaissance: A Dialogue on Early Italian Pa
 inting"
UID:tag:localist.com\,2008:EventInstance_50524451887737
URL:https://events.bc.edu/event/exhibition-medieval-renaissance-a-dialogue-
 on-early-italian-painting-6465
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts,Exhibition,Visual Arts
DESCRIPTION:Medieval | Renaissance: A Dialogue on Early Italian Painting\n\
 nOn view: August 25–29 to BC classes by appointment (contact rachel.chamber
 lain@bc.edu)\n\nOpen to the public: September 2–December 7\, 2025\n\nPress 
 Release\n\nThe closing centuries of the Middle Ages in Italy witnessed prof
 ound transformations in the art of painting. New techniques gave way to an 
 expanded repertoire of formats and artistic styles\; patronage systems and 
 workshop practices evolved in tandem with reassessments of the merit of aut
 horship\; and long-standardized criteria for value and authenticity in repr
 esentation were steadily redefined. These paradigm-shifting developments—ex
 emplified in Early Italian painting—ramified into the academic study and co
 nnoisseurship of the nineteenth and twentieth centuries\, creating a blurry
  line between the Medieval period and early modernity that has proven diffi
 cult to shake.\n\nMedieval | Renaissance foregrounds this distinction\, exh
 ibiting nineteen rarely shown works from the Frascione Collection in Floren
 ce\, founded in 1893. Featuring devotional icons\, altarpiece panels\, narr
 ative scenes\, and portraits from the late thirteenth through early sixteen
 th centuries\, the exhibition charts innovations in the craft and conceptua
 lization of painting in Italy after 1300. These paintings represent a limin
 al epoch between the later Middle Ages and the Early Renaissance\, whose wo
 rks and artists are shared—even “claimed”—by two divergent art historical f
 ields\, “Medieval” and “Renaissance\,” with their own cultures\, questions\
 , and interpretive methods.\n\nCurated by John Lansdowne and Stephanie C. L
 eone\, specialists in Medieval and Renaissance art\, respectively\, the exh
 ibition invites viewers to contemplate the works through two distinct art h
 istorical lenses and from either side of a long-standing and long-debated d
 isciplinary divide.\n\nOrganized by the McMullen Museum\, Medieval | Renais
 sance has been underwritten by Boston College with major support from the P
 atrons of the McMullen Museum.
DTEND:20250922T210000Z
DTSTAMP:20260305T180952Z
DTSTART:20250922T140000Z
GEO:42.340795;-71.162583
LOCATION:McMullen Museum of Art
SEQUENCE:0
SUMMARY:Exhibition: "Medieval | Renaissance: A Dialogue on Early Italian Pa
 inting"
UID:tag:localist.com\,2008:EventInstance_50524451888762
URL:https://events.bc.edu/event/exhibition-medieval-renaissance-a-dialogue-
 on-early-italian-painting-6465
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts,Exhibition,Visual Arts
DESCRIPTION:Medieval | Renaissance: A Dialogue on Early Italian Painting\n\
 nOn view: August 25–29 to BC classes by appointment (contact rachel.chamber
 lain@bc.edu)\n\nOpen to the public: September 2–December 7\, 2025\n\nPress 
 Release\n\nThe closing centuries of the Middle Ages in Italy witnessed prof
 ound transformations in the art of painting. New techniques gave way to an 
 expanded repertoire of formats and artistic styles\; patronage systems and 
 workshop practices evolved in tandem with reassessments of the merit of aut
 horship\; and long-standardized criteria for value and authenticity in repr
 esentation were steadily redefined. These paradigm-shifting developments—ex
 emplified in Early Italian painting—ramified into the academic study and co
 nnoisseurship of the nineteenth and twentieth centuries\, creating a blurry
  line between the Medieval period and early modernity that has proven diffi
 cult to shake.\n\nMedieval | Renaissance foregrounds this distinction\, exh
 ibiting nineteen rarely shown works from the Frascione Collection in Floren
 ce\, founded in 1893. Featuring devotional icons\, altarpiece panels\, narr
 ative scenes\, and portraits from the late thirteenth through early sixteen
 th centuries\, the exhibition charts innovations in the craft and conceptua
 lization of painting in Italy after 1300. These paintings represent a limin
 al epoch between the later Middle Ages and the Early Renaissance\, whose wo
 rks and artists are shared—even “claimed”—by two divergent art historical f
 ields\, “Medieval” and “Renaissance\,” with their own cultures\, questions\
 , and interpretive methods.\n\nCurated by John Lansdowne and Stephanie C. L
 eone\, specialists in Medieval and Renaissance art\, respectively\, the exh
 ibition invites viewers to contemplate the works through two distinct art h
 istorical lenses and from either side of a long-standing and long-debated d
 isciplinary divide.\n\nOrganized by the McMullen Museum\, Medieval | Renais
 sance has been underwritten by Boston College with major support from the P
 atrons of the McMullen Museum.
DTEND:20251006T210000Z
DTSTAMP:20260305T180952Z
DTSTART:20251006T140000Z
GEO:42.340795;-71.162583
LOCATION:McMullen Museum of Art
SEQUENCE:0
SUMMARY:Exhibition: "Medieval | Renaissance: A Dialogue on Early Italian Pa
 inting"
UID:tag:localist.com\,2008:EventInstance_50524451891836
URL:https://events.bc.edu/event/exhibition-medieval-renaissance-a-dialogue-
 on-early-italian-painting-6465
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts,Exhibition,Visual Arts
DESCRIPTION:Medieval | Renaissance: A Dialogue on Early Italian Painting\n\
 nOn view: August 25–29 to BC classes by appointment (contact rachel.chamber
 lain@bc.edu)\n\nOpen to the public: September 2–December 7\, 2025\n\nPress 
 Release\n\nThe closing centuries of the Middle Ages in Italy witnessed prof
 ound transformations in the art of painting. New techniques gave way to an 
 expanded repertoire of formats and artistic styles\; patronage systems and 
 workshop practices evolved in tandem with reassessments of the merit of aut
 horship\; and long-standardized criteria for value and authenticity in repr
 esentation were steadily redefined. These paradigm-shifting developments—ex
 emplified in Early Italian painting—ramified into the academic study and co
 nnoisseurship of the nineteenth and twentieth centuries\, creating a blurry
  line between the Medieval period and early modernity that has proven diffi
 cult to shake.\n\nMedieval | Renaissance foregrounds this distinction\, exh
 ibiting nineteen rarely shown works from the Frascione Collection in Floren
 ce\, founded in 1893. Featuring devotional icons\, altarpiece panels\, narr
 ative scenes\, and portraits from the late thirteenth through early sixteen
 th centuries\, the exhibition charts innovations in the craft and conceptua
 lization of painting in Italy after 1300. These paintings represent a limin
 al epoch between the later Middle Ages and the Early Renaissance\, whose wo
 rks and artists are shared—even “claimed”—by two divergent art historical f
 ields\, “Medieval” and “Renaissance\,” with their own cultures\, questions\
 , and interpretive methods.\n\nCurated by John Lansdowne and Stephanie C. L
 eone\, specialists in Medieval and Renaissance art\, respectively\, the exh
 ibition invites viewers to contemplate the works through two distinct art h
 istorical lenses and from either side of a long-standing and long-debated d
 isciplinary divide.\n\nOrganized by the McMullen Museum\, Medieval | Renais
 sance has been underwritten by Boston College with major support from the P
 atrons of the McMullen Museum.
DTEND:20251020T210000Z
DTSTAMP:20260305T180952Z
DTSTART:20251020T140000Z
GEO:42.340795;-71.162583
LOCATION:McMullen Museum of Art
SEQUENCE:0
SUMMARY:Exhibition: "Medieval | Renaissance: A Dialogue on Early Italian Pa
 inting"
UID:tag:localist.com\,2008:EventInstance_50524451893886
URL:https://events.bc.edu/event/exhibition-medieval-renaissance-a-dialogue-
 on-early-italian-painting-6465
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts,Exhibition,Visual Arts
DESCRIPTION:Medieval | Renaissance: A Dialogue on Early Italian Painting\n\
 nOn view: August 25–29 to BC classes by appointment (contact rachel.chamber
 lain@bc.edu)\n\nOpen to the public: September 2–December 7\, 2025\n\nPress 
 Release\n\nThe closing centuries of the Middle Ages in Italy witnessed prof
 ound transformations in the art of painting. New techniques gave way to an 
 expanded repertoire of formats and artistic styles\; patronage systems and 
 workshop practices evolved in tandem with reassessments of the merit of aut
 horship\; and long-standardized criteria for value and authenticity in repr
 esentation were steadily redefined. These paradigm-shifting developments—ex
 emplified in Early Italian painting—ramified into the academic study and co
 nnoisseurship of the nineteenth and twentieth centuries\, creating a blurry
  line between the Medieval period and early modernity that has proven diffi
 cult to shake.\n\nMedieval | Renaissance foregrounds this distinction\, exh
 ibiting nineteen rarely shown works from the Frascione Collection in Floren
 ce\, founded in 1893. Featuring devotional icons\, altarpiece panels\, narr
 ative scenes\, and portraits from the late thirteenth through early sixteen
 th centuries\, the exhibition charts innovations in the craft and conceptua
 lization of painting in Italy after 1300. These paintings represent a limin
 al epoch between the later Middle Ages and the Early Renaissance\, whose wo
 rks and artists are shared—even “claimed”—by two divergent art historical f
 ields\, “Medieval” and “Renaissance\,” with their own cultures\, questions\
 , and interpretive methods.\n\nCurated by John Lansdowne and Stephanie C. L
 eone\, specialists in Medieval and Renaissance art\, respectively\, the exh
 ibition invites viewers to contemplate the works through two distinct art h
 istorical lenses and from either side of a long-standing and long-debated d
 isciplinary divide.\n\nOrganized by the McMullen Museum\, Medieval | Renais
 sance has been underwritten by Boston College with major support from the P
 atrons of the McMullen Museum.
DTEND:20251103T220000Z
DTSTAMP:20260305T180952Z
DTSTART:20251103T150000Z
GEO:42.340795;-71.162583
LOCATION:McMullen Museum of Art
SEQUENCE:0
SUMMARY:Exhibition: "Medieval | Renaissance: A Dialogue on Early Italian Pa
 inting"
UID:tag:localist.com\,2008:EventInstance_50524451896960
URL:https://events.bc.edu/event/exhibition-medieval-renaissance-a-dialogue-
 on-early-italian-painting-6465
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts,Exhibition,Visual Arts
DESCRIPTION:Medieval | Renaissance: A Dialogue on Early Italian Painting\n\
 nOn view: August 25–29 to BC classes by appointment (contact rachel.chamber
 lain@bc.edu)\n\nOpen to the public: September 2–December 7\, 2025\n\nPress 
 Release\n\nThe closing centuries of the Middle Ages in Italy witnessed prof
 ound transformations in the art of painting. New techniques gave way to an 
 expanded repertoire of formats and artistic styles\; patronage systems and 
 workshop practices evolved in tandem with reassessments of the merit of aut
 horship\; and long-standardized criteria for value and authenticity in repr
 esentation were steadily redefined. These paradigm-shifting developments—ex
 emplified in Early Italian painting—ramified into the academic study and co
 nnoisseurship of the nineteenth and twentieth centuries\, creating a blurry
  line between the Medieval period and early modernity that has proven diffi
 cult to shake.\n\nMedieval | Renaissance foregrounds this distinction\, exh
 ibiting nineteen rarely shown works from the Frascione Collection in Floren
 ce\, founded in 1893. Featuring devotional icons\, altarpiece panels\, narr
 ative scenes\, and portraits from the late thirteenth through early sixteen
 th centuries\, the exhibition charts innovations in the craft and conceptua
 lization of painting in Italy after 1300. These paintings represent a limin
 al epoch between the later Middle Ages and the Early Renaissance\, whose wo
 rks and artists are shared—even “claimed”—by two divergent art historical f
 ields\, “Medieval” and “Renaissance\,” with their own cultures\, questions\
 , and interpretive methods.\n\nCurated by John Lansdowne and Stephanie C. L
 eone\, specialists in Medieval and Renaissance art\, respectively\, the exh
 ibition invites viewers to contemplate the works through two distinct art h
 istorical lenses and from either side of a long-standing and long-debated d
 isciplinary divide.\n\nOrganized by the McMullen Museum\, Medieval | Renais
 sance has been underwritten by Boston College with major support from the P
 atrons of the McMullen Museum.
DTEND:20251117T220000Z
DTSTAMP:20260305T180952Z
DTSTART:20251117T150000Z
GEO:42.340795;-71.162583
LOCATION:McMullen Museum of Art
SEQUENCE:0
SUMMARY:Exhibition: "Medieval | Renaissance: A Dialogue on Early Italian Pa
 inting"
UID:tag:localist.com\,2008:EventInstance_50524451900034
URL:https://events.bc.edu/event/exhibition-medieval-renaissance-a-dialogue-
 on-early-italian-painting-6465
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts,Exhibition,Visual Arts
DESCRIPTION:Medieval | Renaissance: A Dialogue on Early Italian Painting\n\
 nOn view: August 25–29 to BC classes by appointment (contact rachel.chamber
 lain@bc.edu)\n\nOpen to the public: September 2–December 7\, 2025\n\nPress 
 Release\n\nThe closing centuries of the Middle Ages in Italy witnessed prof
 ound transformations in the art of painting. New techniques gave way to an 
 expanded repertoire of formats and artistic styles\; patronage systems and 
 workshop practices evolved in tandem with reassessments of the merit of aut
 horship\; and long-standardized criteria for value and authenticity in repr
 esentation were steadily redefined. These paradigm-shifting developments—ex
 emplified in Early Italian painting—ramified into the academic study and co
 nnoisseurship of the nineteenth and twentieth centuries\, creating a blurry
  line between the Medieval period and early modernity that has proven diffi
 cult to shake.\n\nMedieval | Renaissance foregrounds this distinction\, exh
 ibiting nineteen rarely shown works from the Frascione Collection in Floren
 ce\, founded in 1893. Featuring devotional icons\, altarpiece panels\, narr
 ative scenes\, and portraits from the late thirteenth through early sixteen
 th centuries\, the exhibition charts innovations in the craft and conceptua
 lization of painting in Italy after 1300. These paintings represent a limin
 al epoch between the later Middle Ages and the Early Renaissance\, whose wo
 rks and artists are shared—even “claimed”—by two divergent art historical f
 ields\, “Medieval” and “Renaissance\,” with their own cultures\, questions\
 , and interpretive methods.\n\nCurated by John Lansdowne and Stephanie C. L
 eone\, specialists in Medieval and Renaissance art\, respectively\, the exh
 ibition invites viewers to contemplate the works through two distinct art h
 istorical lenses and from either side of a long-standing and long-debated d
 isciplinary divide.\n\nOrganized by the McMullen Museum\, Medieval | Renais
 sance has been underwritten by Boston College with major support from the P
 atrons of the McMullen Museum.
DTEND:20251201T220000Z
DTSTAMP:20260305T180952Z
DTSTART:20251201T150000Z
GEO:42.340795;-71.162583
LOCATION:McMullen Museum of Art
SEQUENCE:0
SUMMARY:Exhibition: "Medieval | Renaissance: A Dialogue on Early Italian Pa
 inting"
UID:tag:localist.com\,2008:EventInstance_50524451903108
URL:https://events.bc.edu/event/exhibition-medieval-renaissance-a-dialogue-
 on-early-italian-painting-6465
END:VEVENT
END:VCALENDAR
