BEGIN:VCALENDAR
VERSION:2.0
CALSCALE:GREGORIAN
PRODID:iCalendar-Ruby
BEGIN:VEVENT
CATEGORIES:Arts,Exhibition,Visual Arts
DESCRIPTION:Exhibition: Collaborating in Conflict: The Yeats Family and the
  Public Arts\n\nExamining the extraordinary impact the talented Yeats famil
 y had on cultural life and the public arts in Ireland during a century cruc
 ial to its history\, the exhibition features over two hundred works from pr
 emier public and private collections. Paintings\, drawings\, prints\, embro
 ideries\, books\, and letters by patriarch John Butler Yeats and his childr
 en William\, Lily\, Elizabeth\, and Jack\, as well as William’s daughter\, 
 Anne\, highlight examples of individual artistry. They also demonstrate how
  the Yeats family’s artistic expression was varied and deeply collaborative
 . In illustrated poetry\, set designs\, embroideries for home and liturgica
 l use\, printed broadsides\, paintings\, sketchbooks\, and other media\, th
 e siblings drew upon each others’ acumen. These endeavors were often fraugh
 t with conflict\, resulting in creative tensions and financial hardships. \
 n\nThe exhibition opens by exploring portraiture of family members and repr
 esentations of the places that were important to them. It moves on to objec
 ts illustrating the family’s engagement with youth as a site of education\,
  entertainment\, and memory. Subsequent sections reveal how the Yeatses cre
 ated objects that transformed private spaces through imaginative innovation
  and material practices\, as well as how they shaped public life through th
 eater\, publishing and printing\, and visual representations of a distincti
 ve Irish identity as the nation established itself post-independence. \n\nR
 ecent gifts to Boston College anchor the exhibition: Jack B. Yeats painting
 s and Lily Yeats Stations of the Cross embroideries received by the McMulle
 n Museum and additional acquisitions of Yeats family materials by the John 
 J. Burns Library. These are complemented by major loans from the Model\, ho
 me of the Niland Collection\, the National Gallery of Ireland\, the Library
  of Trinity College Dublin\, the O’Brien Collection\, and the Collection of
  Carolyn A. and Peter S. Lynch. Supplemented by additional loans from other
  collections and anonymous lenders\, the exhibition constitutes the most ex
 pansive exploration of the Yeats family’s contributions to the public arts 
 to date. Many objects are publicly displayed for the first time\, others fo
 r the first time outside Ireland.\n\nThe exhibition is accompanied by a ful
 ly illustrated catalogue\, edited by Marjorie Howes\, which includes fiftee
 n essays contributed by an interdisciplinary team of scholars who offer new
  insights into historical contexts and interpretive frameworks for studying
  the Yeatses. \n\nOrganized by the McMullen Museum in conjunction with the 
 John J. Burns Library\, Collaborating in Conflict has been curated by Marjo
 rie Howes\, Christian Dupont\, and Diana Larsen. The exhibition is underwri
 tten by Boston College with major support from the Patrons of the McMullen 
 Museum\, the John C. Donohue Estate\, Robert ’63 and Ann Marie Reardon P’91
 \, and the Anna Frances Vegkeley Ryan Estate in memory of John Anthony Ryan
  Jr. ’50. Additional support has been provided by William J. Lundregan III\
 , Esq.\, ’62\, JD’67\, P’93\, ’96 and Elaine Stein-Cummins in memory of Dan
 iel Cummins ’58.\n\nBoston College’s Irish Studies program is organizing a 
 symposium to accompany the exhibition. With lectures by experts in Ireland’
 s visual arts\, theater and performance\, textiles and embroidery\, printin
 g and publishing\, and social and cultural history\, it will be held at Con
 nolly House and the McMullen Museum on February 20 and 21.
DTEND:20260201T220000Z
DTSTAMP:20260305T165703Z
DTSTART:20260201T170000Z
GEO:42.340795;-71.162583
LOCATION:McMullen Museum of Art
SEQUENCE:0
SUMMARY:Exhibition: "Collaborating in Conflict: The Yeats Family and the Pu
 blic Arts"
UID:tag:localist.com\,2008:EventInstance_51780871438162
URL:https://events.bc.edu/event/exhibition-collaborating-in-conflict-the-ye
 ats-family-and-the-public-arts
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts,Exhibition,Visual Arts
DESCRIPTION:Exhibition: Collaborating in Conflict: The Yeats Family and the
  Public Arts\n\nExamining the extraordinary impact the talented Yeats famil
 y had on cultural life and the public arts in Ireland during a century cruc
 ial to its history\, the exhibition features over two hundred works from pr
 emier public and private collections. Paintings\, drawings\, prints\, embro
 ideries\, books\, and letters by patriarch John Butler Yeats and his childr
 en William\, Lily\, Elizabeth\, and Jack\, as well as William’s daughter\, 
 Anne\, highlight examples of individual artistry. They also demonstrate how
  the Yeats family’s artistic expression was varied and deeply collaborative
 . In illustrated poetry\, set designs\, embroideries for home and liturgica
 l use\, printed broadsides\, paintings\, sketchbooks\, and other media\, th
 e siblings drew upon each others’ acumen. These endeavors were often fraugh
 t with conflict\, resulting in creative tensions and financial hardships. \
 n\nThe exhibition opens by exploring portraiture of family members and repr
 esentations of the places that were important to them. It moves on to objec
 ts illustrating the family’s engagement with youth as a site of education\,
  entertainment\, and memory. Subsequent sections reveal how the Yeatses cre
 ated objects that transformed private spaces through imaginative innovation
  and material practices\, as well as how they shaped public life through th
 eater\, publishing and printing\, and visual representations of a distincti
 ve Irish identity as the nation established itself post-independence. \n\nR
 ecent gifts to Boston College anchor the exhibition: Jack B. Yeats painting
 s and Lily Yeats Stations of the Cross embroideries received by the McMulle
 n Museum and additional acquisitions of Yeats family materials by the John 
 J. Burns Library. These are complemented by major loans from the Model\, ho
 me of the Niland Collection\, the National Gallery of Ireland\, the Library
  of Trinity College Dublin\, the O’Brien Collection\, and the Collection of
  Carolyn A. and Peter S. Lynch. Supplemented by additional loans from other
  collections and anonymous lenders\, the exhibition constitutes the most ex
 pansive exploration of the Yeats family’s contributions to the public arts 
 to date. Many objects are publicly displayed for the first time\, others fo
 r the first time outside Ireland.\n\nThe exhibition is accompanied by a ful
 ly illustrated catalogue\, edited by Marjorie Howes\, which includes fiftee
 n essays contributed by an interdisciplinary team of scholars who offer new
  insights into historical contexts and interpretive frameworks for studying
  the Yeatses. \n\nOrganized by the McMullen Museum in conjunction with the 
 John J. Burns Library\, Collaborating in Conflict has been curated by Marjo
 rie Howes\, Christian Dupont\, and Diana Larsen. The exhibition is underwri
 tten by Boston College with major support from the Patrons of the McMullen 
 Museum\, the John C. Donohue Estate\, Robert ’63 and Ann Marie Reardon P’91
 \, and the Anna Frances Vegkeley Ryan Estate in memory of John Anthony Ryan
  Jr. ’50. Additional support has been provided by William J. Lundregan III\
 , Esq.\, ’62\, JD’67\, P’93\, ’96 and Elaine Stein-Cummins in memory of Dan
 iel Cummins ’58.\n\nBoston College’s Irish Studies program is organizing a 
 symposium to accompany the exhibition. With lectures by experts in Ireland’
 s visual arts\, theater and performance\, textiles and embroidery\, printin
 g and publishing\, and social and cultural history\, it will be held at Con
 nolly House and the McMullen Museum on February 20 and 21.
DTEND:20260202T220000Z
DTSTAMP:20260305T165703Z
DTSTART:20260202T150000Z
GEO:42.340795;-71.162583
LOCATION:McMullen Museum of Art
SEQUENCE:0
SUMMARY:Exhibition: "Collaborating in Conflict: The Yeats Family and the Pu
 blic Arts"
UID:tag:localist.com\,2008:EventInstance_51780871439187
URL:https://events.bc.edu/event/exhibition-collaborating-in-conflict-the-ye
 ats-family-and-the-public-arts
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts,Exhibition,Visual Arts
DESCRIPTION:Exhibition: Collaborating in Conflict: The Yeats Family and the
  Public Arts\n\nExamining the extraordinary impact the talented Yeats famil
 y had on cultural life and the public arts in Ireland during a century cruc
 ial to its history\, the exhibition features over two hundred works from pr
 emier public and private collections. Paintings\, drawings\, prints\, embro
 ideries\, books\, and letters by patriarch John Butler Yeats and his childr
 en William\, Lily\, Elizabeth\, and Jack\, as well as William’s daughter\, 
 Anne\, highlight examples of individual artistry. They also demonstrate how
  the Yeats family’s artistic expression was varied and deeply collaborative
 . In illustrated poetry\, set designs\, embroideries for home and liturgica
 l use\, printed broadsides\, paintings\, sketchbooks\, and other media\, th
 e siblings drew upon each others’ acumen. These endeavors were often fraugh
 t with conflict\, resulting in creative tensions and financial hardships. \
 n\nThe exhibition opens by exploring portraiture of family members and repr
 esentations of the places that were important to them. It moves on to objec
 ts illustrating the family’s engagement with youth as a site of education\,
  entertainment\, and memory. Subsequent sections reveal how the Yeatses cre
 ated objects that transformed private spaces through imaginative innovation
  and material practices\, as well as how they shaped public life through th
 eater\, publishing and printing\, and visual representations of a distincti
 ve Irish identity as the nation established itself post-independence. \n\nR
 ecent gifts to Boston College anchor the exhibition: Jack B. Yeats painting
 s and Lily Yeats Stations of the Cross embroideries received by the McMulle
 n Museum and additional acquisitions of Yeats family materials by the John 
 J. Burns Library. These are complemented by major loans from the Model\, ho
 me of the Niland Collection\, the National Gallery of Ireland\, the Library
  of Trinity College Dublin\, the O’Brien Collection\, and the Collection of
  Carolyn A. and Peter S. Lynch. Supplemented by additional loans from other
  collections and anonymous lenders\, the exhibition constitutes the most ex
 pansive exploration of the Yeats family’s contributions to the public arts 
 to date. Many objects are publicly displayed for the first time\, others fo
 r the first time outside Ireland.\n\nThe exhibition is accompanied by a ful
 ly illustrated catalogue\, edited by Marjorie Howes\, which includes fiftee
 n essays contributed by an interdisciplinary team of scholars who offer new
  insights into historical contexts and interpretive frameworks for studying
  the Yeatses. \n\nOrganized by the McMullen Museum in conjunction with the 
 John J. Burns Library\, Collaborating in Conflict has been curated by Marjo
 rie Howes\, Christian Dupont\, and Diana Larsen. The exhibition is underwri
 tten by Boston College with major support from the Patrons of the McMullen 
 Museum\, the John C. Donohue Estate\, Robert ’63 and Ann Marie Reardon P’91
 \, and the Anna Frances Vegkeley Ryan Estate in memory of John Anthony Ryan
  Jr. ’50. Additional support has been provided by William J. Lundregan III\
 , Esq.\, ’62\, JD’67\, P’93\, ’96 and Elaine Stein-Cummins in memory of Dan
 iel Cummins ’58.\n\nBoston College’s Irish Studies program is organizing a 
 symposium to accompany the exhibition. With lectures by experts in Ireland’
 s visual arts\, theater and performance\, textiles and embroidery\, printin
 g and publishing\, and social and cultural history\, it will be held at Con
 nolly House and the McMullen Museum on February 20 and 21.
DTEND:20260203T220000Z
DTSTAMP:20260305T165703Z
DTSTART:20260203T150000Z
GEO:42.340795;-71.162583
LOCATION:McMullen Museum of Art
SEQUENCE:0
SUMMARY:Exhibition: "Collaborating in Conflict: The Yeats Family and the Pu
 blic Arts"
UID:tag:localist.com\,2008:EventInstance_51780871440212
URL:https://events.bc.edu/event/exhibition-collaborating-in-conflict-the-ye
 ats-family-and-the-public-arts
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts,Exhibition,Visual Arts
DESCRIPTION:Exhibition: Collaborating in Conflict: The Yeats Family and the
  Public Arts\n\nExamining the extraordinary impact the talented Yeats famil
 y had on cultural life and the public arts in Ireland during a century cruc
 ial to its history\, the exhibition features over two hundred works from pr
 emier public and private collections. Paintings\, drawings\, prints\, embro
 ideries\, books\, and letters by patriarch John Butler Yeats and his childr
 en William\, Lily\, Elizabeth\, and Jack\, as well as William’s daughter\, 
 Anne\, highlight examples of individual artistry. They also demonstrate how
  the Yeats family’s artistic expression was varied and deeply collaborative
 . In illustrated poetry\, set designs\, embroideries for home and liturgica
 l use\, printed broadsides\, paintings\, sketchbooks\, and other media\, th
 e siblings drew upon each others’ acumen. These endeavors were often fraugh
 t with conflict\, resulting in creative tensions and financial hardships. \
 n\nThe exhibition opens by exploring portraiture of family members and repr
 esentations of the places that were important to them. It moves on to objec
 ts illustrating the family’s engagement with youth as a site of education\,
  entertainment\, and memory. Subsequent sections reveal how the Yeatses cre
 ated objects that transformed private spaces through imaginative innovation
  and material practices\, as well as how they shaped public life through th
 eater\, publishing and printing\, and visual representations of a distincti
 ve Irish identity as the nation established itself post-independence. \n\nR
 ecent gifts to Boston College anchor the exhibition: Jack B. Yeats painting
 s and Lily Yeats Stations of the Cross embroideries received by the McMulle
 n Museum and additional acquisitions of Yeats family materials by the John 
 J. Burns Library. These are complemented by major loans from the Model\, ho
 me of the Niland Collection\, the National Gallery of Ireland\, the Library
  of Trinity College Dublin\, the O’Brien Collection\, and the Collection of
  Carolyn A. and Peter S. Lynch. Supplemented by additional loans from other
  collections and anonymous lenders\, the exhibition constitutes the most ex
 pansive exploration of the Yeats family’s contributions to the public arts 
 to date. Many objects are publicly displayed for the first time\, others fo
 r the first time outside Ireland.\n\nThe exhibition is accompanied by a ful
 ly illustrated catalogue\, edited by Marjorie Howes\, which includes fiftee
 n essays contributed by an interdisciplinary team of scholars who offer new
  insights into historical contexts and interpretive frameworks for studying
  the Yeatses. \n\nOrganized by the McMullen Museum in conjunction with the 
 John J. Burns Library\, Collaborating in Conflict has been curated by Marjo
 rie Howes\, Christian Dupont\, and Diana Larsen. The exhibition is underwri
 tten by Boston College with major support from the Patrons of the McMullen 
 Museum\, the John C. Donohue Estate\, Robert ’63 and Ann Marie Reardon P’91
 \, and the Anna Frances Vegkeley Ryan Estate in memory of John Anthony Ryan
  Jr. ’50. Additional support has been provided by William J. Lundregan III\
 , Esq.\, ’62\, JD’67\, P’93\, ’96 and Elaine Stein-Cummins in memory of Dan
 iel Cummins ’58.\n\nBoston College’s Irish Studies program is organizing a 
 symposium to accompany the exhibition. With lectures by experts in Ireland’
 s visual arts\, theater and performance\, textiles and embroidery\, printin
 g and publishing\, and social and cultural history\, it will be held at Con
 nolly House and the McMullen Museum on February 20 and 21.
DTEND:20260204T220000Z
DTSTAMP:20260305T165703Z
DTSTART:20260204T150000Z
GEO:42.340795;-71.162583
LOCATION:McMullen Museum of Art
SEQUENCE:0
SUMMARY:Exhibition: "Collaborating in Conflict: The Yeats Family and the Pu
 blic Arts"
UID:tag:localist.com\,2008:EventInstance_51780871441237
URL:https://events.bc.edu/event/exhibition-collaborating-in-conflict-the-ye
 ats-family-and-the-public-arts
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts,Exhibition,Visual Arts
DESCRIPTION:Exhibition: Collaborating in Conflict: The Yeats Family and the
  Public Arts\n\nExamining the extraordinary impact the talented Yeats famil
 y had on cultural life and the public arts in Ireland during a century cruc
 ial to its history\, the exhibition features over two hundred works from pr
 emier public and private collections. Paintings\, drawings\, prints\, embro
 ideries\, books\, and letters by patriarch John Butler Yeats and his childr
 en William\, Lily\, Elizabeth\, and Jack\, as well as William’s daughter\, 
 Anne\, highlight examples of individual artistry. They also demonstrate how
  the Yeats family’s artistic expression was varied and deeply collaborative
 . In illustrated poetry\, set designs\, embroideries for home and liturgica
 l use\, printed broadsides\, paintings\, sketchbooks\, and other media\, th
 e siblings drew upon each others’ acumen. These endeavors were often fraugh
 t with conflict\, resulting in creative tensions and financial hardships. \
 n\nThe exhibition opens by exploring portraiture of family members and repr
 esentations of the places that were important to them. It moves on to objec
 ts illustrating the family’s engagement with youth as a site of education\,
  entertainment\, and memory. Subsequent sections reveal how the Yeatses cre
 ated objects that transformed private spaces through imaginative innovation
  and material practices\, as well as how they shaped public life through th
 eater\, publishing and printing\, and visual representations of a distincti
 ve Irish identity as the nation established itself post-independence. \n\nR
 ecent gifts to Boston College anchor the exhibition: Jack B. Yeats painting
 s and Lily Yeats Stations of the Cross embroideries received by the McMulle
 n Museum and additional acquisitions of Yeats family materials by the John 
 J. Burns Library. These are complemented by major loans from the Model\, ho
 me of the Niland Collection\, the National Gallery of Ireland\, the Library
  of Trinity College Dublin\, the O’Brien Collection\, and the Collection of
  Carolyn A. and Peter S. Lynch. Supplemented by additional loans from other
  collections and anonymous lenders\, the exhibition constitutes the most ex
 pansive exploration of the Yeats family’s contributions to the public arts 
 to date. Many objects are publicly displayed for the first time\, others fo
 r the first time outside Ireland.\n\nThe exhibition is accompanied by a ful
 ly illustrated catalogue\, edited by Marjorie Howes\, which includes fiftee
 n essays contributed by an interdisciplinary team of scholars who offer new
  insights into historical contexts and interpretive frameworks for studying
  the Yeatses. \n\nOrganized by the McMullen Museum in conjunction with the 
 John J. Burns Library\, Collaborating in Conflict has been curated by Marjo
 rie Howes\, Christian Dupont\, and Diana Larsen. The exhibition is underwri
 tten by Boston College with major support from the Patrons of the McMullen 
 Museum\, the John C. Donohue Estate\, Robert ’63 and Ann Marie Reardon P’91
 \, and the Anna Frances Vegkeley Ryan Estate in memory of John Anthony Ryan
  Jr. ’50. Additional support has been provided by William J. Lundregan III\
 , Esq.\, ’62\, JD’67\, P’93\, ’96 and Elaine Stein-Cummins in memory of Dan
 iel Cummins ’58.\n\nBoston College’s Irish Studies program is organizing a 
 symposium to accompany the exhibition. With lectures by experts in Ireland’
 s visual arts\, theater and performance\, textiles and embroidery\, printin
 g and publishing\, and social and cultural history\, it will be held at Con
 nolly House and the McMullen Museum on February 20 and 21.
DTEND:20260205T220000Z
DTSTAMP:20260305T165703Z
DTSTART:20260205T150000Z
GEO:42.340795;-71.162583
LOCATION:McMullen Museum of Art
SEQUENCE:0
SUMMARY:Exhibition: "Collaborating in Conflict: The Yeats Family and the Pu
 blic Arts"
UID:tag:localist.com\,2008:EventInstance_51780871442262
URL:https://events.bc.edu/event/exhibition-collaborating-in-conflict-the-ye
 ats-family-and-the-public-arts
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts,Exhibition,Visual Arts
DESCRIPTION:Exhibition: Collaborating in Conflict: The Yeats Family and the
  Public Arts\n\nExamining the extraordinary impact the talented Yeats famil
 y had on cultural life and the public arts in Ireland during a century cruc
 ial to its history\, the exhibition features over two hundred works from pr
 emier public and private collections. Paintings\, drawings\, prints\, embro
 ideries\, books\, and letters by patriarch John Butler Yeats and his childr
 en William\, Lily\, Elizabeth\, and Jack\, as well as William’s daughter\, 
 Anne\, highlight examples of individual artistry. They also demonstrate how
  the Yeats family’s artistic expression was varied and deeply collaborative
 . In illustrated poetry\, set designs\, embroideries for home and liturgica
 l use\, printed broadsides\, paintings\, sketchbooks\, and other media\, th
 e siblings drew upon each others’ acumen. These endeavors were often fraugh
 t with conflict\, resulting in creative tensions and financial hardships. \
 n\nThe exhibition opens by exploring portraiture of family members and repr
 esentations of the places that were important to them. It moves on to objec
 ts illustrating the family’s engagement with youth as a site of education\,
  entertainment\, and memory. Subsequent sections reveal how the Yeatses cre
 ated objects that transformed private spaces through imaginative innovation
  and material practices\, as well as how they shaped public life through th
 eater\, publishing and printing\, and visual representations of a distincti
 ve Irish identity as the nation established itself post-independence. \n\nR
 ecent gifts to Boston College anchor the exhibition: Jack B. Yeats painting
 s and Lily Yeats Stations of the Cross embroideries received by the McMulle
 n Museum and additional acquisitions of Yeats family materials by the John 
 J. Burns Library. These are complemented by major loans from the Model\, ho
 me of the Niland Collection\, the National Gallery of Ireland\, the Library
  of Trinity College Dublin\, the O’Brien Collection\, and the Collection of
  Carolyn A. and Peter S. Lynch. Supplemented by additional loans from other
  collections and anonymous lenders\, the exhibition constitutes the most ex
 pansive exploration of the Yeats family’s contributions to the public arts 
 to date. Many objects are publicly displayed for the first time\, others fo
 r the first time outside Ireland.\n\nThe exhibition is accompanied by a ful
 ly illustrated catalogue\, edited by Marjorie Howes\, which includes fiftee
 n essays contributed by an interdisciplinary team of scholars who offer new
  insights into historical contexts and interpretive frameworks for studying
  the Yeatses. \n\nOrganized by the McMullen Museum in conjunction with the 
 John J. Burns Library\, Collaborating in Conflict has been curated by Marjo
 rie Howes\, Christian Dupont\, and Diana Larsen. The exhibition is underwri
 tten by Boston College with major support from the Patrons of the McMullen 
 Museum\, the John C. Donohue Estate\, Robert ’63 and Ann Marie Reardon P’91
 \, and the Anna Frances Vegkeley Ryan Estate in memory of John Anthony Ryan
  Jr. ’50. Additional support has been provided by William J. Lundregan III\
 , Esq.\, ’62\, JD’67\, P’93\, ’96 and Elaine Stein-Cummins in memory of Dan
 iel Cummins ’58.\n\nBoston College’s Irish Studies program is organizing a 
 symposium to accompany the exhibition. With lectures by experts in Ireland’
 s visual arts\, theater and performance\, textiles and embroidery\, printin
 g and publishing\, and social and cultural history\, it will be held at Con
 nolly House and the McMullen Museum on February 20 and 21.
DTEND:20260206T220000Z
DTSTAMP:20260305T165703Z
DTSTART:20260206T150000Z
GEO:42.340795;-71.162583
LOCATION:McMullen Museum of Art
SEQUENCE:0
SUMMARY:Exhibition: "Collaborating in Conflict: The Yeats Family and the Pu
 blic Arts"
UID:tag:localist.com\,2008:EventInstance_51780871443287
URL:https://events.bc.edu/event/exhibition-collaborating-in-conflict-the-ye
 ats-family-and-the-public-arts
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts,Exhibition,Visual Arts
DESCRIPTION:Exhibition: Collaborating in Conflict: The Yeats Family and the
  Public Arts\n\nExamining the extraordinary impact the talented Yeats famil
 y had on cultural life and the public arts in Ireland during a century cruc
 ial to its history\, the exhibition features over two hundred works from pr
 emier public and private collections. Paintings\, drawings\, prints\, embro
 ideries\, books\, and letters by patriarch John Butler Yeats and his childr
 en William\, Lily\, Elizabeth\, and Jack\, as well as William’s daughter\, 
 Anne\, highlight examples of individual artistry. They also demonstrate how
  the Yeats family’s artistic expression was varied and deeply collaborative
 . In illustrated poetry\, set designs\, embroideries for home and liturgica
 l use\, printed broadsides\, paintings\, sketchbooks\, and other media\, th
 e siblings drew upon each others’ acumen. These endeavors were often fraugh
 t with conflict\, resulting in creative tensions and financial hardships. \
 n\nThe exhibition opens by exploring portraiture of family members and repr
 esentations of the places that were important to them. It moves on to objec
 ts illustrating the family’s engagement with youth as a site of education\,
  entertainment\, and memory. Subsequent sections reveal how the Yeatses cre
 ated objects that transformed private spaces through imaginative innovation
  and material practices\, as well as how they shaped public life through th
 eater\, publishing and printing\, and visual representations of a distincti
 ve Irish identity as the nation established itself post-independence. \n\nR
 ecent gifts to Boston College anchor the exhibition: Jack B. Yeats painting
 s and Lily Yeats Stations of the Cross embroideries received by the McMulle
 n Museum and additional acquisitions of Yeats family materials by the John 
 J. Burns Library. These are complemented by major loans from the Model\, ho
 me of the Niland Collection\, the National Gallery of Ireland\, the Library
  of Trinity College Dublin\, the O’Brien Collection\, and the Collection of
  Carolyn A. and Peter S. Lynch. Supplemented by additional loans from other
  collections and anonymous lenders\, the exhibition constitutes the most ex
 pansive exploration of the Yeats family’s contributions to the public arts 
 to date. Many objects are publicly displayed for the first time\, others fo
 r the first time outside Ireland.\n\nThe exhibition is accompanied by a ful
 ly illustrated catalogue\, edited by Marjorie Howes\, which includes fiftee
 n essays contributed by an interdisciplinary team of scholars who offer new
  insights into historical contexts and interpretive frameworks for studying
  the Yeatses. \n\nOrganized by the McMullen Museum in conjunction with the 
 John J. Burns Library\, Collaborating in Conflict has been curated by Marjo
 rie Howes\, Christian Dupont\, and Diana Larsen. The exhibition is underwri
 tten by Boston College with major support from the Patrons of the McMullen 
 Museum\, the John C. Donohue Estate\, Robert ’63 and Ann Marie Reardon P’91
 \, and the Anna Frances Vegkeley Ryan Estate in memory of John Anthony Ryan
  Jr. ’50. Additional support has been provided by William J. Lundregan III\
 , Esq.\, ’62\, JD’67\, P’93\, ’96 and Elaine Stein-Cummins in memory of Dan
 iel Cummins ’58.\n\nBoston College’s Irish Studies program is organizing a 
 symposium to accompany the exhibition. With lectures by experts in Ireland’
 s visual arts\, theater and performance\, textiles and embroidery\, printin
 g and publishing\, and social and cultural history\, it will be held at Con
 nolly House and the McMullen Museum on February 20 and 21.
DTEND:20260207T220000Z
DTSTAMP:20260305T165703Z
DTSTART:20260207T170000Z
GEO:42.340795;-71.162583
LOCATION:McMullen Museum of Art
SEQUENCE:0
SUMMARY:Exhibition: "Collaborating in Conflict: The Yeats Family and the Pu
 blic Arts"
UID:tag:localist.com\,2008:EventInstance_51780871445336
URL:https://events.bc.edu/event/exhibition-collaborating-in-conflict-the-ye
 ats-family-and-the-public-arts
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts,Exhibition,Visual Arts
DESCRIPTION:Exhibition: Collaborating in Conflict: The Yeats Family and the
  Public Arts\n\nExamining the extraordinary impact the talented Yeats famil
 y had on cultural life and the public arts in Ireland during a century cruc
 ial to its history\, the exhibition features over two hundred works from pr
 emier public and private collections. Paintings\, drawings\, prints\, embro
 ideries\, books\, and letters by patriarch John Butler Yeats and his childr
 en William\, Lily\, Elizabeth\, and Jack\, as well as William’s daughter\, 
 Anne\, highlight examples of individual artistry. They also demonstrate how
  the Yeats family’s artistic expression was varied and deeply collaborative
 . In illustrated poetry\, set designs\, embroideries for home and liturgica
 l use\, printed broadsides\, paintings\, sketchbooks\, and other media\, th
 e siblings drew upon each others’ acumen. These endeavors were often fraugh
 t with conflict\, resulting in creative tensions and financial hardships. \
 n\nThe exhibition opens by exploring portraiture of family members and repr
 esentations of the places that were important to them. It moves on to objec
 ts illustrating the family’s engagement with youth as a site of education\,
  entertainment\, and memory. Subsequent sections reveal how the Yeatses cre
 ated objects that transformed private spaces through imaginative innovation
  and material practices\, as well as how they shaped public life through th
 eater\, publishing and printing\, and visual representations of a distincti
 ve Irish identity as the nation established itself post-independence. \n\nR
 ecent gifts to Boston College anchor the exhibition: Jack B. Yeats painting
 s and Lily Yeats Stations of the Cross embroideries received by the McMulle
 n Museum and additional acquisitions of Yeats family materials by the John 
 J. Burns Library. These are complemented by major loans from the Model\, ho
 me of the Niland Collection\, the National Gallery of Ireland\, the Library
  of Trinity College Dublin\, the O’Brien Collection\, and the Collection of
  Carolyn A. and Peter S. Lynch. Supplemented by additional loans from other
  collections and anonymous lenders\, the exhibition constitutes the most ex
 pansive exploration of the Yeats family’s contributions to the public arts 
 to date. Many objects are publicly displayed for the first time\, others fo
 r the first time outside Ireland.\n\nThe exhibition is accompanied by a ful
 ly illustrated catalogue\, edited by Marjorie Howes\, which includes fiftee
 n essays contributed by an interdisciplinary team of scholars who offer new
  insights into historical contexts and interpretive frameworks for studying
  the Yeatses. \n\nOrganized by the McMullen Museum in conjunction with the 
 John J. Burns Library\, Collaborating in Conflict has been curated by Marjo
 rie Howes\, Christian Dupont\, and Diana Larsen. The exhibition is underwri
 tten by Boston College with major support from the Patrons of the McMullen 
 Museum\, the John C. Donohue Estate\, Robert ’63 and Ann Marie Reardon P’91
 \, and the Anna Frances Vegkeley Ryan Estate in memory of John Anthony Ryan
  Jr. ’50. Additional support has been provided by William J. Lundregan III\
 , Esq.\, ’62\, JD’67\, P’93\, ’96 and Elaine Stein-Cummins in memory of Dan
 iel Cummins ’58.\n\nBoston College’s Irish Studies program is organizing a 
 symposium to accompany the exhibition. With lectures by experts in Ireland’
 s visual arts\, theater and performance\, textiles and embroidery\, printin
 g and publishing\, and social and cultural history\, it will be held at Con
 nolly House and the McMullen Museum on February 20 and 21.
DTEND:20260208T220000Z
DTSTAMP:20260305T165703Z
DTSTART:20260208T170000Z
GEO:42.340795;-71.162583
LOCATION:McMullen Museum of Art
SEQUENCE:0
SUMMARY:Exhibition: "Collaborating in Conflict: The Yeats Family and the Pu
 blic Arts"
UID:tag:localist.com\,2008:EventInstance_51780871446361
URL:https://events.bc.edu/event/exhibition-collaborating-in-conflict-the-ye
 ats-family-and-the-public-arts
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts,Exhibition,Visual Arts
DESCRIPTION:Exhibition: Collaborating in Conflict: The Yeats Family and the
  Public Arts\n\nExamining the extraordinary impact the talented Yeats famil
 y had on cultural life and the public arts in Ireland during a century cruc
 ial to its history\, the exhibition features over two hundred works from pr
 emier public and private collections. Paintings\, drawings\, prints\, embro
 ideries\, books\, and letters by patriarch John Butler Yeats and his childr
 en William\, Lily\, Elizabeth\, and Jack\, as well as William’s daughter\, 
 Anne\, highlight examples of individual artistry. They also demonstrate how
  the Yeats family’s artistic expression was varied and deeply collaborative
 . In illustrated poetry\, set designs\, embroideries for home and liturgica
 l use\, printed broadsides\, paintings\, sketchbooks\, and other media\, th
 e siblings drew upon each others’ acumen. These endeavors were often fraugh
 t with conflict\, resulting in creative tensions and financial hardships. \
 n\nThe exhibition opens by exploring portraiture of family members and repr
 esentations of the places that were important to them. It moves on to objec
 ts illustrating the family’s engagement with youth as a site of education\,
  entertainment\, and memory. Subsequent sections reveal how the Yeatses cre
 ated objects that transformed private spaces through imaginative innovation
  and material practices\, as well as how they shaped public life through th
 eater\, publishing and printing\, and visual representations of a distincti
 ve Irish identity as the nation established itself post-independence. \n\nR
 ecent gifts to Boston College anchor the exhibition: Jack B. Yeats painting
 s and Lily Yeats Stations of the Cross embroideries received by the McMulle
 n Museum and additional acquisitions of Yeats family materials by the John 
 J. Burns Library. These are complemented by major loans from the Model\, ho
 me of the Niland Collection\, the National Gallery of Ireland\, the Library
  of Trinity College Dublin\, the O’Brien Collection\, and the Collection of
  Carolyn A. and Peter S. Lynch. Supplemented by additional loans from other
  collections and anonymous lenders\, the exhibition constitutes the most ex
 pansive exploration of the Yeats family’s contributions to the public arts 
 to date. Many objects are publicly displayed for the first time\, others fo
 r the first time outside Ireland.\n\nThe exhibition is accompanied by a ful
 ly illustrated catalogue\, edited by Marjorie Howes\, which includes fiftee
 n essays contributed by an interdisciplinary team of scholars who offer new
  insights into historical contexts and interpretive frameworks for studying
  the Yeatses. \n\nOrganized by the McMullen Museum in conjunction with the 
 John J. Burns Library\, Collaborating in Conflict has been curated by Marjo
 rie Howes\, Christian Dupont\, and Diana Larsen. The exhibition is underwri
 tten by Boston College with major support from the Patrons of the McMullen 
 Museum\, the John C. Donohue Estate\, Robert ’63 and Ann Marie Reardon P’91
 \, and the Anna Frances Vegkeley Ryan Estate in memory of John Anthony Ryan
  Jr. ’50. Additional support has been provided by William J. Lundregan III\
 , Esq.\, ’62\, JD’67\, P’93\, ’96 and Elaine Stein-Cummins in memory of Dan
 iel Cummins ’58.\n\nBoston College’s Irish Studies program is organizing a 
 symposium to accompany the exhibition. With lectures by experts in Ireland’
 s visual arts\, theater and performance\, textiles and embroidery\, printin
 g and publishing\, and social and cultural history\, it will be held at Con
 nolly House and the McMullen Museum on February 20 and 21.
DTEND:20260209T220000Z
DTSTAMP:20260305T165703Z
DTSTART:20260209T150000Z
GEO:42.340795;-71.162583
LOCATION:McMullen Museum of Art
SEQUENCE:0
SUMMARY:Exhibition: "Collaborating in Conflict: The Yeats Family and the Pu
 blic Arts"
UID:tag:localist.com\,2008:EventInstance_51780871447386
URL:https://events.bc.edu/event/exhibition-collaborating-in-conflict-the-ye
 ats-family-and-the-public-arts
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts,Exhibition,Visual Arts
DESCRIPTION:Exhibition: Collaborating in Conflict: The Yeats Family and the
  Public Arts\n\nExamining the extraordinary impact the talented Yeats famil
 y had on cultural life and the public arts in Ireland during a century cruc
 ial to its history\, the exhibition features over two hundred works from pr
 emier public and private collections. Paintings\, drawings\, prints\, embro
 ideries\, books\, and letters by patriarch John Butler Yeats and his childr
 en William\, Lily\, Elizabeth\, and Jack\, as well as William’s daughter\, 
 Anne\, highlight examples of individual artistry. They also demonstrate how
  the Yeats family’s artistic expression was varied and deeply collaborative
 . In illustrated poetry\, set designs\, embroideries for home and liturgica
 l use\, printed broadsides\, paintings\, sketchbooks\, and other media\, th
 e siblings drew upon each others’ acumen. These endeavors were often fraugh
 t with conflict\, resulting in creative tensions and financial hardships. \
 n\nThe exhibition opens by exploring portraiture of family members and repr
 esentations of the places that were important to them. It moves on to objec
 ts illustrating the family’s engagement with youth as a site of education\,
  entertainment\, and memory. Subsequent sections reveal how the Yeatses cre
 ated objects that transformed private spaces through imaginative innovation
  and material practices\, as well as how they shaped public life through th
 eater\, publishing and printing\, and visual representations of a distincti
 ve Irish identity as the nation established itself post-independence. \n\nR
 ecent gifts to Boston College anchor the exhibition: Jack B. Yeats painting
 s and Lily Yeats Stations of the Cross embroideries received by the McMulle
 n Museum and additional acquisitions of Yeats family materials by the John 
 J. Burns Library. These are complemented by major loans from the Model\, ho
 me of the Niland Collection\, the National Gallery of Ireland\, the Library
  of Trinity College Dublin\, the O’Brien Collection\, and the Collection of
  Carolyn A. and Peter S. Lynch. Supplemented by additional loans from other
  collections and anonymous lenders\, the exhibition constitutes the most ex
 pansive exploration of the Yeats family’s contributions to the public arts 
 to date. Many objects are publicly displayed for the first time\, others fo
 r the first time outside Ireland.\n\nThe exhibition is accompanied by a ful
 ly illustrated catalogue\, edited by Marjorie Howes\, which includes fiftee
 n essays contributed by an interdisciplinary team of scholars who offer new
  insights into historical contexts and interpretive frameworks for studying
  the Yeatses. \n\nOrganized by the McMullen Museum in conjunction with the 
 John J. Burns Library\, Collaborating in Conflict has been curated by Marjo
 rie Howes\, Christian Dupont\, and Diana Larsen. The exhibition is underwri
 tten by Boston College with major support from the Patrons of the McMullen 
 Museum\, the John C. Donohue Estate\, Robert ’63 and Ann Marie Reardon P’91
 \, and the Anna Frances Vegkeley Ryan Estate in memory of John Anthony Ryan
  Jr. ’50. Additional support has been provided by William J. Lundregan III\
 , Esq.\, ’62\, JD’67\, P’93\, ’96 and Elaine Stein-Cummins in memory of Dan
 iel Cummins ’58.\n\nBoston College’s Irish Studies program is organizing a 
 symposium to accompany the exhibition. With lectures by experts in Ireland’
 s visual arts\, theater and performance\, textiles and embroidery\, printin
 g and publishing\, and social and cultural history\, it will be held at Con
 nolly House and the McMullen Museum on February 20 and 21.
DTEND:20260210T220000Z
DTSTAMP:20260305T165703Z
DTSTART:20260210T150000Z
GEO:42.340795;-71.162583
LOCATION:McMullen Museum of Art
SEQUENCE:0
SUMMARY:Exhibition: "Collaborating in Conflict: The Yeats Family and the Pu
 blic Arts"
UID:tag:localist.com\,2008:EventInstance_51780871449435
URL:https://events.bc.edu/event/exhibition-collaborating-in-conflict-the-ye
 ats-family-and-the-public-arts
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts,Exhibition,Visual Arts
DESCRIPTION:Exhibition: Collaborating in Conflict: The Yeats Family and the
  Public Arts\n\nExamining the extraordinary impact the talented Yeats famil
 y had on cultural life and the public arts in Ireland during a century cruc
 ial to its history\, the exhibition features over two hundred works from pr
 emier public and private collections. Paintings\, drawings\, prints\, embro
 ideries\, books\, and letters by patriarch John Butler Yeats and his childr
 en William\, Lily\, Elizabeth\, and Jack\, as well as William’s daughter\, 
 Anne\, highlight examples of individual artistry. They also demonstrate how
  the Yeats family’s artistic expression was varied and deeply collaborative
 . In illustrated poetry\, set designs\, embroideries for home and liturgica
 l use\, printed broadsides\, paintings\, sketchbooks\, and other media\, th
 e siblings drew upon each others’ acumen. These endeavors were often fraugh
 t with conflict\, resulting in creative tensions and financial hardships. \
 n\nThe exhibition opens by exploring portraiture of family members and repr
 esentations of the places that were important to them. It moves on to objec
 ts illustrating the family’s engagement with youth as a site of education\,
  entertainment\, and memory. Subsequent sections reveal how the Yeatses cre
 ated objects that transformed private spaces through imaginative innovation
  and material practices\, as well as how they shaped public life through th
 eater\, publishing and printing\, and visual representations of a distincti
 ve Irish identity as the nation established itself post-independence. \n\nR
 ecent gifts to Boston College anchor the exhibition: Jack B. Yeats painting
 s and Lily Yeats Stations of the Cross embroideries received by the McMulle
 n Museum and additional acquisitions of Yeats family materials by the John 
 J. Burns Library. These are complemented by major loans from the Model\, ho
 me of the Niland Collection\, the National Gallery of Ireland\, the Library
  of Trinity College Dublin\, the O’Brien Collection\, and the Collection of
  Carolyn A. and Peter S. Lynch. Supplemented by additional loans from other
  collections and anonymous lenders\, the exhibition constitutes the most ex
 pansive exploration of the Yeats family’s contributions to the public arts 
 to date. Many objects are publicly displayed for the first time\, others fo
 r the first time outside Ireland.\n\nThe exhibition is accompanied by a ful
 ly illustrated catalogue\, edited by Marjorie Howes\, which includes fiftee
 n essays contributed by an interdisciplinary team of scholars who offer new
  insights into historical contexts and interpretive frameworks for studying
  the Yeatses. \n\nOrganized by the McMullen Museum in conjunction with the 
 John J. Burns Library\, Collaborating in Conflict has been curated by Marjo
 rie Howes\, Christian Dupont\, and Diana Larsen. The exhibition is underwri
 tten by Boston College with major support from the Patrons of the McMullen 
 Museum\, the John C. Donohue Estate\, Robert ’63 and Ann Marie Reardon P’91
 \, and the Anna Frances Vegkeley Ryan Estate in memory of John Anthony Ryan
  Jr. ’50. Additional support has been provided by William J. Lundregan III\
 , Esq.\, ’62\, JD’67\, P’93\, ’96 and Elaine Stein-Cummins in memory of Dan
 iel Cummins ’58.\n\nBoston College’s Irish Studies program is organizing a 
 symposium to accompany the exhibition. With lectures by experts in Ireland’
 s visual arts\, theater and performance\, textiles and embroidery\, printin
 g and publishing\, and social and cultural history\, it will be held at Con
 nolly House and the McMullen Museum on February 20 and 21.
DTEND:20260211T220000Z
DTSTAMP:20260305T165703Z
DTSTART:20260211T150000Z
GEO:42.340795;-71.162583
LOCATION:McMullen Museum of Art
SEQUENCE:0
SUMMARY:Exhibition: "Collaborating in Conflict: The Yeats Family and the Pu
 blic Arts"
UID:tag:localist.com\,2008:EventInstance_51780871450460
URL:https://events.bc.edu/event/exhibition-collaborating-in-conflict-the-ye
 ats-family-and-the-public-arts
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts,Exhibition,Visual Arts
DESCRIPTION:Exhibition: Collaborating in Conflict: The Yeats Family and the
  Public Arts\n\nExamining the extraordinary impact the talented Yeats famil
 y had on cultural life and the public arts in Ireland during a century cruc
 ial to its history\, the exhibition features over two hundred works from pr
 emier public and private collections. Paintings\, drawings\, prints\, embro
 ideries\, books\, and letters by patriarch John Butler Yeats and his childr
 en William\, Lily\, Elizabeth\, and Jack\, as well as William’s daughter\, 
 Anne\, highlight examples of individual artistry. They also demonstrate how
  the Yeats family’s artistic expression was varied and deeply collaborative
 . In illustrated poetry\, set designs\, embroideries for home and liturgica
 l use\, printed broadsides\, paintings\, sketchbooks\, and other media\, th
 e siblings drew upon each others’ acumen. These endeavors were often fraugh
 t with conflict\, resulting in creative tensions and financial hardships. \
 n\nThe exhibition opens by exploring portraiture of family members and repr
 esentations of the places that were important to them. It moves on to objec
 ts illustrating the family’s engagement with youth as a site of education\,
  entertainment\, and memory. Subsequent sections reveal how the Yeatses cre
 ated objects that transformed private spaces through imaginative innovation
  and material practices\, as well as how they shaped public life through th
 eater\, publishing and printing\, and visual representations of a distincti
 ve Irish identity as the nation established itself post-independence. \n\nR
 ecent gifts to Boston College anchor the exhibition: Jack B. Yeats painting
 s and Lily Yeats Stations of the Cross embroideries received by the McMulle
 n Museum and additional acquisitions of Yeats family materials by the John 
 J. Burns Library. These are complemented by major loans from the Model\, ho
 me of the Niland Collection\, the National Gallery of Ireland\, the Library
  of Trinity College Dublin\, the O’Brien Collection\, and the Collection of
  Carolyn A. and Peter S. Lynch. Supplemented by additional loans from other
  collections and anonymous lenders\, the exhibition constitutes the most ex
 pansive exploration of the Yeats family’s contributions to the public arts 
 to date. Many objects are publicly displayed for the first time\, others fo
 r the first time outside Ireland.\n\nThe exhibition is accompanied by a ful
 ly illustrated catalogue\, edited by Marjorie Howes\, which includes fiftee
 n essays contributed by an interdisciplinary team of scholars who offer new
  insights into historical contexts and interpretive frameworks for studying
  the Yeatses. \n\nOrganized by the McMullen Museum in conjunction with the 
 John J. Burns Library\, Collaborating in Conflict has been curated by Marjo
 rie Howes\, Christian Dupont\, and Diana Larsen. The exhibition is underwri
 tten by Boston College with major support from the Patrons of the McMullen 
 Museum\, the John C. Donohue Estate\, Robert ’63 and Ann Marie Reardon P’91
 \, and the Anna Frances Vegkeley Ryan Estate in memory of John Anthony Ryan
  Jr. ’50. Additional support has been provided by William J. Lundregan III\
 , Esq.\, ’62\, JD’67\, P’93\, ’96 and Elaine Stein-Cummins in memory of Dan
 iel Cummins ’58.\n\nBoston College’s Irish Studies program is organizing a 
 symposium to accompany the exhibition. With lectures by experts in Ireland’
 s visual arts\, theater and performance\, textiles and embroidery\, printin
 g and publishing\, and social and cultural history\, it will be held at Con
 nolly House and the McMullen Museum on February 20 and 21.
DTEND:20260212T220000Z
DTSTAMP:20260305T165703Z
DTSTART:20260212T150000Z
GEO:42.340795;-71.162583
LOCATION:McMullen Museum of Art
SEQUENCE:0
SUMMARY:Exhibition: "Collaborating in Conflict: The Yeats Family and the Pu
 blic Arts"
UID:tag:localist.com\,2008:EventInstance_51780871451485
URL:https://events.bc.edu/event/exhibition-collaborating-in-conflict-the-ye
 ats-family-and-the-public-arts
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts,Exhibition,Visual Arts
DESCRIPTION:Exhibition: Collaborating in Conflict: The Yeats Family and the
  Public Arts\n\nExamining the extraordinary impact the talented Yeats famil
 y had on cultural life and the public arts in Ireland during a century cruc
 ial to its history\, the exhibition features over two hundred works from pr
 emier public and private collections. Paintings\, drawings\, prints\, embro
 ideries\, books\, and letters by patriarch John Butler Yeats and his childr
 en William\, Lily\, Elizabeth\, and Jack\, as well as William’s daughter\, 
 Anne\, highlight examples of individual artistry. They also demonstrate how
  the Yeats family’s artistic expression was varied and deeply collaborative
 . In illustrated poetry\, set designs\, embroideries for home and liturgica
 l use\, printed broadsides\, paintings\, sketchbooks\, and other media\, th
 e siblings drew upon each others’ acumen. These endeavors were often fraugh
 t with conflict\, resulting in creative tensions and financial hardships. \
 n\nThe exhibition opens by exploring portraiture of family members and repr
 esentations of the places that were important to them. It moves on to objec
 ts illustrating the family’s engagement with youth as a site of education\,
  entertainment\, and memory. Subsequent sections reveal how the Yeatses cre
 ated objects that transformed private spaces through imaginative innovation
  and material practices\, as well as how they shaped public life through th
 eater\, publishing and printing\, and visual representations of a distincti
 ve Irish identity as the nation established itself post-independence. \n\nR
 ecent gifts to Boston College anchor the exhibition: Jack B. Yeats painting
 s and Lily Yeats Stations of the Cross embroideries received by the McMulle
 n Museum and additional acquisitions of Yeats family materials by the John 
 J. Burns Library. These are complemented by major loans from the Model\, ho
 me of the Niland Collection\, the National Gallery of Ireland\, the Library
  of Trinity College Dublin\, the O’Brien Collection\, and the Collection of
  Carolyn A. and Peter S. Lynch. Supplemented by additional loans from other
  collections and anonymous lenders\, the exhibition constitutes the most ex
 pansive exploration of the Yeats family’s contributions to the public arts 
 to date. Many objects are publicly displayed for the first time\, others fo
 r the first time outside Ireland.\n\nThe exhibition is accompanied by a ful
 ly illustrated catalogue\, edited by Marjorie Howes\, which includes fiftee
 n essays contributed by an interdisciplinary team of scholars who offer new
  insights into historical contexts and interpretive frameworks for studying
  the Yeatses. \n\nOrganized by the McMullen Museum in conjunction with the 
 John J. Burns Library\, Collaborating in Conflict has been curated by Marjo
 rie Howes\, Christian Dupont\, and Diana Larsen. The exhibition is underwri
 tten by Boston College with major support from the Patrons of the McMullen 
 Museum\, the John C. Donohue Estate\, Robert ’63 and Ann Marie Reardon P’91
 \, and the Anna Frances Vegkeley Ryan Estate in memory of John Anthony Ryan
  Jr. ’50. Additional support has been provided by William J. Lundregan III\
 , Esq.\, ’62\, JD’67\, P’93\, ’96 and Elaine Stein-Cummins in memory of Dan
 iel Cummins ’58.\n\nBoston College’s Irish Studies program is organizing a 
 symposium to accompany the exhibition. With lectures by experts in Ireland’
 s visual arts\, theater and performance\, textiles and embroidery\, printin
 g and publishing\, and social and cultural history\, it will be held at Con
 nolly House and the McMullen Museum on February 20 and 21.
DTEND:20260213T220000Z
DTSTAMP:20260305T165703Z
DTSTART:20260213T150000Z
GEO:42.340795;-71.162583
LOCATION:McMullen Museum of Art
SEQUENCE:0
SUMMARY:Exhibition: "Collaborating in Conflict: The Yeats Family and the Pu
 blic Arts"
UID:tag:localist.com\,2008:EventInstance_51780871452510
URL:https://events.bc.edu/event/exhibition-collaborating-in-conflict-the-ye
 ats-family-and-the-public-arts
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts,Exhibition,Visual Arts
DESCRIPTION:Exhibition: Collaborating in Conflict: The Yeats Family and the
  Public Arts\n\nExamining the extraordinary impact the talented Yeats famil
 y had on cultural life and the public arts in Ireland during a century cruc
 ial to its history\, the exhibition features over two hundred works from pr
 emier public and private collections. Paintings\, drawings\, prints\, embro
 ideries\, books\, and letters by patriarch John Butler Yeats and his childr
 en William\, Lily\, Elizabeth\, and Jack\, as well as William’s daughter\, 
 Anne\, highlight examples of individual artistry. They also demonstrate how
  the Yeats family’s artistic expression was varied and deeply collaborative
 . In illustrated poetry\, set designs\, embroideries for home and liturgica
 l use\, printed broadsides\, paintings\, sketchbooks\, and other media\, th
 e siblings drew upon each others’ acumen. These endeavors were often fraugh
 t with conflict\, resulting in creative tensions and financial hardships. \
 n\nThe exhibition opens by exploring portraiture of family members and repr
 esentations of the places that were important to them. It moves on to objec
 ts illustrating the family’s engagement with youth as a site of education\,
  entertainment\, and memory. Subsequent sections reveal how the Yeatses cre
 ated objects that transformed private spaces through imaginative innovation
  and material practices\, as well as how they shaped public life through th
 eater\, publishing and printing\, and visual representations of a distincti
 ve Irish identity as the nation established itself post-independence. \n\nR
 ecent gifts to Boston College anchor the exhibition: Jack B. Yeats painting
 s and Lily Yeats Stations of the Cross embroideries received by the McMulle
 n Museum and additional acquisitions of Yeats family materials by the John 
 J. Burns Library. These are complemented by major loans from the Model\, ho
 me of the Niland Collection\, the National Gallery of Ireland\, the Library
  of Trinity College Dublin\, the O’Brien Collection\, and the Collection of
  Carolyn A. and Peter S. Lynch. Supplemented by additional loans from other
  collections and anonymous lenders\, the exhibition constitutes the most ex
 pansive exploration of the Yeats family’s contributions to the public arts 
 to date. Many objects are publicly displayed for the first time\, others fo
 r the first time outside Ireland.\n\nThe exhibition is accompanied by a ful
 ly illustrated catalogue\, edited by Marjorie Howes\, which includes fiftee
 n essays contributed by an interdisciplinary team of scholars who offer new
  insights into historical contexts and interpretive frameworks for studying
  the Yeatses. \n\nOrganized by the McMullen Museum in conjunction with the 
 John J. Burns Library\, Collaborating in Conflict has been curated by Marjo
 rie Howes\, Christian Dupont\, and Diana Larsen. The exhibition is underwri
 tten by Boston College with major support from the Patrons of the McMullen 
 Museum\, the John C. Donohue Estate\, Robert ’63 and Ann Marie Reardon P’91
 \, and the Anna Frances Vegkeley Ryan Estate in memory of John Anthony Ryan
  Jr. ’50. Additional support has been provided by William J. Lundregan III\
 , Esq.\, ’62\, JD’67\, P’93\, ’96 and Elaine Stein-Cummins in memory of Dan
 iel Cummins ’58.\n\nBoston College’s Irish Studies program is organizing a 
 symposium to accompany the exhibition. With lectures by experts in Ireland’
 s visual arts\, theater and performance\, textiles and embroidery\, printin
 g and publishing\, and social and cultural history\, it will be held at Con
 nolly House and the McMullen Museum on February 20 and 21.
DTEND:20260214T220000Z
DTSTAMP:20260305T165703Z
DTSTART:20260214T170000Z
GEO:42.340795;-71.162583
LOCATION:McMullen Museum of Art
SEQUENCE:0
SUMMARY:Exhibition: "Collaborating in Conflict: The Yeats Family and the Pu
 blic Arts"
UID:tag:localist.com\,2008:EventInstance_51780871453535
URL:https://events.bc.edu/event/exhibition-collaborating-in-conflict-the-ye
 ats-family-and-the-public-arts
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts,Exhibition,Visual Arts
DESCRIPTION:Exhibition: Collaborating in Conflict: The Yeats Family and the
  Public Arts\n\nExamining the extraordinary impact the talented Yeats famil
 y had on cultural life and the public arts in Ireland during a century cruc
 ial to its history\, the exhibition features over two hundred works from pr
 emier public and private collections. Paintings\, drawings\, prints\, embro
 ideries\, books\, and letters by patriarch John Butler Yeats and his childr
 en William\, Lily\, Elizabeth\, and Jack\, as well as William’s daughter\, 
 Anne\, highlight examples of individual artistry. They also demonstrate how
  the Yeats family’s artistic expression was varied and deeply collaborative
 . In illustrated poetry\, set designs\, embroideries for home and liturgica
 l use\, printed broadsides\, paintings\, sketchbooks\, and other media\, th
 e siblings drew upon each others’ acumen. These endeavors were often fraugh
 t with conflict\, resulting in creative tensions and financial hardships. \
 n\nThe exhibition opens by exploring portraiture of family members and repr
 esentations of the places that were important to them. It moves on to objec
 ts illustrating the family’s engagement with youth as a site of education\,
  entertainment\, and memory. Subsequent sections reveal how the Yeatses cre
 ated objects that transformed private spaces through imaginative innovation
  and material practices\, as well as how they shaped public life through th
 eater\, publishing and printing\, and visual representations of a distincti
 ve Irish identity as the nation established itself post-independence. \n\nR
 ecent gifts to Boston College anchor the exhibition: Jack B. Yeats painting
 s and Lily Yeats Stations of the Cross embroideries received by the McMulle
 n Museum and additional acquisitions of Yeats family materials by the John 
 J. Burns Library. These are complemented by major loans from the Model\, ho
 me of the Niland Collection\, the National Gallery of Ireland\, the Library
  of Trinity College Dublin\, the O’Brien Collection\, and the Collection of
  Carolyn A. and Peter S. Lynch. Supplemented by additional loans from other
  collections and anonymous lenders\, the exhibition constitutes the most ex
 pansive exploration of the Yeats family’s contributions to the public arts 
 to date. Many objects are publicly displayed for the first time\, others fo
 r the first time outside Ireland.\n\nThe exhibition is accompanied by a ful
 ly illustrated catalogue\, edited by Marjorie Howes\, which includes fiftee
 n essays contributed by an interdisciplinary team of scholars who offer new
  insights into historical contexts and interpretive frameworks for studying
  the Yeatses. \n\nOrganized by the McMullen Museum in conjunction with the 
 John J. Burns Library\, Collaborating in Conflict has been curated by Marjo
 rie Howes\, Christian Dupont\, and Diana Larsen. The exhibition is underwri
 tten by Boston College with major support from the Patrons of the McMullen 
 Museum\, the John C. Donohue Estate\, Robert ’63 and Ann Marie Reardon P’91
 \, and the Anna Frances Vegkeley Ryan Estate in memory of John Anthony Ryan
  Jr. ’50. Additional support has been provided by William J. Lundregan III\
 , Esq.\, ’62\, JD’67\, P’93\, ’96 and Elaine Stein-Cummins in memory of Dan
 iel Cummins ’58.\n\nBoston College’s Irish Studies program is organizing a 
 symposium to accompany the exhibition. With lectures by experts in Ireland’
 s visual arts\, theater and performance\, textiles and embroidery\, printin
 g and publishing\, and social and cultural history\, it will be held at Con
 nolly House and the McMullen Museum on February 20 and 21.
DTEND:20260215T220000Z
DTSTAMP:20260305T165703Z
DTSTART:20260215T170000Z
GEO:42.340795;-71.162583
LOCATION:McMullen Museum of Art
SEQUENCE:0
SUMMARY:Exhibition: "Collaborating in Conflict: The Yeats Family and the Pu
 blic Arts"
UID:tag:localist.com\,2008:EventInstance_51780871455584
URL:https://events.bc.edu/event/exhibition-collaborating-in-conflict-the-ye
 ats-family-and-the-public-arts
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts,Exhibition,Visual Arts
DESCRIPTION:Exhibition: Collaborating in Conflict: The Yeats Family and the
  Public Arts\n\nExamining the extraordinary impact the talented Yeats famil
 y had on cultural life and the public arts in Ireland during a century cruc
 ial to its history\, the exhibition features over two hundred works from pr
 emier public and private collections. Paintings\, drawings\, prints\, embro
 ideries\, books\, and letters by patriarch John Butler Yeats and his childr
 en William\, Lily\, Elizabeth\, and Jack\, as well as William’s daughter\, 
 Anne\, highlight examples of individual artistry. They also demonstrate how
  the Yeats family’s artistic expression was varied and deeply collaborative
 . In illustrated poetry\, set designs\, embroideries for home and liturgica
 l use\, printed broadsides\, paintings\, sketchbooks\, and other media\, th
 e siblings drew upon each others’ acumen. These endeavors were often fraugh
 t with conflict\, resulting in creative tensions and financial hardships. \
 n\nThe exhibition opens by exploring portraiture of family members and repr
 esentations of the places that were important to them. It moves on to objec
 ts illustrating the family’s engagement with youth as a site of education\,
  entertainment\, and memory. Subsequent sections reveal how the Yeatses cre
 ated objects that transformed private spaces through imaginative innovation
  and material practices\, as well as how they shaped public life through th
 eater\, publishing and printing\, and visual representations of a distincti
 ve Irish identity as the nation established itself post-independence. \n\nR
 ecent gifts to Boston College anchor the exhibition: Jack B. Yeats painting
 s and Lily Yeats Stations of the Cross embroideries received by the McMulle
 n Museum and additional acquisitions of Yeats family materials by the John 
 J. Burns Library. These are complemented by major loans from the Model\, ho
 me of the Niland Collection\, the National Gallery of Ireland\, the Library
  of Trinity College Dublin\, the O’Brien Collection\, and the Collection of
  Carolyn A. and Peter S. Lynch. Supplemented by additional loans from other
  collections and anonymous lenders\, the exhibition constitutes the most ex
 pansive exploration of the Yeats family’s contributions to the public arts 
 to date. Many objects are publicly displayed for the first time\, others fo
 r the first time outside Ireland.\n\nThe exhibition is accompanied by a ful
 ly illustrated catalogue\, edited by Marjorie Howes\, which includes fiftee
 n essays contributed by an interdisciplinary team of scholars who offer new
  insights into historical contexts and interpretive frameworks for studying
  the Yeatses. \n\nOrganized by the McMullen Museum in conjunction with the 
 John J. Burns Library\, Collaborating in Conflict has been curated by Marjo
 rie Howes\, Christian Dupont\, and Diana Larsen. The exhibition is underwri
 tten by Boston College with major support from the Patrons of the McMullen 
 Museum\, the John C. Donohue Estate\, Robert ’63 and Ann Marie Reardon P’91
 \, and the Anna Frances Vegkeley Ryan Estate in memory of John Anthony Ryan
  Jr. ’50. Additional support has been provided by William J. Lundregan III\
 , Esq.\, ’62\, JD’67\, P’93\, ’96 and Elaine Stein-Cummins in memory of Dan
 iel Cummins ’58.\n\nBoston College’s Irish Studies program is organizing a 
 symposium to accompany the exhibition. With lectures by experts in Ireland’
 s visual arts\, theater and performance\, textiles and embroidery\, printin
 g and publishing\, and social and cultural history\, it will be held at Con
 nolly House and the McMullen Museum on February 20 and 21.
DTEND:20260216T220000Z
DTSTAMP:20260305T165703Z
DTSTART:20260216T150000Z
GEO:42.340795;-71.162583
LOCATION:McMullen Museum of Art
SEQUENCE:0
SUMMARY:Exhibition: "Collaborating in Conflict: The Yeats Family and the Pu
 blic Arts"
UID:tag:localist.com\,2008:EventInstance_51780871456609
URL:https://events.bc.edu/event/exhibition-collaborating-in-conflict-the-ye
 ats-family-and-the-public-arts
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts,Exhibition,Visual Arts
DESCRIPTION:Exhibition: Collaborating in Conflict: The Yeats Family and the
  Public Arts\n\nExamining the extraordinary impact the talented Yeats famil
 y had on cultural life and the public arts in Ireland during a century cruc
 ial to its history\, the exhibition features over two hundred works from pr
 emier public and private collections. Paintings\, drawings\, prints\, embro
 ideries\, books\, and letters by patriarch John Butler Yeats and his childr
 en William\, Lily\, Elizabeth\, and Jack\, as well as William’s daughter\, 
 Anne\, highlight examples of individual artistry. They also demonstrate how
  the Yeats family’s artistic expression was varied and deeply collaborative
 . In illustrated poetry\, set designs\, embroideries for home and liturgica
 l use\, printed broadsides\, paintings\, sketchbooks\, and other media\, th
 e siblings drew upon each others’ acumen. These endeavors were often fraugh
 t with conflict\, resulting in creative tensions and financial hardships. \
 n\nThe exhibition opens by exploring portraiture of family members and repr
 esentations of the places that were important to them. It moves on to objec
 ts illustrating the family’s engagement with youth as a site of education\,
  entertainment\, and memory. Subsequent sections reveal how the Yeatses cre
 ated objects that transformed private spaces through imaginative innovation
  and material practices\, as well as how they shaped public life through th
 eater\, publishing and printing\, and visual representations of a distincti
 ve Irish identity as the nation established itself post-independence. \n\nR
 ecent gifts to Boston College anchor the exhibition: Jack B. Yeats painting
 s and Lily Yeats Stations of the Cross embroideries received by the McMulle
 n Museum and additional acquisitions of Yeats family materials by the John 
 J. Burns Library. These are complemented by major loans from the Model\, ho
 me of the Niland Collection\, the National Gallery of Ireland\, the Library
  of Trinity College Dublin\, the O’Brien Collection\, and the Collection of
  Carolyn A. and Peter S. Lynch. Supplemented by additional loans from other
  collections and anonymous lenders\, the exhibition constitutes the most ex
 pansive exploration of the Yeats family’s contributions to the public arts 
 to date. Many objects are publicly displayed for the first time\, others fo
 r the first time outside Ireland.\n\nThe exhibition is accompanied by a ful
 ly illustrated catalogue\, edited by Marjorie Howes\, which includes fiftee
 n essays contributed by an interdisciplinary team of scholars who offer new
  insights into historical contexts and interpretive frameworks for studying
  the Yeatses. \n\nOrganized by the McMullen Museum in conjunction with the 
 John J. Burns Library\, Collaborating in Conflict has been curated by Marjo
 rie Howes\, Christian Dupont\, and Diana Larsen. The exhibition is underwri
 tten by Boston College with major support from the Patrons of the McMullen 
 Museum\, the John C. Donohue Estate\, Robert ’63 and Ann Marie Reardon P’91
 \, and the Anna Frances Vegkeley Ryan Estate in memory of John Anthony Ryan
  Jr. ’50. Additional support has been provided by William J. Lundregan III\
 , Esq.\, ’62\, JD’67\, P’93\, ’96 and Elaine Stein-Cummins in memory of Dan
 iel Cummins ’58.\n\nBoston College’s Irish Studies program is organizing a 
 symposium to accompany the exhibition. With lectures by experts in Ireland’
 s visual arts\, theater and performance\, textiles and embroidery\, printin
 g and publishing\, and social and cultural history\, it will be held at Con
 nolly House and the McMullen Museum on February 20 and 21.
DTEND:20260217T220000Z
DTSTAMP:20260305T165703Z
DTSTART:20260217T150000Z
GEO:42.340795;-71.162583
LOCATION:McMullen Museum of Art
SEQUENCE:0
SUMMARY:Exhibition: "Collaborating in Conflict: The Yeats Family and the Pu
 blic Arts"
UID:tag:localist.com\,2008:EventInstance_51780871457634
URL:https://events.bc.edu/event/exhibition-collaborating-in-conflict-the-ye
 ats-family-and-the-public-arts
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts,Exhibition,Visual Arts
DESCRIPTION:Exhibition: Collaborating in Conflict: The Yeats Family and the
  Public Arts\n\nExamining the extraordinary impact the talented Yeats famil
 y had on cultural life and the public arts in Ireland during a century cruc
 ial to its history\, the exhibition features over two hundred works from pr
 emier public and private collections. Paintings\, drawings\, prints\, embro
 ideries\, books\, and letters by patriarch John Butler Yeats and his childr
 en William\, Lily\, Elizabeth\, and Jack\, as well as William’s daughter\, 
 Anne\, highlight examples of individual artistry. They also demonstrate how
  the Yeats family’s artistic expression was varied and deeply collaborative
 . In illustrated poetry\, set designs\, embroideries for home and liturgica
 l use\, printed broadsides\, paintings\, sketchbooks\, and other media\, th
 e siblings drew upon each others’ acumen. These endeavors were often fraugh
 t with conflict\, resulting in creative tensions and financial hardships. \
 n\nThe exhibition opens by exploring portraiture of family members and repr
 esentations of the places that were important to them. It moves on to objec
 ts illustrating the family’s engagement with youth as a site of education\,
  entertainment\, and memory. Subsequent sections reveal how the Yeatses cre
 ated objects that transformed private spaces through imaginative innovation
  and material practices\, as well as how they shaped public life through th
 eater\, publishing and printing\, and visual representations of a distincti
 ve Irish identity as the nation established itself post-independence. \n\nR
 ecent gifts to Boston College anchor the exhibition: Jack B. Yeats painting
 s and Lily Yeats Stations of the Cross embroideries received by the McMulle
 n Museum and additional acquisitions of Yeats family materials by the John 
 J. Burns Library. These are complemented by major loans from the Model\, ho
 me of the Niland Collection\, the National Gallery of Ireland\, the Library
  of Trinity College Dublin\, the O’Brien Collection\, and the Collection of
  Carolyn A. and Peter S. Lynch. Supplemented by additional loans from other
  collections and anonymous lenders\, the exhibition constitutes the most ex
 pansive exploration of the Yeats family’s contributions to the public arts 
 to date. Many objects are publicly displayed for the first time\, others fo
 r the first time outside Ireland.\n\nThe exhibition is accompanied by a ful
 ly illustrated catalogue\, edited by Marjorie Howes\, which includes fiftee
 n essays contributed by an interdisciplinary team of scholars who offer new
  insights into historical contexts and interpretive frameworks for studying
  the Yeatses. \n\nOrganized by the McMullen Museum in conjunction with the 
 John J. Burns Library\, Collaborating in Conflict has been curated by Marjo
 rie Howes\, Christian Dupont\, and Diana Larsen. The exhibition is underwri
 tten by Boston College with major support from the Patrons of the McMullen 
 Museum\, the John C. Donohue Estate\, Robert ’63 and Ann Marie Reardon P’91
 \, and the Anna Frances Vegkeley Ryan Estate in memory of John Anthony Ryan
  Jr. ’50. Additional support has been provided by William J. Lundregan III\
 , Esq.\, ’62\, JD’67\, P’93\, ’96 and Elaine Stein-Cummins in memory of Dan
 iel Cummins ’58.\n\nBoston College’s Irish Studies program is organizing a 
 symposium to accompany the exhibition. With lectures by experts in Ireland’
 s visual arts\, theater and performance\, textiles and embroidery\, printin
 g and publishing\, and social and cultural history\, it will be held at Con
 nolly House and the McMullen Museum on February 20 and 21.
DTEND:20260218T220000Z
DTSTAMP:20260305T165703Z
DTSTART:20260218T150000Z
GEO:42.340795;-71.162583
LOCATION:McMullen Museum of Art
SEQUENCE:0
SUMMARY:Exhibition: "Collaborating in Conflict: The Yeats Family and the Pu
 blic Arts"
UID:tag:localist.com\,2008:EventInstance_51780871462755
URL:https://events.bc.edu/event/exhibition-collaborating-in-conflict-the-ye
 ats-family-and-the-public-arts
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts,Exhibition,Visual Arts
DESCRIPTION:Exhibition: Collaborating in Conflict: The Yeats Family and the
  Public Arts\n\nExamining the extraordinary impact the talented Yeats famil
 y had on cultural life and the public arts in Ireland during a century cruc
 ial to its history\, the exhibition features over two hundred works from pr
 emier public and private collections. Paintings\, drawings\, prints\, embro
 ideries\, books\, and letters by patriarch John Butler Yeats and his childr
 en William\, Lily\, Elizabeth\, and Jack\, as well as William’s daughter\, 
 Anne\, highlight examples of individual artistry. They also demonstrate how
  the Yeats family’s artistic expression was varied and deeply collaborative
 . In illustrated poetry\, set designs\, embroideries for home and liturgica
 l use\, printed broadsides\, paintings\, sketchbooks\, and other media\, th
 e siblings drew upon each others’ acumen. These endeavors were often fraugh
 t with conflict\, resulting in creative tensions and financial hardships. \
 n\nThe exhibition opens by exploring portraiture of family members and repr
 esentations of the places that were important to them. It moves on to objec
 ts illustrating the family’s engagement with youth as a site of education\,
  entertainment\, and memory. Subsequent sections reveal how the Yeatses cre
 ated objects that transformed private spaces through imaginative innovation
  and material practices\, as well as how they shaped public life through th
 eater\, publishing and printing\, and visual representations of a distincti
 ve Irish identity as the nation established itself post-independence. \n\nR
 ecent gifts to Boston College anchor the exhibition: Jack B. Yeats painting
 s and Lily Yeats Stations of the Cross embroideries received by the McMulle
 n Museum and additional acquisitions of Yeats family materials by the John 
 J. Burns Library. These are complemented by major loans from the Model\, ho
 me of the Niland Collection\, the National Gallery of Ireland\, the Library
  of Trinity College Dublin\, the O’Brien Collection\, and the Collection of
  Carolyn A. and Peter S. Lynch. Supplemented by additional loans from other
  collections and anonymous lenders\, the exhibition constitutes the most ex
 pansive exploration of the Yeats family’s contributions to the public arts 
 to date. Many objects are publicly displayed for the first time\, others fo
 r the first time outside Ireland.\n\nThe exhibition is accompanied by a ful
 ly illustrated catalogue\, edited by Marjorie Howes\, which includes fiftee
 n essays contributed by an interdisciplinary team of scholars who offer new
  insights into historical contexts and interpretive frameworks for studying
  the Yeatses. \n\nOrganized by the McMullen Museum in conjunction with the 
 John J. Burns Library\, Collaborating in Conflict has been curated by Marjo
 rie Howes\, Christian Dupont\, and Diana Larsen. The exhibition is underwri
 tten by Boston College with major support from the Patrons of the McMullen 
 Museum\, the John C. Donohue Estate\, Robert ’63 and Ann Marie Reardon P’91
 \, and the Anna Frances Vegkeley Ryan Estate in memory of John Anthony Ryan
  Jr. ’50. Additional support has been provided by William J. Lundregan III\
 , Esq.\, ’62\, JD’67\, P’93\, ’96 and Elaine Stein-Cummins in memory of Dan
 iel Cummins ’58.\n\nBoston College’s Irish Studies program is organizing a 
 symposium to accompany the exhibition. With lectures by experts in Ireland’
 s visual arts\, theater and performance\, textiles and embroidery\, printin
 g and publishing\, and social and cultural history\, it will be held at Con
 nolly House and the McMullen Museum on February 20 and 21.
DTEND:20260219T220000Z
DTSTAMP:20260305T165703Z
DTSTART:20260219T150000Z
GEO:42.340795;-71.162583
LOCATION:McMullen Museum of Art
SEQUENCE:0
SUMMARY:Exhibition: "Collaborating in Conflict: The Yeats Family and the Pu
 blic Arts"
UID:tag:localist.com\,2008:EventInstance_51780871464804
URL:https://events.bc.edu/event/exhibition-collaborating-in-conflict-the-ye
 ats-family-and-the-public-arts
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts,Exhibition,Visual Arts
DESCRIPTION:Exhibition: Collaborating in Conflict: The Yeats Family and the
  Public Arts\n\nExamining the extraordinary impact the talented Yeats famil
 y had on cultural life and the public arts in Ireland during a century cruc
 ial to its history\, the exhibition features over two hundred works from pr
 emier public and private collections. Paintings\, drawings\, prints\, embro
 ideries\, books\, and letters by patriarch John Butler Yeats and his childr
 en William\, Lily\, Elizabeth\, and Jack\, as well as William’s daughter\, 
 Anne\, highlight examples of individual artistry. They also demonstrate how
  the Yeats family’s artistic expression was varied and deeply collaborative
 . In illustrated poetry\, set designs\, embroideries for home and liturgica
 l use\, printed broadsides\, paintings\, sketchbooks\, and other media\, th
 e siblings drew upon each others’ acumen. These endeavors were often fraugh
 t with conflict\, resulting in creative tensions and financial hardships. \
 n\nThe exhibition opens by exploring portraiture of family members and repr
 esentations of the places that were important to them. It moves on to objec
 ts illustrating the family’s engagement with youth as a site of education\,
  entertainment\, and memory. Subsequent sections reveal how the Yeatses cre
 ated objects that transformed private spaces through imaginative innovation
  and material practices\, as well as how they shaped public life through th
 eater\, publishing and printing\, and visual representations of a distincti
 ve Irish identity as the nation established itself post-independence. \n\nR
 ecent gifts to Boston College anchor the exhibition: Jack B. Yeats painting
 s and Lily Yeats Stations of the Cross embroideries received by the McMulle
 n Museum and additional acquisitions of Yeats family materials by the John 
 J. Burns Library. These are complemented by major loans from the Model\, ho
 me of the Niland Collection\, the National Gallery of Ireland\, the Library
  of Trinity College Dublin\, the O’Brien Collection\, and the Collection of
  Carolyn A. and Peter S. Lynch. Supplemented by additional loans from other
  collections and anonymous lenders\, the exhibition constitutes the most ex
 pansive exploration of the Yeats family’s contributions to the public arts 
 to date. Many objects are publicly displayed for the first time\, others fo
 r the first time outside Ireland.\n\nThe exhibition is accompanied by a ful
 ly illustrated catalogue\, edited by Marjorie Howes\, which includes fiftee
 n essays contributed by an interdisciplinary team of scholars who offer new
  insights into historical contexts and interpretive frameworks for studying
  the Yeatses. \n\nOrganized by the McMullen Museum in conjunction with the 
 John J. Burns Library\, Collaborating in Conflict has been curated by Marjo
 rie Howes\, Christian Dupont\, and Diana Larsen. The exhibition is underwri
 tten by Boston College with major support from the Patrons of the McMullen 
 Museum\, the John C. Donohue Estate\, Robert ’63 and Ann Marie Reardon P’91
 \, and the Anna Frances Vegkeley Ryan Estate in memory of John Anthony Ryan
  Jr. ’50. Additional support has been provided by William J. Lundregan III\
 , Esq.\, ’62\, JD’67\, P’93\, ’96 and Elaine Stein-Cummins in memory of Dan
 iel Cummins ’58.\n\nBoston College’s Irish Studies program is organizing a 
 symposium to accompany the exhibition. With lectures by experts in Ireland’
 s visual arts\, theater and performance\, textiles and embroidery\, printin
 g and publishing\, and social and cultural history\, it will be held at Con
 nolly House and the McMullen Museum on February 20 and 21.
DTEND:20260220T220000Z
DTSTAMP:20260305T165703Z
DTSTART:20260220T150000Z
GEO:42.340795;-71.162583
LOCATION:McMullen Museum of Art
SEQUENCE:0
SUMMARY:Exhibition: "Collaborating in Conflict: The Yeats Family and the Pu
 blic Arts"
UID:tag:localist.com\,2008:EventInstance_51780871465829
URL:https://events.bc.edu/event/exhibition-collaborating-in-conflict-the-ye
 ats-family-and-the-public-arts
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts,Exhibition,Visual Arts
DESCRIPTION:Exhibition: Collaborating in Conflict: The Yeats Family and the
  Public Arts\n\nExamining the extraordinary impact the talented Yeats famil
 y had on cultural life and the public arts in Ireland during a century cruc
 ial to its history\, the exhibition features over two hundred works from pr
 emier public and private collections. Paintings\, drawings\, prints\, embro
 ideries\, books\, and letters by patriarch John Butler Yeats and his childr
 en William\, Lily\, Elizabeth\, and Jack\, as well as William’s daughter\, 
 Anne\, highlight examples of individual artistry. They also demonstrate how
  the Yeats family’s artistic expression was varied and deeply collaborative
 . In illustrated poetry\, set designs\, embroideries for home and liturgica
 l use\, printed broadsides\, paintings\, sketchbooks\, and other media\, th
 e siblings drew upon each others’ acumen. These endeavors were often fraugh
 t with conflict\, resulting in creative tensions and financial hardships. \
 n\nThe exhibition opens by exploring portraiture of family members and repr
 esentations of the places that were important to them. It moves on to objec
 ts illustrating the family’s engagement with youth as a site of education\,
  entertainment\, and memory. Subsequent sections reveal how the Yeatses cre
 ated objects that transformed private spaces through imaginative innovation
  and material practices\, as well as how they shaped public life through th
 eater\, publishing and printing\, and visual representations of a distincti
 ve Irish identity as the nation established itself post-independence. \n\nR
 ecent gifts to Boston College anchor the exhibition: Jack B. Yeats painting
 s and Lily Yeats Stations of the Cross embroideries received by the McMulle
 n Museum and additional acquisitions of Yeats family materials by the John 
 J. Burns Library. These are complemented by major loans from the Model\, ho
 me of the Niland Collection\, the National Gallery of Ireland\, the Library
  of Trinity College Dublin\, the O’Brien Collection\, and the Collection of
  Carolyn A. and Peter S. Lynch. Supplemented by additional loans from other
  collections and anonymous lenders\, the exhibition constitutes the most ex
 pansive exploration of the Yeats family’s contributions to the public arts 
 to date. Many objects are publicly displayed for the first time\, others fo
 r the first time outside Ireland.\n\nThe exhibition is accompanied by a ful
 ly illustrated catalogue\, edited by Marjorie Howes\, which includes fiftee
 n essays contributed by an interdisciplinary team of scholars who offer new
  insights into historical contexts and interpretive frameworks for studying
  the Yeatses. \n\nOrganized by the McMullen Museum in conjunction with the 
 John J. Burns Library\, Collaborating in Conflict has been curated by Marjo
 rie Howes\, Christian Dupont\, and Diana Larsen. The exhibition is underwri
 tten by Boston College with major support from the Patrons of the McMullen 
 Museum\, the John C. Donohue Estate\, Robert ’63 and Ann Marie Reardon P’91
 \, and the Anna Frances Vegkeley Ryan Estate in memory of John Anthony Ryan
  Jr. ’50. Additional support has been provided by William J. Lundregan III\
 , Esq.\, ’62\, JD’67\, P’93\, ’96 and Elaine Stein-Cummins in memory of Dan
 iel Cummins ’58.\n\nBoston College’s Irish Studies program is organizing a 
 symposium to accompany the exhibition. With lectures by experts in Ireland’
 s visual arts\, theater and performance\, textiles and embroidery\, printin
 g and publishing\, and social and cultural history\, it will be held at Con
 nolly House and the McMullen Museum on February 20 and 21.
DTEND:20260221T220000Z
DTSTAMP:20260305T165703Z
DTSTART:20260221T170000Z
GEO:42.340795;-71.162583
LOCATION:McMullen Museum of Art
SEQUENCE:0
SUMMARY:Exhibition: "Collaborating in Conflict: The Yeats Family and the Pu
 blic Arts"
UID:tag:localist.com\,2008:EventInstance_51780871467878
URL:https://events.bc.edu/event/exhibition-collaborating-in-conflict-the-ye
 ats-family-and-the-public-arts
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts,Exhibition,Visual Arts
DESCRIPTION:Exhibition: Collaborating in Conflict: The Yeats Family and the
  Public Arts\n\nExamining the extraordinary impact the talented Yeats famil
 y had on cultural life and the public arts in Ireland during a century cruc
 ial to its history\, the exhibition features over two hundred works from pr
 emier public and private collections. Paintings\, drawings\, prints\, embro
 ideries\, books\, and letters by patriarch John Butler Yeats and his childr
 en William\, Lily\, Elizabeth\, and Jack\, as well as William’s daughter\, 
 Anne\, highlight examples of individual artistry. They also demonstrate how
  the Yeats family’s artistic expression was varied and deeply collaborative
 . In illustrated poetry\, set designs\, embroideries for home and liturgica
 l use\, printed broadsides\, paintings\, sketchbooks\, and other media\, th
 e siblings drew upon each others’ acumen. These endeavors were often fraugh
 t with conflict\, resulting in creative tensions and financial hardships. \
 n\nThe exhibition opens by exploring portraiture of family members and repr
 esentations of the places that were important to them. It moves on to objec
 ts illustrating the family’s engagement with youth as a site of education\,
  entertainment\, and memory. Subsequent sections reveal how the Yeatses cre
 ated objects that transformed private spaces through imaginative innovation
  and material practices\, as well as how they shaped public life through th
 eater\, publishing and printing\, and visual representations of a distincti
 ve Irish identity as the nation established itself post-independence. \n\nR
 ecent gifts to Boston College anchor the exhibition: Jack B. Yeats painting
 s and Lily Yeats Stations of the Cross embroideries received by the McMulle
 n Museum and additional acquisitions of Yeats family materials by the John 
 J. Burns Library. These are complemented by major loans from the Model\, ho
 me of the Niland Collection\, the National Gallery of Ireland\, the Library
  of Trinity College Dublin\, the O’Brien Collection\, and the Collection of
  Carolyn A. and Peter S. Lynch. Supplemented by additional loans from other
  collections and anonymous lenders\, the exhibition constitutes the most ex
 pansive exploration of the Yeats family’s contributions to the public arts 
 to date. Many objects are publicly displayed for the first time\, others fo
 r the first time outside Ireland.\n\nThe exhibition is accompanied by a ful
 ly illustrated catalogue\, edited by Marjorie Howes\, which includes fiftee
 n essays contributed by an interdisciplinary team of scholars who offer new
  insights into historical contexts and interpretive frameworks for studying
  the Yeatses. \n\nOrganized by the McMullen Museum in conjunction with the 
 John J. Burns Library\, Collaborating in Conflict has been curated by Marjo
 rie Howes\, Christian Dupont\, and Diana Larsen. The exhibition is underwri
 tten by Boston College with major support from the Patrons of the McMullen 
 Museum\, the John C. Donohue Estate\, Robert ’63 and Ann Marie Reardon P’91
 \, and the Anna Frances Vegkeley Ryan Estate in memory of John Anthony Ryan
  Jr. ’50. Additional support has been provided by William J. Lundregan III\
 , Esq.\, ’62\, JD’67\, P’93\, ’96 and Elaine Stein-Cummins in memory of Dan
 iel Cummins ’58.\n\nBoston College’s Irish Studies program is organizing a 
 symposium to accompany the exhibition. With lectures by experts in Ireland’
 s visual arts\, theater and performance\, textiles and embroidery\, printin
 g and publishing\, and social and cultural history\, it will be held at Con
 nolly House and the McMullen Museum on February 20 and 21.
DTEND:20260222T220000Z
DTSTAMP:20260305T165703Z
DTSTART:20260222T170000Z
GEO:42.340795;-71.162583
LOCATION:McMullen Museum of Art
SEQUENCE:0
SUMMARY:Exhibition: "Collaborating in Conflict: The Yeats Family and the Pu
 blic Arts"
UID:tag:localist.com\,2008:EventInstance_51780871468903
URL:https://events.bc.edu/event/exhibition-collaborating-in-conflict-the-ye
 ats-family-and-the-public-arts
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts,Exhibition,Visual Arts
DESCRIPTION:Exhibition: Collaborating in Conflict: The Yeats Family and the
  Public Arts\n\nExamining the extraordinary impact the talented Yeats famil
 y had on cultural life and the public arts in Ireland during a century cruc
 ial to its history\, the exhibition features over two hundred works from pr
 emier public and private collections. Paintings\, drawings\, prints\, embro
 ideries\, books\, and letters by patriarch John Butler Yeats and his childr
 en William\, Lily\, Elizabeth\, and Jack\, as well as William’s daughter\, 
 Anne\, highlight examples of individual artistry. They also demonstrate how
  the Yeats family’s artistic expression was varied and deeply collaborative
 . In illustrated poetry\, set designs\, embroideries for home and liturgica
 l use\, printed broadsides\, paintings\, sketchbooks\, and other media\, th
 e siblings drew upon each others’ acumen. These endeavors were often fraugh
 t with conflict\, resulting in creative tensions and financial hardships. \
 n\nThe exhibition opens by exploring portraiture of family members and repr
 esentations of the places that were important to them. It moves on to objec
 ts illustrating the family’s engagement with youth as a site of education\,
  entertainment\, and memory. Subsequent sections reveal how the Yeatses cre
 ated objects that transformed private spaces through imaginative innovation
  and material practices\, as well as how they shaped public life through th
 eater\, publishing and printing\, and visual representations of a distincti
 ve Irish identity as the nation established itself post-independence. \n\nR
 ecent gifts to Boston College anchor the exhibition: Jack B. Yeats painting
 s and Lily Yeats Stations of the Cross embroideries received by the McMulle
 n Museum and additional acquisitions of Yeats family materials by the John 
 J. Burns Library. These are complemented by major loans from the Model\, ho
 me of the Niland Collection\, the National Gallery of Ireland\, the Library
  of Trinity College Dublin\, the O’Brien Collection\, and the Collection of
  Carolyn A. and Peter S. Lynch. Supplemented by additional loans from other
  collections and anonymous lenders\, the exhibition constitutes the most ex
 pansive exploration of the Yeats family’s contributions to the public arts 
 to date. Many objects are publicly displayed for the first time\, others fo
 r the first time outside Ireland.\n\nThe exhibition is accompanied by a ful
 ly illustrated catalogue\, edited by Marjorie Howes\, which includes fiftee
 n essays contributed by an interdisciplinary team of scholars who offer new
  insights into historical contexts and interpretive frameworks for studying
  the Yeatses. \n\nOrganized by the McMullen Museum in conjunction with the 
 John J. Burns Library\, Collaborating in Conflict has been curated by Marjo
 rie Howes\, Christian Dupont\, and Diana Larsen. The exhibition is underwri
 tten by Boston College with major support from the Patrons of the McMullen 
 Museum\, the John C. Donohue Estate\, Robert ’63 and Ann Marie Reardon P’91
 \, and the Anna Frances Vegkeley Ryan Estate in memory of John Anthony Ryan
  Jr. ’50. Additional support has been provided by William J. Lundregan III\
 , Esq.\, ’62\, JD’67\, P’93\, ’96 and Elaine Stein-Cummins in memory of Dan
 iel Cummins ’58.\n\nBoston College’s Irish Studies program is organizing a 
 symposium to accompany the exhibition. With lectures by experts in Ireland’
 s visual arts\, theater and performance\, textiles and embroidery\, printin
 g and publishing\, and social and cultural history\, it will be held at Con
 nolly House and the McMullen Museum on February 20 and 21.
DTEND:20260223T220000Z
DTSTAMP:20260305T165703Z
DTSTART:20260223T150000Z
GEO:42.340795;-71.162583
LOCATION:McMullen Museum of Art
SEQUENCE:0
SUMMARY:Exhibition: "Collaborating in Conflict: The Yeats Family and the Pu
 blic Arts"
UID:tag:localist.com\,2008:EventInstance_51780871469928
URL:https://events.bc.edu/event/exhibition-collaborating-in-conflict-the-ye
 ats-family-and-the-public-arts
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts,Exhibition,Visual Arts
DESCRIPTION:Exhibition: Collaborating in Conflict: The Yeats Family and the
  Public Arts\n\nExamining the extraordinary impact the talented Yeats famil
 y had on cultural life and the public arts in Ireland during a century cruc
 ial to its history\, the exhibition features over two hundred works from pr
 emier public and private collections. Paintings\, drawings\, prints\, embro
 ideries\, books\, and letters by patriarch John Butler Yeats and his childr
 en William\, Lily\, Elizabeth\, and Jack\, as well as William’s daughter\, 
 Anne\, highlight examples of individual artistry. They also demonstrate how
  the Yeats family’s artistic expression was varied and deeply collaborative
 . In illustrated poetry\, set designs\, embroideries for home and liturgica
 l use\, printed broadsides\, paintings\, sketchbooks\, and other media\, th
 e siblings drew upon each others’ acumen. These endeavors were often fraugh
 t with conflict\, resulting in creative tensions and financial hardships. \
 n\nThe exhibition opens by exploring portraiture of family members and repr
 esentations of the places that were important to them. It moves on to objec
 ts illustrating the family’s engagement with youth as a site of education\,
  entertainment\, and memory. Subsequent sections reveal how the Yeatses cre
 ated objects that transformed private spaces through imaginative innovation
  and material practices\, as well as how they shaped public life through th
 eater\, publishing and printing\, and visual representations of a distincti
 ve Irish identity as the nation established itself post-independence. \n\nR
 ecent gifts to Boston College anchor the exhibition: Jack B. Yeats painting
 s and Lily Yeats Stations of the Cross embroideries received by the McMulle
 n Museum and additional acquisitions of Yeats family materials by the John 
 J. Burns Library. These are complemented by major loans from the Model\, ho
 me of the Niland Collection\, the National Gallery of Ireland\, the Library
  of Trinity College Dublin\, the O’Brien Collection\, and the Collection of
  Carolyn A. and Peter S. Lynch. Supplemented by additional loans from other
  collections and anonymous lenders\, the exhibition constitutes the most ex
 pansive exploration of the Yeats family’s contributions to the public arts 
 to date. Many objects are publicly displayed for the first time\, others fo
 r the first time outside Ireland.\n\nThe exhibition is accompanied by a ful
 ly illustrated catalogue\, edited by Marjorie Howes\, which includes fiftee
 n essays contributed by an interdisciplinary team of scholars who offer new
  insights into historical contexts and interpretive frameworks for studying
  the Yeatses. \n\nOrganized by the McMullen Museum in conjunction with the 
 John J. Burns Library\, Collaborating in Conflict has been curated by Marjo
 rie Howes\, Christian Dupont\, and Diana Larsen. The exhibition is underwri
 tten by Boston College with major support from the Patrons of the McMullen 
 Museum\, the John C. Donohue Estate\, Robert ’63 and Ann Marie Reardon P’91
 \, and the Anna Frances Vegkeley Ryan Estate in memory of John Anthony Ryan
  Jr. ’50. Additional support has been provided by William J. Lundregan III\
 , Esq.\, ’62\, JD’67\, P’93\, ’96 and Elaine Stein-Cummins in memory of Dan
 iel Cummins ’58.\n\nBoston College’s Irish Studies program is organizing a 
 symposium to accompany the exhibition. With lectures by experts in Ireland’
 s visual arts\, theater and performance\, textiles and embroidery\, printin
 g and publishing\, and social and cultural history\, it will be held at Con
 nolly House and the McMullen Museum on February 20 and 21.
DTEND:20260224T220000Z
DTSTAMP:20260305T165703Z
DTSTART:20260224T150000Z
GEO:42.340795;-71.162583
LOCATION:McMullen Museum of Art
SEQUENCE:0
SUMMARY:Exhibition: "Collaborating in Conflict: The Yeats Family and the Pu
 blic Arts"
UID:tag:localist.com\,2008:EventInstance_51780871470953
URL:https://events.bc.edu/event/exhibition-collaborating-in-conflict-the-ye
 ats-family-and-the-public-arts
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts,Exhibition,Visual Arts
DESCRIPTION:Exhibition: Collaborating in Conflict: The Yeats Family and the
  Public Arts\n\nExamining the extraordinary impact the talented Yeats famil
 y had on cultural life and the public arts in Ireland during a century cruc
 ial to its history\, the exhibition features over two hundred works from pr
 emier public and private collections. Paintings\, drawings\, prints\, embro
 ideries\, books\, and letters by patriarch John Butler Yeats and his childr
 en William\, Lily\, Elizabeth\, and Jack\, as well as William’s daughter\, 
 Anne\, highlight examples of individual artistry. They also demonstrate how
  the Yeats family’s artistic expression was varied and deeply collaborative
 . In illustrated poetry\, set designs\, embroideries for home and liturgica
 l use\, printed broadsides\, paintings\, sketchbooks\, and other media\, th
 e siblings drew upon each others’ acumen. These endeavors were often fraugh
 t with conflict\, resulting in creative tensions and financial hardships. \
 n\nThe exhibition opens by exploring portraiture of family members and repr
 esentations of the places that were important to them. It moves on to objec
 ts illustrating the family’s engagement with youth as a site of education\,
  entertainment\, and memory. Subsequent sections reveal how the Yeatses cre
 ated objects that transformed private spaces through imaginative innovation
  and material practices\, as well as how they shaped public life through th
 eater\, publishing and printing\, and visual representations of a distincti
 ve Irish identity as the nation established itself post-independence. \n\nR
 ecent gifts to Boston College anchor the exhibition: Jack B. Yeats painting
 s and Lily Yeats Stations of the Cross embroideries received by the McMulle
 n Museum and additional acquisitions of Yeats family materials by the John 
 J. Burns Library. These are complemented by major loans from the Model\, ho
 me of the Niland Collection\, the National Gallery of Ireland\, the Library
  of Trinity College Dublin\, the O’Brien Collection\, and the Collection of
  Carolyn A. and Peter S. Lynch. Supplemented by additional loans from other
  collections and anonymous lenders\, the exhibition constitutes the most ex
 pansive exploration of the Yeats family’s contributions to the public arts 
 to date. Many objects are publicly displayed for the first time\, others fo
 r the first time outside Ireland.\n\nThe exhibition is accompanied by a ful
 ly illustrated catalogue\, edited by Marjorie Howes\, which includes fiftee
 n essays contributed by an interdisciplinary team of scholars who offer new
  insights into historical contexts and interpretive frameworks for studying
  the Yeatses. \n\nOrganized by the McMullen Museum in conjunction with the 
 John J. Burns Library\, Collaborating in Conflict has been curated by Marjo
 rie Howes\, Christian Dupont\, and Diana Larsen. The exhibition is underwri
 tten by Boston College with major support from the Patrons of the McMullen 
 Museum\, the John C. Donohue Estate\, Robert ’63 and Ann Marie Reardon P’91
 \, and the Anna Frances Vegkeley Ryan Estate in memory of John Anthony Ryan
  Jr. ’50. Additional support has been provided by William J. Lundregan III\
 , Esq.\, ’62\, JD’67\, P’93\, ’96 and Elaine Stein-Cummins in memory of Dan
 iel Cummins ’58.\n\nBoston College’s Irish Studies program is organizing a 
 symposium to accompany the exhibition. With lectures by experts in Ireland’
 s visual arts\, theater and performance\, textiles and embroidery\, printin
 g and publishing\, and social and cultural history\, it will be held at Con
 nolly House and the McMullen Museum on February 20 and 21.
DTEND:20260225T220000Z
DTSTAMP:20260305T165703Z
DTSTART:20260225T150000Z
GEO:42.340795;-71.162583
LOCATION:McMullen Museum of Art
SEQUENCE:0
SUMMARY:Exhibition: "Collaborating in Conflict: The Yeats Family and the Pu
 blic Arts"
UID:tag:localist.com\,2008:EventInstance_51780871471978
URL:https://events.bc.edu/event/exhibition-collaborating-in-conflict-the-ye
 ats-family-and-the-public-arts
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts,Exhibition,Visual Arts
DESCRIPTION:Exhibition: Collaborating in Conflict: The Yeats Family and the
  Public Arts\n\nExamining the extraordinary impact the talented Yeats famil
 y had on cultural life and the public arts in Ireland during a century cruc
 ial to its history\, the exhibition features over two hundred works from pr
 emier public and private collections. Paintings\, drawings\, prints\, embro
 ideries\, books\, and letters by patriarch John Butler Yeats and his childr
 en William\, Lily\, Elizabeth\, and Jack\, as well as William’s daughter\, 
 Anne\, highlight examples of individual artistry. They also demonstrate how
  the Yeats family’s artistic expression was varied and deeply collaborative
 . In illustrated poetry\, set designs\, embroideries for home and liturgica
 l use\, printed broadsides\, paintings\, sketchbooks\, and other media\, th
 e siblings drew upon each others’ acumen. These endeavors were often fraugh
 t with conflict\, resulting in creative tensions and financial hardships. \
 n\nThe exhibition opens by exploring portraiture of family members and repr
 esentations of the places that were important to them. It moves on to objec
 ts illustrating the family’s engagement with youth as a site of education\,
  entertainment\, and memory. Subsequent sections reveal how the Yeatses cre
 ated objects that transformed private spaces through imaginative innovation
  and material practices\, as well as how they shaped public life through th
 eater\, publishing and printing\, and visual representations of a distincti
 ve Irish identity as the nation established itself post-independence. \n\nR
 ecent gifts to Boston College anchor the exhibition: Jack B. Yeats painting
 s and Lily Yeats Stations of the Cross embroideries received by the McMulle
 n Museum and additional acquisitions of Yeats family materials by the John 
 J. Burns Library. These are complemented by major loans from the Model\, ho
 me of the Niland Collection\, the National Gallery of Ireland\, the Library
  of Trinity College Dublin\, the O’Brien Collection\, and the Collection of
  Carolyn A. and Peter S. Lynch. Supplemented by additional loans from other
  collections and anonymous lenders\, the exhibition constitutes the most ex
 pansive exploration of the Yeats family’s contributions to the public arts 
 to date. Many objects are publicly displayed for the first time\, others fo
 r the first time outside Ireland.\n\nThe exhibition is accompanied by a ful
 ly illustrated catalogue\, edited by Marjorie Howes\, which includes fiftee
 n essays contributed by an interdisciplinary team of scholars who offer new
  insights into historical contexts and interpretive frameworks for studying
  the Yeatses. \n\nOrganized by the McMullen Museum in conjunction with the 
 John J. Burns Library\, Collaborating in Conflict has been curated by Marjo
 rie Howes\, Christian Dupont\, and Diana Larsen. The exhibition is underwri
 tten by Boston College with major support from the Patrons of the McMullen 
 Museum\, the John C. Donohue Estate\, Robert ’63 and Ann Marie Reardon P’91
 \, and the Anna Frances Vegkeley Ryan Estate in memory of John Anthony Ryan
  Jr. ’50. Additional support has been provided by William J. Lundregan III\
 , Esq.\, ’62\, JD’67\, P’93\, ’96 and Elaine Stein-Cummins in memory of Dan
 iel Cummins ’58.\n\nBoston College’s Irish Studies program is organizing a 
 symposium to accompany the exhibition. With lectures by experts in Ireland’
 s visual arts\, theater and performance\, textiles and embroidery\, printin
 g and publishing\, and social and cultural history\, it will be held at Con
 nolly House and the McMullen Museum on February 20 and 21.
DTEND:20260226T220000Z
DTSTAMP:20260305T165703Z
DTSTART:20260226T150000Z
GEO:42.340795;-71.162583
LOCATION:McMullen Museum of Art
SEQUENCE:0
SUMMARY:Exhibition: "Collaborating in Conflict: The Yeats Family and the Pu
 blic Arts"
UID:tag:localist.com\,2008:EventInstance_51780871473003
URL:https://events.bc.edu/event/exhibition-collaborating-in-conflict-the-ye
 ats-family-and-the-public-arts
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts,Exhibition,Visual Arts
DESCRIPTION:Exhibition: Collaborating in Conflict: The Yeats Family and the
  Public Arts\n\nExamining the extraordinary impact the talented Yeats famil
 y had on cultural life and the public arts in Ireland during a century cruc
 ial to its history\, the exhibition features over two hundred works from pr
 emier public and private collections. Paintings\, drawings\, prints\, embro
 ideries\, books\, and letters by patriarch John Butler Yeats and his childr
 en William\, Lily\, Elizabeth\, and Jack\, as well as William’s daughter\, 
 Anne\, highlight examples of individual artistry. They also demonstrate how
  the Yeats family’s artistic expression was varied and deeply collaborative
 . In illustrated poetry\, set designs\, embroideries for home and liturgica
 l use\, printed broadsides\, paintings\, sketchbooks\, and other media\, th
 e siblings drew upon each others’ acumen. These endeavors were often fraugh
 t with conflict\, resulting in creative tensions and financial hardships. \
 n\nThe exhibition opens by exploring portraiture of family members and repr
 esentations of the places that were important to them. It moves on to objec
 ts illustrating the family’s engagement with youth as a site of education\,
  entertainment\, and memory. Subsequent sections reveal how the Yeatses cre
 ated objects that transformed private spaces through imaginative innovation
  and material practices\, as well as how they shaped public life through th
 eater\, publishing and printing\, and visual representations of a distincti
 ve Irish identity as the nation established itself post-independence. \n\nR
 ecent gifts to Boston College anchor the exhibition: Jack B. Yeats painting
 s and Lily Yeats Stations of the Cross embroideries received by the McMulle
 n Museum and additional acquisitions of Yeats family materials by the John 
 J. Burns Library. These are complemented by major loans from the Model\, ho
 me of the Niland Collection\, the National Gallery of Ireland\, the Library
  of Trinity College Dublin\, the O’Brien Collection\, and the Collection of
  Carolyn A. and Peter S. Lynch. Supplemented by additional loans from other
  collections and anonymous lenders\, the exhibition constitutes the most ex
 pansive exploration of the Yeats family’s contributions to the public arts 
 to date. Many objects are publicly displayed for the first time\, others fo
 r the first time outside Ireland.\n\nThe exhibition is accompanied by a ful
 ly illustrated catalogue\, edited by Marjorie Howes\, which includes fiftee
 n essays contributed by an interdisciplinary team of scholars who offer new
  insights into historical contexts and interpretive frameworks for studying
  the Yeatses. \n\nOrganized by the McMullen Museum in conjunction with the 
 John J. Burns Library\, Collaborating in Conflict has been curated by Marjo
 rie Howes\, Christian Dupont\, and Diana Larsen. The exhibition is underwri
 tten by Boston College with major support from the Patrons of the McMullen 
 Museum\, the John C. Donohue Estate\, Robert ’63 and Ann Marie Reardon P’91
 \, and the Anna Frances Vegkeley Ryan Estate in memory of John Anthony Ryan
  Jr. ’50. Additional support has been provided by William J. Lundregan III\
 , Esq.\, ’62\, JD’67\, P’93\, ’96 and Elaine Stein-Cummins in memory of Dan
 iel Cummins ’58.\n\nBoston College’s Irish Studies program is organizing a 
 symposium to accompany the exhibition. With lectures by experts in Ireland’
 s visual arts\, theater and performance\, textiles and embroidery\, printin
 g and publishing\, and social and cultural history\, it will be held at Con
 nolly House and the McMullen Museum on February 20 and 21.
DTEND:20260227T220000Z
DTSTAMP:20260305T165703Z
DTSTART:20260227T150000Z
GEO:42.340795;-71.162583
LOCATION:McMullen Museum of Art
SEQUENCE:0
SUMMARY:Exhibition: "Collaborating in Conflict: The Yeats Family and the Pu
 blic Arts"
UID:tag:localist.com\,2008:EventInstance_51780871474028
URL:https://events.bc.edu/event/exhibition-collaborating-in-conflict-the-ye
 ats-family-and-the-public-arts
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts,Exhibition,Visual Arts
DESCRIPTION:Exhibition: Collaborating in Conflict: The Yeats Family and the
  Public Arts\n\nExamining the extraordinary impact the talented Yeats famil
 y had on cultural life and the public arts in Ireland during a century cruc
 ial to its history\, the exhibition features over two hundred works from pr
 emier public and private collections. Paintings\, drawings\, prints\, embro
 ideries\, books\, and letters by patriarch John Butler Yeats and his childr
 en William\, Lily\, Elizabeth\, and Jack\, as well as William’s daughter\, 
 Anne\, highlight examples of individual artistry. They also demonstrate how
  the Yeats family’s artistic expression was varied and deeply collaborative
 . In illustrated poetry\, set designs\, embroideries for home and liturgica
 l use\, printed broadsides\, paintings\, sketchbooks\, and other media\, th
 e siblings drew upon each others’ acumen. These endeavors were often fraugh
 t with conflict\, resulting in creative tensions and financial hardships. \
 n\nThe exhibition opens by exploring portraiture of family members and repr
 esentations of the places that were important to them. It moves on to objec
 ts illustrating the family’s engagement with youth as a site of education\,
  entertainment\, and memory. Subsequent sections reveal how the Yeatses cre
 ated objects that transformed private spaces through imaginative innovation
  and material practices\, as well as how they shaped public life through th
 eater\, publishing and printing\, and visual representations of a distincti
 ve Irish identity as the nation established itself post-independence. \n\nR
 ecent gifts to Boston College anchor the exhibition: Jack B. Yeats painting
 s and Lily Yeats Stations of the Cross embroideries received by the McMulle
 n Museum and additional acquisitions of Yeats family materials by the John 
 J. Burns Library. These are complemented by major loans from the Model\, ho
 me of the Niland Collection\, the National Gallery of Ireland\, the Library
  of Trinity College Dublin\, the O’Brien Collection\, and the Collection of
  Carolyn A. and Peter S. Lynch. Supplemented by additional loans from other
  collections and anonymous lenders\, the exhibition constitutes the most ex
 pansive exploration of the Yeats family’s contributions to the public arts 
 to date. Many objects are publicly displayed for the first time\, others fo
 r the first time outside Ireland.\n\nThe exhibition is accompanied by a ful
 ly illustrated catalogue\, edited by Marjorie Howes\, which includes fiftee
 n essays contributed by an interdisciplinary team of scholars who offer new
  insights into historical contexts and interpretive frameworks for studying
  the Yeatses. \n\nOrganized by the McMullen Museum in conjunction with the 
 John J. Burns Library\, Collaborating in Conflict has been curated by Marjo
 rie Howes\, Christian Dupont\, and Diana Larsen. The exhibition is underwri
 tten by Boston College with major support from the Patrons of the McMullen 
 Museum\, the John C. Donohue Estate\, Robert ’63 and Ann Marie Reardon P’91
 \, and the Anna Frances Vegkeley Ryan Estate in memory of John Anthony Ryan
  Jr. ’50. Additional support has been provided by William J. Lundregan III\
 , Esq.\, ’62\, JD’67\, P’93\, ’96 and Elaine Stein-Cummins in memory of Dan
 iel Cummins ’58.\n\nBoston College’s Irish Studies program is organizing a 
 symposium to accompany the exhibition. With lectures by experts in Ireland’
 s visual arts\, theater and performance\, textiles and embroidery\, printin
 g and publishing\, and social and cultural history\, it will be held at Con
 nolly House and the McMullen Museum on February 20 and 21.
DTEND:20260228T220000Z
DTSTAMP:20260305T165703Z
DTSTART:20260228T170000Z
GEO:42.340795;-71.162583
LOCATION:McMullen Museum of Art
SEQUENCE:0
SUMMARY:Exhibition: "Collaborating in Conflict: The Yeats Family and the Pu
 blic Arts"
UID:tag:localist.com\,2008:EventInstance_51780871475053
URL:https://events.bc.edu/event/exhibition-collaborating-in-conflict-the-ye
 ats-family-and-the-public-arts
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts,Exhibition,Visual Arts
DESCRIPTION:Exhibition: Collaborating in Conflict: The Yeats Family and the
  Public Arts\n\nExamining the extraordinary impact the talented Yeats famil
 y had on cultural life and the public arts in Ireland during a century cruc
 ial to its history\, the exhibition features over two hundred works from pr
 emier public and private collections. Paintings\, drawings\, prints\, embro
 ideries\, books\, and letters by patriarch John Butler Yeats and his childr
 en William\, Lily\, Elizabeth\, and Jack\, as well as William’s daughter\, 
 Anne\, highlight examples of individual artistry. They also demonstrate how
  the Yeats family’s artistic expression was varied and deeply collaborative
 . In illustrated poetry\, set designs\, embroideries for home and liturgica
 l use\, printed broadsides\, paintings\, sketchbooks\, and other media\, th
 e siblings drew upon each others’ acumen. These endeavors were often fraugh
 t with conflict\, resulting in creative tensions and financial hardships. \
 n\nThe exhibition opens by exploring portraiture of family members and repr
 esentations of the places that were important to them. It moves on to objec
 ts illustrating the family’s engagement with youth as a site of education\,
  entertainment\, and memory. Subsequent sections reveal how the Yeatses cre
 ated objects that transformed private spaces through imaginative innovation
  and material practices\, as well as how they shaped public life through th
 eater\, publishing and printing\, and visual representations of a distincti
 ve Irish identity as the nation established itself post-independence. \n\nR
 ecent gifts to Boston College anchor the exhibition: Jack B. Yeats painting
 s and Lily Yeats Stations of the Cross embroideries received by the McMulle
 n Museum and additional acquisitions of Yeats family materials by the John 
 J. Burns Library. These are complemented by major loans from the Model\, ho
 me of the Niland Collection\, the National Gallery of Ireland\, the Library
  of Trinity College Dublin\, the O’Brien Collection\, and the Collection of
  Carolyn A. and Peter S. Lynch. Supplemented by additional loans from other
  collections and anonymous lenders\, the exhibition constitutes the most ex
 pansive exploration of the Yeats family’s contributions to the public arts 
 to date. Many objects are publicly displayed for the first time\, others fo
 r the first time outside Ireland.\n\nThe exhibition is accompanied by a ful
 ly illustrated catalogue\, edited by Marjorie Howes\, which includes fiftee
 n essays contributed by an interdisciplinary team of scholars who offer new
  insights into historical contexts and interpretive frameworks for studying
  the Yeatses. \n\nOrganized by the McMullen Museum in conjunction with the 
 John J. Burns Library\, Collaborating in Conflict has been curated by Marjo
 rie Howes\, Christian Dupont\, and Diana Larsen. The exhibition is underwri
 tten by Boston College with major support from the Patrons of the McMullen 
 Museum\, the John C. Donohue Estate\, Robert ’63 and Ann Marie Reardon P’91
 \, and the Anna Frances Vegkeley Ryan Estate in memory of John Anthony Ryan
  Jr. ’50. Additional support has been provided by William J. Lundregan III\
 , Esq.\, ’62\, JD’67\, P’93\, ’96 and Elaine Stein-Cummins in memory of Dan
 iel Cummins ’58.\n\nBoston College’s Irish Studies program is organizing a 
 symposium to accompany the exhibition. With lectures by experts in Ireland’
 s visual arts\, theater and performance\, textiles and embroidery\, printin
 g and publishing\, and social and cultural history\, it will be held at Con
 nolly House and the McMullen Museum on February 20 and 21.
DTEND:20260301T220000Z
DTSTAMP:20260305T165703Z
DTSTART:20260301T170000Z
GEO:42.340795;-71.162583
LOCATION:McMullen Museum of Art
SEQUENCE:0
SUMMARY:Exhibition: "Collaborating in Conflict: The Yeats Family and the Pu
 blic Arts"
UID:tag:localist.com\,2008:EventInstance_51780871476078
URL:https://events.bc.edu/event/exhibition-collaborating-in-conflict-the-ye
 ats-family-and-the-public-arts
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts,Exhibition,Visual Arts
DESCRIPTION:Exhibition: Collaborating in Conflict: The Yeats Family and the
  Public Arts\n\nExamining the extraordinary impact the talented Yeats famil
 y had on cultural life and the public arts in Ireland during a century cruc
 ial to its history\, the exhibition features over two hundred works from pr
 emier public and private collections. Paintings\, drawings\, prints\, embro
 ideries\, books\, and letters by patriarch John Butler Yeats and his childr
 en William\, Lily\, Elizabeth\, and Jack\, as well as William’s daughter\, 
 Anne\, highlight examples of individual artistry. They also demonstrate how
  the Yeats family’s artistic expression was varied and deeply collaborative
 . In illustrated poetry\, set designs\, embroideries for home and liturgica
 l use\, printed broadsides\, paintings\, sketchbooks\, and other media\, th
 e siblings drew upon each others’ acumen. These endeavors were often fraugh
 t with conflict\, resulting in creative tensions and financial hardships. \
 n\nThe exhibition opens by exploring portraiture of family members and repr
 esentations of the places that were important to them. It moves on to objec
 ts illustrating the family’s engagement with youth as a site of education\,
  entertainment\, and memory. Subsequent sections reveal how the Yeatses cre
 ated objects that transformed private spaces through imaginative innovation
  and material practices\, as well as how they shaped public life through th
 eater\, publishing and printing\, and visual representations of a distincti
 ve Irish identity as the nation established itself post-independence. \n\nR
 ecent gifts to Boston College anchor the exhibition: Jack B. Yeats painting
 s and Lily Yeats Stations of the Cross embroideries received by the McMulle
 n Museum and additional acquisitions of Yeats family materials by the John 
 J. Burns Library. These are complemented by major loans from the Model\, ho
 me of the Niland Collection\, the National Gallery of Ireland\, the Library
  of Trinity College Dublin\, the O’Brien Collection\, and the Collection of
  Carolyn A. and Peter S. Lynch. Supplemented by additional loans from other
  collections and anonymous lenders\, the exhibition constitutes the most ex
 pansive exploration of the Yeats family’s contributions to the public arts 
 to date. Many objects are publicly displayed for the first time\, others fo
 r the first time outside Ireland.\n\nThe exhibition is accompanied by a ful
 ly illustrated catalogue\, edited by Marjorie Howes\, which includes fiftee
 n essays contributed by an interdisciplinary team of scholars who offer new
  insights into historical contexts and interpretive frameworks for studying
  the Yeatses. \n\nOrganized by the McMullen Museum in conjunction with the 
 John J. Burns Library\, Collaborating in Conflict has been curated by Marjo
 rie Howes\, Christian Dupont\, and Diana Larsen. The exhibition is underwri
 tten by Boston College with major support from the Patrons of the McMullen 
 Museum\, the John C. Donohue Estate\, Robert ’63 and Ann Marie Reardon P’91
 \, and the Anna Frances Vegkeley Ryan Estate in memory of John Anthony Ryan
  Jr. ’50. Additional support has been provided by William J. Lundregan III\
 , Esq.\, ’62\, JD’67\, P’93\, ’96 and Elaine Stein-Cummins in memory of Dan
 iel Cummins ’58.\n\nBoston College’s Irish Studies program is organizing a 
 symposium to accompany the exhibition. With lectures by experts in Ireland’
 s visual arts\, theater and performance\, textiles and embroidery\, printin
 g and publishing\, and social and cultural history\, it will be held at Con
 nolly House and the McMullen Museum on February 20 and 21.
DTEND:20260302T220000Z
DTSTAMP:20260305T165703Z
DTSTART:20260302T150000Z
GEO:42.340795;-71.162583
LOCATION:McMullen Museum of Art
SEQUENCE:0
SUMMARY:Exhibition: "Collaborating in Conflict: The Yeats Family and the Pu
 blic Arts"
UID:tag:localist.com\,2008:EventInstance_51780871477103
URL:https://events.bc.edu/event/exhibition-collaborating-in-conflict-the-ye
 ats-family-and-the-public-arts
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts,Exhibition,Visual Arts
DESCRIPTION:Exhibition: Collaborating in Conflict: The Yeats Family and the
  Public Arts\n\nExamining the extraordinary impact the talented Yeats famil
 y had on cultural life and the public arts in Ireland during a century cruc
 ial to its history\, the exhibition features over two hundred works from pr
 emier public and private collections. Paintings\, drawings\, prints\, embro
 ideries\, books\, and letters by patriarch John Butler Yeats and his childr
 en William\, Lily\, Elizabeth\, and Jack\, as well as William’s daughter\, 
 Anne\, highlight examples of individual artistry. They also demonstrate how
  the Yeats family’s artistic expression was varied and deeply collaborative
 . In illustrated poetry\, set designs\, embroideries for home and liturgica
 l use\, printed broadsides\, paintings\, sketchbooks\, and other media\, th
 e siblings drew upon each others’ acumen. These endeavors were often fraugh
 t with conflict\, resulting in creative tensions and financial hardships. \
 n\nThe exhibition opens by exploring portraiture of family members and repr
 esentations of the places that were important to them. It moves on to objec
 ts illustrating the family’s engagement with youth as a site of education\,
  entertainment\, and memory. Subsequent sections reveal how the Yeatses cre
 ated objects that transformed private spaces through imaginative innovation
  and material practices\, as well as how they shaped public life through th
 eater\, publishing and printing\, and visual representations of a distincti
 ve Irish identity as the nation established itself post-independence. \n\nR
 ecent gifts to Boston College anchor the exhibition: Jack B. Yeats painting
 s and Lily Yeats Stations of the Cross embroideries received by the McMulle
 n Museum and additional acquisitions of Yeats family materials by the John 
 J. Burns Library. These are complemented by major loans from the Model\, ho
 me of the Niland Collection\, the National Gallery of Ireland\, the Library
  of Trinity College Dublin\, the O’Brien Collection\, and the Collection of
  Carolyn A. and Peter S. Lynch. Supplemented by additional loans from other
  collections and anonymous lenders\, the exhibition constitutes the most ex
 pansive exploration of the Yeats family’s contributions to the public arts 
 to date. Many objects are publicly displayed for the first time\, others fo
 r the first time outside Ireland.\n\nThe exhibition is accompanied by a ful
 ly illustrated catalogue\, edited by Marjorie Howes\, which includes fiftee
 n essays contributed by an interdisciplinary team of scholars who offer new
  insights into historical contexts and interpretive frameworks for studying
  the Yeatses. \n\nOrganized by the McMullen Museum in conjunction with the 
 John J. Burns Library\, Collaborating in Conflict has been curated by Marjo
 rie Howes\, Christian Dupont\, and Diana Larsen. The exhibition is underwri
 tten by Boston College with major support from the Patrons of the McMullen 
 Museum\, the John C. Donohue Estate\, Robert ’63 and Ann Marie Reardon P’91
 \, and the Anna Frances Vegkeley Ryan Estate in memory of John Anthony Ryan
  Jr. ’50. Additional support has been provided by William J. Lundregan III\
 , Esq.\, ’62\, JD’67\, P’93\, ’96 and Elaine Stein-Cummins in memory of Dan
 iel Cummins ’58.\n\nBoston College’s Irish Studies program is organizing a 
 symposium to accompany the exhibition. With lectures by experts in Ireland’
 s visual arts\, theater and performance\, textiles and embroidery\, printin
 g and publishing\, and social and cultural history\, it will be held at Con
 nolly House and the McMullen Museum on February 20 and 21.
DTEND:20260303T220000Z
DTSTAMP:20260305T165703Z
DTSTART:20260303T150000Z
GEO:42.340795;-71.162583
LOCATION:McMullen Museum of Art
SEQUENCE:0
SUMMARY:Exhibition: "Collaborating in Conflict: The Yeats Family and the Pu
 blic Arts"
UID:tag:localist.com\,2008:EventInstance_51780871478128
URL:https://events.bc.edu/event/exhibition-collaborating-in-conflict-the-ye
 ats-family-and-the-public-arts
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts,Exhibition,Visual Arts
DESCRIPTION:Exhibition: Collaborating in Conflict: The Yeats Family and the
  Public Arts\n\nExamining the extraordinary impact the talented Yeats famil
 y had on cultural life and the public arts in Ireland during a century cruc
 ial to its history\, the exhibition features over two hundred works from pr
 emier public and private collections. Paintings\, drawings\, prints\, embro
 ideries\, books\, and letters by patriarch John Butler Yeats and his childr
 en William\, Lily\, Elizabeth\, and Jack\, as well as William’s daughter\, 
 Anne\, highlight examples of individual artistry. They also demonstrate how
  the Yeats family’s artistic expression was varied and deeply collaborative
 . In illustrated poetry\, set designs\, embroideries for home and liturgica
 l use\, printed broadsides\, paintings\, sketchbooks\, and other media\, th
 e siblings drew upon each others’ acumen. These endeavors were often fraugh
 t with conflict\, resulting in creative tensions and financial hardships. \
 n\nThe exhibition opens by exploring portraiture of family members and repr
 esentations of the places that were important to them. It moves on to objec
 ts illustrating the family’s engagement with youth as a site of education\,
  entertainment\, and memory. Subsequent sections reveal how the Yeatses cre
 ated objects that transformed private spaces through imaginative innovation
  and material practices\, as well as how they shaped public life through th
 eater\, publishing and printing\, and visual representations of a distincti
 ve Irish identity as the nation established itself post-independence. \n\nR
 ecent gifts to Boston College anchor the exhibition: Jack B. Yeats painting
 s and Lily Yeats Stations of the Cross embroideries received by the McMulle
 n Museum and additional acquisitions of Yeats family materials by the John 
 J. Burns Library. These are complemented by major loans from the Model\, ho
 me of the Niland Collection\, the National Gallery of Ireland\, the Library
  of Trinity College Dublin\, the O’Brien Collection\, and the Collection of
  Carolyn A. and Peter S. Lynch. Supplemented by additional loans from other
  collections and anonymous lenders\, the exhibition constitutes the most ex
 pansive exploration of the Yeats family’s contributions to the public arts 
 to date. Many objects are publicly displayed for the first time\, others fo
 r the first time outside Ireland.\n\nThe exhibition is accompanied by a ful
 ly illustrated catalogue\, edited by Marjorie Howes\, which includes fiftee
 n essays contributed by an interdisciplinary team of scholars who offer new
  insights into historical contexts and interpretive frameworks for studying
  the Yeatses. \n\nOrganized by the McMullen Museum in conjunction with the 
 John J. Burns Library\, Collaborating in Conflict has been curated by Marjo
 rie Howes\, Christian Dupont\, and Diana Larsen. The exhibition is underwri
 tten by Boston College with major support from the Patrons of the McMullen 
 Museum\, the John C. Donohue Estate\, Robert ’63 and Ann Marie Reardon P’91
 \, and the Anna Frances Vegkeley Ryan Estate in memory of John Anthony Ryan
  Jr. ’50. Additional support has been provided by William J. Lundregan III\
 , Esq.\, ’62\, JD’67\, P’93\, ’96 and Elaine Stein-Cummins in memory of Dan
 iel Cummins ’58.\n\nBoston College’s Irish Studies program is organizing a 
 symposium to accompany the exhibition. With lectures by experts in Ireland’
 s visual arts\, theater and performance\, textiles and embroidery\, printin
 g and publishing\, and social and cultural history\, it will be held at Con
 nolly House and the McMullen Museum on February 20 and 21.
DTEND:20260304T220000Z
DTSTAMP:20260305T165703Z
DTSTART:20260304T150000Z
GEO:42.340795;-71.162583
LOCATION:McMullen Museum of Art
SEQUENCE:0
SUMMARY:Exhibition: "Collaborating in Conflict: The Yeats Family and the Pu
 blic Arts"
UID:tag:localist.com\,2008:EventInstance_51780871479153
URL:https://events.bc.edu/event/exhibition-collaborating-in-conflict-the-ye
 ats-family-and-the-public-arts
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts,Exhibition,Visual Arts
DESCRIPTION:Exhibition: Collaborating in Conflict: The Yeats Family and the
  Public Arts\n\nExamining the extraordinary impact the talented Yeats famil
 y had on cultural life and the public arts in Ireland during a century cruc
 ial to its history\, the exhibition features over two hundred works from pr
 emier public and private collections. Paintings\, drawings\, prints\, embro
 ideries\, books\, and letters by patriarch John Butler Yeats and his childr
 en William\, Lily\, Elizabeth\, and Jack\, as well as William’s daughter\, 
 Anne\, highlight examples of individual artistry. They also demonstrate how
  the Yeats family’s artistic expression was varied and deeply collaborative
 . In illustrated poetry\, set designs\, embroideries for home and liturgica
 l use\, printed broadsides\, paintings\, sketchbooks\, and other media\, th
 e siblings drew upon each others’ acumen. These endeavors were often fraugh
 t with conflict\, resulting in creative tensions and financial hardships. \
 n\nThe exhibition opens by exploring portraiture of family members and repr
 esentations of the places that were important to them. It moves on to objec
 ts illustrating the family’s engagement with youth as a site of education\,
  entertainment\, and memory. Subsequent sections reveal how the Yeatses cre
 ated objects that transformed private spaces through imaginative innovation
  and material practices\, as well as how they shaped public life through th
 eater\, publishing and printing\, and visual representations of a distincti
 ve Irish identity as the nation established itself post-independence. \n\nR
 ecent gifts to Boston College anchor the exhibition: Jack B. Yeats painting
 s and Lily Yeats Stations of the Cross embroideries received by the McMulle
 n Museum and additional acquisitions of Yeats family materials by the John 
 J. Burns Library. These are complemented by major loans from the Model\, ho
 me of the Niland Collection\, the National Gallery of Ireland\, the Library
  of Trinity College Dublin\, the O’Brien Collection\, and the Collection of
  Carolyn A. and Peter S. Lynch. Supplemented by additional loans from other
  collections and anonymous lenders\, the exhibition constitutes the most ex
 pansive exploration of the Yeats family’s contributions to the public arts 
 to date. Many objects are publicly displayed for the first time\, others fo
 r the first time outside Ireland.\n\nThe exhibition is accompanied by a ful
 ly illustrated catalogue\, edited by Marjorie Howes\, which includes fiftee
 n essays contributed by an interdisciplinary team of scholars who offer new
  insights into historical contexts and interpretive frameworks for studying
  the Yeatses. \n\nOrganized by the McMullen Museum in conjunction with the 
 John J. Burns Library\, Collaborating in Conflict has been curated by Marjo
 rie Howes\, Christian Dupont\, and Diana Larsen. The exhibition is underwri
 tten by Boston College with major support from the Patrons of the McMullen 
 Museum\, the John C. Donohue Estate\, Robert ’63 and Ann Marie Reardon P’91
 \, and the Anna Frances Vegkeley Ryan Estate in memory of John Anthony Ryan
  Jr. ’50. Additional support has been provided by William J. Lundregan III\
 , Esq.\, ’62\, JD’67\, P’93\, ’96 and Elaine Stein-Cummins in memory of Dan
 iel Cummins ’58.\n\nBoston College’s Irish Studies program is organizing a 
 symposium to accompany the exhibition. With lectures by experts in Ireland’
 s visual arts\, theater and performance\, textiles and embroidery\, printin
 g and publishing\, and social and cultural history\, it will be held at Con
 nolly House and the McMullen Museum on February 20 and 21.
DTEND:20260305T220000Z
DTSTAMP:20260305T165703Z
DTSTART:20260305T150000Z
GEO:42.340795;-71.162583
LOCATION:McMullen Museum of Art
SEQUENCE:0
SUMMARY:Exhibition: "Collaborating in Conflict: The Yeats Family and the Pu
 blic Arts"
UID:tag:localist.com\,2008:EventInstance_51780871481202
URL:https://events.bc.edu/event/exhibition-collaborating-in-conflict-the-ye
 ats-family-and-the-public-arts
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts,Exhibition,Visual Arts
DESCRIPTION:Exhibition: Collaborating in Conflict: The Yeats Family and the
  Public Arts\n\nExamining the extraordinary impact the talented Yeats famil
 y had on cultural life and the public arts in Ireland during a century cruc
 ial to its history\, the exhibition features over two hundred works from pr
 emier public and private collections. Paintings\, drawings\, prints\, embro
 ideries\, books\, and letters by patriarch John Butler Yeats and his childr
 en William\, Lily\, Elizabeth\, and Jack\, as well as William’s daughter\, 
 Anne\, highlight examples of individual artistry. They also demonstrate how
  the Yeats family’s artistic expression was varied and deeply collaborative
 . In illustrated poetry\, set designs\, embroideries for home and liturgica
 l use\, printed broadsides\, paintings\, sketchbooks\, and other media\, th
 e siblings drew upon each others’ acumen. These endeavors were often fraugh
 t with conflict\, resulting in creative tensions and financial hardships. \
 n\nThe exhibition opens by exploring portraiture of family members and repr
 esentations of the places that were important to them. It moves on to objec
 ts illustrating the family’s engagement with youth as a site of education\,
  entertainment\, and memory. Subsequent sections reveal how the Yeatses cre
 ated objects that transformed private spaces through imaginative innovation
  and material practices\, as well as how they shaped public life through th
 eater\, publishing and printing\, and visual representations of a distincti
 ve Irish identity as the nation established itself post-independence. \n\nR
 ecent gifts to Boston College anchor the exhibition: Jack B. Yeats painting
 s and Lily Yeats Stations of the Cross embroideries received by the McMulle
 n Museum and additional acquisitions of Yeats family materials by the John 
 J. Burns Library. These are complemented by major loans from the Model\, ho
 me of the Niland Collection\, the National Gallery of Ireland\, the Library
  of Trinity College Dublin\, the O’Brien Collection\, and the Collection of
  Carolyn A. and Peter S. Lynch. Supplemented by additional loans from other
  collections and anonymous lenders\, the exhibition constitutes the most ex
 pansive exploration of the Yeats family’s contributions to the public arts 
 to date. Many objects are publicly displayed for the first time\, others fo
 r the first time outside Ireland.\n\nThe exhibition is accompanied by a ful
 ly illustrated catalogue\, edited by Marjorie Howes\, which includes fiftee
 n essays contributed by an interdisciplinary team of scholars who offer new
  insights into historical contexts and interpretive frameworks for studying
  the Yeatses. \n\nOrganized by the McMullen Museum in conjunction with the 
 John J. Burns Library\, Collaborating in Conflict has been curated by Marjo
 rie Howes\, Christian Dupont\, and Diana Larsen. The exhibition is underwri
 tten by Boston College with major support from the Patrons of the McMullen 
 Museum\, the John C. Donohue Estate\, Robert ’63 and Ann Marie Reardon P’91
 \, and the Anna Frances Vegkeley Ryan Estate in memory of John Anthony Ryan
  Jr. ’50. Additional support has been provided by William J. Lundregan III\
 , Esq.\, ’62\, JD’67\, P’93\, ’96 and Elaine Stein-Cummins in memory of Dan
 iel Cummins ’58.\n\nBoston College’s Irish Studies program is organizing a 
 symposium to accompany the exhibition. With lectures by experts in Ireland’
 s visual arts\, theater and performance\, textiles and embroidery\, printin
 g and publishing\, and social and cultural history\, it will be held at Con
 nolly House and the McMullen Museum on February 20 and 21.
DTEND:20260306T220000Z
DTSTAMP:20260305T165703Z
DTSTART:20260306T150000Z
GEO:42.340795;-71.162583
LOCATION:McMullen Museum of Art
SEQUENCE:0
SUMMARY:Exhibition: "Collaborating in Conflict: The Yeats Family and the Pu
 blic Arts"
UID:tag:localist.com\,2008:EventInstance_51780871482227
URL:https://events.bc.edu/event/exhibition-collaborating-in-conflict-the-ye
 ats-family-and-the-public-arts
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts,Exhibition,Visual Arts
DESCRIPTION:Exhibition: Collaborating in Conflict: The Yeats Family and the
  Public Arts\n\nExamining the extraordinary impact the talented Yeats famil
 y had on cultural life and the public arts in Ireland during a century cruc
 ial to its history\, the exhibition features over two hundred works from pr
 emier public and private collections. Paintings\, drawings\, prints\, embro
 ideries\, books\, and letters by patriarch John Butler Yeats and his childr
 en William\, Lily\, Elizabeth\, and Jack\, as well as William’s daughter\, 
 Anne\, highlight examples of individual artistry. They also demonstrate how
  the Yeats family’s artistic expression was varied and deeply collaborative
 . In illustrated poetry\, set designs\, embroideries for home and liturgica
 l use\, printed broadsides\, paintings\, sketchbooks\, and other media\, th
 e siblings drew upon each others’ acumen. These endeavors were often fraugh
 t with conflict\, resulting in creative tensions and financial hardships. \
 n\nThe exhibition opens by exploring portraiture of family members and repr
 esentations of the places that were important to them. It moves on to objec
 ts illustrating the family’s engagement with youth as a site of education\,
  entertainment\, and memory. Subsequent sections reveal how the Yeatses cre
 ated objects that transformed private spaces through imaginative innovation
  and material practices\, as well as how they shaped public life through th
 eater\, publishing and printing\, and visual representations of a distincti
 ve Irish identity as the nation established itself post-independence. \n\nR
 ecent gifts to Boston College anchor the exhibition: Jack B. Yeats painting
 s and Lily Yeats Stations of the Cross embroideries received by the McMulle
 n Museum and additional acquisitions of Yeats family materials by the John 
 J. Burns Library. These are complemented by major loans from the Model\, ho
 me of the Niland Collection\, the National Gallery of Ireland\, the Library
  of Trinity College Dublin\, the O’Brien Collection\, and the Collection of
  Carolyn A. and Peter S. Lynch. Supplemented by additional loans from other
  collections and anonymous lenders\, the exhibition constitutes the most ex
 pansive exploration of the Yeats family’s contributions to the public arts 
 to date. Many objects are publicly displayed for the first time\, others fo
 r the first time outside Ireland.\n\nThe exhibition is accompanied by a ful
 ly illustrated catalogue\, edited by Marjorie Howes\, which includes fiftee
 n essays contributed by an interdisciplinary team of scholars who offer new
  insights into historical contexts and interpretive frameworks for studying
  the Yeatses. \n\nOrganized by the McMullen Museum in conjunction with the 
 John J. Burns Library\, Collaborating in Conflict has been curated by Marjo
 rie Howes\, Christian Dupont\, and Diana Larsen. The exhibition is underwri
 tten by Boston College with major support from the Patrons of the McMullen 
 Museum\, the John C. Donohue Estate\, Robert ’63 and Ann Marie Reardon P’91
 \, and the Anna Frances Vegkeley Ryan Estate in memory of John Anthony Ryan
  Jr. ’50. Additional support has been provided by William J. Lundregan III\
 , Esq.\, ’62\, JD’67\, P’93\, ’96 and Elaine Stein-Cummins in memory of Dan
 iel Cummins ’58.\n\nBoston College’s Irish Studies program is organizing a 
 symposium to accompany the exhibition. With lectures by experts in Ireland’
 s visual arts\, theater and performance\, textiles and embroidery\, printin
 g and publishing\, and social and cultural history\, it will be held at Con
 nolly House and the McMullen Museum on February 20 and 21.
DTEND:20260307T220000Z
DTSTAMP:20260305T165703Z
DTSTART:20260307T170000Z
GEO:42.340795;-71.162583
LOCATION:McMullen Museum of Art
SEQUENCE:0
SUMMARY:Exhibition: "Collaborating in Conflict: The Yeats Family and the Pu
 blic Arts"
UID:tag:localist.com\,2008:EventInstance_51780871483252
URL:https://events.bc.edu/event/exhibition-collaborating-in-conflict-the-ye
 ats-family-and-the-public-arts
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts,Exhibition,Visual Arts
DESCRIPTION:Exhibition: Collaborating in Conflict: The Yeats Family and the
  Public Arts\n\nExamining the extraordinary impact the talented Yeats famil
 y had on cultural life and the public arts in Ireland during a century cruc
 ial to its history\, the exhibition features over two hundred works from pr
 emier public and private collections. Paintings\, drawings\, prints\, embro
 ideries\, books\, and letters by patriarch John Butler Yeats and his childr
 en William\, Lily\, Elizabeth\, and Jack\, as well as William’s daughter\, 
 Anne\, highlight examples of individual artistry. They also demonstrate how
  the Yeats family’s artistic expression was varied and deeply collaborative
 . In illustrated poetry\, set designs\, embroideries for home and liturgica
 l use\, printed broadsides\, paintings\, sketchbooks\, and other media\, th
 e siblings drew upon each others’ acumen. These endeavors were often fraugh
 t with conflict\, resulting in creative tensions and financial hardships. \
 n\nThe exhibition opens by exploring portraiture of family members and repr
 esentations of the places that were important to them. It moves on to objec
 ts illustrating the family’s engagement with youth as a site of education\,
  entertainment\, and memory. Subsequent sections reveal how the Yeatses cre
 ated objects that transformed private spaces through imaginative innovation
  and material practices\, as well as how they shaped public life through th
 eater\, publishing and printing\, and visual representations of a distincti
 ve Irish identity as the nation established itself post-independence. \n\nR
 ecent gifts to Boston College anchor the exhibition: Jack B. Yeats painting
 s and Lily Yeats Stations of the Cross embroideries received by the McMulle
 n Museum and additional acquisitions of Yeats family materials by the John 
 J. Burns Library. These are complemented by major loans from the Model\, ho
 me of the Niland Collection\, the National Gallery of Ireland\, the Library
  of Trinity College Dublin\, the O’Brien Collection\, and the Collection of
  Carolyn A. and Peter S. Lynch. Supplemented by additional loans from other
  collections and anonymous lenders\, the exhibition constitutes the most ex
 pansive exploration of the Yeats family’s contributions to the public arts 
 to date. Many objects are publicly displayed for the first time\, others fo
 r the first time outside Ireland.\n\nThe exhibition is accompanied by a ful
 ly illustrated catalogue\, edited by Marjorie Howes\, which includes fiftee
 n essays contributed by an interdisciplinary team of scholars who offer new
  insights into historical contexts and interpretive frameworks for studying
  the Yeatses. \n\nOrganized by the McMullen Museum in conjunction with the 
 John J. Burns Library\, Collaborating in Conflict has been curated by Marjo
 rie Howes\, Christian Dupont\, and Diana Larsen. The exhibition is underwri
 tten by Boston College with major support from the Patrons of the McMullen 
 Museum\, the John C. Donohue Estate\, Robert ’63 and Ann Marie Reardon P’91
 \, and the Anna Frances Vegkeley Ryan Estate in memory of John Anthony Ryan
  Jr. ’50. Additional support has been provided by William J. Lundregan III\
 , Esq.\, ’62\, JD’67\, P’93\, ’96 and Elaine Stein-Cummins in memory of Dan
 iel Cummins ’58.\n\nBoston College’s Irish Studies program is organizing a 
 symposium to accompany the exhibition. With lectures by experts in Ireland’
 s visual arts\, theater and performance\, textiles and embroidery\, printin
 g and publishing\, and social and cultural history\, it will be held at Con
 nolly House and the McMullen Museum on February 20 and 21.
DTEND:20260308T210000Z
DTSTAMP:20260305T165703Z
DTSTART:20260308T160000Z
GEO:42.340795;-71.162583
LOCATION:McMullen Museum of Art
SEQUENCE:0
SUMMARY:Exhibition: "Collaborating in Conflict: The Yeats Family and the Pu
 blic Arts"
UID:tag:localist.com\,2008:EventInstance_51780871484277
URL:https://events.bc.edu/event/exhibition-collaborating-in-conflict-the-ye
 ats-family-and-the-public-arts
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts,Exhibition,Visual Arts
DESCRIPTION:Exhibition: Collaborating in Conflict: The Yeats Family and the
  Public Arts\n\nExamining the extraordinary impact the talented Yeats famil
 y had on cultural life and the public arts in Ireland during a century cruc
 ial to its history\, the exhibition features over two hundred works from pr
 emier public and private collections. Paintings\, drawings\, prints\, embro
 ideries\, books\, and letters by patriarch John Butler Yeats and his childr
 en William\, Lily\, Elizabeth\, and Jack\, as well as William’s daughter\, 
 Anne\, highlight examples of individual artistry. They also demonstrate how
  the Yeats family’s artistic expression was varied and deeply collaborative
 . In illustrated poetry\, set designs\, embroideries for home and liturgica
 l use\, printed broadsides\, paintings\, sketchbooks\, and other media\, th
 e siblings drew upon each others’ acumen. These endeavors were often fraugh
 t with conflict\, resulting in creative tensions and financial hardships. \
 n\nThe exhibition opens by exploring portraiture of family members and repr
 esentations of the places that were important to them. It moves on to objec
 ts illustrating the family’s engagement with youth as a site of education\,
  entertainment\, and memory. Subsequent sections reveal how the Yeatses cre
 ated objects that transformed private spaces through imaginative innovation
  and material practices\, as well as how they shaped public life through th
 eater\, publishing and printing\, and visual representations of a distincti
 ve Irish identity as the nation established itself post-independence. \n\nR
 ecent gifts to Boston College anchor the exhibition: Jack B. Yeats painting
 s and Lily Yeats Stations of the Cross embroideries received by the McMulle
 n Museum and additional acquisitions of Yeats family materials by the John 
 J. Burns Library. These are complemented by major loans from the Model\, ho
 me of the Niland Collection\, the National Gallery of Ireland\, the Library
  of Trinity College Dublin\, the O’Brien Collection\, and the Collection of
  Carolyn A. and Peter S. Lynch. Supplemented by additional loans from other
  collections and anonymous lenders\, the exhibition constitutes the most ex
 pansive exploration of the Yeats family’s contributions to the public arts 
 to date. Many objects are publicly displayed for the first time\, others fo
 r the first time outside Ireland.\n\nThe exhibition is accompanied by a ful
 ly illustrated catalogue\, edited by Marjorie Howes\, which includes fiftee
 n essays contributed by an interdisciplinary team of scholars who offer new
  insights into historical contexts and interpretive frameworks for studying
  the Yeatses. \n\nOrganized by the McMullen Museum in conjunction with the 
 John J. Burns Library\, Collaborating in Conflict has been curated by Marjo
 rie Howes\, Christian Dupont\, and Diana Larsen. The exhibition is underwri
 tten by Boston College with major support from the Patrons of the McMullen 
 Museum\, the John C. Donohue Estate\, Robert ’63 and Ann Marie Reardon P’91
 \, and the Anna Frances Vegkeley Ryan Estate in memory of John Anthony Ryan
  Jr. ’50. Additional support has been provided by William J. Lundregan III\
 , Esq.\, ’62\, JD’67\, P’93\, ’96 and Elaine Stein-Cummins in memory of Dan
 iel Cummins ’58.\n\nBoston College’s Irish Studies program is organizing a 
 symposium to accompany the exhibition. With lectures by experts in Ireland’
 s visual arts\, theater and performance\, textiles and embroidery\, printin
 g and publishing\, and social and cultural history\, it will be held at Con
 nolly House and the McMullen Museum on February 20 and 21.
DTEND:20260309T210000Z
DTSTAMP:20260305T165703Z
DTSTART:20260309T140000Z
GEO:42.340795;-71.162583
LOCATION:McMullen Museum of Art
SEQUENCE:0
SUMMARY:Exhibition: "Collaborating in Conflict: The Yeats Family and the Pu
 blic Arts"
UID:tag:localist.com\,2008:EventInstance_51780871485302
URL:https://events.bc.edu/event/exhibition-collaborating-in-conflict-the-ye
 ats-family-and-the-public-arts
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts,Exhibition,Visual Arts
DESCRIPTION:Exhibition: Collaborating in Conflict: The Yeats Family and the
  Public Arts\n\nExamining the extraordinary impact the talented Yeats famil
 y had on cultural life and the public arts in Ireland during a century cruc
 ial to its history\, the exhibition features over two hundred works from pr
 emier public and private collections. Paintings\, drawings\, prints\, embro
 ideries\, books\, and letters by patriarch John Butler Yeats and his childr
 en William\, Lily\, Elizabeth\, and Jack\, as well as William’s daughter\, 
 Anne\, highlight examples of individual artistry. They also demonstrate how
  the Yeats family’s artistic expression was varied and deeply collaborative
 . In illustrated poetry\, set designs\, embroideries for home and liturgica
 l use\, printed broadsides\, paintings\, sketchbooks\, and other media\, th
 e siblings drew upon each others’ acumen. These endeavors were often fraugh
 t with conflict\, resulting in creative tensions and financial hardships. \
 n\nThe exhibition opens by exploring portraiture of family members and repr
 esentations of the places that were important to them. It moves on to objec
 ts illustrating the family’s engagement with youth as a site of education\,
  entertainment\, and memory. Subsequent sections reveal how the Yeatses cre
 ated objects that transformed private spaces through imaginative innovation
  and material practices\, as well as how they shaped public life through th
 eater\, publishing and printing\, and visual representations of a distincti
 ve Irish identity as the nation established itself post-independence. \n\nR
 ecent gifts to Boston College anchor the exhibition: Jack B. Yeats painting
 s and Lily Yeats Stations of the Cross embroideries received by the McMulle
 n Museum and additional acquisitions of Yeats family materials by the John 
 J. Burns Library. These are complemented by major loans from the Model\, ho
 me of the Niland Collection\, the National Gallery of Ireland\, the Library
  of Trinity College Dublin\, the O’Brien Collection\, and the Collection of
  Carolyn A. and Peter S. Lynch. Supplemented by additional loans from other
  collections and anonymous lenders\, the exhibition constitutes the most ex
 pansive exploration of the Yeats family’s contributions to the public arts 
 to date. Many objects are publicly displayed for the first time\, others fo
 r the first time outside Ireland.\n\nThe exhibition is accompanied by a ful
 ly illustrated catalogue\, edited by Marjorie Howes\, which includes fiftee
 n essays contributed by an interdisciplinary team of scholars who offer new
  insights into historical contexts and interpretive frameworks for studying
  the Yeatses. \n\nOrganized by the McMullen Museum in conjunction with the 
 John J. Burns Library\, Collaborating in Conflict has been curated by Marjo
 rie Howes\, Christian Dupont\, and Diana Larsen. The exhibition is underwri
 tten by Boston College with major support from the Patrons of the McMullen 
 Museum\, the John C. Donohue Estate\, Robert ’63 and Ann Marie Reardon P’91
 \, and the Anna Frances Vegkeley Ryan Estate in memory of John Anthony Ryan
  Jr. ’50. Additional support has been provided by William J. Lundregan III\
 , Esq.\, ’62\, JD’67\, P’93\, ’96 and Elaine Stein-Cummins in memory of Dan
 iel Cummins ’58.\n\nBoston College’s Irish Studies program is organizing a 
 symposium to accompany the exhibition. With lectures by experts in Ireland’
 s visual arts\, theater and performance\, textiles and embroidery\, printin
 g and publishing\, and social and cultural history\, it will be held at Con
 nolly House and the McMullen Museum on February 20 and 21.
DTEND:20260310T210000Z
DTSTAMP:20260305T165703Z
DTSTART:20260310T140000Z
GEO:42.340795;-71.162583
LOCATION:McMullen Museum of Art
SEQUENCE:0
SUMMARY:Exhibition: "Collaborating in Conflict: The Yeats Family and the Pu
 blic Arts"
UID:tag:localist.com\,2008:EventInstance_51780871486327
URL:https://events.bc.edu/event/exhibition-collaborating-in-conflict-the-ye
 ats-family-and-the-public-arts
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts,Exhibition,Visual Arts
DESCRIPTION:Exhibition: Collaborating in Conflict: The Yeats Family and the
  Public Arts\n\nExamining the extraordinary impact the talented Yeats famil
 y had on cultural life and the public arts in Ireland during a century cruc
 ial to its history\, the exhibition features over two hundred works from pr
 emier public and private collections. Paintings\, drawings\, prints\, embro
 ideries\, books\, and letters by patriarch John Butler Yeats and his childr
 en William\, Lily\, Elizabeth\, and Jack\, as well as William’s daughter\, 
 Anne\, highlight examples of individual artistry. They also demonstrate how
  the Yeats family’s artistic expression was varied and deeply collaborative
 . In illustrated poetry\, set designs\, embroideries for home and liturgica
 l use\, printed broadsides\, paintings\, sketchbooks\, and other media\, th
 e siblings drew upon each others’ acumen. These endeavors were often fraugh
 t with conflict\, resulting in creative tensions and financial hardships. \
 n\nThe exhibition opens by exploring portraiture of family members and repr
 esentations of the places that were important to them. It moves on to objec
 ts illustrating the family’s engagement with youth as a site of education\,
  entertainment\, and memory. Subsequent sections reveal how the Yeatses cre
 ated objects that transformed private spaces through imaginative innovation
  and material practices\, as well as how they shaped public life through th
 eater\, publishing and printing\, and visual representations of a distincti
 ve Irish identity as the nation established itself post-independence. \n\nR
 ecent gifts to Boston College anchor the exhibition: Jack B. Yeats painting
 s and Lily Yeats Stations of the Cross embroideries received by the McMulle
 n Museum and additional acquisitions of Yeats family materials by the John 
 J. Burns Library. These are complemented by major loans from the Model\, ho
 me of the Niland Collection\, the National Gallery of Ireland\, the Library
  of Trinity College Dublin\, the O’Brien Collection\, and the Collection of
  Carolyn A. and Peter S. Lynch. Supplemented by additional loans from other
  collections and anonymous lenders\, the exhibition constitutes the most ex
 pansive exploration of the Yeats family’s contributions to the public arts 
 to date. Many objects are publicly displayed for the first time\, others fo
 r the first time outside Ireland.\n\nThe exhibition is accompanied by a ful
 ly illustrated catalogue\, edited by Marjorie Howes\, which includes fiftee
 n essays contributed by an interdisciplinary team of scholars who offer new
  insights into historical contexts and interpretive frameworks for studying
  the Yeatses. \n\nOrganized by the McMullen Museum in conjunction with the 
 John J. Burns Library\, Collaborating in Conflict has been curated by Marjo
 rie Howes\, Christian Dupont\, and Diana Larsen. The exhibition is underwri
 tten by Boston College with major support from the Patrons of the McMullen 
 Museum\, the John C. Donohue Estate\, Robert ’63 and Ann Marie Reardon P’91
 \, and the Anna Frances Vegkeley Ryan Estate in memory of John Anthony Ryan
  Jr. ’50. Additional support has been provided by William J. Lundregan III\
 , Esq.\, ’62\, JD’67\, P’93\, ’96 and Elaine Stein-Cummins in memory of Dan
 iel Cummins ’58.\n\nBoston College’s Irish Studies program is organizing a 
 symposium to accompany the exhibition. With lectures by experts in Ireland’
 s visual arts\, theater and performance\, textiles and embroidery\, printin
 g and publishing\, and social and cultural history\, it will be held at Con
 nolly House and the McMullen Museum on February 20 and 21.
DTEND:20260311T210000Z
DTSTAMP:20260305T165703Z
DTSTART:20260311T140000Z
GEO:42.340795;-71.162583
LOCATION:McMullen Museum of Art
SEQUENCE:0
SUMMARY:Exhibition: "Collaborating in Conflict: The Yeats Family and the Pu
 blic Arts"
UID:tag:localist.com\,2008:EventInstance_51780871487352
URL:https://events.bc.edu/event/exhibition-collaborating-in-conflict-the-ye
 ats-family-and-the-public-arts
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts,Exhibition,Visual Arts
DESCRIPTION:Exhibition: Collaborating in Conflict: The Yeats Family and the
  Public Arts\n\nExamining the extraordinary impact the talented Yeats famil
 y had on cultural life and the public arts in Ireland during a century cruc
 ial to its history\, the exhibition features over two hundred works from pr
 emier public and private collections. Paintings\, drawings\, prints\, embro
 ideries\, books\, and letters by patriarch John Butler Yeats and his childr
 en William\, Lily\, Elizabeth\, and Jack\, as well as William’s daughter\, 
 Anne\, highlight examples of individual artistry. They also demonstrate how
  the Yeats family’s artistic expression was varied and deeply collaborative
 . In illustrated poetry\, set designs\, embroideries for home and liturgica
 l use\, printed broadsides\, paintings\, sketchbooks\, and other media\, th
 e siblings drew upon each others’ acumen. These endeavors were often fraugh
 t with conflict\, resulting in creative tensions and financial hardships. \
 n\nThe exhibition opens by exploring portraiture of family members and repr
 esentations of the places that were important to them. It moves on to objec
 ts illustrating the family’s engagement with youth as a site of education\,
  entertainment\, and memory. Subsequent sections reveal how the Yeatses cre
 ated objects that transformed private spaces through imaginative innovation
  and material practices\, as well as how they shaped public life through th
 eater\, publishing and printing\, and visual representations of a distincti
 ve Irish identity as the nation established itself post-independence. \n\nR
 ecent gifts to Boston College anchor the exhibition: Jack B. Yeats painting
 s and Lily Yeats Stations of the Cross embroideries received by the McMulle
 n Museum and additional acquisitions of Yeats family materials by the John 
 J. Burns Library. These are complemented by major loans from the Model\, ho
 me of the Niland Collection\, the National Gallery of Ireland\, the Library
  of Trinity College Dublin\, the O’Brien Collection\, and the Collection of
  Carolyn A. and Peter S. Lynch. Supplemented by additional loans from other
  collections and anonymous lenders\, the exhibition constitutes the most ex
 pansive exploration of the Yeats family’s contributions to the public arts 
 to date. Many objects are publicly displayed for the first time\, others fo
 r the first time outside Ireland.\n\nThe exhibition is accompanied by a ful
 ly illustrated catalogue\, edited by Marjorie Howes\, which includes fiftee
 n essays contributed by an interdisciplinary team of scholars who offer new
  insights into historical contexts and interpretive frameworks for studying
  the Yeatses. \n\nOrganized by the McMullen Museum in conjunction with the 
 John J. Burns Library\, Collaborating in Conflict has been curated by Marjo
 rie Howes\, Christian Dupont\, and Diana Larsen. The exhibition is underwri
 tten by Boston College with major support from the Patrons of the McMullen 
 Museum\, the John C. Donohue Estate\, Robert ’63 and Ann Marie Reardon P’91
 \, and the Anna Frances Vegkeley Ryan Estate in memory of John Anthony Ryan
  Jr. ’50. Additional support has been provided by William J. Lundregan III\
 , Esq.\, ’62\, JD’67\, P’93\, ’96 and Elaine Stein-Cummins in memory of Dan
 iel Cummins ’58.\n\nBoston College’s Irish Studies program is organizing a 
 symposium to accompany the exhibition. With lectures by experts in Ireland’
 s visual arts\, theater and performance\, textiles and embroidery\, printin
 g and publishing\, and social and cultural history\, it will be held at Con
 nolly House and the McMullen Museum on February 20 and 21.
DTEND:20260312T210000Z
DTSTAMP:20260305T165703Z
DTSTART:20260312T140000Z
GEO:42.340795;-71.162583
LOCATION:McMullen Museum of Art
SEQUENCE:0
SUMMARY:Exhibition: "Collaborating in Conflict: The Yeats Family and the Pu
 blic Arts"
UID:tag:localist.com\,2008:EventInstance_51780871488377
URL:https://events.bc.edu/event/exhibition-collaborating-in-conflict-the-ye
 ats-family-and-the-public-arts
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts,Exhibition,Visual Arts
DESCRIPTION:Exhibition: Collaborating in Conflict: The Yeats Family and the
  Public Arts\n\nExamining the extraordinary impact the talented Yeats famil
 y had on cultural life and the public arts in Ireland during a century cruc
 ial to its history\, the exhibition features over two hundred works from pr
 emier public and private collections. Paintings\, drawings\, prints\, embro
 ideries\, books\, and letters by patriarch John Butler Yeats and his childr
 en William\, Lily\, Elizabeth\, and Jack\, as well as William’s daughter\, 
 Anne\, highlight examples of individual artistry. They also demonstrate how
  the Yeats family’s artistic expression was varied and deeply collaborative
 . In illustrated poetry\, set designs\, embroideries for home and liturgica
 l use\, printed broadsides\, paintings\, sketchbooks\, and other media\, th
 e siblings drew upon each others’ acumen. These endeavors were often fraugh
 t with conflict\, resulting in creative tensions and financial hardships. \
 n\nThe exhibition opens by exploring portraiture of family members and repr
 esentations of the places that were important to them. It moves on to objec
 ts illustrating the family’s engagement with youth as a site of education\,
  entertainment\, and memory. Subsequent sections reveal how the Yeatses cre
 ated objects that transformed private spaces through imaginative innovation
  and material practices\, as well as how they shaped public life through th
 eater\, publishing and printing\, and visual representations of a distincti
 ve Irish identity as the nation established itself post-independence. \n\nR
 ecent gifts to Boston College anchor the exhibition: Jack B. Yeats painting
 s and Lily Yeats Stations of the Cross embroideries received by the McMulle
 n Museum and additional acquisitions of Yeats family materials by the John 
 J. Burns Library. These are complemented by major loans from the Model\, ho
 me of the Niland Collection\, the National Gallery of Ireland\, the Library
  of Trinity College Dublin\, the O’Brien Collection\, and the Collection of
  Carolyn A. and Peter S. Lynch. Supplemented by additional loans from other
  collections and anonymous lenders\, the exhibition constitutes the most ex
 pansive exploration of the Yeats family’s contributions to the public arts 
 to date. Many objects are publicly displayed for the first time\, others fo
 r the first time outside Ireland.\n\nThe exhibition is accompanied by a ful
 ly illustrated catalogue\, edited by Marjorie Howes\, which includes fiftee
 n essays contributed by an interdisciplinary team of scholars who offer new
  insights into historical contexts and interpretive frameworks for studying
  the Yeatses. \n\nOrganized by the McMullen Museum in conjunction with the 
 John J. Burns Library\, Collaborating in Conflict has been curated by Marjo
 rie Howes\, Christian Dupont\, and Diana Larsen. The exhibition is underwri
 tten by Boston College with major support from the Patrons of the McMullen 
 Museum\, the John C. Donohue Estate\, Robert ’63 and Ann Marie Reardon P’91
 \, and the Anna Frances Vegkeley Ryan Estate in memory of John Anthony Ryan
  Jr. ’50. Additional support has been provided by William J. Lundregan III\
 , Esq.\, ’62\, JD’67\, P’93\, ’96 and Elaine Stein-Cummins in memory of Dan
 iel Cummins ’58.\n\nBoston College’s Irish Studies program is organizing a 
 symposium to accompany the exhibition. With lectures by experts in Ireland’
 s visual arts\, theater and performance\, textiles and embroidery\, printin
 g and publishing\, and social and cultural history\, it will be held at Con
 nolly House and the McMullen Museum on February 20 and 21.
DTEND:20260313T210000Z
DTSTAMP:20260305T165703Z
DTSTART:20260313T140000Z
GEO:42.340795;-71.162583
LOCATION:McMullen Museum of Art
SEQUENCE:0
SUMMARY:Exhibition: "Collaborating in Conflict: The Yeats Family and the Pu
 blic Arts"
UID:tag:localist.com\,2008:EventInstance_51780871489402
URL:https://events.bc.edu/event/exhibition-collaborating-in-conflict-the-ye
 ats-family-and-the-public-arts
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts,Exhibition,Visual Arts
DESCRIPTION:Exhibition: Collaborating in Conflict: The Yeats Family and the
  Public Arts\n\nExamining the extraordinary impact the talented Yeats famil
 y had on cultural life and the public arts in Ireland during a century cruc
 ial to its history\, the exhibition features over two hundred works from pr
 emier public and private collections. Paintings\, drawings\, prints\, embro
 ideries\, books\, and letters by patriarch John Butler Yeats and his childr
 en William\, Lily\, Elizabeth\, and Jack\, as well as William’s daughter\, 
 Anne\, highlight examples of individual artistry. They also demonstrate how
  the Yeats family’s artistic expression was varied and deeply collaborative
 . In illustrated poetry\, set designs\, embroideries for home and liturgica
 l use\, printed broadsides\, paintings\, sketchbooks\, and other media\, th
 e siblings drew upon each others’ acumen. These endeavors were often fraugh
 t with conflict\, resulting in creative tensions and financial hardships. \
 n\nThe exhibition opens by exploring portraiture of family members and repr
 esentations of the places that were important to them. It moves on to objec
 ts illustrating the family’s engagement with youth as a site of education\,
  entertainment\, and memory. Subsequent sections reveal how the Yeatses cre
 ated objects that transformed private spaces through imaginative innovation
  and material practices\, as well as how they shaped public life through th
 eater\, publishing and printing\, and visual representations of a distincti
 ve Irish identity as the nation established itself post-independence. \n\nR
 ecent gifts to Boston College anchor the exhibition: Jack B. Yeats painting
 s and Lily Yeats Stations of the Cross embroideries received by the McMulle
 n Museum and additional acquisitions of Yeats family materials by the John 
 J. Burns Library. These are complemented by major loans from the Model\, ho
 me of the Niland Collection\, the National Gallery of Ireland\, the Library
  of Trinity College Dublin\, the O’Brien Collection\, and the Collection of
  Carolyn A. and Peter S. Lynch. Supplemented by additional loans from other
  collections and anonymous lenders\, the exhibition constitutes the most ex
 pansive exploration of the Yeats family’s contributions to the public arts 
 to date. Many objects are publicly displayed for the first time\, others fo
 r the first time outside Ireland.\n\nThe exhibition is accompanied by a ful
 ly illustrated catalogue\, edited by Marjorie Howes\, which includes fiftee
 n essays contributed by an interdisciplinary team of scholars who offer new
  insights into historical contexts and interpretive frameworks for studying
  the Yeatses. \n\nOrganized by the McMullen Museum in conjunction with the 
 John J. Burns Library\, Collaborating in Conflict has been curated by Marjo
 rie Howes\, Christian Dupont\, and Diana Larsen. The exhibition is underwri
 tten by Boston College with major support from the Patrons of the McMullen 
 Museum\, the John C. Donohue Estate\, Robert ’63 and Ann Marie Reardon P’91
 \, and the Anna Frances Vegkeley Ryan Estate in memory of John Anthony Ryan
  Jr. ’50. Additional support has been provided by William J. Lundregan III\
 , Esq.\, ’62\, JD’67\, P’93\, ’96 and Elaine Stein-Cummins in memory of Dan
 iel Cummins ’58.\n\nBoston College’s Irish Studies program is organizing a 
 symposium to accompany the exhibition. With lectures by experts in Ireland’
 s visual arts\, theater and performance\, textiles and embroidery\, printin
 g and publishing\, and social and cultural history\, it will be held at Con
 nolly House and the McMullen Museum on February 20 and 21.
DTEND:20260314T210000Z
DTSTAMP:20260305T165703Z
DTSTART:20260314T160000Z
GEO:42.340795;-71.162583
LOCATION:McMullen Museum of Art
SEQUENCE:0
SUMMARY:Exhibition: "Collaborating in Conflict: The Yeats Family and the Pu
 blic Arts"
UID:tag:localist.com\,2008:EventInstance_51780871490427
URL:https://events.bc.edu/event/exhibition-collaborating-in-conflict-the-ye
 ats-family-and-the-public-arts
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts,Exhibition,Visual Arts
DESCRIPTION:Exhibition: Collaborating in Conflict: The Yeats Family and the
  Public Arts\n\nExamining the extraordinary impact the talented Yeats famil
 y had on cultural life and the public arts in Ireland during a century cruc
 ial to its history\, the exhibition features over two hundred works from pr
 emier public and private collections. Paintings\, drawings\, prints\, embro
 ideries\, books\, and letters by patriarch John Butler Yeats and his childr
 en William\, Lily\, Elizabeth\, and Jack\, as well as William’s daughter\, 
 Anne\, highlight examples of individual artistry. They also demonstrate how
  the Yeats family’s artistic expression was varied and deeply collaborative
 . In illustrated poetry\, set designs\, embroideries for home and liturgica
 l use\, printed broadsides\, paintings\, sketchbooks\, and other media\, th
 e siblings drew upon each others’ acumen. These endeavors were often fraugh
 t with conflict\, resulting in creative tensions and financial hardships. \
 n\nThe exhibition opens by exploring portraiture of family members and repr
 esentations of the places that were important to them. It moves on to objec
 ts illustrating the family’s engagement with youth as a site of education\,
  entertainment\, and memory. Subsequent sections reveal how the Yeatses cre
 ated objects that transformed private spaces through imaginative innovation
  and material practices\, as well as how they shaped public life through th
 eater\, publishing and printing\, and visual representations of a distincti
 ve Irish identity as the nation established itself post-independence. \n\nR
 ecent gifts to Boston College anchor the exhibition: Jack B. Yeats painting
 s and Lily Yeats Stations of the Cross embroideries received by the McMulle
 n Museum and additional acquisitions of Yeats family materials by the John 
 J. Burns Library. These are complemented by major loans from the Model\, ho
 me of the Niland Collection\, the National Gallery of Ireland\, the Library
  of Trinity College Dublin\, the O’Brien Collection\, and the Collection of
  Carolyn A. and Peter S. Lynch. Supplemented by additional loans from other
  collections and anonymous lenders\, the exhibition constitutes the most ex
 pansive exploration of the Yeats family’s contributions to the public arts 
 to date. Many objects are publicly displayed for the first time\, others fo
 r the first time outside Ireland.\n\nThe exhibition is accompanied by a ful
 ly illustrated catalogue\, edited by Marjorie Howes\, which includes fiftee
 n essays contributed by an interdisciplinary team of scholars who offer new
  insights into historical contexts and interpretive frameworks for studying
  the Yeatses. \n\nOrganized by the McMullen Museum in conjunction with the 
 John J. Burns Library\, Collaborating in Conflict has been curated by Marjo
 rie Howes\, Christian Dupont\, and Diana Larsen. The exhibition is underwri
 tten by Boston College with major support from the Patrons of the McMullen 
 Museum\, the John C. Donohue Estate\, Robert ’63 and Ann Marie Reardon P’91
 \, and the Anna Frances Vegkeley Ryan Estate in memory of John Anthony Ryan
  Jr. ’50. Additional support has been provided by William J. Lundregan III\
 , Esq.\, ’62\, JD’67\, P’93\, ’96 and Elaine Stein-Cummins in memory of Dan
 iel Cummins ’58.\n\nBoston College’s Irish Studies program is organizing a 
 symposium to accompany the exhibition. With lectures by experts in Ireland’
 s visual arts\, theater and performance\, textiles and embroidery\, printin
 g and publishing\, and social and cultural history\, it will be held at Con
 nolly House and the McMullen Museum on February 20 and 21.
DTEND:20260315T210000Z
DTSTAMP:20260305T165704Z
DTSTART:20260315T160000Z
GEO:42.340795;-71.162583
LOCATION:McMullen Museum of Art
SEQUENCE:0
SUMMARY:Exhibition: "Collaborating in Conflict: The Yeats Family and the Pu
 blic Arts"
UID:tag:localist.com\,2008:EventInstance_51780871491452
URL:https://events.bc.edu/event/exhibition-collaborating-in-conflict-the-ye
 ats-family-and-the-public-arts
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts,Exhibition,Visual Arts
DESCRIPTION:Exhibition: Collaborating in Conflict: The Yeats Family and the
  Public Arts\n\nExamining the extraordinary impact the talented Yeats famil
 y had on cultural life and the public arts in Ireland during a century cruc
 ial to its history\, the exhibition features over two hundred works from pr
 emier public and private collections. Paintings\, drawings\, prints\, embro
 ideries\, books\, and letters by patriarch John Butler Yeats and his childr
 en William\, Lily\, Elizabeth\, and Jack\, as well as William’s daughter\, 
 Anne\, highlight examples of individual artistry. They also demonstrate how
  the Yeats family’s artistic expression was varied and deeply collaborative
 . In illustrated poetry\, set designs\, embroideries for home and liturgica
 l use\, printed broadsides\, paintings\, sketchbooks\, and other media\, th
 e siblings drew upon each others’ acumen. These endeavors were often fraugh
 t with conflict\, resulting in creative tensions and financial hardships. \
 n\nThe exhibition opens by exploring portraiture of family members and repr
 esentations of the places that were important to them. It moves on to objec
 ts illustrating the family’s engagement with youth as a site of education\,
  entertainment\, and memory. Subsequent sections reveal how the Yeatses cre
 ated objects that transformed private spaces through imaginative innovation
  and material practices\, as well as how they shaped public life through th
 eater\, publishing and printing\, and visual representations of a distincti
 ve Irish identity as the nation established itself post-independence. \n\nR
 ecent gifts to Boston College anchor the exhibition: Jack B. Yeats painting
 s and Lily Yeats Stations of the Cross embroideries received by the McMulle
 n Museum and additional acquisitions of Yeats family materials by the John 
 J. Burns Library. These are complemented by major loans from the Model\, ho
 me of the Niland Collection\, the National Gallery of Ireland\, the Library
  of Trinity College Dublin\, the O’Brien Collection\, and the Collection of
  Carolyn A. and Peter S. Lynch. Supplemented by additional loans from other
  collections and anonymous lenders\, the exhibition constitutes the most ex
 pansive exploration of the Yeats family’s contributions to the public arts 
 to date. Many objects are publicly displayed for the first time\, others fo
 r the first time outside Ireland.\n\nThe exhibition is accompanied by a ful
 ly illustrated catalogue\, edited by Marjorie Howes\, which includes fiftee
 n essays contributed by an interdisciplinary team of scholars who offer new
  insights into historical contexts and interpretive frameworks for studying
  the Yeatses. \n\nOrganized by the McMullen Museum in conjunction with the 
 John J. Burns Library\, Collaborating in Conflict has been curated by Marjo
 rie Howes\, Christian Dupont\, and Diana Larsen. The exhibition is underwri
 tten by Boston College with major support from the Patrons of the McMullen 
 Museum\, the John C. Donohue Estate\, Robert ’63 and Ann Marie Reardon P’91
 \, and the Anna Frances Vegkeley Ryan Estate in memory of John Anthony Ryan
  Jr. ’50. Additional support has been provided by William J. Lundregan III\
 , Esq.\, ’62\, JD’67\, P’93\, ’96 and Elaine Stein-Cummins in memory of Dan
 iel Cummins ’58.\n\nBoston College’s Irish Studies program is organizing a 
 symposium to accompany the exhibition. With lectures by experts in Ireland’
 s visual arts\, theater and performance\, textiles and embroidery\, printin
 g and publishing\, and social and cultural history\, it will be held at Con
 nolly House and the McMullen Museum on February 20 and 21.
DTEND:20260316T210000Z
DTSTAMP:20260305T165704Z
DTSTART:20260316T140000Z
GEO:42.340795;-71.162583
LOCATION:McMullen Museum of Art
SEQUENCE:0
SUMMARY:Exhibition: "Collaborating in Conflict: The Yeats Family and the Pu
 blic Arts"
UID:tag:localist.com\,2008:EventInstance_51780871492477
URL:https://events.bc.edu/event/exhibition-collaborating-in-conflict-the-ye
 ats-family-and-the-public-arts
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts,Exhibition,Visual Arts
DESCRIPTION:Exhibition: Collaborating in Conflict: The Yeats Family and the
  Public Arts\n\nExamining the extraordinary impact the talented Yeats famil
 y had on cultural life and the public arts in Ireland during a century cruc
 ial to its history\, the exhibition features over two hundred works from pr
 emier public and private collections. Paintings\, drawings\, prints\, embro
 ideries\, books\, and letters by patriarch John Butler Yeats and his childr
 en William\, Lily\, Elizabeth\, and Jack\, as well as William’s daughter\, 
 Anne\, highlight examples of individual artistry. They also demonstrate how
  the Yeats family’s artistic expression was varied and deeply collaborative
 . In illustrated poetry\, set designs\, embroideries for home and liturgica
 l use\, printed broadsides\, paintings\, sketchbooks\, and other media\, th
 e siblings drew upon each others’ acumen. These endeavors were often fraugh
 t with conflict\, resulting in creative tensions and financial hardships. \
 n\nThe exhibition opens by exploring portraiture of family members and repr
 esentations of the places that were important to them. It moves on to objec
 ts illustrating the family’s engagement with youth as a site of education\,
  entertainment\, and memory. Subsequent sections reveal how the Yeatses cre
 ated objects that transformed private spaces through imaginative innovation
  and material practices\, as well as how they shaped public life through th
 eater\, publishing and printing\, and visual representations of a distincti
 ve Irish identity as the nation established itself post-independence. \n\nR
 ecent gifts to Boston College anchor the exhibition: Jack B. Yeats painting
 s and Lily Yeats Stations of the Cross embroideries received by the McMulle
 n Museum and additional acquisitions of Yeats family materials by the John 
 J. Burns Library. These are complemented by major loans from the Model\, ho
 me of the Niland Collection\, the National Gallery of Ireland\, the Library
  of Trinity College Dublin\, the O’Brien Collection\, and the Collection of
  Carolyn A. and Peter S. Lynch. Supplemented by additional loans from other
  collections and anonymous lenders\, the exhibition constitutes the most ex
 pansive exploration of the Yeats family’s contributions to the public arts 
 to date. Many objects are publicly displayed for the first time\, others fo
 r the first time outside Ireland.\n\nThe exhibition is accompanied by a ful
 ly illustrated catalogue\, edited by Marjorie Howes\, which includes fiftee
 n essays contributed by an interdisciplinary team of scholars who offer new
  insights into historical contexts and interpretive frameworks for studying
  the Yeatses. \n\nOrganized by the McMullen Museum in conjunction with the 
 John J. Burns Library\, Collaborating in Conflict has been curated by Marjo
 rie Howes\, Christian Dupont\, and Diana Larsen. The exhibition is underwri
 tten by Boston College with major support from the Patrons of the McMullen 
 Museum\, the John C. Donohue Estate\, Robert ’63 and Ann Marie Reardon P’91
 \, and the Anna Frances Vegkeley Ryan Estate in memory of John Anthony Ryan
  Jr. ’50. Additional support has been provided by William J. Lundregan III\
 , Esq.\, ’62\, JD’67\, P’93\, ’96 and Elaine Stein-Cummins in memory of Dan
 iel Cummins ’58.\n\nBoston College’s Irish Studies program is organizing a 
 symposium to accompany the exhibition. With lectures by experts in Ireland’
 s visual arts\, theater and performance\, textiles and embroidery\, printin
 g and publishing\, and social and cultural history\, it will be held at Con
 nolly House and the McMullen Museum on February 20 and 21.
DTEND:20260317T210000Z
DTSTAMP:20260305T165704Z
DTSTART:20260317T140000Z
GEO:42.340795;-71.162583
LOCATION:McMullen Museum of Art
SEQUENCE:0
SUMMARY:Exhibition: "Collaborating in Conflict: The Yeats Family and the Pu
 blic Arts"
UID:tag:localist.com\,2008:EventInstance_51780871493502
URL:https://events.bc.edu/event/exhibition-collaborating-in-conflict-the-ye
 ats-family-and-the-public-arts
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts,Exhibition,Visual Arts
DESCRIPTION:Exhibition: Collaborating in Conflict: The Yeats Family and the
  Public Arts\n\nExamining the extraordinary impact the talented Yeats famil
 y had on cultural life and the public arts in Ireland during a century cruc
 ial to its history\, the exhibition features over two hundred works from pr
 emier public and private collections. Paintings\, drawings\, prints\, embro
 ideries\, books\, and letters by patriarch John Butler Yeats and his childr
 en William\, Lily\, Elizabeth\, and Jack\, as well as William’s daughter\, 
 Anne\, highlight examples of individual artistry. They also demonstrate how
  the Yeats family’s artistic expression was varied and deeply collaborative
 . In illustrated poetry\, set designs\, embroideries for home and liturgica
 l use\, printed broadsides\, paintings\, sketchbooks\, and other media\, th
 e siblings drew upon each others’ acumen. These endeavors were often fraugh
 t with conflict\, resulting in creative tensions and financial hardships. \
 n\nThe exhibition opens by exploring portraiture of family members and repr
 esentations of the places that were important to them. It moves on to objec
 ts illustrating the family’s engagement with youth as a site of education\,
  entertainment\, and memory. Subsequent sections reveal how the Yeatses cre
 ated objects that transformed private spaces through imaginative innovation
  and material practices\, as well as how they shaped public life through th
 eater\, publishing and printing\, and visual representations of a distincti
 ve Irish identity as the nation established itself post-independence. \n\nR
 ecent gifts to Boston College anchor the exhibition: Jack B. Yeats painting
 s and Lily Yeats Stations of the Cross embroideries received by the McMulle
 n Museum and additional acquisitions of Yeats family materials by the John 
 J. Burns Library. These are complemented by major loans from the Model\, ho
 me of the Niland Collection\, the National Gallery of Ireland\, the Library
  of Trinity College Dublin\, the O’Brien Collection\, and the Collection of
  Carolyn A. and Peter S. Lynch. Supplemented by additional loans from other
  collections and anonymous lenders\, the exhibition constitutes the most ex
 pansive exploration of the Yeats family’s contributions to the public arts 
 to date. Many objects are publicly displayed for the first time\, others fo
 r the first time outside Ireland.\n\nThe exhibition is accompanied by a ful
 ly illustrated catalogue\, edited by Marjorie Howes\, which includes fiftee
 n essays contributed by an interdisciplinary team of scholars who offer new
  insights into historical contexts and interpretive frameworks for studying
  the Yeatses. \n\nOrganized by the McMullen Museum in conjunction with the 
 John J. Burns Library\, Collaborating in Conflict has been curated by Marjo
 rie Howes\, Christian Dupont\, and Diana Larsen. The exhibition is underwri
 tten by Boston College with major support from the Patrons of the McMullen 
 Museum\, the John C. Donohue Estate\, Robert ’63 and Ann Marie Reardon P’91
 \, and the Anna Frances Vegkeley Ryan Estate in memory of John Anthony Ryan
  Jr. ’50. Additional support has been provided by William J. Lundregan III\
 , Esq.\, ’62\, JD’67\, P’93\, ’96 and Elaine Stein-Cummins in memory of Dan
 iel Cummins ’58.\n\nBoston College’s Irish Studies program is organizing a 
 symposium to accompany the exhibition. With lectures by experts in Ireland’
 s visual arts\, theater and performance\, textiles and embroidery\, printin
 g and publishing\, and social and cultural history\, it will be held at Con
 nolly House and the McMullen Museum on February 20 and 21.
DTEND:20260318T210000Z
DTSTAMP:20260305T165704Z
DTSTART:20260318T140000Z
GEO:42.340795;-71.162583
LOCATION:McMullen Museum of Art
SEQUENCE:0
SUMMARY:Exhibition: "Collaborating in Conflict: The Yeats Family and the Pu
 blic Arts"
UID:tag:localist.com\,2008:EventInstance_51780871494527
URL:https://events.bc.edu/event/exhibition-collaborating-in-conflict-the-ye
 ats-family-and-the-public-arts
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts,Exhibition,Visual Arts
DESCRIPTION:Exhibition: Collaborating in Conflict: The Yeats Family and the
  Public Arts\n\nExamining the extraordinary impact the talented Yeats famil
 y had on cultural life and the public arts in Ireland during a century cruc
 ial to its history\, the exhibition features over two hundred works from pr
 emier public and private collections. Paintings\, drawings\, prints\, embro
 ideries\, books\, and letters by patriarch John Butler Yeats and his childr
 en William\, Lily\, Elizabeth\, and Jack\, as well as William’s daughter\, 
 Anne\, highlight examples of individual artistry. They also demonstrate how
  the Yeats family’s artistic expression was varied and deeply collaborative
 . In illustrated poetry\, set designs\, embroideries for home and liturgica
 l use\, printed broadsides\, paintings\, sketchbooks\, and other media\, th
 e siblings drew upon each others’ acumen. These endeavors were often fraugh
 t with conflict\, resulting in creative tensions and financial hardships. \
 n\nThe exhibition opens by exploring portraiture of family members and repr
 esentations of the places that were important to them. It moves on to objec
 ts illustrating the family’s engagement with youth as a site of education\,
  entertainment\, and memory. Subsequent sections reveal how the Yeatses cre
 ated objects that transformed private spaces through imaginative innovation
  and material practices\, as well as how they shaped public life through th
 eater\, publishing and printing\, and visual representations of a distincti
 ve Irish identity as the nation established itself post-independence. \n\nR
 ecent gifts to Boston College anchor the exhibition: Jack B. Yeats painting
 s and Lily Yeats Stations of the Cross embroideries received by the McMulle
 n Museum and additional acquisitions of Yeats family materials by the John 
 J. Burns Library. These are complemented by major loans from the Model\, ho
 me of the Niland Collection\, the National Gallery of Ireland\, the Library
  of Trinity College Dublin\, the O’Brien Collection\, and the Collection of
  Carolyn A. and Peter S. Lynch. Supplemented by additional loans from other
  collections and anonymous lenders\, the exhibition constitutes the most ex
 pansive exploration of the Yeats family’s contributions to the public arts 
 to date. Many objects are publicly displayed for the first time\, others fo
 r the first time outside Ireland.\n\nThe exhibition is accompanied by a ful
 ly illustrated catalogue\, edited by Marjorie Howes\, which includes fiftee
 n essays contributed by an interdisciplinary team of scholars who offer new
  insights into historical contexts and interpretive frameworks for studying
  the Yeatses. \n\nOrganized by the McMullen Museum in conjunction with the 
 John J. Burns Library\, Collaborating in Conflict has been curated by Marjo
 rie Howes\, Christian Dupont\, and Diana Larsen. The exhibition is underwri
 tten by Boston College with major support from the Patrons of the McMullen 
 Museum\, the John C. Donohue Estate\, Robert ’63 and Ann Marie Reardon P’91
 \, and the Anna Frances Vegkeley Ryan Estate in memory of John Anthony Ryan
  Jr. ’50. Additional support has been provided by William J. Lundregan III\
 , Esq.\, ’62\, JD’67\, P’93\, ’96 and Elaine Stein-Cummins in memory of Dan
 iel Cummins ’58.\n\nBoston College’s Irish Studies program is organizing a 
 symposium to accompany the exhibition. With lectures by experts in Ireland’
 s visual arts\, theater and performance\, textiles and embroidery\, printin
 g and publishing\, and social and cultural history\, it will be held at Con
 nolly House and the McMullen Museum on February 20 and 21.
DTEND:20260319T210000Z
DTSTAMP:20260305T165704Z
DTSTART:20260319T140000Z
GEO:42.340795;-71.162583
LOCATION:McMullen Museum of Art
SEQUENCE:0
SUMMARY:Exhibition: "Collaborating in Conflict: The Yeats Family and the Pu
 blic Arts"
UID:tag:localist.com\,2008:EventInstance_51780871495552
URL:https://events.bc.edu/event/exhibition-collaborating-in-conflict-the-ye
 ats-family-and-the-public-arts
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts,Exhibition,Visual Arts
DESCRIPTION:Exhibition: Collaborating in Conflict: The Yeats Family and the
  Public Arts\n\nExamining the extraordinary impact the talented Yeats famil
 y had on cultural life and the public arts in Ireland during a century cruc
 ial to its history\, the exhibition features over two hundred works from pr
 emier public and private collections. Paintings\, drawings\, prints\, embro
 ideries\, books\, and letters by patriarch John Butler Yeats and his childr
 en William\, Lily\, Elizabeth\, and Jack\, as well as William’s daughter\, 
 Anne\, highlight examples of individual artistry. They also demonstrate how
  the Yeats family’s artistic expression was varied and deeply collaborative
 . In illustrated poetry\, set designs\, embroideries for home and liturgica
 l use\, printed broadsides\, paintings\, sketchbooks\, and other media\, th
 e siblings drew upon each others’ acumen. These endeavors were often fraugh
 t with conflict\, resulting in creative tensions and financial hardships. \
 n\nThe exhibition opens by exploring portraiture of family members and repr
 esentations of the places that were important to them. It moves on to objec
 ts illustrating the family’s engagement with youth as a site of education\,
  entertainment\, and memory. Subsequent sections reveal how the Yeatses cre
 ated objects that transformed private spaces through imaginative innovation
  and material practices\, as well as how they shaped public life through th
 eater\, publishing and printing\, and visual representations of a distincti
 ve Irish identity as the nation established itself post-independence. \n\nR
 ecent gifts to Boston College anchor the exhibition: Jack B. Yeats painting
 s and Lily Yeats Stations of the Cross embroideries received by the McMulle
 n Museum and additional acquisitions of Yeats family materials by the John 
 J. Burns Library. These are complemented by major loans from the Model\, ho
 me of the Niland Collection\, the National Gallery of Ireland\, the Library
  of Trinity College Dublin\, the O’Brien Collection\, and the Collection of
  Carolyn A. and Peter S. Lynch. Supplemented by additional loans from other
  collections and anonymous lenders\, the exhibition constitutes the most ex
 pansive exploration of the Yeats family’s contributions to the public arts 
 to date. Many objects are publicly displayed for the first time\, others fo
 r the first time outside Ireland.\n\nThe exhibition is accompanied by a ful
 ly illustrated catalogue\, edited by Marjorie Howes\, which includes fiftee
 n essays contributed by an interdisciplinary team of scholars who offer new
  insights into historical contexts and interpretive frameworks for studying
  the Yeatses. \n\nOrganized by the McMullen Museum in conjunction with the 
 John J. Burns Library\, Collaborating in Conflict has been curated by Marjo
 rie Howes\, Christian Dupont\, and Diana Larsen. The exhibition is underwri
 tten by Boston College with major support from the Patrons of the McMullen 
 Museum\, the John C. Donohue Estate\, Robert ’63 and Ann Marie Reardon P’91
 \, and the Anna Frances Vegkeley Ryan Estate in memory of John Anthony Ryan
  Jr. ’50. Additional support has been provided by William J. Lundregan III\
 , Esq.\, ’62\, JD’67\, P’93\, ’96 and Elaine Stein-Cummins in memory of Dan
 iel Cummins ’58.\n\nBoston College’s Irish Studies program is organizing a 
 symposium to accompany the exhibition. With lectures by experts in Ireland’
 s visual arts\, theater and performance\, textiles and embroidery\, printin
 g and publishing\, and social and cultural history\, it will be held at Con
 nolly House and the McMullen Museum on February 20 and 21.
DTEND:20260320T210000Z
DTSTAMP:20260305T165704Z
DTSTART:20260320T140000Z
GEO:42.340795;-71.162583
LOCATION:McMullen Museum of Art
SEQUENCE:0
SUMMARY:Exhibition: "Collaborating in Conflict: The Yeats Family and the Pu
 blic Arts"
UID:tag:localist.com\,2008:EventInstance_51780871497601
URL:https://events.bc.edu/event/exhibition-collaborating-in-conflict-the-ye
 ats-family-and-the-public-arts
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts,Exhibition,Visual Arts
DESCRIPTION:Exhibition: Collaborating in Conflict: The Yeats Family and the
  Public Arts\n\nExamining the extraordinary impact the talented Yeats famil
 y had on cultural life and the public arts in Ireland during a century cruc
 ial to its history\, the exhibition features over two hundred works from pr
 emier public and private collections. Paintings\, drawings\, prints\, embro
 ideries\, books\, and letters by patriarch John Butler Yeats and his childr
 en William\, Lily\, Elizabeth\, and Jack\, as well as William’s daughter\, 
 Anne\, highlight examples of individual artistry. They also demonstrate how
  the Yeats family’s artistic expression was varied and deeply collaborative
 . In illustrated poetry\, set designs\, embroideries for home and liturgica
 l use\, printed broadsides\, paintings\, sketchbooks\, and other media\, th
 e siblings drew upon each others’ acumen. These endeavors were often fraugh
 t with conflict\, resulting in creative tensions and financial hardships. \
 n\nThe exhibition opens by exploring portraiture of family members and repr
 esentations of the places that were important to them. It moves on to objec
 ts illustrating the family’s engagement with youth as a site of education\,
  entertainment\, and memory. Subsequent sections reveal how the Yeatses cre
 ated objects that transformed private spaces through imaginative innovation
  and material practices\, as well as how they shaped public life through th
 eater\, publishing and printing\, and visual representations of a distincti
 ve Irish identity as the nation established itself post-independence. \n\nR
 ecent gifts to Boston College anchor the exhibition: Jack B. Yeats painting
 s and Lily Yeats Stations of the Cross embroideries received by the McMulle
 n Museum and additional acquisitions of Yeats family materials by the John 
 J. Burns Library. These are complemented by major loans from the Model\, ho
 me of the Niland Collection\, the National Gallery of Ireland\, the Library
  of Trinity College Dublin\, the O’Brien Collection\, and the Collection of
  Carolyn A. and Peter S. Lynch. Supplemented by additional loans from other
  collections and anonymous lenders\, the exhibition constitutes the most ex
 pansive exploration of the Yeats family’s contributions to the public arts 
 to date. Many objects are publicly displayed for the first time\, others fo
 r the first time outside Ireland.\n\nThe exhibition is accompanied by a ful
 ly illustrated catalogue\, edited by Marjorie Howes\, which includes fiftee
 n essays contributed by an interdisciplinary team of scholars who offer new
  insights into historical contexts and interpretive frameworks for studying
  the Yeatses. \n\nOrganized by the McMullen Museum in conjunction with the 
 John J. Burns Library\, Collaborating in Conflict has been curated by Marjo
 rie Howes\, Christian Dupont\, and Diana Larsen. The exhibition is underwri
 tten by Boston College with major support from the Patrons of the McMullen 
 Museum\, the John C. Donohue Estate\, Robert ’63 and Ann Marie Reardon P’91
 \, and the Anna Frances Vegkeley Ryan Estate in memory of John Anthony Ryan
  Jr. ’50. Additional support has been provided by William J. Lundregan III\
 , Esq.\, ’62\, JD’67\, P’93\, ’96 and Elaine Stein-Cummins in memory of Dan
 iel Cummins ’58.\n\nBoston College’s Irish Studies program is organizing a 
 symposium to accompany the exhibition. With lectures by experts in Ireland’
 s visual arts\, theater and performance\, textiles and embroidery\, printin
 g and publishing\, and social and cultural history\, it will be held at Con
 nolly House and the McMullen Museum on February 20 and 21.
DTEND:20260321T210000Z
DTSTAMP:20260305T165704Z
DTSTART:20260321T160000Z
GEO:42.340795;-71.162583
LOCATION:McMullen Museum of Art
SEQUENCE:0
SUMMARY:Exhibition: "Collaborating in Conflict: The Yeats Family and the Pu
 blic Arts"
UID:tag:localist.com\,2008:EventInstance_51780871498626
URL:https://events.bc.edu/event/exhibition-collaborating-in-conflict-the-ye
 ats-family-and-the-public-arts
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts,Exhibition,Visual Arts
DESCRIPTION:Exhibition: Collaborating in Conflict: The Yeats Family and the
  Public Arts\n\nExamining the extraordinary impact the talented Yeats famil
 y had on cultural life and the public arts in Ireland during a century cruc
 ial to its history\, the exhibition features over two hundred works from pr
 emier public and private collections. Paintings\, drawings\, prints\, embro
 ideries\, books\, and letters by patriarch John Butler Yeats and his childr
 en William\, Lily\, Elizabeth\, and Jack\, as well as William’s daughter\, 
 Anne\, highlight examples of individual artistry. They also demonstrate how
  the Yeats family’s artistic expression was varied and deeply collaborative
 . In illustrated poetry\, set designs\, embroideries for home and liturgica
 l use\, printed broadsides\, paintings\, sketchbooks\, and other media\, th
 e siblings drew upon each others’ acumen. These endeavors were often fraugh
 t with conflict\, resulting in creative tensions and financial hardships. \
 n\nThe exhibition opens by exploring portraiture of family members and repr
 esentations of the places that were important to them. It moves on to objec
 ts illustrating the family’s engagement with youth as a site of education\,
  entertainment\, and memory. Subsequent sections reveal how the Yeatses cre
 ated objects that transformed private spaces through imaginative innovation
  and material practices\, as well as how they shaped public life through th
 eater\, publishing and printing\, and visual representations of a distincti
 ve Irish identity as the nation established itself post-independence. \n\nR
 ecent gifts to Boston College anchor the exhibition: Jack B. Yeats painting
 s and Lily Yeats Stations of the Cross embroideries received by the McMulle
 n Museum and additional acquisitions of Yeats family materials by the John 
 J. Burns Library. These are complemented by major loans from the Model\, ho
 me of the Niland Collection\, the National Gallery of Ireland\, the Library
  of Trinity College Dublin\, the O’Brien Collection\, and the Collection of
  Carolyn A. and Peter S. Lynch. Supplemented by additional loans from other
  collections and anonymous lenders\, the exhibition constitutes the most ex
 pansive exploration of the Yeats family’s contributions to the public arts 
 to date. Many objects are publicly displayed for the first time\, others fo
 r the first time outside Ireland.\n\nThe exhibition is accompanied by a ful
 ly illustrated catalogue\, edited by Marjorie Howes\, which includes fiftee
 n essays contributed by an interdisciplinary team of scholars who offer new
  insights into historical contexts and interpretive frameworks for studying
  the Yeatses. \n\nOrganized by the McMullen Museum in conjunction with the 
 John J. Burns Library\, Collaborating in Conflict has been curated by Marjo
 rie Howes\, Christian Dupont\, and Diana Larsen. The exhibition is underwri
 tten by Boston College with major support from the Patrons of the McMullen 
 Museum\, the John C. Donohue Estate\, Robert ’63 and Ann Marie Reardon P’91
 \, and the Anna Frances Vegkeley Ryan Estate in memory of John Anthony Ryan
  Jr. ’50. Additional support has been provided by William J. Lundregan III\
 , Esq.\, ’62\, JD’67\, P’93\, ’96 and Elaine Stein-Cummins in memory of Dan
 iel Cummins ’58.\n\nBoston College’s Irish Studies program is organizing a 
 symposium to accompany the exhibition. With lectures by experts in Ireland’
 s visual arts\, theater and performance\, textiles and embroidery\, printin
 g and publishing\, and social and cultural history\, it will be held at Con
 nolly House and the McMullen Museum on February 20 and 21.
DTEND:20260322T210000Z
DTSTAMP:20260305T165704Z
DTSTART:20260322T160000Z
GEO:42.340795;-71.162583
LOCATION:McMullen Museum of Art
SEQUENCE:0
SUMMARY:Exhibition: "Collaborating in Conflict: The Yeats Family and the Pu
 blic Arts"
UID:tag:localist.com\,2008:EventInstance_51780871499651
URL:https://events.bc.edu/event/exhibition-collaborating-in-conflict-the-ye
 ats-family-and-the-public-arts
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts,Exhibition,Visual Arts
DESCRIPTION:Exhibition: Collaborating in Conflict: The Yeats Family and the
  Public Arts\n\nExamining the extraordinary impact the talented Yeats famil
 y had on cultural life and the public arts in Ireland during a century cruc
 ial to its history\, the exhibition features over two hundred works from pr
 emier public and private collections. Paintings\, drawings\, prints\, embro
 ideries\, books\, and letters by patriarch John Butler Yeats and his childr
 en William\, Lily\, Elizabeth\, and Jack\, as well as William’s daughter\, 
 Anne\, highlight examples of individual artistry. They also demonstrate how
  the Yeats family’s artistic expression was varied and deeply collaborative
 . In illustrated poetry\, set designs\, embroideries for home and liturgica
 l use\, printed broadsides\, paintings\, sketchbooks\, and other media\, th
 e siblings drew upon each others’ acumen. These endeavors were often fraugh
 t with conflict\, resulting in creative tensions and financial hardships. \
 n\nThe exhibition opens by exploring portraiture of family members and repr
 esentations of the places that were important to them. It moves on to objec
 ts illustrating the family’s engagement with youth as a site of education\,
  entertainment\, and memory. Subsequent sections reveal how the Yeatses cre
 ated objects that transformed private spaces through imaginative innovation
  and material practices\, as well as how they shaped public life through th
 eater\, publishing and printing\, and visual representations of a distincti
 ve Irish identity as the nation established itself post-independence. \n\nR
 ecent gifts to Boston College anchor the exhibition: Jack B. Yeats painting
 s and Lily Yeats Stations of the Cross embroideries received by the McMulle
 n Museum and additional acquisitions of Yeats family materials by the John 
 J. Burns Library. These are complemented by major loans from the Model\, ho
 me of the Niland Collection\, the National Gallery of Ireland\, the Library
  of Trinity College Dublin\, the O’Brien Collection\, and the Collection of
  Carolyn A. and Peter S. Lynch. Supplemented by additional loans from other
  collections and anonymous lenders\, the exhibition constitutes the most ex
 pansive exploration of the Yeats family’s contributions to the public arts 
 to date. Many objects are publicly displayed for the first time\, others fo
 r the first time outside Ireland.\n\nThe exhibition is accompanied by a ful
 ly illustrated catalogue\, edited by Marjorie Howes\, which includes fiftee
 n essays contributed by an interdisciplinary team of scholars who offer new
  insights into historical contexts and interpretive frameworks for studying
  the Yeatses. \n\nOrganized by the McMullen Museum in conjunction with the 
 John J. Burns Library\, Collaborating in Conflict has been curated by Marjo
 rie Howes\, Christian Dupont\, and Diana Larsen. The exhibition is underwri
 tten by Boston College with major support from the Patrons of the McMullen 
 Museum\, the John C. Donohue Estate\, Robert ’63 and Ann Marie Reardon P’91
 \, and the Anna Frances Vegkeley Ryan Estate in memory of John Anthony Ryan
  Jr. ’50. Additional support has been provided by William J. Lundregan III\
 , Esq.\, ’62\, JD’67\, P’93\, ’96 and Elaine Stein-Cummins in memory of Dan
 iel Cummins ’58.\n\nBoston College’s Irish Studies program is organizing a 
 symposium to accompany the exhibition. With lectures by experts in Ireland’
 s visual arts\, theater and performance\, textiles and embroidery\, printin
 g and publishing\, and social and cultural history\, it will be held at Con
 nolly House and the McMullen Museum on February 20 and 21.
DTEND:20260323T210000Z
DTSTAMP:20260305T165704Z
DTSTART:20260323T140000Z
GEO:42.340795;-71.162583
LOCATION:McMullen Museum of Art
SEQUENCE:0
SUMMARY:Exhibition: "Collaborating in Conflict: The Yeats Family and the Pu
 blic Arts"
UID:tag:localist.com\,2008:EventInstance_51780871500676
URL:https://events.bc.edu/event/exhibition-collaborating-in-conflict-the-ye
 ats-family-and-the-public-arts
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts,Exhibition,Visual Arts
DESCRIPTION:Exhibition: Collaborating in Conflict: The Yeats Family and the
  Public Arts\n\nExamining the extraordinary impact the talented Yeats famil
 y had on cultural life and the public arts in Ireland during a century cruc
 ial to its history\, the exhibition features over two hundred works from pr
 emier public and private collections. Paintings\, drawings\, prints\, embro
 ideries\, books\, and letters by patriarch John Butler Yeats and his childr
 en William\, Lily\, Elizabeth\, and Jack\, as well as William’s daughter\, 
 Anne\, highlight examples of individual artistry. They also demonstrate how
  the Yeats family’s artistic expression was varied and deeply collaborative
 . In illustrated poetry\, set designs\, embroideries for home and liturgica
 l use\, printed broadsides\, paintings\, sketchbooks\, and other media\, th
 e siblings drew upon each others’ acumen. These endeavors were often fraugh
 t with conflict\, resulting in creative tensions and financial hardships. \
 n\nThe exhibition opens by exploring portraiture of family members and repr
 esentations of the places that were important to them. It moves on to objec
 ts illustrating the family’s engagement with youth as a site of education\,
  entertainment\, and memory. Subsequent sections reveal how the Yeatses cre
 ated objects that transformed private spaces through imaginative innovation
  and material practices\, as well as how they shaped public life through th
 eater\, publishing and printing\, and visual representations of a distincti
 ve Irish identity as the nation established itself post-independence. \n\nR
 ecent gifts to Boston College anchor the exhibition: Jack B. Yeats painting
 s and Lily Yeats Stations of the Cross embroideries received by the McMulle
 n Museum and additional acquisitions of Yeats family materials by the John 
 J. Burns Library. These are complemented by major loans from the Model\, ho
 me of the Niland Collection\, the National Gallery of Ireland\, the Library
  of Trinity College Dublin\, the O’Brien Collection\, and the Collection of
  Carolyn A. and Peter S. Lynch. Supplemented by additional loans from other
  collections and anonymous lenders\, the exhibition constitutes the most ex
 pansive exploration of the Yeats family’s contributions to the public arts 
 to date. Many objects are publicly displayed for the first time\, others fo
 r the first time outside Ireland.\n\nThe exhibition is accompanied by a ful
 ly illustrated catalogue\, edited by Marjorie Howes\, which includes fiftee
 n essays contributed by an interdisciplinary team of scholars who offer new
  insights into historical contexts and interpretive frameworks for studying
  the Yeatses. \n\nOrganized by the McMullen Museum in conjunction with the 
 John J. Burns Library\, Collaborating in Conflict has been curated by Marjo
 rie Howes\, Christian Dupont\, and Diana Larsen. The exhibition is underwri
 tten by Boston College with major support from the Patrons of the McMullen 
 Museum\, the John C. Donohue Estate\, Robert ’63 and Ann Marie Reardon P’91
 \, and the Anna Frances Vegkeley Ryan Estate in memory of John Anthony Ryan
  Jr. ’50. Additional support has been provided by William J. Lundregan III\
 , Esq.\, ’62\, JD’67\, P’93\, ’96 and Elaine Stein-Cummins in memory of Dan
 iel Cummins ’58.\n\nBoston College’s Irish Studies program is organizing a 
 symposium to accompany the exhibition. With lectures by experts in Ireland’
 s visual arts\, theater and performance\, textiles and embroidery\, printin
 g and publishing\, and social and cultural history\, it will be held at Con
 nolly House and the McMullen Museum on February 20 and 21.
DTEND:20260324T210000Z
DTSTAMP:20260305T165704Z
DTSTART:20260324T140000Z
GEO:42.340795;-71.162583
LOCATION:McMullen Museum of Art
SEQUENCE:0
SUMMARY:Exhibition: "Collaborating in Conflict: The Yeats Family and the Pu
 blic Arts"
UID:tag:localist.com\,2008:EventInstance_51780871501701
URL:https://events.bc.edu/event/exhibition-collaborating-in-conflict-the-ye
 ats-family-and-the-public-arts
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts,Exhibition,Visual Arts
DESCRIPTION:Exhibition: Collaborating in Conflict: The Yeats Family and the
  Public Arts\n\nExamining the extraordinary impact the talented Yeats famil
 y had on cultural life and the public arts in Ireland during a century cruc
 ial to its history\, the exhibition features over two hundred works from pr
 emier public and private collections. Paintings\, drawings\, prints\, embro
 ideries\, books\, and letters by patriarch John Butler Yeats and his childr
 en William\, Lily\, Elizabeth\, and Jack\, as well as William’s daughter\, 
 Anne\, highlight examples of individual artistry. They also demonstrate how
  the Yeats family’s artistic expression was varied and deeply collaborative
 . In illustrated poetry\, set designs\, embroideries for home and liturgica
 l use\, printed broadsides\, paintings\, sketchbooks\, and other media\, th
 e siblings drew upon each others’ acumen. These endeavors were often fraugh
 t with conflict\, resulting in creative tensions and financial hardships. \
 n\nThe exhibition opens by exploring portraiture of family members and repr
 esentations of the places that were important to them. It moves on to objec
 ts illustrating the family’s engagement with youth as a site of education\,
  entertainment\, and memory. Subsequent sections reveal how the Yeatses cre
 ated objects that transformed private spaces through imaginative innovation
  and material practices\, as well as how they shaped public life through th
 eater\, publishing and printing\, and visual representations of a distincti
 ve Irish identity as the nation established itself post-independence. \n\nR
 ecent gifts to Boston College anchor the exhibition: Jack B. Yeats painting
 s and Lily Yeats Stations of the Cross embroideries received by the McMulle
 n Museum and additional acquisitions of Yeats family materials by the John 
 J. Burns Library. These are complemented by major loans from the Model\, ho
 me of the Niland Collection\, the National Gallery of Ireland\, the Library
  of Trinity College Dublin\, the O’Brien Collection\, and the Collection of
  Carolyn A. and Peter S. Lynch. Supplemented by additional loans from other
  collections and anonymous lenders\, the exhibition constitutes the most ex
 pansive exploration of the Yeats family’s contributions to the public arts 
 to date. Many objects are publicly displayed for the first time\, others fo
 r the first time outside Ireland.\n\nThe exhibition is accompanied by a ful
 ly illustrated catalogue\, edited by Marjorie Howes\, which includes fiftee
 n essays contributed by an interdisciplinary team of scholars who offer new
  insights into historical contexts and interpretive frameworks for studying
  the Yeatses. \n\nOrganized by the McMullen Museum in conjunction with the 
 John J. Burns Library\, Collaborating in Conflict has been curated by Marjo
 rie Howes\, Christian Dupont\, and Diana Larsen. The exhibition is underwri
 tten by Boston College with major support from the Patrons of the McMullen 
 Museum\, the John C. Donohue Estate\, Robert ’63 and Ann Marie Reardon P’91
 \, and the Anna Frances Vegkeley Ryan Estate in memory of John Anthony Ryan
  Jr. ’50. Additional support has been provided by William J. Lundregan III\
 , Esq.\, ’62\, JD’67\, P’93\, ’96 and Elaine Stein-Cummins in memory of Dan
 iel Cummins ’58.\n\nBoston College’s Irish Studies program is organizing a 
 symposium to accompany the exhibition. With lectures by experts in Ireland’
 s visual arts\, theater and performance\, textiles and embroidery\, printin
 g and publishing\, and social and cultural history\, it will be held at Con
 nolly House and the McMullen Museum on February 20 and 21.
DTEND:20260325T210000Z
DTSTAMP:20260305T165704Z
DTSTART:20260325T140000Z
GEO:42.340795;-71.162583
LOCATION:McMullen Museum of Art
SEQUENCE:0
SUMMARY:Exhibition: "Collaborating in Conflict: The Yeats Family and the Pu
 blic Arts"
UID:tag:localist.com\,2008:EventInstance_51780871502726
URL:https://events.bc.edu/event/exhibition-collaborating-in-conflict-the-ye
 ats-family-and-the-public-arts
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts,Exhibition,Visual Arts
DESCRIPTION:Exhibition: Collaborating in Conflict: The Yeats Family and the
  Public Arts\n\nExamining the extraordinary impact the talented Yeats famil
 y had on cultural life and the public arts in Ireland during a century cruc
 ial to its history\, the exhibition features over two hundred works from pr
 emier public and private collections. Paintings\, drawings\, prints\, embro
 ideries\, books\, and letters by patriarch John Butler Yeats and his childr
 en William\, Lily\, Elizabeth\, and Jack\, as well as William’s daughter\, 
 Anne\, highlight examples of individual artistry. They also demonstrate how
  the Yeats family’s artistic expression was varied and deeply collaborative
 . In illustrated poetry\, set designs\, embroideries for home and liturgica
 l use\, printed broadsides\, paintings\, sketchbooks\, and other media\, th
 e siblings drew upon each others’ acumen. These endeavors were often fraugh
 t with conflict\, resulting in creative tensions and financial hardships. \
 n\nThe exhibition opens by exploring portraiture of family members and repr
 esentations of the places that were important to them. It moves on to objec
 ts illustrating the family’s engagement with youth as a site of education\,
  entertainment\, and memory. Subsequent sections reveal how the Yeatses cre
 ated objects that transformed private spaces through imaginative innovation
  and material practices\, as well as how they shaped public life through th
 eater\, publishing and printing\, and visual representations of a distincti
 ve Irish identity as the nation established itself post-independence. \n\nR
 ecent gifts to Boston College anchor the exhibition: Jack B. Yeats painting
 s and Lily Yeats Stations of the Cross embroideries received by the McMulle
 n Museum and additional acquisitions of Yeats family materials by the John 
 J. Burns Library. These are complemented by major loans from the Model\, ho
 me of the Niland Collection\, the National Gallery of Ireland\, the Library
  of Trinity College Dublin\, the O’Brien Collection\, and the Collection of
  Carolyn A. and Peter S. Lynch. Supplemented by additional loans from other
  collections and anonymous lenders\, the exhibition constitutes the most ex
 pansive exploration of the Yeats family’s contributions to the public arts 
 to date. Many objects are publicly displayed for the first time\, others fo
 r the first time outside Ireland.\n\nThe exhibition is accompanied by a ful
 ly illustrated catalogue\, edited by Marjorie Howes\, which includes fiftee
 n essays contributed by an interdisciplinary team of scholars who offer new
  insights into historical contexts and interpretive frameworks for studying
  the Yeatses. \n\nOrganized by the McMullen Museum in conjunction with the 
 John J. Burns Library\, Collaborating in Conflict has been curated by Marjo
 rie Howes\, Christian Dupont\, and Diana Larsen. The exhibition is underwri
 tten by Boston College with major support from the Patrons of the McMullen 
 Museum\, the John C. Donohue Estate\, Robert ’63 and Ann Marie Reardon P’91
 \, and the Anna Frances Vegkeley Ryan Estate in memory of John Anthony Ryan
  Jr. ’50. Additional support has been provided by William J. Lundregan III\
 , Esq.\, ’62\, JD’67\, P’93\, ’96 and Elaine Stein-Cummins in memory of Dan
 iel Cummins ’58.\n\nBoston College’s Irish Studies program is organizing a 
 symposium to accompany the exhibition. With lectures by experts in Ireland’
 s visual arts\, theater and performance\, textiles and embroidery\, printin
 g and publishing\, and social and cultural history\, it will be held at Con
 nolly House and the McMullen Museum on February 20 and 21.
DTEND:20260326T210000Z
DTSTAMP:20260305T165704Z
DTSTART:20260326T140000Z
GEO:42.340795;-71.162583
LOCATION:McMullen Museum of Art
SEQUENCE:0
SUMMARY:Exhibition: "Collaborating in Conflict: The Yeats Family and the Pu
 blic Arts"
UID:tag:localist.com\,2008:EventInstance_51780871503751
URL:https://events.bc.edu/event/exhibition-collaborating-in-conflict-the-ye
 ats-family-and-the-public-arts
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts,Exhibition,Visual Arts
DESCRIPTION:Exhibition: Collaborating in Conflict: The Yeats Family and the
  Public Arts\n\nExamining the extraordinary impact the talented Yeats famil
 y had on cultural life and the public arts in Ireland during a century cruc
 ial to its history\, the exhibition features over two hundred works from pr
 emier public and private collections. Paintings\, drawings\, prints\, embro
 ideries\, books\, and letters by patriarch John Butler Yeats and his childr
 en William\, Lily\, Elizabeth\, and Jack\, as well as William’s daughter\, 
 Anne\, highlight examples of individual artistry. They also demonstrate how
  the Yeats family’s artistic expression was varied and deeply collaborative
 . In illustrated poetry\, set designs\, embroideries for home and liturgica
 l use\, printed broadsides\, paintings\, sketchbooks\, and other media\, th
 e siblings drew upon each others’ acumen. These endeavors were often fraugh
 t with conflict\, resulting in creative tensions and financial hardships. \
 n\nThe exhibition opens by exploring portraiture of family members and repr
 esentations of the places that were important to them. It moves on to objec
 ts illustrating the family’s engagement with youth as a site of education\,
  entertainment\, and memory. Subsequent sections reveal how the Yeatses cre
 ated objects that transformed private spaces through imaginative innovation
  and material practices\, as well as how they shaped public life through th
 eater\, publishing and printing\, and visual representations of a distincti
 ve Irish identity as the nation established itself post-independence. \n\nR
 ecent gifts to Boston College anchor the exhibition: Jack B. Yeats painting
 s and Lily Yeats Stations of the Cross embroideries received by the McMulle
 n Museum and additional acquisitions of Yeats family materials by the John 
 J. Burns Library. These are complemented by major loans from the Model\, ho
 me of the Niland Collection\, the National Gallery of Ireland\, the Library
  of Trinity College Dublin\, the O’Brien Collection\, and the Collection of
  Carolyn A. and Peter S. Lynch. Supplemented by additional loans from other
  collections and anonymous lenders\, the exhibition constitutes the most ex
 pansive exploration of the Yeats family’s contributions to the public arts 
 to date. Many objects are publicly displayed for the first time\, others fo
 r the first time outside Ireland.\n\nThe exhibition is accompanied by a ful
 ly illustrated catalogue\, edited by Marjorie Howes\, which includes fiftee
 n essays contributed by an interdisciplinary team of scholars who offer new
  insights into historical contexts and interpretive frameworks for studying
  the Yeatses. \n\nOrganized by the McMullen Museum in conjunction with the 
 John J. Burns Library\, Collaborating in Conflict has been curated by Marjo
 rie Howes\, Christian Dupont\, and Diana Larsen. The exhibition is underwri
 tten by Boston College with major support from the Patrons of the McMullen 
 Museum\, the John C. Donohue Estate\, Robert ’63 and Ann Marie Reardon P’91
 \, and the Anna Frances Vegkeley Ryan Estate in memory of John Anthony Ryan
  Jr. ’50. Additional support has been provided by William J. Lundregan III\
 , Esq.\, ’62\, JD’67\, P’93\, ’96 and Elaine Stein-Cummins in memory of Dan
 iel Cummins ’58.\n\nBoston College’s Irish Studies program is organizing a 
 symposium to accompany the exhibition. With lectures by experts in Ireland’
 s visual arts\, theater and performance\, textiles and embroidery\, printin
 g and publishing\, and social and cultural history\, it will be held at Con
 nolly House and the McMullen Museum on February 20 and 21.
DTEND:20260327T210000Z
DTSTAMP:20260305T165704Z
DTSTART:20260327T140000Z
GEO:42.340795;-71.162583
LOCATION:McMullen Museum of Art
SEQUENCE:0
SUMMARY:Exhibition: "Collaborating in Conflict: The Yeats Family and the Pu
 blic Arts"
UID:tag:localist.com\,2008:EventInstance_51780871504776
URL:https://events.bc.edu/event/exhibition-collaborating-in-conflict-the-ye
 ats-family-and-the-public-arts
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts,Exhibition,Visual Arts
DESCRIPTION:Exhibition: Collaborating in Conflict: The Yeats Family and the
  Public Arts\n\nExamining the extraordinary impact the talented Yeats famil
 y had on cultural life and the public arts in Ireland during a century cruc
 ial to its history\, the exhibition features over two hundred works from pr
 emier public and private collections. Paintings\, drawings\, prints\, embro
 ideries\, books\, and letters by patriarch John Butler Yeats and his childr
 en William\, Lily\, Elizabeth\, and Jack\, as well as William’s daughter\, 
 Anne\, highlight examples of individual artistry. They also demonstrate how
  the Yeats family’s artistic expression was varied and deeply collaborative
 . In illustrated poetry\, set designs\, embroideries for home and liturgica
 l use\, printed broadsides\, paintings\, sketchbooks\, and other media\, th
 e siblings drew upon each others’ acumen. These endeavors were often fraugh
 t with conflict\, resulting in creative tensions and financial hardships. \
 n\nThe exhibition opens by exploring portraiture of family members and repr
 esentations of the places that were important to them. It moves on to objec
 ts illustrating the family’s engagement with youth as a site of education\,
  entertainment\, and memory. Subsequent sections reveal how the Yeatses cre
 ated objects that transformed private spaces through imaginative innovation
  and material practices\, as well as how they shaped public life through th
 eater\, publishing and printing\, and visual representations of a distincti
 ve Irish identity as the nation established itself post-independence. \n\nR
 ecent gifts to Boston College anchor the exhibition: Jack B. Yeats painting
 s and Lily Yeats Stations of the Cross embroideries received by the McMulle
 n Museum and additional acquisitions of Yeats family materials by the John 
 J. Burns Library. These are complemented by major loans from the Model\, ho
 me of the Niland Collection\, the National Gallery of Ireland\, the Library
  of Trinity College Dublin\, the O’Brien Collection\, and the Collection of
  Carolyn A. and Peter S. Lynch. Supplemented by additional loans from other
  collections and anonymous lenders\, the exhibition constitutes the most ex
 pansive exploration of the Yeats family’s contributions to the public arts 
 to date. Many objects are publicly displayed for the first time\, others fo
 r the first time outside Ireland.\n\nThe exhibition is accompanied by a ful
 ly illustrated catalogue\, edited by Marjorie Howes\, which includes fiftee
 n essays contributed by an interdisciplinary team of scholars who offer new
  insights into historical contexts and interpretive frameworks for studying
  the Yeatses. \n\nOrganized by the McMullen Museum in conjunction with the 
 John J. Burns Library\, Collaborating in Conflict has been curated by Marjo
 rie Howes\, Christian Dupont\, and Diana Larsen. The exhibition is underwri
 tten by Boston College with major support from the Patrons of the McMullen 
 Museum\, the John C. Donohue Estate\, Robert ’63 and Ann Marie Reardon P’91
 \, and the Anna Frances Vegkeley Ryan Estate in memory of John Anthony Ryan
  Jr. ’50. Additional support has been provided by William J. Lundregan III\
 , Esq.\, ’62\, JD’67\, P’93\, ’96 and Elaine Stein-Cummins in memory of Dan
 iel Cummins ’58.\n\nBoston College’s Irish Studies program is organizing a 
 symposium to accompany the exhibition. With lectures by experts in Ireland’
 s visual arts\, theater and performance\, textiles and embroidery\, printin
 g and publishing\, and social and cultural history\, it will be held at Con
 nolly House and the McMullen Museum on February 20 and 21.
DTEND:20260328T210000Z
DTSTAMP:20260305T165704Z
DTSTART:20260328T160000Z
GEO:42.340795;-71.162583
LOCATION:McMullen Museum of Art
SEQUENCE:0
SUMMARY:Exhibition: "Collaborating in Conflict: The Yeats Family and the Pu
 blic Arts"
UID:tag:localist.com\,2008:EventInstance_51780871505801
URL:https://events.bc.edu/event/exhibition-collaborating-in-conflict-the-ye
 ats-family-and-the-public-arts
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts,Exhibition,Visual Arts
DESCRIPTION:Exhibition: Collaborating in Conflict: The Yeats Family and the
  Public Arts\n\nExamining the extraordinary impact the talented Yeats famil
 y had on cultural life and the public arts in Ireland during a century cruc
 ial to its history\, the exhibition features over two hundred works from pr
 emier public and private collections. Paintings\, drawings\, prints\, embro
 ideries\, books\, and letters by patriarch John Butler Yeats and his childr
 en William\, Lily\, Elizabeth\, and Jack\, as well as William’s daughter\, 
 Anne\, highlight examples of individual artistry. They also demonstrate how
  the Yeats family’s artistic expression was varied and deeply collaborative
 . In illustrated poetry\, set designs\, embroideries for home and liturgica
 l use\, printed broadsides\, paintings\, sketchbooks\, and other media\, th
 e siblings drew upon each others’ acumen. These endeavors were often fraugh
 t with conflict\, resulting in creative tensions and financial hardships. \
 n\nThe exhibition opens by exploring portraiture of family members and repr
 esentations of the places that were important to them. It moves on to objec
 ts illustrating the family’s engagement with youth as a site of education\,
  entertainment\, and memory. Subsequent sections reveal how the Yeatses cre
 ated objects that transformed private spaces through imaginative innovation
  and material practices\, as well as how they shaped public life through th
 eater\, publishing and printing\, and visual representations of a distincti
 ve Irish identity as the nation established itself post-independence. \n\nR
 ecent gifts to Boston College anchor the exhibition: Jack B. Yeats painting
 s and Lily Yeats Stations of the Cross embroideries received by the McMulle
 n Museum and additional acquisitions of Yeats family materials by the John 
 J. Burns Library. These are complemented by major loans from the Model\, ho
 me of the Niland Collection\, the National Gallery of Ireland\, the Library
  of Trinity College Dublin\, the O’Brien Collection\, and the Collection of
  Carolyn A. and Peter S. Lynch. Supplemented by additional loans from other
  collections and anonymous lenders\, the exhibition constitutes the most ex
 pansive exploration of the Yeats family’s contributions to the public arts 
 to date. Many objects are publicly displayed for the first time\, others fo
 r the first time outside Ireland.\n\nThe exhibition is accompanied by a ful
 ly illustrated catalogue\, edited by Marjorie Howes\, which includes fiftee
 n essays contributed by an interdisciplinary team of scholars who offer new
  insights into historical contexts and interpretive frameworks for studying
  the Yeatses. \n\nOrganized by the McMullen Museum in conjunction with the 
 John J. Burns Library\, Collaborating in Conflict has been curated by Marjo
 rie Howes\, Christian Dupont\, and Diana Larsen. The exhibition is underwri
 tten by Boston College with major support from the Patrons of the McMullen 
 Museum\, the John C. Donohue Estate\, Robert ’63 and Ann Marie Reardon P’91
 \, and the Anna Frances Vegkeley Ryan Estate in memory of John Anthony Ryan
  Jr. ’50. Additional support has been provided by William J. Lundregan III\
 , Esq.\, ’62\, JD’67\, P’93\, ’96 and Elaine Stein-Cummins in memory of Dan
 iel Cummins ’58.\n\nBoston College’s Irish Studies program is organizing a 
 symposium to accompany the exhibition. With lectures by experts in Ireland’
 s visual arts\, theater and performance\, textiles and embroidery\, printin
 g and publishing\, and social and cultural history\, it will be held at Con
 nolly House and the McMullen Museum on February 20 and 21.
DTEND:20260329T210000Z
DTSTAMP:20260305T165704Z
DTSTART:20260329T160000Z
GEO:42.340795;-71.162583
LOCATION:McMullen Museum of Art
SEQUENCE:0
SUMMARY:Exhibition: "Collaborating in Conflict: The Yeats Family and the Pu
 blic Arts"
UID:tag:localist.com\,2008:EventInstance_51780871506826
URL:https://events.bc.edu/event/exhibition-collaborating-in-conflict-the-ye
 ats-family-and-the-public-arts
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts,Exhibition,Visual Arts
DESCRIPTION:Exhibition: Collaborating in Conflict: The Yeats Family and the
  Public Arts\n\nExamining the extraordinary impact the talented Yeats famil
 y had on cultural life and the public arts in Ireland during a century cruc
 ial to its history\, the exhibition features over two hundred works from pr
 emier public and private collections. Paintings\, drawings\, prints\, embro
 ideries\, books\, and letters by patriarch John Butler Yeats and his childr
 en William\, Lily\, Elizabeth\, and Jack\, as well as William’s daughter\, 
 Anne\, highlight examples of individual artistry. They also demonstrate how
  the Yeats family’s artistic expression was varied and deeply collaborative
 . In illustrated poetry\, set designs\, embroideries for home and liturgica
 l use\, printed broadsides\, paintings\, sketchbooks\, and other media\, th
 e siblings drew upon each others’ acumen. These endeavors were often fraugh
 t with conflict\, resulting in creative tensions and financial hardships. \
 n\nThe exhibition opens by exploring portraiture of family members and repr
 esentations of the places that were important to them. It moves on to objec
 ts illustrating the family’s engagement with youth as a site of education\,
  entertainment\, and memory. Subsequent sections reveal how the Yeatses cre
 ated objects that transformed private spaces through imaginative innovation
  and material practices\, as well as how they shaped public life through th
 eater\, publishing and printing\, and visual representations of a distincti
 ve Irish identity as the nation established itself post-independence. \n\nR
 ecent gifts to Boston College anchor the exhibition: Jack B. Yeats painting
 s and Lily Yeats Stations of the Cross embroideries received by the McMulle
 n Museum and additional acquisitions of Yeats family materials by the John 
 J. Burns Library. These are complemented by major loans from the Model\, ho
 me of the Niland Collection\, the National Gallery of Ireland\, the Library
  of Trinity College Dublin\, the O’Brien Collection\, and the Collection of
  Carolyn A. and Peter S. Lynch. Supplemented by additional loans from other
  collections and anonymous lenders\, the exhibition constitutes the most ex
 pansive exploration of the Yeats family’s contributions to the public arts 
 to date. Many objects are publicly displayed for the first time\, others fo
 r the first time outside Ireland.\n\nThe exhibition is accompanied by a ful
 ly illustrated catalogue\, edited by Marjorie Howes\, which includes fiftee
 n essays contributed by an interdisciplinary team of scholars who offer new
  insights into historical contexts and interpretive frameworks for studying
  the Yeatses. \n\nOrganized by the McMullen Museum in conjunction with the 
 John J. Burns Library\, Collaborating in Conflict has been curated by Marjo
 rie Howes\, Christian Dupont\, and Diana Larsen. The exhibition is underwri
 tten by Boston College with major support from the Patrons of the McMullen 
 Museum\, the John C. Donohue Estate\, Robert ’63 and Ann Marie Reardon P’91
 \, and the Anna Frances Vegkeley Ryan Estate in memory of John Anthony Ryan
  Jr. ’50. Additional support has been provided by William J. Lundregan III\
 , Esq.\, ’62\, JD’67\, P’93\, ’96 and Elaine Stein-Cummins in memory of Dan
 iel Cummins ’58.\n\nBoston College’s Irish Studies program is organizing a 
 symposium to accompany the exhibition. With lectures by experts in Ireland’
 s visual arts\, theater and performance\, textiles and embroidery\, printin
 g and publishing\, and social and cultural history\, it will be held at Con
 nolly House and the McMullen Museum on February 20 and 21.
DTEND:20260330T210000Z
DTSTAMP:20260305T165704Z
DTSTART:20260330T140000Z
GEO:42.340795;-71.162583
LOCATION:McMullen Museum of Art
SEQUENCE:0
SUMMARY:Exhibition: "Collaborating in Conflict: The Yeats Family and the Pu
 blic Arts"
UID:tag:localist.com\,2008:EventInstance_51780871507851
URL:https://events.bc.edu/event/exhibition-collaborating-in-conflict-the-ye
 ats-family-and-the-public-arts
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts,Exhibition,Visual Arts
DESCRIPTION:Exhibition: Collaborating in Conflict: The Yeats Family and the
  Public Arts\n\nExamining the extraordinary impact the talented Yeats famil
 y had on cultural life and the public arts in Ireland during a century cruc
 ial to its history\, the exhibition features over two hundred works from pr
 emier public and private collections. Paintings\, drawings\, prints\, embro
 ideries\, books\, and letters by patriarch John Butler Yeats and his childr
 en William\, Lily\, Elizabeth\, and Jack\, as well as William’s daughter\, 
 Anne\, highlight examples of individual artistry. They also demonstrate how
  the Yeats family’s artistic expression was varied and deeply collaborative
 . In illustrated poetry\, set designs\, embroideries for home and liturgica
 l use\, printed broadsides\, paintings\, sketchbooks\, and other media\, th
 e siblings drew upon each others’ acumen. These endeavors were often fraugh
 t with conflict\, resulting in creative tensions and financial hardships. \
 n\nThe exhibition opens by exploring portraiture of family members and repr
 esentations of the places that were important to them. It moves on to objec
 ts illustrating the family’s engagement with youth as a site of education\,
  entertainment\, and memory. Subsequent sections reveal how the Yeatses cre
 ated objects that transformed private spaces through imaginative innovation
  and material practices\, as well as how they shaped public life through th
 eater\, publishing and printing\, and visual representations of a distincti
 ve Irish identity as the nation established itself post-independence. \n\nR
 ecent gifts to Boston College anchor the exhibition: Jack B. Yeats painting
 s and Lily Yeats Stations of the Cross embroideries received by the McMulle
 n Museum and additional acquisitions of Yeats family materials by the John 
 J. Burns Library. These are complemented by major loans from the Model\, ho
 me of the Niland Collection\, the National Gallery of Ireland\, the Library
  of Trinity College Dublin\, the O’Brien Collection\, and the Collection of
  Carolyn A. and Peter S. Lynch. Supplemented by additional loans from other
  collections and anonymous lenders\, the exhibition constitutes the most ex
 pansive exploration of the Yeats family’s contributions to the public arts 
 to date. Many objects are publicly displayed for the first time\, others fo
 r the first time outside Ireland.\n\nThe exhibition is accompanied by a ful
 ly illustrated catalogue\, edited by Marjorie Howes\, which includes fiftee
 n essays contributed by an interdisciplinary team of scholars who offer new
  insights into historical contexts and interpretive frameworks for studying
  the Yeatses. \n\nOrganized by the McMullen Museum in conjunction with the 
 John J. Burns Library\, Collaborating in Conflict has been curated by Marjo
 rie Howes\, Christian Dupont\, and Diana Larsen. The exhibition is underwri
 tten by Boston College with major support from the Patrons of the McMullen 
 Museum\, the John C. Donohue Estate\, Robert ’63 and Ann Marie Reardon P’91
 \, and the Anna Frances Vegkeley Ryan Estate in memory of John Anthony Ryan
  Jr. ’50. Additional support has been provided by William J. Lundregan III\
 , Esq.\, ’62\, JD’67\, P’93\, ’96 and Elaine Stein-Cummins in memory of Dan
 iel Cummins ’58.\n\nBoston College’s Irish Studies program is organizing a 
 symposium to accompany the exhibition. With lectures by experts in Ireland’
 s visual arts\, theater and performance\, textiles and embroidery\, printin
 g and publishing\, and social and cultural history\, it will be held at Con
 nolly House and the McMullen Museum on February 20 and 21.
DTEND:20260331T210000Z
DTSTAMP:20260305T165704Z
DTSTART:20260331T140000Z
GEO:42.340795;-71.162583
LOCATION:McMullen Museum of Art
SEQUENCE:0
SUMMARY:Exhibition: "Collaborating in Conflict: The Yeats Family and the Pu
 blic Arts"
UID:tag:localist.com\,2008:EventInstance_51780871508876
URL:https://events.bc.edu/event/exhibition-collaborating-in-conflict-the-ye
 ats-family-and-the-public-arts
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts,Exhibition,Visual Arts
DESCRIPTION:Exhibition: Collaborating in Conflict: The Yeats Family and the
  Public Arts\n\nExamining the extraordinary impact the talented Yeats famil
 y had on cultural life and the public arts in Ireland during a century cruc
 ial to its history\, the exhibition features over two hundred works from pr
 emier public and private collections. Paintings\, drawings\, prints\, embro
 ideries\, books\, and letters by patriarch John Butler Yeats and his childr
 en William\, Lily\, Elizabeth\, and Jack\, as well as William’s daughter\, 
 Anne\, highlight examples of individual artistry. They also demonstrate how
  the Yeats family’s artistic expression was varied and deeply collaborative
 . In illustrated poetry\, set designs\, embroideries for home and liturgica
 l use\, printed broadsides\, paintings\, sketchbooks\, and other media\, th
 e siblings drew upon each others’ acumen. These endeavors were often fraugh
 t with conflict\, resulting in creative tensions and financial hardships. \
 n\nThe exhibition opens by exploring portraiture of family members and repr
 esentations of the places that were important to them. It moves on to objec
 ts illustrating the family’s engagement with youth as a site of education\,
  entertainment\, and memory. Subsequent sections reveal how the Yeatses cre
 ated objects that transformed private spaces through imaginative innovation
  and material practices\, as well as how they shaped public life through th
 eater\, publishing and printing\, and visual representations of a distincti
 ve Irish identity as the nation established itself post-independence. \n\nR
 ecent gifts to Boston College anchor the exhibition: Jack B. Yeats painting
 s and Lily Yeats Stations of the Cross embroideries received by the McMulle
 n Museum and additional acquisitions of Yeats family materials by the John 
 J. Burns Library. These are complemented by major loans from the Model\, ho
 me of the Niland Collection\, the National Gallery of Ireland\, the Library
  of Trinity College Dublin\, the O’Brien Collection\, and the Collection of
  Carolyn A. and Peter S. Lynch. Supplemented by additional loans from other
  collections and anonymous lenders\, the exhibition constitutes the most ex
 pansive exploration of the Yeats family’s contributions to the public arts 
 to date. Many objects are publicly displayed for the first time\, others fo
 r the first time outside Ireland.\n\nThe exhibition is accompanied by a ful
 ly illustrated catalogue\, edited by Marjorie Howes\, which includes fiftee
 n essays contributed by an interdisciplinary team of scholars who offer new
  insights into historical contexts and interpretive frameworks for studying
  the Yeatses. \n\nOrganized by the McMullen Museum in conjunction with the 
 John J. Burns Library\, Collaborating in Conflict has been curated by Marjo
 rie Howes\, Christian Dupont\, and Diana Larsen. The exhibition is underwri
 tten by Boston College with major support from the Patrons of the McMullen 
 Museum\, the John C. Donohue Estate\, Robert ’63 and Ann Marie Reardon P’91
 \, and the Anna Frances Vegkeley Ryan Estate in memory of John Anthony Ryan
  Jr. ’50. Additional support has been provided by William J. Lundregan III\
 , Esq.\, ’62\, JD’67\, P’93\, ’96 and Elaine Stein-Cummins in memory of Dan
 iel Cummins ’58.\n\nBoston College’s Irish Studies program is organizing a 
 symposium to accompany the exhibition. With lectures by experts in Ireland’
 s visual arts\, theater and performance\, textiles and embroidery\, printin
 g and publishing\, and social and cultural history\, it will be held at Con
 nolly House and the McMullen Museum on February 20 and 21.
DTEND:20260401T210000Z
DTSTAMP:20260305T165704Z
DTSTART:20260401T140000Z
GEO:42.340795;-71.162583
LOCATION:McMullen Museum of Art
SEQUENCE:0
SUMMARY:Exhibition: "Collaborating in Conflict: The Yeats Family and the Pu
 blic Arts"
UID:tag:localist.com\,2008:EventInstance_51780871509901
URL:https://events.bc.edu/event/exhibition-collaborating-in-conflict-the-ye
 ats-family-and-the-public-arts
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts,Exhibition,Visual Arts
DESCRIPTION:Exhibition: Collaborating in Conflict: The Yeats Family and the
  Public Arts\n\nExamining the extraordinary impact the talented Yeats famil
 y had on cultural life and the public arts in Ireland during a century cruc
 ial to its history\, the exhibition features over two hundred works from pr
 emier public and private collections. Paintings\, drawings\, prints\, embro
 ideries\, books\, and letters by patriarch John Butler Yeats and his childr
 en William\, Lily\, Elizabeth\, and Jack\, as well as William’s daughter\, 
 Anne\, highlight examples of individual artistry. They also demonstrate how
  the Yeats family’s artistic expression was varied and deeply collaborative
 . In illustrated poetry\, set designs\, embroideries for home and liturgica
 l use\, printed broadsides\, paintings\, sketchbooks\, and other media\, th
 e siblings drew upon each others’ acumen. These endeavors were often fraugh
 t with conflict\, resulting in creative tensions and financial hardships. \
 n\nThe exhibition opens by exploring portraiture of family members and repr
 esentations of the places that were important to them. It moves on to objec
 ts illustrating the family’s engagement with youth as a site of education\,
  entertainment\, and memory. Subsequent sections reveal how the Yeatses cre
 ated objects that transformed private spaces through imaginative innovation
  and material practices\, as well as how they shaped public life through th
 eater\, publishing and printing\, and visual representations of a distincti
 ve Irish identity as the nation established itself post-independence. \n\nR
 ecent gifts to Boston College anchor the exhibition: Jack B. Yeats painting
 s and Lily Yeats Stations of the Cross embroideries received by the McMulle
 n Museum and additional acquisitions of Yeats family materials by the John 
 J. Burns Library. These are complemented by major loans from the Model\, ho
 me of the Niland Collection\, the National Gallery of Ireland\, the Library
  of Trinity College Dublin\, the O’Brien Collection\, and the Collection of
  Carolyn A. and Peter S. Lynch. Supplemented by additional loans from other
  collections and anonymous lenders\, the exhibition constitutes the most ex
 pansive exploration of the Yeats family’s contributions to the public arts 
 to date. Many objects are publicly displayed for the first time\, others fo
 r the first time outside Ireland.\n\nThe exhibition is accompanied by a ful
 ly illustrated catalogue\, edited by Marjorie Howes\, which includes fiftee
 n essays contributed by an interdisciplinary team of scholars who offer new
  insights into historical contexts and interpretive frameworks for studying
  the Yeatses. \n\nOrganized by the McMullen Museum in conjunction with the 
 John J. Burns Library\, Collaborating in Conflict has been curated by Marjo
 rie Howes\, Christian Dupont\, and Diana Larsen. The exhibition is underwri
 tten by Boston College with major support from the Patrons of the McMullen 
 Museum\, the John C. Donohue Estate\, Robert ’63 and Ann Marie Reardon P’91
 \, and the Anna Frances Vegkeley Ryan Estate in memory of John Anthony Ryan
  Jr. ’50. Additional support has been provided by William J. Lundregan III\
 , Esq.\, ’62\, JD’67\, P’93\, ’96 and Elaine Stein-Cummins in memory of Dan
 iel Cummins ’58.\n\nBoston College’s Irish Studies program is organizing a 
 symposium to accompany the exhibition. With lectures by experts in Ireland’
 s visual arts\, theater and performance\, textiles and embroidery\, printin
 g and publishing\, and social and cultural history\, it will be held at Con
 nolly House and the McMullen Museum on February 20 and 21.
DTEND:20260402T210000Z
DTSTAMP:20260305T165704Z
DTSTART:20260402T140000Z
GEO:42.340795;-71.162583
LOCATION:McMullen Museum of Art
SEQUENCE:0
SUMMARY:Exhibition: "Collaborating in Conflict: The Yeats Family and the Pu
 blic Arts"
UID:tag:localist.com\,2008:EventInstance_51780871510926
URL:https://events.bc.edu/event/exhibition-collaborating-in-conflict-the-ye
 ats-family-and-the-public-arts
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts,Exhibition,Visual Arts
DESCRIPTION:Exhibition: Collaborating in Conflict: The Yeats Family and the
  Public Arts\n\nExamining the extraordinary impact the talented Yeats famil
 y had on cultural life and the public arts in Ireland during a century cruc
 ial to its history\, the exhibition features over two hundred works from pr
 emier public and private collections. Paintings\, drawings\, prints\, embro
 ideries\, books\, and letters by patriarch John Butler Yeats and his childr
 en William\, Lily\, Elizabeth\, and Jack\, as well as William’s daughter\, 
 Anne\, highlight examples of individual artistry. They also demonstrate how
  the Yeats family’s artistic expression was varied and deeply collaborative
 . In illustrated poetry\, set designs\, embroideries for home and liturgica
 l use\, printed broadsides\, paintings\, sketchbooks\, and other media\, th
 e siblings drew upon each others’ acumen. These endeavors were often fraugh
 t with conflict\, resulting in creative tensions and financial hardships. \
 n\nThe exhibition opens by exploring portraiture of family members and repr
 esentations of the places that were important to them. It moves on to objec
 ts illustrating the family’s engagement with youth as a site of education\,
  entertainment\, and memory. Subsequent sections reveal how the Yeatses cre
 ated objects that transformed private spaces through imaginative innovation
  and material practices\, as well as how they shaped public life through th
 eater\, publishing and printing\, and visual representations of a distincti
 ve Irish identity as the nation established itself post-independence. \n\nR
 ecent gifts to Boston College anchor the exhibition: Jack B. Yeats painting
 s and Lily Yeats Stations of the Cross embroideries received by the McMulle
 n Museum and additional acquisitions of Yeats family materials by the John 
 J. Burns Library. These are complemented by major loans from the Model\, ho
 me of the Niland Collection\, the National Gallery of Ireland\, the Library
  of Trinity College Dublin\, the O’Brien Collection\, and the Collection of
  Carolyn A. and Peter S. Lynch. Supplemented by additional loans from other
  collections and anonymous lenders\, the exhibition constitutes the most ex
 pansive exploration of the Yeats family’s contributions to the public arts 
 to date. Many objects are publicly displayed for the first time\, others fo
 r the first time outside Ireland.\n\nThe exhibition is accompanied by a ful
 ly illustrated catalogue\, edited by Marjorie Howes\, which includes fiftee
 n essays contributed by an interdisciplinary team of scholars who offer new
  insights into historical contexts and interpretive frameworks for studying
  the Yeatses. \n\nOrganized by the McMullen Museum in conjunction with the 
 John J. Burns Library\, Collaborating in Conflict has been curated by Marjo
 rie Howes\, Christian Dupont\, and Diana Larsen. The exhibition is underwri
 tten by Boston College with major support from the Patrons of the McMullen 
 Museum\, the John C. Donohue Estate\, Robert ’63 and Ann Marie Reardon P’91
 \, and the Anna Frances Vegkeley Ryan Estate in memory of John Anthony Ryan
  Jr. ’50. Additional support has been provided by William J. Lundregan III\
 , Esq.\, ’62\, JD’67\, P’93\, ’96 and Elaine Stein-Cummins in memory of Dan
 iel Cummins ’58.\n\nBoston College’s Irish Studies program is organizing a 
 symposium to accompany the exhibition. With lectures by experts in Ireland’
 s visual arts\, theater and performance\, textiles and embroidery\, printin
 g and publishing\, and social and cultural history\, it will be held at Con
 nolly House and the McMullen Museum on February 20 and 21.
DTEND:20260404T210000Z
DTSTAMP:20260305T165704Z
DTSTART:20260404T160000Z
GEO:42.340795;-71.162583
LOCATION:McMullen Museum of Art
SEQUENCE:0
SUMMARY:Exhibition: "Collaborating in Conflict: The Yeats Family and the Pu
 blic Arts"
UID:tag:localist.com\,2008:EventInstance_51780871512976
URL:https://events.bc.edu/event/exhibition-collaborating-in-conflict-the-ye
 ats-family-and-the-public-arts
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts,Exhibition,Visual Arts
DESCRIPTION:Exhibition: Collaborating in Conflict: The Yeats Family and the
  Public Arts\n\nExamining the extraordinary impact the talented Yeats famil
 y had on cultural life and the public arts in Ireland during a century cruc
 ial to its history\, the exhibition features over two hundred works from pr
 emier public and private collections. Paintings\, drawings\, prints\, embro
 ideries\, books\, and letters by patriarch John Butler Yeats and his childr
 en William\, Lily\, Elizabeth\, and Jack\, as well as William’s daughter\, 
 Anne\, highlight examples of individual artistry. They also demonstrate how
  the Yeats family’s artistic expression was varied and deeply collaborative
 . In illustrated poetry\, set designs\, embroideries for home and liturgica
 l use\, printed broadsides\, paintings\, sketchbooks\, and other media\, th
 e siblings drew upon each others’ acumen. These endeavors were often fraugh
 t with conflict\, resulting in creative tensions and financial hardships. \
 n\nThe exhibition opens by exploring portraiture of family members and repr
 esentations of the places that were important to them. It moves on to objec
 ts illustrating the family’s engagement with youth as a site of education\,
  entertainment\, and memory. Subsequent sections reveal how the Yeatses cre
 ated objects that transformed private spaces through imaginative innovation
  and material practices\, as well as how they shaped public life through th
 eater\, publishing and printing\, and visual representations of a distincti
 ve Irish identity as the nation established itself post-independence. \n\nR
 ecent gifts to Boston College anchor the exhibition: Jack B. Yeats painting
 s and Lily Yeats Stations of the Cross embroideries received by the McMulle
 n Museum and additional acquisitions of Yeats family materials by the John 
 J. Burns Library. These are complemented by major loans from the Model\, ho
 me of the Niland Collection\, the National Gallery of Ireland\, the Library
  of Trinity College Dublin\, the O’Brien Collection\, and the Collection of
  Carolyn A. and Peter S. Lynch. Supplemented by additional loans from other
  collections and anonymous lenders\, the exhibition constitutes the most ex
 pansive exploration of the Yeats family’s contributions to the public arts 
 to date. Many objects are publicly displayed for the first time\, others fo
 r the first time outside Ireland.\n\nThe exhibition is accompanied by a ful
 ly illustrated catalogue\, edited by Marjorie Howes\, which includes fiftee
 n essays contributed by an interdisciplinary team of scholars who offer new
  insights into historical contexts and interpretive frameworks for studying
  the Yeatses. \n\nOrganized by the McMullen Museum in conjunction with the 
 John J. Burns Library\, Collaborating in Conflict has been curated by Marjo
 rie Howes\, Christian Dupont\, and Diana Larsen. The exhibition is underwri
 tten by Boston College with major support from the Patrons of the McMullen 
 Museum\, the John C. Donohue Estate\, Robert ’63 and Ann Marie Reardon P’91
 \, and the Anna Frances Vegkeley Ryan Estate in memory of John Anthony Ryan
  Jr. ’50. Additional support has been provided by William J. Lundregan III\
 , Esq.\, ’62\, JD’67\, P’93\, ’96 and Elaine Stein-Cummins in memory of Dan
 iel Cummins ’58.\n\nBoston College’s Irish Studies program is organizing a 
 symposium to accompany the exhibition. With lectures by experts in Ireland’
 s visual arts\, theater and performance\, textiles and embroidery\, printin
 g and publishing\, and social and cultural history\, it will be held at Con
 nolly House and the McMullen Museum on February 20 and 21.
DTEND:20260406T210000Z
DTSTAMP:20260305T165704Z
DTSTART:20260406T140000Z
GEO:42.340795;-71.162583
LOCATION:McMullen Museum of Art
SEQUENCE:0
SUMMARY:Exhibition: "Collaborating in Conflict: The Yeats Family and the Pu
 blic Arts"
UID:tag:localist.com\,2008:EventInstance_51780871516050
URL:https://events.bc.edu/event/exhibition-collaborating-in-conflict-the-ye
 ats-family-and-the-public-arts
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts,Exhibition,Visual Arts
DESCRIPTION:Exhibition: Collaborating in Conflict: The Yeats Family and the
  Public Arts\n\nExamining the extraordinary impact the talented Yeats famil
 y had on cultural life and the public arts in Ireland during a century cruc
 ial to its history\, the exhibition features over two hundred works from pr
 emier public and private collections. Paintings\, drawings\, prints\, embro
 ideries\, books\, and letters by patriarch John Butler Yeats and his childr
 en William\, Lily\, Elizabeth\, and Jack\, as well as William’s daughter\, 
 Anne\, highlight examples of individual artistry. They also demonstrate how
  the Yeats family’s artistic expression was varied and deeply collaborative
 . In illustrated poetry\, set designs\, embroideries for home and liturgica
 l use\, printed broadsides\, paintings\, sketchbooks\, and other media\, th
 e siblings drew upon each others’ acumen. These endeavors were often fraugh
 t with conflict\, resulting in creative tensions and financial hardships. \
 n\nThe exhibition opens by exploring portraiture of family members and repr
 esentations of the places that were important to them. It moves on to objec
 ts illustrating the family’s engagement with youth as a site of education\,
  entertainment\, and memory. Subsequent sections reveal how the Yeatses cre
 ated objects that transformed private spaces through imaginative innovation
  and material practices\, as well as how they shaped public life through th
 eater\, publishing and printing\, and visual representations of a distincti
 ve Irish identity as the nation established itself post-independence. \n\nR
 ecent gifts to Boston College anchor the exhibition: Jack B. Yeats painting
 s and Lily Yeats Stations of the Cross embroideries received by the McMulle
 n Museum and additional acquisitions of Yeats family materials by the John 
 J. Burns Library. These are complemented by major loans from the Model\, ho
 me of the Niland Collection\, the National Gallery of Ireland\, the Library
  of Trinity College Dublin\, the O’Brien Collection\, and the Collection of
  Carolyn A. and Peter S. Lynch. Supplemented by additional loans from other
  collections and anonymous lenders\, the exhibition constitutes the most ex
 pansive exploration of the Yeats family’s contributions to the public arts 
 to date. Many objects are publicly displayed for the first time\, others fo
 r the first time outside Ireland.\n\nThe exhibition is accompanied by a ful
 ly illustrated catalogue\, edited by Marjorie Howes\, which includes fiftee
 n essays contributed by an interdisciplinary team of scholars who offer new
  insights into historical contexts and interpretive frameworks for studying
  the Yeatses. \n\nOrganized by the McMullen Museum in conjunction with the 
 John J. Burns Library\, Collaborating in Conflict has been curated by Marjo
 rie Howes\, Christian Dupont\, and Diana Larsen. The exhibition is underwri
 tten by Boston College with major support from the Patrons of the McMullen 
 Museum\, the John C. Donohue Estate\, Robert ’63 and Ann Marie Reardon P’91
 \, and the Anna Frances Vegkeley Ryan Estate in memory of John Anthony Ryan
  Jr. ’50. Additional support has been provided by William J. Lundregan III\
 , Esq.\, ’62\, JD’67\, P’93\, ’96 and Elaine Stein-Cummins in memory of Dan
 iel Cummins ’58.\n\nBoston College’s Irish Studies program is organizing a 
 symposium to accompany the exhibition. With lectures by experts in Ireland’
 s visual arts\, theater and performance\, textiles and embroidery\, printin
 g and publishing\, and social and cultural history\, it will be held at Con
 nolly House and the McMullen Museum on February 20 and 21.
DTEND:20260407T210000Z
DTSTAMP:20260305T165704Z
DTSTART:20260407T140000Z
GEO:42.340795;-71.162583
LOCATION:McMullen Museum of Art
SEQUENCE:0
SUMMARY:Exhibition: "Collaborating in Conflict: The Yeats Family and the Pu
 blic Arts"
UID:tag:localist.com\,2008:EventInstance_51780871517075
URL:https://events.bc.edu/event/exhibition-collaborating-in-conflict-the-ye
 ats-family-and-the-public-arts
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts,Exhibition,Visual Arts
DESCRIPTION:Exhibition: Collaborating in Conflict: The Yeats Family and the
  Public Arts\n\nExamining the extraordinary impact the talented Yeats famil
 y had on cultural life and the public arts in Ireland during a century cruc
 ial to its history\, the exhibition features over two hundred works from pr
 emier public and private collections. Paintings\, drawings\, prints\, embro
 ideries\, books\, and letters by patriarch John Butler Yeats and his childr
 en William\, Lily\, Elizabeth\, and Jack\, as well as William’s daughter\, 
 Anne\, highlight examples of individual artistry. They also demonstrate how
  the Yeats family’s artistic expression was varied and deeply collaborative
 . In illustrated poetry\, set designs\, embroideries for home and liturgica
 l use\, printed broadsides\, paintings\, sketchbooks\, and other media\, th
 e siblings drew upon each others’ acumen. These endeavors were often fraugh
 t with conflict\, resulting in creative tensions and financial hardships. \
 n\nThe exhibition opens by exploring portraiture of family members and repr
 esentations of the places that were important to them. It moves on to objec
 ts illustrating the family’s engagement with youth as a site of education\,
  entertainment\, and memory. Subsequent sections reveal how the Yeatses cre
 ated objects that transformed private spaces through imaginative innovation
  and material practices\, as well as how they shaped public life through th
 eater\, publishing and printing\, and visual representations of a distincti
 ve Irish identity as the nation established itself post-independence. \n\nR
 ecent gifts to Boston College anchor the exhibition: Jack B. Yeats painting
 s and Lily Yeats Stations of the Cross embroideries received by the McMulle
 n Museum and additional acquisitions of Yeats family materials by the John 
 J. Burns Library. These are complemented by major loans from the Model\, ho
 me of the Niland Collection\, the National Gallery of Ireland\, the Library
  of Trinity College Dublin\, the O’Brien Collection\, and the Collection of
  Carolyn A. and Peter S. Lynch. Supplemented by additional loans from other
  collections and anonymous lenders\, the exhibition constitutes the most ex
 pansive exploration of the Yeats family’s contributions to the public arts 
 to date. Many objects are publicly displayed for the first time\, others fo
 r the first time outside Ireland.\n\nThe exhibition is accompanied by a ful
 ly illustrated catalogue\, edited by Marjorie Howes\, which includes fiftee
 n essays contributed by an interdisciplinary team of scholars who offer new
  insights into historical contexts and interpretive frameworks for studying
  the Yeatses. \n\nOrganized by the McMullen Museum in conjunction with the 
 John J. Burns Library\, Collaborating in Conflict has been curated by Marjo
 rie Howes\, Christian Dupont\, and Diana Larsen. The exhibition is underwri
 tten by Boston College with major support from the Patrons of the McMullen 
 Museum\, the John C. Donohue Estate\, Robert ’63 and Ann Marie Reardon P’91
 \, and the Anna Frances Vegkeley Ryan Estate in memory of John Anthony Ryan
  Jr. ’50. Additional support has been provided by William J. Lundregan III\
 , Esq.\, ’62\, JD’67\, P’93\, ’96 and Elaine Stein-Cummins in memory of Dan
 iel Cummins ’58.\n\nBoston College’s Irish Studies program is organizing a 
 symposium to accompany the exhibition. With lectures by experts in Ireland’
 s visual arts\, theater and performance\, textiles and embroidery\, printin
 g and publishing\, and social and cultural history\, it will be held at Con
 nolly House and the McMullen Museum on February 20 and 21.
DTEND:20260408T210000Z
DTSTAMP:20260305T165704Z
DTSTART:20260408T140000Z
GEO:42.340795;-71.162583
LOCATION:McMullen Museum of Art
SEQUENCE:0
SUMMARY:Exhibition: "Collaborating in Conflict: The Yeats Family and the Pu
 blic Arts"
UID:tag:localist.com\,2008:EventInstance_51780871518100
URL:https://events.bc.edu/event/exhibition-collaborating-in-conflict-the-ye
 ats-family-and-the-public-arts
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts,Exhibition,Visual Arts
DESCRIPTION:Exhibition: Collaborating in Conflict: The Yeats Family and the
  Public Arts\n\nExamining the extraordinary impact the talented Yeats famil
 y had on cultural life and the public arts in Ireland during a century cruc
 ial to its history\, the exhibition features over two hundred works from pr
 emier public and private collections. Paintings\, drawings\, prints\, embro
 ideries\, books\, and letters by patriarch John Butler Yeats and his childr
 en William\, Lily\, Elizabeth\, and Jack\, as well as William’s daughter\, 
 Anne\, highlight examples of individual artistry. They also demonstrate how
  the Yeats family’s artistic expression was varied and deeply collaborative
 . In illustrated poetry\, set designs\, embroideries for home and liturgica
 l use\, printed broadsides\, paintings\, sketchbooks\, and other media\, th
 e siblings drew upon each others’ acumen. These endeavors were often fraugh
 t with conflict\, resulting in creative tensions and financial hardships. \
 n\nThe exhibition opens by exploring portraiture of family members and repr
 esentations of the places that were important to them. It moves on to objec
 ts illustrating the family’s engagement with youth as a site of education\,
  entertainment\, and memory. Subsequent sections reveal how the Yeatses cre
 ated objects that transformed private spaces through imaginative innovation
  and material practices\, as well as how they shaped public life through th
 eater\, publishing and printing\, and visual representations of a distincti
 ve Irish identity as the nation established itself post-independence. \n\nR
 ecent gifts to Boston College anchor the exhibition: Jack B. Yeats painting
 s and Lily Yeats Stations of the Cross embroideries received by the McMulle
 n Museum and additional acquisitions of Yeats family materials by the John 
 J. Burns Library. These are complemented by major loans from the Model\, ho
 me of the Niland Collection\, the National Gallery of Ireland\, the Library
  of Trinity College Dublin\, the O’Brien Collection\, and the Collection of
  Carolyn A. and Peter S. Lynch. Supplemented by additional loans from other
  collections and anonymous lenders\, the exhibition constitutes the most ex
 pansive exploration of the Yeats family’s contributions to the public arts 
 to date. Many objects are publicly displayed for the first time\, others fo
 r the first time outside Ireland.\n\nThe exhibition is accompanied by a ful
 ly illustrated catalogue\, edited by Marjorie Howes\, which includes fiftee
 n essays contributed by an interdisciplinary team of scholars who offer new
  insights into historical contexts and interpretive frameworks for studying
  the Yeatses. \n\nOrganized by the McMullen Museum in conjunction with the 
 John J. Burns Library\, Collaborating in Conflict has been curated by Marjo
 rie Howes\, Christian Dupont\, and Diana Larsen. The exhibition is underwri
 tten by Boston College with major support from the Patrons of the McMullen 
 Museum\, the John C. Donohue Estate\, Robert ’63 and Ann Marie Reardon P’91
 \, and the Anna Frances Vegkeley Ryan Estate in memory of John Anthony Ryan
  Jr. ’50. Additional support has been provided by William J. Lundregan III\
 , Esq.\, ’62\, JD’67\, P’93\, ’96 and Elaine Stein-Cummins in memory of Dan
 iel Cummins ’58.\n\nBoston College’s Irish Studies program is organizing a 
 symposium to accompany the exhibition. With lectures by experts in Ireland’
 s visual arts\, theater and performance\, textiles and embroidery\, printin
 g and publishing\, and social and cultural history\, it will be held at Con
 nolly House and the McMullen Museum on February 20 and 21.
DTEND:20260409T210000Z
DTSTAMP:20260305T165704Z
DTSTART:20260409T140000Z
GEO:42.340795;-71.162583
LOCATION:McMullen Museum of Art
SEQUENCE:0
SUMMARY:Exhibition: "Collaborating in Conflict: The Yeats Family and the Pu
 blic Arts"
UID:tag:localist.com\,2008:EventInstance_51780871519125
URL:https://events.bc.edu/event/exhibition-collaborating-in-conflict-the-ye
 ats-family-and-the-public-arts
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts,Exhibition,Visual Arts
DESCRIPTION:Exhibition: Collaborating in Conflict: The Yeats Family and the
  Public Arts\n\nExamining the extraordinary impact the talented Yeats famil
 y had on cultural life and the public arts in Ireland during a century cruc
 ial to its history\, the exhibition features over two hundred works from pr
 emier public and private collections. Paintings\, drawings\, prints\, embro
 ideries\, books\, and letters by patriarch John Butler Yeats and his childr
 en William\, Lily\, Elizabeth\, and Jack\, as well as William’s daughter\, 
 Anne\, highlight examples of individual artistry. They also demonstrate how
  the Yeats family’s artistic expression was varied and deeply collaborative
 . In illustrated poetry\, set designs\, embroideries for home and liturgica
 l use\, printed broadsides\, paintings\, sketchbooks\, and other media\, th
 e siblings drew upon each others’ acumen. These endeavors were often fraugh
 t with conflict\, resulting in creative tensions and financial hardships. \
 n\nThe exhibition opens by exploring portraiture of family members and repr
 esentations of the places that were important to them. It moves on to objec
 ts illustrating the family’s engagement with youth as a site of education\,
  entertainment\, and memory. Subsequent sections reveal how the Yeatses cre
 ated objects that transformed private spaces through imaginative innovation
  and material practices\, as well as how they shaped public life through th
 eater\, publishing and printing\, and visual representations of a distincti
 ve Irish identity as the nation established itself post-independence. \n\nR
 ecent gifts to Boston College anchor the exhibition: Jack B. Yeats painting
 s and Lily Yeats Stations of the Cross embroideries received by the McMulle
 n Museum and additional acquisitions of Yeats family materials by the John 
 J. Burns Library. These are complemented by major loans from the Model\, ho
 me of the Niland Collection\, the National Gallery of Ireland\, the Library
  of Trinity College Dublin\, the O’Brien Collection\, and the Collection of
  Carolyn A. and Peter S. Lynch. Supplemented by additional loans from other
  collections and anonymous lenders\, the exhibition constitutes the most ex
 pansive exploration of the Yeats family’s contributions to the public arts 
 to date. Many objects are publicly displayed for the first time\, others fo
 r the first time outside Ireland.\n\nThe exhibition is accompanied by a ful
 ly illustrated catalogue\, edited by Marjorie Howes\, which includes fiftee
 n essays contributed by an interdisciplinary team of scholars who offer new
  insights into historical contexts and interpretive frameworks for studying
  the Yeatses. \n\nOrganized by the McMullen Museum in conjunction with the 
 John J. Burns Library\, Collaborating in Conflict has been curated by Marjo
 rie Howes\, Christian Dupont\, and Diana Larsen. The exhibition is underwri
 tten by Boston College with major support from the Patrons of the McMullen 
 Museum\, the John C. Donohue Estate\, Robert ’63 and Ann Marie Reardon P’91
 \, and the Anna Frances Vegkeley Ryan Estate in memory of John Anthony Ryan
  Jr. ’50. Additional support has been provided by William J. Lundregan III\
 , Esq.\, ’62\, JD’67\, P’93\, ’96 and Elaine Stein-Cummins in memory of Dan
 iel Cummins ’58.\n\nBoston College’s Irish Studies program is organizing a 
 symposium to accompany the exhibition. With lectures by experts in Ireland’
 s visual arts\, theater and performance\, textiles and embroidery\, printin
 g and publishing\, and social and cultural history\, it will be held at Con
 nolly House and the McMullen Museum on February 20 and 21.
DTEND:20260410T210000Z
DTSTAMP:20260305T165704Z
DTSTART:20260410T140000Z
GEO:42.340795;-71.162583
LOCATION:McMullen Museum of Art
SEQUENCE:0
SUMMARY:Exhibition: "Collaborating in Conflict: The Yeats Family and the Pu
 blic Arts"
UID:tag:localist.com\,2008:EventInstance_51780871520150
URL:https://events.bc.edu/event/exhibition-collaborating-in-conflict-the-ye
 ats-family-and-the-public-arts
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts,Exhibition,Visual Arts
DESCRIPTION:Exhibition: Collaborating in Conflict: The Yeats Family and the
  Public Arts\n\nExamining the extraordinary impact the talented Yeats famil
 y had on cultural life and the public arts in Ireland during a century cruc
 ial to its history\, the exhibition features over two hundred works from pr
 emier public and private collections. Paintings\, drawings\, prints\, embro
 ideries\, books\, and letters by patriarch John Butler Yeats and his childr
 en William\, Lily\, Elizabeth\, and Jack\, as well as William’s daughter\, 
 Anne\, highlight examples of individual artistry. They also demonstrate how
  the Yeats family’s artistic expression was varied and deeply collaborative
 . In illustrated poetry\, set designs\, embroideries for home and liturgica
 l use\, printed broadsides\, paintings\, sketchbooks\, and other media\, th
 e siblings drew upon each others’ acumen. These endeavors were often fraugh
 t with conflict\, resulting in creative tensions and financial hardships. \
 n\nThe exhibition opens by exploring portraiture of family members and repr
 esentations of the places that were important to them. It moves on to objec
 ts illustrating the family’s engagement with youth as a site of education\,
  entertainment\, and memory. Subsequent sections reveal how the Yeatses cre
 ated objects that transformed private spaces through imaginative innovation
  and material practices\, as well as how they shaped public life through th
 eater\, publishing and printing\, and visual representations of a distincti
 ve Irish identity as the nation established itself post-independence. \n\nR
 ecent gifts to Boston College anchor the exhibition: Jack B. Yeats painting
 s and Lily Yeats Stations of the Cross embroideries received by the McMulle
 n Museum and additional acquisitions of Yeats family materials by the John 
 J. Burns Library. These are complemented by major loans from the Model\, ho
 me of the Niland Collection\, the National Gallery of Ireland\, the Library
  of Trinity College Dublin\, the O’Brien Collection\, and the Collection of
  Carolyn A. and Peter S. Lynch. Supplemented by additional loans from other
  collections and anonymous lenders\, the exhibition constitutes the most ex
 pansive exploration of the Yeats family’s contributions to the public arts 
 to date. Many objects are publicly displayed for the first time\, others fo
 r the first time outside Ireland.\n\nThe exhibition is accompanied by a ful
 ly illustrated catalogue\, edited by Marjorie Howes\, which includes fiftee
 n essays contributed by an interdisciplinary team of scholars who offer new
  insights into historical contexts and interpretive frameworks for studying
  the Yeatses. \n\nOrganized by the McMullen Museum in conjunction with the 
 John J. Burns Library\, Collaborating in Conflict has been curated by Marjo
 rie Howes\, Christian Dupont\, and Diana Larsen. The exhibition is underwri
 tten by Boston College with major support from the Patrons of the McMullen 
 Museum\, the John C. Donohue Estate\, Robert ’63 and Ann Marie Reardon P’91
 \, and the Anna Frances Vegkeley Ryan Estate in memory of John Anthony Ryan
  Jr. ’50. Additional support has been provided by William J. Lundregan III\
 , Esq.\, ’62\, JD’67\, P’93\, ’96 and Elaine Stein-Cummins in memory of Dan
 iel Cummins ’58.\n\nBoston College’s Irish Studies program is organizing a 
 symposium to accompany the exhibition. With lectures by experts in Ireland’
 s visual arts\, theater and performance\, textiles and embroidery\, printin
 g and publishing\, and social and cultural history\, it will be held at Con
 nolly House and the McMullen Museum on February 20 and 21.
DTEND:20260411T210000Z
DTSTAMP:20260305T165704Z
DTSTART:20260411T160000Z
GEO:42.340795;-71.162583
LOCATION:McMullen Museum of Art
SEQUENCE:0
SUMMARY:Exhibition: "Collaborating in Conflict: The Yeats Family and the Pu
 blic Arts"
UID:tag:localist.com\,2008:EventInstance_51780871521175
URL:https://events.bc.edu/event/exhibition-collaborating-in-conflict-the-ye
 ats-family-and-the-public-arts
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts,Exhibition,Visual Arts
DESCRIPTION:Exhibition: Collaborating in Conflict: The Yeats Family and the
  Public Arts\n\nExamining the extraordinary impact the talented Yeats famil
 y had on cultural life and the public arts in Ireland during a century cruc
 ial to its history\, the exhibition features over two hundred works from pr
 emier public and private collections. Paintings\, drawings\, prints\, embro
 ideries\, books\, and letters by patriarch John Butler Yeats and his childr
 en William\, Lily\, Elizabeth\, and Jack\, as well as William’s daughter\, 
 Anne\, highlight examples of individual artistry. They also demonstrate how
  the Yeats family’s artistic expression was varied and deeply collaborative
 . In illustrated poetry\, set designs\, embroideries for home and liturgica
 l use\, printed broadsides\, paintings\, sketchbooks\, and other media\, th
 e siblings drew upon each others’ acumen. These endeavors were often fraugh
 t with conflict\, resulting in creative tensions and financial hardships. \
 n\nThe exhibition opens by exploring portraiture of family members and repr
 esentations of the places that were important to them. It moves on to objec
 ts illustrating the family’s engagement with youth as a site of education\,
  entertainment\, and memory. Subsequent sections reveal how the Yeatses cre
 ated objects that transformed private spaces through imaginative innovation
  and material practices\, as well as how they shaped public life through th
 eater\, publishing and printing\, and visual representations of a distincti
 ve Irish identity as the nation established itself post-independence. \n\nR
 ecent gifts to Boston College anchor the exhibition: Jack B. Yeats painting
 s and Lily Yeats Stations of the Cross embroideries received by the McMulle
 n Museum and additional acquisitions of Yeats family materials by the John 
 J. Burns Library. These are complemented by major loans from the Model\, ho
 me of the Niland Collection\, the National Gallery of Ireland\, the Library
  of Trinity College Dublin\, the O’Brien Collection\, and the Collection of
  Carolyn A. and Peter S. Lynch. Supplemented by additional loans from other
  collections and anonymous lenders\, the exhibition constitutes the most ex
 pansive exploration of the Yeats family’s contributions to the public arts 
 to date. Many objects are publicly displayed for the first time\, others fo
 r the first time outside Ireland.\n\nThe exhibition is accompanied by a ful
 ly illustrated catalogue\, edited by Marjorie Howes\, which includes fiftee
 n essays contributed by an interdisciplinary team of scholars who offer new
  insights into historical contexts and interpretive frameworks for studying
  the Yeatses. \n\nOrganized by the McMullen Museum in conjunction with the 
 John J. Burns Library\, Collaborating in Conflict has been curated by Marjo
 rie Howes\, Christian Dupont\, and Diana Larsen. The exhibition is underwri
 tten by Boston College with major support from the Patrons of the McMullen 
 Museum\, the John C. Donohue Estate\, Robert ’63 and Ann Marie Reardon P’91
 \, and the Anna Frances Vegkeley Ryan Estate in memory of John Anthony Ryan
  Jr. ’50. Additional support has been provided by William J. Lundregan III\
 , Esq.\, ’62\, JD’67\, P’93\, ’96 and Elaine Stein-Cummins in memory of Dan
 iel Cummins ’58.\n\nBoston College’s Irish Studies program is organizing a 
 symposium to accompany the exhibition. With lectures by experts in Ireland’
 s visual arts\, theater and performance\, textiles and embroidery\, printin
 g and publishing\, and social and cultural history\, it will be held at Con
 nolly House and the McMullen Museum on February 20 and 21.
DTEND:20260412T210000Z
DTSTAMP:20260305T165704Z
DTSTART:20260412T160000Z
GEO:42.340795;-71.162583
LOCATION:McMullen Museum of Art
SEQUENCE:0
SUMMARY:Exhibition: "Collaborating in Conflict: The Yeats Family and the Pu
 blic Arts"
UID:tag:localist.com\,2008:EventInstance_51780871522200
URL:https://events.bc.edu/event/exhibition-collaborating-in-conflict-the-ye
 ats-family-and-the-public-arts
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts,Exhibition,Visual Arts
DESCRIPTION:Exhibition: Collaborating in Conflict: The Yeats Family and the
  Public Arts\n\nExamining the extraordinary impact the talented Yeats famil
 y had on cultural life and the public arts in Ireland during a century cruc
 ial to its history\, the exhibition features over two hundred works from pr
 emier public and private collections. Paintings\, drawings\, prints\, embro
 ideries\, books\, and letters by patriarch John Butler Yeats and his childr
 en William\, Lily\, Elizabeth\, and Jack\, as well as William’s daughter\, 
 Anne\, highlight examples of individual artistry. They also demonstrate how
  the Yeats family’s artistic expression was varied and deeply collaborative
 . In illustrated poetry\, set designs\, embroideries for home and liturgica
 l use\, printed broadsides\, paintings\, sketchbooks\, and other media\, th
 e siblings drew upon each others’ acumen. These endeavors were often fraugh
 t with conflict\, resulting in creative tensions and financial hardships. \
 n\nThe exhibition opens by exploring portraiture of family members and repr
 esentations of the places that were important to them. It moves on to objec
 ts illustrating the family’s engagement with youth as a site of education\,
  entertainment\, and memory. Subsequent sections reveal how the Yeatses cre
 ated objects that transformed private spaces through imaginative innovation
  and material practices\, as well as how they shaped public life through th
 eater\, publishing and printing\, and visual representations of a distincti
 ve Irish identity as the nation established itself post-independence. \n\nR
 ecent gifts to Boston College anchor the exhibition: Jack B. Yeats painting
 s and Lily Yeats Stations of the Cross embroideries received by the McMulle
 n Museum and additional acquisitions of Yeats family materials by the John 
 J. Burns Library. These are complemented by major loans from the Model\, ho
 me of the Niland Collection\, the National Gallery of Ireland\, the Library
  of Trinity College Dublin\, the O’Brien Collection\, and the Collection of
  Carolyn A. and Peter S. Lynch. Supplemented by additional loans from other
  collections and anonymous lenders\, the exhibition constitutes the most ex
 pansive exploration of the Yeats family’s contributions to the public arts 
 to date. Many objects are publicly displayed for the first time\, others fo
 r the first time outside Ireland.\n\nThe exhibition is accompanied by a ful
 ly illustrated catalogue\, edited by Marjorie Howes\, which includes fiftee
 n essays contributed by an interdisciplinary team of scholars who offer new
  insights into historical contexts and interpretive frameworks for studying
  the Yeatses. \n\nOrganized by the McMullen Museum in conjunction with the 
 John J. Burns Library\, Collaborating in Conflict has been curated by Marjo
 rie Howes\, Christian Dupont\, and Diana Larsen. The exhibition is underwri
 tten by Boston College with major support from the Patrons of the McMullen 
 Museum\, the John C. Donohue Estate\, Robert ’63 and Ann Marie Reardon P’91
 \, and the Anna Frances Vegkeley Ryan Estate in memory of John Anthony Ryan
  Jr. ’50. Additional support has been provided by William J. Lundregan III\
 , Esq.\, ’62\, JD’67\, P’93\, ’96 and Elaine Stein-Cummins in memory of Dan
 iel Cummins ’58.\n\nBoston College’s Irish Studies program is organizing a 
 symposium to accompany the exhibition. With lectures by experts in Ireland’
 s visual arts\, theater and performance\, textiles and embroidery\, printin
 g and publishing\, and social and cultural history\, it will be held at Con
 nolly House and the McMullen Museum on February 20 and 21.
DTEND:20260413T210000Z
DTSTAMP:20260305T165704Z
DTSTART:20260413T140000Z
GEO:42.340795;-71.162583
LOCATION:McMullen Museum of Art
SEQUENCE:0
SUMMARY:Exhibition: "Collaborating in Conflict: The Yeats Family and the Pu
 blic Arts"
UID:tag:localist.com\,2008:EventInstance_51780871523225
URL:https://events.bc.edu/event/exhibition-collaborating-in-conflict-the-ye
 ats-family-and-the-public-arts
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts,Exhibition,Visual Arts
DESCRIPTION:Exhibition: Collaborating in Conflict: The Yeats Family and the
  Public Arts\n\nExamining the extraordinary impact the talented Yeats famil
 y had on cultural life and the public arts in Ireland during a century cruc
 ial to its history\, the exhibition features over two hundred works from pr
 emier public and private collections. Paintings\, drawings\, prints\, embro
 ideries\, books\, and letters by patriarch John Butler Yeats and his childr
 en William\, Lily\, Elizabeth\, and Jack\, as well as William’s daughter\, 
 Anne\, highlight examples of individual artistry. They also demonstrate how
  the Yeats family’s artistic expression was varied and deeply collaborative
 . In illustrated poetry\, set designs\, embroideries for home and liturgica
 l use\, printed broadsides\, paintings\, sketchbooks\, and other media\, th
 e siblings drew upon each others’ acumen. These endeavors were often fraugh
 t with conflict\, resulting in creative tensions and financial hardships. \
 n\nThe exhibition opens by exploring portraiture of family members and repr
 esentations of the places that were important to them. It moves on to objec
 ts illustrating the family’s engagement with youth as a site of education\,
  entertainment\, and memory. Subsequent sections reveal how the Yeatses cre
 ated objects that transformed private spaces through imaginative innovation
  and material practices\, as well as how they shaped public life through th
 eater\, publishing and printing\, and visual representations of a distincti
 ve Irish identity as the nation established itself post-independence. \n\nR
 ecent gifts to Boston College anchor the exhibition: Jack B. Yeats painting
 s and Lily Yeats Stations of the Cross embroideries received by the McMulle
 n Museum and additional acquisitions of Yeats family materials by the John 
 J. Burns Library. These are complemented by major loans from the Model\, ho
 me of the Niland Collection\, the National Gallery of Ireland\, the Library
  of Trinity College Dublin\, the O’Brien Collection\, and the Collection of
  Carolyn A. and Peter S. Lynch. Supplemented by additional loans from other
  collections and anonymous lenders\, the exhibition constitutes the most ex
 pansive exploration of the Yeats family’s contributions to the public arts 
 to date. Many objects are publicly displayed for the first time\, others fo
 r the first time outside Ireland.\n\nThe exhibition is accompanied by a ful
 ly illustrated catalogue\, edited by Marjorie Howes\, which includes fiftee
 n essays contributed by an interdisciplinary team of scholars who offer new
  insights into historical contexts and interpretive frameworks for studying
  the Yeatses. \n\nOrganized by the McMullen Museum in conjunction with the 
 John J. Burns Library\, Collaborating in Conflict has been curated by Marjo
 rie Howes\, Christian Dupont\, and Diana Larsen. The exhibition is underwri
 tten by Boston College with major support from the Patrons of the McMullen 
 Museum\, the John C. Donohue Estate\, Robert ’63 and Ann Marie Reardon P’91
 \, and the Anna Frances Vegkeley Ryan Estate in memory of John Anthony Ryan
  Jr. ’50. Additional support has been provided by William J. Lundregan III\
 , Esq.\, ’62\, JD’67\, P’93\, ’96 and Elaine Stein-Cummins in memory of Dan
 iel Cummins ’58.\n\nBoston College’s Irish Studies program is organizing a 
 symposium to accompany the exhibition. With lectures by experts in Ireland’
 s visual arts\, theater and performance\, textiles and embroidery\, printin
 g and publishing\, and social and cultural history\, it will be held at Con
 nolly House and the McMullen Museum on February 20 and 21.
DTEND:20260414T210000Z
DTSTAMP:20260305T165704Z
DTSTART:20260414T140000Z
GEO:42.340795;-71.162583
LOCATION:McMullen Museum of Art
SEQUENCE:0
SUMMARY:Exhibition: "Collaborating in Conflict: The Yeats Family and the Pu
 blic Arts"
UID:tag:localist.com\,2008:EventInstance_51780871524250
URL:https://events.bc.edu/event/exhibition-collaborating-in-conflict-the-ye
 ats-family-and-the-public-arts
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts,Exhibition,Visual Arts
DESCRIPTION:Exhibition: Collaborating in Conflict: The Yeats Family and the
  Public Arts\n\nExamining the extraordinary impact the talented Yeats famil
 y had on cultural life and the public arts in Ireland during a century cruc
 ial to its history\, the exhibition features over two hundred works from pr
 emier public and private collections. Paintings\, drawings\, prints\, embro
 ideries\, books\, and letters by patriarch John Butler Yeats and his childr
 en William\, Lily\, Elizabeth\, and Jack\, as well as William’s daughter\, 
 Anne\, highlight examples of individual artistry. They also demonstrate how
  the Yeats family’s artistic expression was varied and deeply collaborative
 . In illustrated poetry\, set designs\, embroideries for home and liturgica
 l use\, printed broadsides\, paintings\, sketchbooks\, and other media\, th
 e siblings drew upon each others’ acumen. These endeavors were often fraugh
 t with conflict\, resulting in creative tensions and financial hardships. \
 n\nThe exhibition opens by exploring portraiture of family members and repr
 esentations of the places that were important to them. It moves on to objec
 ts illustrating the family’s engagement with youth as a site of education\,
  entertainment\, and memory. Subsequent sections reveal how the Yeatses cre
 ated objects that transformed private spaces through imaginative innovation
  and material practices\, as well as how they shaped public life through th
 eater\, publishing and printing\, and visual representations of a distincti
 ve Irish identity as the nation established itself post-independence. \n\nR
 ecent gifts to Boston College anchor the exhibition: Jack B. Yeats painting
 s and Lily Yeats Stations of the Cross embroideries received by the McMulle
 n Museum and additional acquisitions of Yeats family materials by the John 
 J. Burns Library. These are complemented by major loans from the Model\, ho
 me of the Niland Collection\, the National Gallery of Ireland\, the Library
  of Trinity College Dublin\, the O’Brien Collection\, and the Collection of
  Carolyn A. and Peter S. Lynch. Supplemented by additional loans from other
  collections and anonymous lenders\, the exhibition constitutes the most ex
 pansive exploration of the Yeats family’s contributions to the public arts 
 to date. Many objects are publicly displayed for the first time\, others fo
 r the first time outside Ireland.\n\nThe exhibition is accompanied by a ful
 ly illustrated catalogue\, edited by Marjorie Howes\, which includes fiftee
 n essays contributed by an interdisciplinary team of scholars who offer new
  insights into historical contexts and interpretive frameworks for studying
  the Yeatses. \n\nOrganized by the McMullen Museum in conjunction with the 
 John J. Burns Library\, Collaborating in Conflict has been curated by Marjo
 rie Howes\, Christian Dupont\, and Diana Larsen. The exhibition is underwri
 tten by Boston College with major support from the Patrons of the McMullen 
 Museum\, the John C. Donohue Estate\, Robert ’63 and Ann Marie Reardon P’91
 \, and the Anna Frances Vegkeley Ryan Estate in memory of John Anthony Ryan
  Jr. ’50. Additional support has been provided by William J. Lundregan III\
 , Esq.\, ’62\, JD’67\, P’93\, ’96 and Elaine Stein-Cummins in memory of Dan
 iel Cummins ’58.\n\nBoston College’s Irish Studies program is organizing a 
 symposium to accompany the exhibition. With lectures by experts in Ireland’
 s visual arts\, theater and performance\, textiles and embroidery\, printin
 g and publishing\, and social and cultural history\, it will be held at Con
 nolly House and the McMullen Museum on February 20 and 21.
DTEND:20260415T210000Z
DTSTAMP:20260305T165704Z
DTSTART:20260415T140000Z
GEO:42.340795;-71.162583
LOCATION:McMullen Museum of Art
SEQUENCE:0
SUMMARY:Exhibition: "Collaborating in Conflict: The Yeats Family and the Pu
 blic Arts"
UID:tag:localist.com\,2008:EventInstance_51780871525275
URL:https://events.bc.edu/event/exhibition-collaborating-in-conflict-the-ye
 ats-family-and-the-public-arts
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts,Exhibition,Visual Arts
DESCRIPTION:Exhibition: Collaborating in Conflict: The Yeats Family and the
  Public Arts\n\nExamining the extraordinary impact the talented Yeats famil
 y had on cultural life and the public arts in Ireland during a century cruc
 ial to its history\, the exhibition features over two hundred works from pr
 emier public and private collections. Paintings\, drawings\, prints\, embro
 ideries\, books\, and letters by patriarch John Butler Yeats and his childr
 en William\, Lily\, Elizabeth\, and Jack\, as well as William’s daughter\, 
 Anne\, highlight examples of individual artistry. They also demonstrate how
  the Yeats family’s artistic expression was varied and deeply collaborative
 . In illustrated poetry\, set designs\, embroideries for home and liturgica
 l use\, printed broadsides\, paintings\, sketchbooks\, and other media\, th
 e siblings drew upon each others’ acumen. These endeavors were often fraugh
 t with conflict\, resulting in creative tensions and financial hardships. \
 n\nThe exhibition opens by exploring portraiture of family members and repr
 esentations of the places that were important to them. It moves on to objec
 ts illustrating the family’s engagement with youth as a site of education\,
  entertainment\, and memory. Subsequent sections reveal how the Yeatses cre
 ated objects that transformed private spaces through imaginative innovation
  and material practices\, as well as how they shaped public life through th
 eater\, publishing and printing\, and visual representations of a distincti
 ve Irish identity as the nation established itself post-independence. \n\nR
 ecent gifts to Boston College anchor the exhibition: Jack B. Yeats painting
 s and Lily Yeats Stations of the Cross embroideries received by the McMulle
 n Museum and additional acquisitions of Yeats family materials by the John 
 J. Burns Library. These are complemented by major loans from the Model\, ho
 me of the Niland Collection\, the National Gallery of Ireland\, the Library
  of Trinity College Dublin\, the O’Brien Collection\, and the Collection of
  Carolyn A. and Peter S. Lynch. Supplemented by additional loans from other
  collections and anonymous lenders\, the exhibition constitutes the most ex
 pansive exploration of the Yeats family’s contributions to the public arts 
 to date. Many objects are publicly displayed for the first time\, others fo
 r the first time outside Ireland.\n\nThe exhibition is accompanied by a ful
 ly illustrated catalogue\, edited by Marjorie Howes\, which includes fiftee
 n essays contributed by an interdisciplinary team of scholars who offer new
  insights into historical contexts and interpretive frameworks for studying
  the Yeatses. \n\nOrganized by the McMullen Museum in conjunction with the 
 John J. Burns Library\, Collaborating in Conflict has been curated by Marjo
 rie Howes\, Christian Dupont\, and Diana Larsen. The exhibition is underwri
 tten by Boston College with major support from the Patrons of the McMullen 
 Museum\, the John C. Donohue Estate\, Robert ’63 and Ann Marie Reardon P’91
 \, and the Anna Frances Vegkeley Ryan Estate in memory of John Anthony Ryan
  Jr. ’50. Additional support has been provided by William J. Lundregan III\
 , Esq.\, ’62\, JD’67\, P’93\, ’96 and Elaine Stein-Cummins in memory of Dan
 iel Cummins ’58.\n\nBoston College’s Irish Studies program is organizing a 
 symposium to accompany the exhibition. With lectures by experts in Ireland’
 s visual arts\, theater and performance\, textiles and embroidery\, printin
 g and publishing\, and social and cultural history\, it will be held at Con
 nolly House and the McMullen Museum on February 20 and 21.
DTEND:20260416T210000Z
DTSTAMP:20260305T165704Z
DTSTART:20260416T140000Z
GEO:42.340795;-71.162583
LOCATION:McMullen Museum of Art
SEQUENCE:0
SUMMARY:Exhibition: "Collaborating in Conflict: The Yeats Family and the Pu
 blic Arts"
UID:tag:localist.com\,2008:EventInstance_51780871526300
URL:https://events.bc.edu/event/exhibition-collaborating-in-conflict-the-ye
 ats-family-and-the-public-arts
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts,Exhibition,Visual Arts
DESCRIPTION:Exhibition: Collaborating in Conflict: The Yeats Family and the
  Public Arts\n\nExamining the extraordinary impact the talented Yeats famil
 y had on cultural life and the public arts in Ireland during a century cruc
 ial to its history\, the exhibition features over two hundred works from pr
 emier public and private collections. Paintings\, drawings\, prints\, embro
 ideries\, books\, and letters by patriarch John Butler Yeats and his childr
 en William\, Lily\, Elizabeth\, and Jack\, as well as William’s daughter\, 
 Anne\, highlight examples of individual artistry. They also demonstrate how
  the Yeats family’s artistic expression was varied and deeply collaborative
 . In illustrated poetry\, set designs\, embroideries for home and liturgica
 l use\, printed broadsides\, paintings\, sketchbooks\, and other media\, th
 e siblings drew upon each others’ acumen. These endeavors were often fraugh
 t with conflict\, resulting in creative tensions and financial hardships. \
 n\nThe exhibition opens by exploring portraiture of family members and repr
 esentations of the places that were important to them. It moves on to objec
 ts illustrating the family’s engagement with youth as a site of education\,
  entertainment\, and memory. Subsequent sections reveal how the Yeatses cre
 ated objects that transformed private spaces through imaginative innovation
  and material practices\, as well as how they shaped public life through th
 eater\, publishing and printing\, and visual representations of a distincti
 ve Irish identity as the nation established itself post-independence. \n\nR
 ecent gifts to Boston College anchor the exhibition: Jack B. Yeats painting
 s and Lily Yeats Stations of the Cross embroideries received by the McMulle
 n Museum and additional acquisitions of Yeats family materials by the John 
 J. Burns Library. These are complemented by major loans from the Model\, ho
 me of the Niland Collection\, the National Gallery of Ireland\, the Library
  of Trinity College Dublin\, the O’Brien Collection\, and the Collection of
  Carolyn A. and Peter S. Lynch. Supplemented by additional loans from other
  collections and anonymous lenders\, the exhibition constitutes the most ex
 pansive exploration of the Yeats family’s contributions to the public arts 
 to date. Many objects are publicly displayed for the first time\, others fo
 r the first time outside Ireland.\n\nThe exhibition is accompanied by a ful
 ly illustrated catalogue\, edited by Marjorie Howes\, which includes fiftee
 n essays contributed by an interdisciplinary team of scholars who offer new
  insights into historical contexts and interpretive frameworks for studying
  the Yeatses. \n\nOrganized by the McMullen Museum in conjunction with the 
 John J. Burns Library\, Collaborating in Conflict has been curated by Marjo
 rie Howes\, Christian Dupont\, and Diana Larsen. The exhibition is underwri
 tten by Boston College with major support from the Patrons of the McMullen 
 Museum\, the John C. Donohue Estate\, Robert ’63 and Ann Marie Reardon P’91
 \, and the Anna Frances Vegkeley Ryan Estate in memory of John Anthony Ryan
  Jr. ’50. Additional support has been provided by William J. Lundregan III\
 , Esq.\, ’62\, JD’67\, P’93\, ’96 and Elaine Stein-Cummins in memory of Dan
 iel Cummins ’58.\n\nBoston College’s Irish Studies program is organizing a 
 symposium to accompany the exhibition. With lectures by experts in Ireland’
 s visual arts\, theater and performance\, textiles and embroidery\, printin
 g and publishing\, and social and cultural history\, it will be held at Con
 nolly House and the McMullen Museum on February 20 and 21.
DTEND:20260417T210000Z
DTSTAMP:20260305T165704Z
DTSTART:20260417T140000Z
GEO:42.340795;-71.162583
LOCATION:McMullen Museum of Art
SEQUENCE:0
SUMMARY:Exhibition: "Collaborating in Conflict: The Yeats Family and the Pu
 blic Arts"
UID:tag:localist.com\,2008:EventInstance_51780871527325
URL:https://events.bc.edu/event/exhibition-collaborating-in-conflict-the-ye
 ats-family-and-the-public-arts
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts,Exhibition,Visual Arts
DESCRIPTION:Exhibition: Collaborating in Conflict: The Yeats Family and the
  Public Arts\n\nExamining the extraordinary impact the talented Yeats famil
 y had on cultural life and the public arts in Ireland during a century cruc
 ial to its history\, the exhibition features over two hundred works from pr
 emier public and private collections. Paintings\, drawings\, prints\, embro
 ideries\, books\, and letters by patriarch John Butler Yeats and his childr
 en William\, Lily\, Elizabeth\, and Jack\, as well as William’s daughter\, 
 Anne\, highlight examples of individual artistry. They also demonstrate how
  the Yeats family’s artistic expression was varied and deeply collaborative
 . In illustrated poetry\, set designs\, embroideries for home and liturgica
 l use\, printed broadsides\, paintings\, sketchbooks\, and other media\, th
 e siblings drew upon each others’ acumen. These endeavors were often fraugh
 t with conflict\, resulting in creative tensions and financial hardships. \
 n\nThe exhibition opens by exploring portraiture of family members and repr
 esentations of the places that were important to them. It moves on to objec
 ts illustrating the family’s engagement with youth as a site of education\,
  entertainment\, and memory. Subsequent sections reveal how the Yeatses cre
 ated objects that transformed private spaces through imaginative innovation
  and material practices\, as well as how they shaped public life through th
 eater\, publishing and printing\, and visual representations of a distincti
 ve Irish identity as the nation established itself post-independence. \n\nR
 ecent gifts to Boston College anchor the exhibition: Jack B. Yeats painting
 s and Lily Yeats Stations of the Cross embroideries received by the McMulle
 n Museum and additional acquisitions of Yeats family materials by the John 
 J. Burns Library. These are complemented by major loans from the Model\, ho
 me of the Niland Collection\, the National Gallery of Ireland\, the Library
  of Trinity College Dublin\, the O’Brien Collection\, and the Collection of
  Carolyn A. and Peter S. Lynch. Supplemented by additional loans from other
  collections and anonymous lenders\, the exhibition constitutes the most ex
 pansive exploration of the Yeats family’s contributions to the public arts 
 to date. Many objects are publicly displayed for the first time\, others fo
 r the first time outside Ireland.\n\nThe exhibition is accompanied by a ful
 ly illustrated catalogue\, edited by Marjorie Howes\, which includes fiftee
 n essays contributed by an interdisciplinary team of scholars who offer new
  insights into historical contexts and interpretive frameworks for studying
  the Yeatses. \n\nOrganized by the McMullen Museum in conjunction with the 
 John J. Burns Library\, Collaborating in Conflict has been curated by Marjo
 rie Howes\, Christian Dupont\, and Diana Larsen. The exhibition is underwri
 tten by Boston College with major support from the Patrons of the McMullen 
 Museum\, the John C. Donohue Estate\, Robert ’63 and Ann Marie Reardon P’91
 \, and the Anna Frances Vegkeley Ryan Estate in memory of John Anthony Ryan
  Jr. ’50. Additional support has been provided by William J. Lundregan III\
 , Esq.\, ’62\, JD’67\, P’93\, ’96 and Elaine Stein-Cummins in memory of Dan
 iel Cummins ’58.\n\nBoston College’s Irish Studies program is organizing a 
 symposium to accompany the exhibition. With lectures by experts in Ireland’
 s visual arts\, theater and performance\, textiles and embroidery\, printin
 g and publishing\, and social and cultural history\, it will be held at Con
 nolly House and the McMullen Museum on February 20 and 21.
DTEND:20260418T210000Z
DTSTAMP:20260305T165704Z
DTSTART:20260418T160000Z
GEO:42.340795;-71.162583
LOCATION:McMullen Museum of Art
SEQUENCE:0
SUMMARY:Exhibition: "Collaborating in Conflict: The Yeats Family and the Pu
 blic Arts"
UID:tag:localist.com\,2008:EventInstance_51780871528350
URL:https://events.bc.edu/event/exhibition-collaborating-in-conflict-the-ye
 ats-family-and-the-public-arts
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts,Exhibition,Visual Arts
DESCRIPTION:Exhibition: Collaborating in Conflict: The Yeats Family and the
  Public Arts\n\nExamining the extraordinary impact the talented Yeats famil
 y had on cultural life and the public arts in Ireland during a century cruc
 ial to its history\, the exhibition features over two hundred works from pr
 emier public and private collections. Paintings\, drawings\, prints\, embro
 ideries\, books\, and letters by patriarch John Butler Yeats and his childr
 en William\, Lily\, Elizabeth\, and Jack\, as well as William’s daughter\, 
 Anne\, highlight examples of individual artistry. They also demonstrate how
  the Yeats family’s artistic expression was varied and deeply collaborative
 . In illustrated poetry\, set designs\, embroideries for home and liturgica
 l use\, printed broadsides\, paintings\, sketchbooks\, and other media\, th
 e siblings drew upon each others’ acumen. These endeavors were often fraugh
 t with conflict\, resulting in creative tensions and financial hardships. \
 n\nThe exhibition opens by exploring portraiture of family members and repr
 esentations of the places that were important to them. It moves on to objec
 ts illustrating the family’s engagement with youth as a site of education\,
  entertainment\, and memory. Subsequent sections reveal how the Yeatses cre
 ated objects that transformed private spaces through imaginative innovation
  and material practices\, as well as how they shaped public life through th
 eater\, publishing and printing\, and visual representations of a distincti
 ve Irish identity as the nation established itself post-independence. \n\nR
 ecent gifts to Boston College anchor the exhibition: Jack B. Yeats painting
 s and Lily Yeats Stations of the Cross embroideries received by the McMulle
 n Museum and additional acquisitions of Yeats family materials by the John 
 J. Burns Library. These are complemented by major loans from the Model\, ho
 me of the Niland Collection\, the National Gallery of Ireland\, the Library
  of Trinity College Dublin\, the O’Brien Collection\, and the Collection of
  Carolyn A. and Peter S. Lynch. Supplemented by additional loans from other
  collections and anonymous lenders\, the exhibition constitutes the most ex
 pansive exploration of the Yeats family’s contributions to the public arts 
 to date. Many objects are publicly displayed for the first time\, others fo
 r the first time outside Ireland.\n\nThe exhibition is accompanied by a ful
 ly illustrated catalogue\, edited by Marjorie Howes\, which includes fiftee
 n essays contributed by an interdisciplinary team of scholars who offer new
  insights into historical contexts and interpretive frameworks for studying
  the Yeatses. \n\nOrganized by the McMullen Museum in conjunction with the 
 John J. Burns Library\, Collaborating in Conflict has been curated by Marjo
 rie Howes\, Christian Dupont\, and Diana Larsen. The exhibition is underwri
 tten by Boston College with major support from the Patrons of the McMullen 
 Museum\, the John C. Donohue Estate\, Robert ’63 and Ann Marie Reardon P’91
 \, and the Anna Frances Vegkeley Ryan Estate in memory of John Anthony Ryan
  Jr. ’50. Additional support has been provided by William J. Lundregan III\
 , Esq.\, ’62\, JD’67\, P’93\, ’96 and Elaine Stein-Cummins in memory of Dan
 iel Cummins ’58.\n\nBoston College’s Irish Studies program is organizing a 
 symposium to accompany the exhibition. With lectures by experts in Ireland’
 s visual arts\, theater and performance\, textiles and embroidery\, printin
 g and publishing\, and social and cultural history\, it will be held at Con
 nolly House and the McMullen Museum on February 20 and 21.
DTEND:20260419T210000Z
DTSTAMP:20260305T165704Z
DTSTART:20260419T160000Z
GEO:42.340795;-71.162583
LOCATION:McMullen Museum of Art
SEQUENCE:0
SUMMARY:Exhibition: "Collaborating in Conflict: The Yeats Family and the Pu
 blic Arts"
UID:tag:localist.com\,2008:EventInstance_51780871529375
URL:https://events.bc.edu/event/exhibition-collaborating-in-conflict-the-ye
 ats-family-and-the-public-arts
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts,Exhibition,Visual Arts
DESCRIPTION:Exhibition: Collaborating in Conflict: The Yeats Family and the
  Public Arts\n\nExamining the extraordinary impact the talented Yeats famil
 y had on cultural life and the public arts in Ireland during a century cruc
 ial to its history\, the exhibition features over two hundred works from pr
 emier public and private collections. Paintings\, drawings\, prints\, embro
 ideries\, books\, and letters by patriarch John Butler Yeats and his childr
 en William\, Lily\, Elizabeth\, and Jack\, as well as William’s daughter\, 
 Anne\, highlight examples of individual artistry. They also demonstrate how
  the Yeats family’s artistic expression was varied and deeply collaborative
 . In illustrated poetry\, set designs\, embroideries for home and liturgica
 l use\, printed broadsides\, paintings\, sketchbooks\, and other media\, th
 e siblings drew upon each others’ acumen. These endeavors were often fraugh
 t with conflict\, resulting in creative tensions and financial hardships. \
 n\nThe exhibition opens by exploring portraiture of family members and repr
 esentations of the places that were important to them. It moves on to objec
 ts illustrating the family’s engagement with youth as a site of education\,
  entertainment\, and memory. Subsequent sections reveal how the Yeatses cre
 ated objects that transformed private spaces through imaginative innovation
  and material practices\, as well as how they shaped public life through th
 eater\, publishing and printing\, and visual representations of a distincti
 ve Irish identity as the nation established itself post-independence. \n\nR
 ecent gifts to Boston College anchor the exhibition: Jack B. Yeats painting
 s and Lily Yeats Stations of the Cross embroideries received by the McMulle
 n Museum and additional acquisitions of Yeats family materials by the John 
 J. Burns Library. These are complemented by major loans from the Model\, ho
 me of the Niland Collection\, the National Gallery of Ireland\, the Library
  of Trinity College Dublin\, the O’Brien Collection\, and the Collection of
  Carolyn A. and Peter S. Lynch. Supplemented by additional loans from other
  collections and anonymous lenders\, the exhibition constitutes the most ex
 pansive exploration of the Yeats family’s contributions to the public arts 
 to date. Many objects are publicly displayed for the first time\, others fo
 r the first time outside Ireland.\n\nThe exhibition is accompanied by a ful
 ly illustrated catalogue\, edited by Marjorie Howes\, which includes fiftee
 n essays contributed by an interdisciplinary team of scholars who offer new
  insights into historical contexts and interpretive frameworks for studying
  the Yeatses. \n\nOrganized by the McMullen Museum in conjunction with the 
 John J. Burns Library\, Collaborating in Conflict has been curated by Marjo
 rie Howes\, Christian Dupont\, and Diana Larsen. The exhibition is underwri
 tten by Boston College with major support from the Patrons of the McMullen 
 Museum\, the John C. Donohue Estate\, Robert ’63 and Ann Marie Reardon P’91
 \, and the Anna Frances Vegkeley Ryan Estate in memory of John Anthony Ryan
  Jr. ’50. Additional support has been provided by William J. Lundregan III\
 , Esq.\, ’62\, JD’67\, P’93\, ’96 and Elaine Stein-Cummins in memory of Dan
 iel Cummins ’58.\n\nBoston College’s Irish Studies program is organizing a 
 symposium to accompany the exhibition. With lectures by experts in Ireland’
 s visual arts\, theater and performance\, textiles and embroidery\, printin
 g and publishing\, and social and cultural history\, it will be held at Con
 nolly House and the McMullen Museum on February 20 and 21.
DTEND:20260421T210000Z
DTSTAMP:20260305T165704Z
DTSTART:20260421T140000Z
GEO:42.340795;-71.162583
LOCATION:McMullen Museum of Art
SEQUENCE:0
SUMMARY:Exhibition: "Collaborating in Conflict: The Yeats Family and the Pu
 blic Arts"
UID:tag:localist.com\,2008:EventInstance_51780871531425
URL:https://events.bc.edu/event/exhibition-collaborating-in-conflict-the-ye
 ats-family-and-the-public-arts
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts,Exhibition,Visual Arts
DESCRIPTION:Exhibition: Collaborating in Conflict: The Yeats Family and the
  Public Arts\n\nExamining the extraordinary impact the talented Yeats famil
 y had on cultural life and the public arts in Ireland during a century cruc
 ial to its history\, the exhibition features over two hundred works from pr
 emier public and private collections. Paintings\, drawings\, prints\, embro
 ideries\, books\, and letters by patriarch John Butler Yeats and his childr
 en William\, Lily\, Elizabeth\, and Jack\, as well as William’s daughter\, 
 Anne\, highlight examples of individual artistry. They also demonstrate how
  the Yeats family’s artistic expression was varied and deeply collaborative
 . In illustrated poetry\, set designs\, embroideries for home and liturgica
 l use\, printed broadsides\, paintings\, sketchbooks\, and other media\, th
 e siblings drew upon each others’ acumen. These endeavors were often fraugh
 t with conflict\, resulting in creative tensions and financial hardships. \
 n\nThe exhibition opens by exploring portraiture of family members and repr
 esentations of the places that were important to them. It moves on to objec
 ts illustrating the family’s engagement with youth as a site of education\,
  entertainment\, and memory. Subsequent sections reveal how the Yeatses cre
 ated objects that transformed private spaces through imaginative innovation
  and material practices\, as well as how they shaped public life through th
 eater\, publishing and printing\, and visual representations of a distincti
 ve Irish identity as the nation established itself post-independence. \n\nR
 ecent gifts to Boston College anchor the exhibition: Jack B. Yeats painting
 s and Lily Yeats Stations of the Cross embroideries received by the McMulle
 n Museum and additional acquisitions of Yeats family materials by the John 
 J. Burns Library. These are complemented by major loans from the Model\, ho
 me of the Niland Collection\, the National Gallery of Ireland\, the Library
  of Trinity College Dublin\, the O’Brien Collection\, and the Collection of
  Carolyn A. and Peter S. Lynch. Supplemented by additional loans from other
  collections and anonymous lenders\, the exhibition constitutes the most ex
 pansive exploration of the Yeats family’s contributions to the public arts 
 to date. Many objects are publicly displayed for the first time\, others fo
 r the first time outside Ireland.\n\nThe exhibition is accompanied by a ful
 ly illustrated catalogue\, edited by Marjorie Howes\, which includes fiftee
 n essays contributed by an interdisciplinary team of scholars who offer new
  insights into historical contexts and interpretive frameworks for studying
  the Yeatses. \n\nOrganized by the McMullen Museum in conjunction with the 
 John J. Burns Library\, Collaborating in Conflict has been curated by Marjo
 rie Howes\, Christian Dupont\, and Diana Larsen. The exhibition is underwri
 tten by Boston College with major support from the Patrons of the McMullen 
 Museum\, the John C. Donohue Estate\, Robert ’63 and Ann Marie Reardon P’91
 \, and the Anna Frances Vegkeley Ryan Estate in memory of John Anthony Ryan
  Jr. ’50. Additional support has been provided by William J. Lundregan III\
 , Esq.\, ’62\, JD’67\, P’93\, ’96 and Elaine Stein-Cummins in memory of Dan
 iel Cummins ’58.\n\nBoston College’s Irish Studies program is organizing a 
 symposium to accompany the exhibition. With lectures by experts in Ireland’
 s visual arts\, theater and performance\, textiles and embroidery\, printin
 g and publishing\, and social and cultural history\, it will be held at Con
 nolly House and the McMullen Museum on February 20 and 21.
DTEND:20260422T210000Z
DTSTAMP:20260305T165704Z
DTSTART:20260422T140000Z
GEO:42.340795;-71.162583
LOCATION:McMullen Museum of Art
SEQUENCE:0
SUMMARY:Exhibition: "Collaborating in Conflict: The Yeats Family and the Pu
 blic Arts"
UID:tag:localist.com\,2008:EventInstance_51780871533474
URL:https://events.bc.edu/event/exhibition-collaborating-in-conflict-the-ye
 ats-family-and-the-public-arts
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts,Exhibition,Visual Arts
DESCRIPTION:Exhibition: Collaborating in Conflict: The Yeats Family and the
  Public Arts\n\nExamining the extraordinary impact the talented Yeats famil
 y had on cultural life and the public arts in Ireland during a century cruc
 ial to its history\, the exhibition features over two hundred works from pr
 emier public and private collections. Paintings\, drawings\, prints\, embro
 ideries\, books\, and letters by patriarch John Butler Yeats and his childr
 en William\, Lily\, Elizabeth\, and Jack\, as well as William’s daughter\, 
 Anne\, highlight examples of individual artistry. They also demonstrate how
  the Yeats family’s artistic expression was varied and deeply collaborative
 . In illustrated poetry\, set designs\, embroideries for home and liturgica
 l use\, printed broadsides\, paintings\, sketchbooks\, and other media\, th
 e siblings drew upon each others’ acumen. These endeavors were often fraugh
 t with conflict\, resulting in creative tensions and financial hardships. \
 n\nThe exhibition opens by exploring portraiture of family members and repr
 esentations of the places that were important to them. It moves on to objec
 ts illustrating the family’s engagement with youth as a site of education\,
  entertainment\, and memory. Subsequent sections reveal how the Yeatses cre
 ated objects that transformed private spaces through imaginative innovation
  and material practices\, as well as how they shaped public life through th
 eater\, publishing and printing\, and visual representations of a distincti
 ve Irish identity as the nation established itself post-independence. \n\nR
 ecent gifts to Boston College anchor the exhibition: Jack B. Yeats painting
 s and Lily Yeats Stations of the Cross embroideries received by the McMulle
 n Museum and additional acquisitions of Yeats family materials by the John 
 J. Burns Library. These are complemented by major loans from the Model\, ho
 me of the Niland Collection\, the National Gallery of Ireland\, the Library
  of Trinity College Dublin\, the O’Brien Collection\, and the Collection of
  Carolyn A. and Peter S. Lynch. Supplemented by additional loans from other
  collections and anonymous lenders\, the exhibition constitutes the most ex
 pansive exploration of the Yeats family’s contributions to the public arts 
 to date. Many objects are publicly displayed for the first time\, others fo
 r the first time outside Ireland.\n\nThe exhibition is accompanied by a ful
 ly illustrated catalogue\, edited by Marjorie Howes\, which includes fiftee
 n essays contributed by an interdisciplinary team of scholars who offer new
  insights into historical contexts and interpretive frameworks for studying
  the Yeatses. \n\nOrganized by the McMullen Museum in conjunction with the 
 John J. Burns Library\, Collaborating in Conflict has been curated by Marjo
 rie Howes\, Christian Dupont\, and Diana Larsen. The exhibition is underwri
 tten by Boston College with major support from the Patrons of the McMullen 
 Museum\, the John C. Donohue Estate\, Robert ’63 and Ann Marie Reardon P’91
 \, and the Anna Frances Vegkeley Ryan Estate in memory of John Anthony Ryan
  Jr. ’50. Additional support has been provided by William J. Lundregan III\
 , Esq.\, ’62\, JD’67\, P’93\, ’96 and Elaine Stein-Cummins in memory of Dan
 iel Cummins ’58.\n\nBoston College’s Irish Studies program is organizing a 
 symposium to accompany the exhibition. With lectures by experts in Ireland’
 s visual arts\, theater and performance\, textiles and embroidery\, printin
 g and publishing\, and social and cultural history\, it will be held at Con
 nolly House and the McMullen Museum on February 20 and 21.
DTEND:20260423T210000Z
DTSTAMP:20260305T165704Z
DTSTART:20260423T140000Z
GEO:42.340795;-71.162583
LOCATION:McMullen Museum of Art
SEQUENCE:0
SUMMARY:Exhibition: "Collaborating in Conflict: The Yeats Family and the Pu
 blic Arts"
UID:tag:localist.com\,2008:EventInstance_51780871534499
URL:https://events.bc.edu/event/exhibition-collaborating-in-conflict-the-ye
 ats-family-and-the-public-arts
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts,Exhibition,Visual Arts
DESCRIPTION:Exhibition: Collaborating in Conflict: The Yeats Family and the
  Public Arts\n\nExamining the extraordinary impact the talented Yeats famil
 y had on cultural life and the public arts in Ireland during a century cruc
 ial to its history\, the exhibition features over two hundred works from pr
 emier public and private collections. Paintings\, drawings\, prints\, embro
 ideries\, books\, and letters by patriarch John Butler Yeats and his childr
 en William\, Lily\, Elizabeth\, and Jack\, as well as William’s daughter\, 
 Anne\, highlight examples of individual artistry. They also demonstrate how
  the Yeats family’s artistic expression was varied and deeply collaborative
 . In illustrated poetry\, set designs\, embroideries for home and liturgica
 l use\, printed broadsides\, paintings\, sketchbooks\, and other media\, th
 e siblings drew upon each others’ acumen. These endeavors were often fraugh
 t with conflict\, resulting in creative tensions and financial hardships. \
 n\nThe exhibition opens by exploring portraiture of family members and repr
 esentations of the places that were important to them. It moves on to objec
 ts illustrating the family’s engagement with youth as a site of education\,
  entertainment\, and memory. Subsequent sections reveal how the Yeatses cre
 ated objects that transformed private spaces through imaginative innovation
  and material practices\, as well as how they shaped public life through th
 eater\, publishing and printing\, and visual representations of a distincti
 ve Irish identity as the nation established itself post-independence. \n\nR
 ecent gifts to Boston College anchor the exhibition: Jack B. Yeats painting
 s and Lily Yeats Stations of the Cross embroideries received by the McMulle
 n Museum and additional acquisitions of Yeats family materials by the John 
 J. Burns Library. These are complemented by major loans from the Model\, ho
 me of the Niland Collection\, the National Gallery of Ireland\, the Library
  of Trinity College Dublin\, the O’Brien Collection\, and the Collection of
  Carolyn A. and Peter S. Lynch. Supplemented by additional loans from other
  collections and anonymous lenders\, the exhibition constitutes the most ex
 pansive exploration of the Yeats family’s contributions to the public arts 
 to date. Many objects are publicly displayed for the first time\, others fo
 r the first time outside Ireland.\n\nThe exhibition is accompanied by a ful
 ly illustrated catalogue\, edited by Marjorie Howes\, which includes fiftee
 n essays contributed by an interdisciplinary team of scholars who offer new
  insights into historical contexts and interpretive frameworks for studying
  the Yeatses. \n\nOrganized by the McMullen Museum in conjunction with the 
 John J. Burns Library\, Collaborating in Conflict has been curated by Marjo
 rie Howes\, Christian Dupont\, and Diana Larsen. The exhibition is underwri
 tten by Boston College with major support from the Patrons of the McMullen 
 Museum\, the John C. Donohue Estate\, Robert ’63 and Ann Marie Reardon P’91
 \, and the Anna Frances Vegkeley Ryan Estate in memory of John Anthony Ryan
  Jr. ’50. Additional support has been provided by William J. Lundregan III\
 , Esq.\, ’62\, JD’67\, P’93\, ’96 and Elaine Stein-Cummins in memory of Dan
 iel Cummins ’58.\n\nBoston College’s Irish Studies program is organizing a 
 symposium to accompany the exhibition. With lectures by experts in Ireland’
 s visual arts\, theater and performance\, textiles and embroidery\, printin
 g and publishing\, and social and cultural history\, it will be held at Con
 nolly House and the McMullen Museum on February 20 and 21.
DTEND:20260424T210000Z
DTSTAMP:20260305T165704Z
DTSTART:20260424T140000Z
GEO:42.340795;-71.162583
LOCATION:McMullen Museum of Art
SEQUENCE:0
SUMMARY:Exhibition: "Collaborating in Conflict: The Yeats Family and the Pu
 blic Arts"
UID:tag:localist.com\,2008:EventInstance_51780871535524
URL:https://events.bc.edu/event/exhibition-collaborating-in-conflict-the-ye
 ats-family-and-the-public-arts
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts,Exhibition,Visual Arts
DESCRIPTION:Exhibition: Collaborating in Conflict: The Yeats Family and the
  Public Arts\n\nExamining the extraordinary impact the talented Yeats famil
 y had on cultural life and the public arts in Ireland during a century cruc
 ial to its history\, the exhibition features over two hundred works from pr
 emier public and private collections. Paintings\, drawings\, prints\, embro
 ideries\, books\, and letters by patriarch John Butler Yeats and his childr
 en William\, Lily\, Elizabeth\, and Jack\, as well as William’s daughter\, 
 Anne\, highlight examples of individual artistry. They also demonstrate how
  the Yeats family’s artistic expression was varied and deeply collaborative
 . In illustrated poetry\, set designs\, embroideries for home and liturgica
 l use\, printed broadsides\, paintings\, sketchbooks\, and other media\, th
 e siblings drew upon each others’ acumen. These endeavors were often fraugh
 t with conflict\, resulting in creative tensions and financial hardships. \
 n\nThe exhibition opens by exploring portraiture of family members and repr
 esentations of the places that were important to them. It moves on to objec
 ts illustrating the family’s engagement with youth as a site of education\,
  entertainment\, and memory. Subsequent sections reveal how the Yeatses cre
 ated objects that transformed private spaces through imaginative innovation
  and material practices\, as well as how they shaped public life through th
 eater\, publishing and printing\, and visual representations of a distincti
 ve Irish identity as the nation established itself post-independence. \n\nR
 ecent gifts to Boston College anchor the exhibition: Jack B. Yeats painting
 s and Lily Yeats Stations of the Cross embroideries received by the McMulle
 n Museum and additional acquisitions of Yeats family materials by the John 
 J. Burns Library. These are complemented by major loans from the Model\, ho
 me of the Niland Collection\, the National Gallery of Ireland\, the Library
  of Trinity College Dublin\, the O’Brien Collection\, and the Collection of
  Carolyn A. and Peter S. Lynch. Supplemented by additional loans from other
  collections and anonymous lenders\, the exhibition constitutes the most ex
 pansive exploration of the Yeats family’s contributions to the public arts 
 to date. Many objects are publicly displayed for the first time\, others fo
 r the first time outside Ireland.\n\nThe exhibition is accompanied by a ful
 ly illustrated catalogue\, edited by Marjorie Howes\, which includes fiftee
 n essays contributed by an interdisciplinary team of scholars who offer new
  insights into historical contexts and interpretive frameworks for studying
  the Yeatses. \n\nOrganized by the McMullen Museum in conjunction with the 
 John J. Burns Library\, Collaborating in Conflict has been curated by Marjo
 rie Howes\, Christian Dupont\, and Diana Larsen. The exhibition is underwri
 tten by Boston College with major support from the Patrons of the McMullen 
 Museum\, the John C. Donohue Estate\, Robert ’63 and Ann Marie Reardon P’91
 \, and the Anna Frances Vegkeley Ryan Estate in memory of John Anthony Ryan
  Jr. ’50. Additional support has been provided by William J. Lundregan III\
 , Esq.\, ’62\, JD’67\, P’93\, ’96 and Elaine Stein-Cummins in memory of Dan
 iel Cummins ’58.\n\nBoston College’s Irish Studies program is organizing a 
 symposium to accompany the exhibition. With lectures by experts in Ireland’
 s visual arts\, theater and performance\, textiles and embroidery\, printin
 g and publishing\, and social and cultural history\, it will be held at Con
 nolly House and the McMullen Museum on February 20 and 21.
DTEND:20260425T210000Z
DTSTAMP:20260305T165704Z
DTSTART:20260425T160000Z
GEO:42.340795;-71.162583
LOCATION:McMullen Museum of Art
SEQUENCE:0
SUMMARY:Exhibition: "Collaborating in Conflict: The Yeats Family and the Pu
 blic Arts"
UID:tag:localist.com\,2008:EventInstance_51780871536549
URL:https://events.bc.edu/event/exhibition-collaborating-in-conflict-the-ye
 ats-family-and-the-public-arts
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts,Exhibition,Visual Arts
DESCRIPTION:Exhibition: Collaborating in Conflict: The Yeats Family and the
  Public Arts\n\nExamining the extraordinary impact the talented Yeats famil
 y had on cultural life and the public arts in Ireland during a century cruc
 ial to its history\, the exhibition features over two hundred works from pr
 emier public and private collections. Paintings\, drawings\, prints\, embro
 ideries\, books\, and letters by patriarch John Butler Yeats and his childr
 en William\, Lily\, Elizabeth\, and Jack\, as well as William’s daughter\, 
 Anne\, highlight examples of individual artistry. They also demonstrate how
  the Yeats family’s artistic expression was varied and deeply collaborative
 . In illustrated poetry\, set designs\, embroideries for home and liturgica
 l use\, printed broadsides\, paintings\, sketchbooks\, and other media\, th
 e siblings drew upon each others’ acumen. These endeavors were often fraugh
 t with conflict\, resulting in creative tensions and financial hardships. \
 n\nThe exhibition opens by exploring portraiture of family members and repr
 esentations of the places that were important to them. It moves on to objec
 ts illustrating the family’s engagement with youth as a site of education\,
  entertainment\, and memory. Subsequent sections reveal how the Yeatses cre
 ated objects that transformed private spaces through imaginative innovation
  and material practices\, as well as how they shaped public life through th
 eater\, publishing and printing\, and visual representations of a distincti
 ve Irish identity as the nation established itself post-independence. \n\nR
 ecent gifts to Boston College anchor the exhibition: Jack B. Yeats painting
 s and Lily Yeats Stations of the Cross embroideries received by the McMulle
 n Museum and additional acquisitions of Yeats family materials by the John 
 J. Burns Library. These are complemented by major loans from the Model\, ho
 me of the Niland Collection\, the National Gallery of Ireland\, the Library
  of Trinity College Dublin\, the O’Brien Collection\, and the Collection of
  Carolyn A. and Peter S. Lynch. Supplemented by additional loans from other
  collections and anonymous lenders\, the exhibition constitutes the most ex
 pansive exploration of the Yeats family’s contributions to the public arts 
 to date. Many objects are publicly displayed for the first time\, others fo
 r the first time outside Ireland.\n\nThe exhibition is accompanied by a ful
 ly illustrated catalogue\, edited by Marjorie Howes\, which includes fiftee
 n essays contributed by an interdisciplinary team of scholars who offer new
  insights into historical contexts and interpretive frameworks for studying
  the Yeatses. \n\nOrganized by the McMullen Museum in conjunction with the 
 John J. Burns Library\, Collaborating in Conflict has been curated by Marjo
 rie Howes\, Christian Dupont\, and Diana Larsen. The exhibition is underwri
 tten by Boston College with major support from the Patrons of the McMullen 
 Museum\, the John C. Donohue Estate\, Robert ’63 and Ann Marie Reardon P’91
 \, and the Anna Frances Vegkeley Ryan Estate in memory of John Anthony Ryan
  Jr. ’50. Additional support has been provided by William J. Lundregan III\
 , Esq.\, ’62\, JD’67\, P’93\, ’96 and Elaine Stein-Cummins in memory of Dan
 iel Cummins ’58.\n\nBoston College’s Irish Studies program is organizing a 
 symposium to accompany the exhibition. With lectures by experts in Ireland’
 s visual arts\, theater and performance\, textiles and embroidery\, printin
 g and publishing\, and social and cultural history\, it will be held at Con
 nolly House and the McMullen Museum on February 20 and 21.
DTEND:20260426T210000Z
DTSTAMP:20260305T165704Z
DTSTART:20260426T160000Z
GEO:42.340795;-71.162583
LOCATION:McMullen Museum of Art
SEQUENCE:0
SUMMARY:Exhibition: "Collaborating in Conflict: The Yeats Family and the Pu
 blic Arts"
UID:tag:localist.com\,2008:EventInstance_51780871537574
URL:https://events.bc.edu/event/exhibition-collaborating-in-conflict-the-ye
 ats-family-and-the-public-arts
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts,Exhibition,Visual Arts
DESCRIPTION:Exhibition: Collaborating in Conflict: The Yeats Family and the
  Public Arts\n\nExamining the extraordinary impact the talented Yeats famil
 y had on cultural life and the public arts in Ireland during a century cruc
 ial to its history\, the exhibition features over two hundred works from pr
 emier public and private collections. Paintings\, drawings\, prints\, embro
 ideries\, books\, and letters by patriarch John Butler Yeats and his childr
 en William\, Lily\, Elizabeth\, and Jack\, as well as William’s daughter\, 
 Anne\, highlight examples of individual artistry. They also demonstrate how
  the Yeats family’s artistic expression was varied and deeply collaborative
 . In illustrated poetry\, set designs\, embroideries for home and liturgica
 l use\, printed broadsides\, paintings\, sketchbooks\, and other media\, th
 e siblings drew upon each others’ acumen. These endeavors were often fraugh
 t with conflict\, resulting in creative tensions and financial hardships. \
 n\nThe exhibition opens by exploring portraiture of family members and repr
 esentations of the places that were important to them. It moves on to objec
 ts illustrating the family’s engagement with youth as a site of education\,
  entertainment\, and memory. Subsequent sections reveal how the Yeatses cre
 ated objects that transformed private spaces through imaginative innovation
  and material practices\, as well as how they shaped public life through th
 eater\, publishing and printing\, and visual representations of a distincti
 ve Irish identity as the nation established itself post-independence. \n\nR
 ecent gifts to Boston College anchor the exhibition: Jack B. Yeats painting
 s and Lily Yeats Stations of the Cross embroideries received by the McMulle
 n Museum and additional acquisitions of Yeats family materials by the John 
 J. Burns Library. These are complemented by major loans from the Model\, ho
 me of the Niland Collection\, the National Gallery of Ireland\, the Library
  of Trinity College Dublin\, the O’Brien Collection\, and the Collection of
  Carolyn A. and Peter S. Lynch. Supplemented by additional loans from other
  collections and anonymous lenders\, the exhibition constitutes the most ex
 pansive exploration of the Yeats family’s contributions to the public arts 
 to date. Many objects are publicly displayed for the first time\, others fo
 r the first time outside Ireland.\n\nThe exhibition is accompanied by a ful
 ly illustrated catalogue\, edited by Marjorie Howes\, which includes fiftee
 n essays contributed by an interdisciplinary team of scholars who offer new
  insights into historical contexts and interpretive frameworks for studying
  the Yeatses. \n\nOrganized by the McMullen Museum in conjunction with the 
 John J. Burns Library\, Collaborating in Conflict has been curated by Marjo
 rie Howes\, Christian Dupont\, and Diana Larsen. The exhibition is underwri
 tten by Boston College with major support from the Patrons of the McMullen 
 Museum\, the John C. Donohue Estate\, Robert ’63 and Ann Marie Reardon P’91
 \, and the Anna Frances Vegkeley Ryan Estate in memory of John Anthony Ryan
  Jr. ’50. Additional support has been provided by William J. Lundregan III\
 , Esq.\, ’62\, JD’67\, P’93\, ’96 and Elaine Stein-Cummins in memory of Dan
 iel Cummins ’58.\n\nBoston College’s Irish Studies program is organizing a 
 symposium to accompany the exhibition. With lectures by experts in Ireland’
 s visual arts\, theater and performance\, textiles and embroidery\, printin
 g and publishing\, and social and cultural history\, it will be held at Con
 nolly House and the McMullen Museum on February 20 and 21.
DTEND:20260427T210000Z
DTSTAMP:20260305T165704Z
DTSTART:20260427T140000Z
GEO:42.340795;-71.162583
LOCATION:McMullen Museum of Art
SEQUENCE:0
SUMMARY:Exhibition: "Collaborating in Conflict: The Yeats Family and the Pu
 blic Arts"
UID:tag:localist.com\,2008:EventInstance_51780871538599
URL:https://events.bc.edu/event/exhibition-collaborating-in-conflict-the-ye
 ats-family-and-the-public-arts
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts,Exhibition,Visual Arts
DESCRIPTION:Exhibition: Collaborating in Conflict: The Yeats Family and the
  Public Arts\n\nExamining the extraordinary impact the talented Yeats famil
 y had on cultural life and the public arts in Ireland during a century cruc
 ial to its history\, the exhibition features over two hundred works from pr
 emier public and private collections. Paintings\, drawings\, prints\, embro
 ideries\, books\, and letters by patriarch John Butler Yeats and his childr
 en William\, Lily\, Elizabeth\, and Jack\, as well as William’s daughter\, 
 Anne\, highlight examples of individual artistry. They also demonstrate how
  the Yeats family’s artistic expression was varied and deeply collaborative
 . In illustrated poetry\, set designs\, embroideries for home and liturgica
 l use\, printed broadsides\, paintings\, sketchbooks\, and other media\, th
 e siblings drew upon each others’ acumen. These endeavors were often fraugh
 t with conflict\, resulting in creative tensions and financial hardships. \
 n\nThe exhibition opens by exploring portraiture of family members and repr
 esentations of the places that were important to them. It moves on to objec
 ts illustrating the family’s engagement with youth as a site of education\,
  entertainment\, and memory. Subsequent sections reveal how the Yeatses cre
 ated objects that transformed private spaces through imaginative innovation
  and material practices\, as well as how they shaped public life through th
 eater\, publishing and printing\, and visual representations of a distincti
 ve Irish identity as the nation established itself post-independence. \n\nR
 ecent gifts to Boston College anchor the exhibition: Jack B. Yeats painting
 s and Lily Yeats Stations of the Cross embroideries received by the McMulle
 n Museum and additional acquisitions of Yeats family materials by the John 
 J. Burns Library. These are complemented by major loans from the Model\, ho
 me of the Niland Collection\, the National Gallery of Ireland\, the Library
  of Trinity College Dublin\, the O’Brien Collection\, and the Collection of
  Carolyn A. and Peter S. Lynch. Supplemented by additional loans from other
  collections and anonymous lenders\, the exhibition constitutes the most ex
 pansive exploration of the Yeats family’s contributions to the public arts 
 to date. Many objects are publicly displayed for the first time\, others fo
 r the first time outside Ireland.\n\nThe exhibition is accompanied by a ful
 ly illustrated catalogue\, edited by Marjorie Howes\, which includes fiftee
 n essays contributed by an interdisciplinary team of scholars who offer new
  insights into historical contexts and interpretive frameworks for studying
  the Yeatses. \n\nOrganized by the McMullen Museum in conjunction with the 
 John J. Burns Library\, Collaborating in Conflict has been curated by Marjo
 rie Howes\, Christian Dupont\, and Diana Larsen. The exhibition is underwri
 tten by Boston College with major support from the Patrons of the McMullen 
 Museum\, the John C. Donohue Estate\, Robert ’63 and Ann Marie Reardon P’91
 \, and the Anna Frances Vegkeley Ryan Estate in memory of John Anthony Ryan
  Jr. ’50. Additional support has been provided by William J. Lundregan III\
 , Esq.\, ’62\, JD’67\, P’93\, ’96 and Elaine Stein-Cummins in memory of Dan
 iel Cummins ’58.\n\nBoston College’s Irish Studies program is organizing a 
 symposium to accompany the exhibition. With lectures by experts in Ireland’
 s visual arts\, theater and performance\, textiles and embroidery\, printin
 g and publishing\, and social and cultural history\, it will be held at Con
 nolly House and the McMullen Museum on February 20 and 21.
DTEND:20260428T210000Z
DTSTAMP:20260305T165704Z
DTSTART:20260428T140000Z
GEO:42.340795;-71.162583
LOCATION:McMullen Museum of Art
SEQUENCE:0
SUMMARY:Exhibition: "Collaborating in Conflict: The Yeats Family and the Pu
 blic Arts"
UID:tag:localist.com\,2008:EventInstance_51780871539624
URL:https://events.bc.edu/event/exhibition-collaborating-in-conflict-the-ye
 ats-family-and-the-public-arts
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts,Exhibition,Visual Arts
DESCRIPTION:Exhibition: Collaborating in Conflict: The Yeats Family and the
  Public Arts\n\nExamining the extraordinary impact the talented Yeats famil
 y had on cultural life and the public arts in Ireland during a century cruc
 ial to its history\, the exhibition features over two hundred works from pr
 emier public and private collections. Paintings\, drawings\, prints\, embro
 ideries\, books\, and letters by patriarch John Butler Yeats and his childr
 en William\, Lily\, Elizabeth\, and Jack\, as well as William’s daughter\, 
 Anne\, highlight examples of individual artistry. They also demonstrate how
  the Yeats family’s artistic expression was varied and deeply collaborative
 . In illustrated poetry\, set designs\, embroideries for home and liturgica
 l use\, printed broadsides\, paintings\, sketchbooks\, and other media\, th
 e siblings drew upon each others’ acumen. These endeavors were often fraugh
 t with conflict\, resulting in creative tensions and financial hardships. \
 n\nThe exhibition opens by exploring portraiture of family members and repr
 esentations of the places that were important to them. It moves on to objec
 ts illustrating the family’s engagement with youth as a site of education\,
  entertainment\, and memory. Subsequent sections reveal how the Yeatses cre
 ated objects that transformed private spaces through imaginative innovation
  and material practices\, as well as how they shaped public life through th
 eater\, publishing and printing\, and visual representations of a distincti
 ve Irish identity as the nation established itself post-independence. \n\nR
 ecent gifts to Boston College anchor the exhibition: Jack B. Yeats painting
 s and Lily Yeats Stations of the Cross embroideries received by the McMulle
 n Museum and additional acquisitions of Yeats family materials by the John 
 J. Burns Library. These are complemented by major loans from the Model\, ho
 me of the Niland Collection\, the National Gallery of Ireland\, the Library
  of Trinity College Dublin\, the O’Brien Collection\, and the Collection of
  Carolyn A. and Peter S. Lynch. Supplemented by additional loans from other
  collections and anonymous lenders\, the exhibition constitutes the most ex
 pansive exploration of the Yeats family’s contributions to the public arts 
 to date. Many objects are publicly displayed for the first time\, others fo
 r the first time outside Ireland.\n\nThe exhibition is accompanied by a ful
 ly illustrated catalogue\, edited by Marjorie Howes\, which includes fiftee
 n essays contributed by an interdisciplinary team of scholars who offer new
  insights into historical contexts and interpretive frameworks for studying
  the Yeatses. \n\nOrganized by the McMullen Museum in conjunction with the 
 John J. Burns Library\, Collaborating in Conflict has been curated by Marjo
 rie Howes\, Christian Dupont\, and Diana Larsen. The exhibition is underwri
 tten by Boston College with major support from the Patrons of the McMullen 
 Museum\, the John C. Donohue Estate\, Robert ’63 and Ann Marie Reardon P’91
 \, and the Anna Frances Vegkeley Ryan Estate in memory of John Anthony Ryan
  Jr. ’50. Additional support has been provided by William J. Lundregan III\
 , Esq.\, ’62\, JD’67\, P’93\, ’96 and Elaine Stein-Cummins in memory of Dan
 iel Cummins ’58.\n\nBoston College’s Irish Studies program is organizing a 
 symposium to accompany the exhibition. With lectures by experts in Ireland’
 s visual arts\, theater and performance\, textiles and embroidery\, printin
 g and publishing\, and social and cultural history\, it will be held at Con
 nolly House and the McMullen Museum on February 20 and 21.
DTEND:20260429T210000Z
DTSTAMP:20260305T165704Z
DTSTART:20260429T140000Z
GEO:42.340795;-71.162583
LOCATION:McMullen Museum of Art
SEQUENCE:0
SUMMARY:Exhibition: "Collaborating in Conflict: The Yeats Family and the Pu
 blic Arts"
UID:tag:localist.com\,2008:EventInstance_51780871540649
URL:https://events.bc.edu/event/exhibition-collaborating-in-conflict-the-ye
 ats-family-and-the-public-arts
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts,Exhibition,Visual Arts
DESCRIPTION:Exhibition: Collaborating in Conflict: The Yeats Family and the
  Public Arts\n\nExamining the extraordinary impact the talented Yeats famil
 y had on cultural life and the public arts in Ireland during a century cruc
 ial to its history\, the exhibition features over two hundred works from pr
 emier public and private collections. Paintings\, drawings\, prints\, embro
 ideries\, books\, and letters by patriarch John Butler Yeats and his childr
 en William\, Lily\, Elizabeth\, and Jack\, as well as William’s daughter\, 
 Anne\, highlight examples of individual artistry. They also demonstrate how
  the Yeats family’s artistic expression was varied and deeply collaborative
 . In illustrated poetry\, set designs\, embroideries for home and liturgica
 l use\, printed broadsides\, paintings\, sketchbooks\, and other media\, th
 e siblings drew upon each others’ acumen. These endeavors were often fraugh
 t with conflict\, resulting in creative tensions and financial hardships. \
 n\nThe exhibition opens by exploring portraiture of family members and repr
 esentations of the places that were important to them. It moves on to objec
 ts illustrating the family’s engagement with youth as a site of education\,
  entertainment\, and memory. Subsequent sections reveal how the Yeatses cre
 ated objects that transformed private spaces through imaginative innovation
  and material practices\, as well as how they shaped public life through th
 eater\, publishing and printing\, and visual representations of a distincti
 ve Irish identity as the nation established itself post-independence. \n\nR
 ecent gifts to Boston College anchor the exhibition: Jack B. Yeats painting
 s and Lily Yeats Stations of the Cross embroideries received by the McMulle
 n Museum and additional acquisitions of Yeats family materials by the John 
 J. Burns Library. These are complemented by major loans from the Model\, ho
 me of the Niland Collection\, the National Gallery of Ireland\, the Library
  of Trinity College Dublin\, the O’Brien Collection\, and the Collection of
  Carolyn A. and Peter S. Lynch. Supplemented by additional loans from other
  collections and anonymous lenders\, the exhibition constitutes the most ex
 pansive exploration of the Yeats family’s contributions to the public arts 
 to date. Many objects are publicly displayed for the first time\, others fo
 r the first time outside Ireland.\n\nThe exhibition is accompanied by a ful
 ly illustrated catalogue\, edited by Marjorie Howes\, which includes fiftee
 n essays contributed by an interdisciplinary team of scholars who offer new
  insights into historical contexts and interpretive frameworks for studying
  the Yeatses. \n\nOrganized by the McMullen Museum in conjunction with the 
 John J. Burns Library\, Collaborating in Conflict has been curated by Marjo
 rie Howes\, Christian Dupont\, and Diana Larsen. The exhibition is underwri
 tten by Boston College with major support from the Patrons of the McMullen 
 Museum\, the John C. Donohue Estate\, Robert ’63 and Ann Marie Reardon P’91
 \, and the Anna Frances Vegkeley Ryan Estate in memory of John Anthony Ryan
  Jr. ’50. Additional support has been provided by William J. Lundregan III\
 , Esq.\, ’62\, JD’67\, P’93\, ’96 and Elaine Stein-Cummins in memory of Dan
 iel Cummins ’58.\n\nBoston College’s Irish Studies program is organizing a 
 symposium to accompany the exhibition. With lectures by experts in Ireland’
 s visual arts\, theater and performance\, textiles and embroidery\, printin
 g and publishing\, and social and cultural history\, it will be held at Con
 nolly House and the McMullen Museum on February 20 and 21.
DTEND:20260430T210000Z
DTSTAMP:20260305T165704Z
DTSTART:20260430T140000Z
GEO:42.340795;-71.162583
LOCATION:McMullen Museum of Art
SEQUENCE:0
SUMMARY:Exhibition: "Collaborating in Conflict: The Yeats Family and the Pu
 blic Arts"
UID:tag:localist.com\,2008:EventInstance_51780871541674
URL:https://events.bc.edu/event/exhibition-collaborating-in-conflict-the-ye
 ats-family-and-the-public-arts
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts,Exhibition,Visual Arts
DESCRIPTION:Exhibition: Collaborating in Conflict: The Yeats Family and the
  Public Arts\n\nExamining the extraordinary impact the talented Yeats famil
 y had on cultural life and the public arts in Ireland during a century cruc
 ial to its history\, the exhibition features over two hundred works from pr
 emier public and private collections. Paintings\, drawings\, prints\, embro
 ideries\, books\, and letters by patriarch John Butler Yeats and his childr
 en William\, Lily\, Elizabeth\, and Jack\, as well as William’s daughter\, 
 Anne\, highlight examples of individual artistry. They also demonstrate how
  the Yeats family’s artistic expression was varied and deeply collaborative
 . In illustrated poetry\, set designs\, embroideries for home and liturgica
 l use\, printed broadsides\, paintings\, sketchbooks\, and other media\, th
 e siblings drew upon each others’ acumen. These endeavors were often fraugh
 t with conflict\, resulting in creative tensions and financial hardships. \
 n\nThe exhibition opens by exploring portraiture of family members and repr
 esentations of the places that were important to them. It moves on to objec
 ts illustrating the family’s engagement with youth as a site of education\,
  entertainment\, and memory. Subsequent sections reveal how the Yeatses cre
 ated objects that transformed private spaces through imaginative innovation
  and material practices\, as well as how they shaped public life through th
 eater\, publishing and printing\, and visual representations of a distincti
 ve Irish identity as the nation established itself post-independence. \n\nR
 ecent gifts to Boston College anchor the exhibition: Jack B. Yeats painting
 s and Lily Yeats Stations of the Cross embroideries received by the McMulle
 n Museum and additional acquisitions of Yeats family materials by the John 
 J. Burns Library. These are complemented by major loans from the Model\, ho
 me of the Niland Collection\, the National Gallery of Ireland\, the Library
  of Trinity College Dublin\, the O’Brien Collection\, and the Collection of
  Carolyn A. and Peter S. Lynch. Supplemented by additional loans from other
  collections and anonymous lenders\, the exhibition constitutes the most ex
 pansive exploration of the Yeats family’s contributions to the public arts 
 to date. Many objects are publicly displayed for the first time\, others fo
 r the first time outside Ireland.\n\nThe exhibition is accompanied by a ful
 ly illustrated catalogue\, edited by Marjorie Howes\, which includes fiftee
 n essays contributed by an interdisciplinary team of scholars who offer new
  insights into historical contexts and interpretive frameworks for studying
  the Yeatses. \n\nOrganized by the McMullen Museum in conjunction with the 
 John J. Burns Library\, Collaborating in Conflict has been curated by Marjo
 rie Howes\, Christian Dupont\, and Diana Larsen. The exhibition is underwri
 tten by Boston College with major support from the Patrons of the McMullen 
 Museum\, the John C. Donohue Estate\, Robert ’63 and Ann Marie Reardon P’91
 \, and the Anna Frances Vegkeley Ryan Estate in memory of John Anthony Ryan
  Jr. ’50. Additional support has been provided by William J. Lundregan III\
 , Esq.\, ’62\, JD’67\, P’93\, ’96 and Elaine Stein-Cummins in memory of Dan
 iel Cummins ’58.\n\nBoston College’s Irish Studies program is organizing a 
 symposium to accompany the exhibition. With lectures by experts in Ireland’
 s visual arts\, theater and performance\, textiles and embroidery\, printin
 g and publishing\, and social and cultural history\, it will be held at Con
 nolly House and the McMullen Museum on February 20 and 21.
DTEND:20260501T210000Z
DTSTAMP:20260305T165704Z
DTSTART:20260501T140000Z
GEO:42.340795;-71.162583
LOCATION:McMullen Museum of Art
SEQUENCE:0
SUMMARY:Exhibition: "Collaborating in Conflict: The Yeats Family and the Pu
 blic Arts"
UID:tag:localist.com\,2008:EventInstance_51780871542699
URL:https://events.bc.edu/event/exhibition-collaborating-in-conflict-the-ye
 ats-family-and-the-public-arts
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts,Exhibition,Visual Arts
DESCRIPTION:Exhibition: Collaborating in Conflict: The Yeats Family and the
  Public Arts\n\nExamining the extraordinary impact the talented Yeats famil
 y had on cultural life and the public arts in Ireland during a century cruc
 ial to its history\, the exhibition features over two hundred works from pr
 emier public and private collections. Paintings\, drawings\, prints\, embro
 ideries\, books\, and letters by patriarch John Butler Yeats and his childr
 en William\, Lily\, Elizabeth\, and Jack\, as well as William’s daughter\, 
 Anne\, highlight examples of individual artistry. They also demonstrate how
  the Yeats family’s artistic expression was varied and deeply collaborative
 . In illustrated poetry\, set designs\, embroideries for home and liturgica
 l use\, printed broadsides\, paintings\, sketchbooks\, and other media\, th
 e siblings drew upon each others’ acumen. These endeavors were often fraugh
 t with conflict\, resulting in creative tensions and financial hardships. \
 n\nThe exhibition opens by exploring portraiture of family members and repr
 esentations of the places that were important to them. It moves on to objec
 ts illustrating the family’s engagement with youth as a site of education\,
  entertainment\, and memory. Subsequent sections reveal how the Yeatses cre
 ated objects that transformed private spaces through imaginative innovation
  and material practices\, as well as how they shaped public life through th
 eater\, publishing and printing\, and visual representations of a distincti
 ve Irish identity as the nation established itself post-independence. \n\nR
 ecent gifts to Boston College anchor the exhibition: Jack B. Yeats painting
 s and Lily Yeats Stations of the Cross embroideries received by the McMulle
 n Museum and additional acquisitions of Yeats family materials by the John 
 J. Burns Library. These are complemented by major loans from the Model\, ho
 me of the Niland Collection\, the National Gallery of Ireland\, the Library
  of Trinity College Dublin\, the O’Brien Collection\, and the Collection of
  Carolyn A. and Peter S. Lynch. Supplemented by additional loans from other
  collections and anonymous lenders\, the exhibition constitutes the most ex
 pansive exploration of the Yeats family’s contributions to the public arts 
 to date. Many objects are publicly displayed for the first time\, others fo
 r the first time outside Ireland.\n\nThe exhibition is accompanied by a ful
 ly illustrated catalogue\, edited by Marjorie Howes\, which includes fiftee
 n essays contributed by an interdisciplinary team of scholars who offer new
  insights into historical contexts and interpretive frameworks for studying
  the Yeatses. \n\nOrganized by the McMullen Museum in conjunction with the 
 John J. Burns Library\, Collaborating in Conflict has been curated by Marjo
 rie Howes\, Christian Dupont\, and Diana Larsen. The exhibition is underwri
 tten by Boston College with major support from the Patrons of the McMullen 
 Museum\, the John C. Donohue Estate\, Robert ’63 and Ann Marie Reardon P’91
 \, and the Anna Frances Vegkeley Ryan Estate in memory of John Anthony Ryan
  Jr. ’50. Additional support has been provided by William J. Lundregan III\
 , Esq.\, ’62\, JD’67\, P’93\, ’96 and Elaine Stein-Cummins in memory of Dan
 iel Cummins ’58.\n\nBoston College’s Irish Studies program is organizing a 
 symposium to accompany the exhibition. With lectures by experts in Ireland’
 s visual arts\, theater and performance\, textiles and embroidery\, printin
 g and publishing\, and social and cultural history\, it will be held at Con
 nolly House and the McMullen Museum on February 20 and 21.
DTEND:20260502T210000Z
DTSTAMP:20260305T165704Z
DTSTART:20260502T160000Z
GEO:42.340795;-71.162583
LOCATION:McMullen Museum of Art
SEQUENCE:0
SUMMARY:Exhibition: "Collaborating in Conflict: The Yeats Family and the Pu
 blic Arts"
UID:tag:localist.com\,2008:EventInstance_51780871543724
URL:https://events.bc.edu/event/exhibition-collaborating-in-conflict-the-ye
 ats-family-and-the-public-arts
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts,Exhibition,Visual Arts
DESCRIPTION:Exhibition: Collaborating in Conflict: The Yeats Family and the
  Public Arts\n\nExamining the extraordinary impact the talented Yeats famil
 y had on cultural life and the public arts in Ireland during a century cruc
 ial to its history\, the exhibition features over two hundred works from pr
 emier public and private collections. Paintings\, drawings\, prints\, embro
 ideries\, books\, and letters by patriarch John Butler Yeats and his childr
 en William\, Lily\, Elizabeth\, and Jack\, as well as William’s daughter\, 
 Anne\, highlight examples of individual artistry. They also demonstrate how
  the Yeats family’s artistic expression was varied and deeply collaborative
 . In illustrated poetry\, set designs\, embroideries for home and liturgica
 l use\, printed broadsides\, paintings\, sketchbooks\, and other media\, th
 e siblings drew upon each others’ acumen. These endeavors were often fraugh
 t with conflict\, resulting in creative tensions and financial hardships. \
 n\nThe exhibition opens by exploring portraiture of family members and repr
 esentations of the places that were important to them. It moves on to objec
 ts illustrating the family’s engagement with youth as a site of education\,
  entertainment\, and memory. Subsequent sections reveal how the Yeatses cre
 ated objects that transformed private spaces through imaginative innovation
  and material practices\, as well as how they shaped public life through th
 eater\, publishing and printing\, and visual representations of a distincti
 ve Irish identity as the nation established itself post-independence. \n\nR
 ecent gifts to Boston College anchor the exhibition: Jack B. Yeats painting
 s and Lily Yeats Stations of the Cross embroideries received by the McMulle
 n Museum and additional acquisitions of Yeats family materials by the John 
 J. Burns Library. These are complemented by major loans from the Model\, ho
 me of the Niland Collection\, the National Gallery of Ireland\, the Library
  of Trinity College Dublin\, the O’Brien Collection\, and the Collection of
  Carolyn A. and Peter S. Lynch. Supplemented by additional loans from other
  collections and anonymous lenders\, the exhibition constitutes the most ex
 pansive exploration of the Yeats family’s contributions to the public arts 
 to date. Many objects are publicly displayed for the first time\, others fo
 r the first time outside Ireland.\n\nThe exhibition is accompanied by a ful
 ly illustrated catalogue\, edited by Marjorie Howes\, which includes fiftee
 n essays contributed by an interdisciplinary team of scholars who offer new
  insights into historical contexts and interpretive frameworks for studying
  the Yeatses. \n\nOrganized by the McMullen Museum in conjunction with the 
 John J. Burns Library\, Collaborating in Conflict has been curated by Marjo
 rie Howes\, Christian Dupont\, and Diana Larsen. The exhibition is underwri
 tten by Boston College with major support from the Patrons of the McMullen 
 Museum\, the John C. Donohue Estate\, Robert ’63 and Ann Marie Reardon P’91
 \, and the Anna Frances Vegkeley Ryan Estate in memory of John Anthony Ryan
  Jr. ’50. Additional support has been provided by William J. Lundregan III\
 , Esq.\, ’62\, JD’67\, P’93\, ’96 and Elaine Stein-Cummins in memory of Dan
 iel Cummins ’58.\n\nBoston College’s Irish Studies program is organizing a 
 symposium to accompany the exhibition. With lectures by experts in Ireland’
 s visual arts\, theater and performance\, textiles and embroidery\, printin
 g and publishing\, and social and cultural history\, it will be held at Con
 nolly House and the McMullen Museum on February 20 and 21.
DTEND:20260503T210000Z
DTSTAMP:20260305T165704Z
DTSTART:20260503T160000Z
GEO:42.340795;-71.162583
LOCATION:McMullen Museum of Art
SEQUENCE:0
SUMMARY:Exhibition: "Collaborating in Conflict: The Yeats Family and the Pu
 blic Arts"
UID:tag:localist.com\,2008:EventInstance_51780871544749
URL:https://events.bc.edu/event/exhibition-collaborating-in-conflict-the-ye
 ats-family-and-the-public-arts
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts,Exhibition,Visual Arts
DESCRIPTION:Exhibition: Collaborating in Conflict: The Yeats Family and the
  Public Arts\n\nExamining the extraordinary impact the talented Yeats famil
 y had on cultural life and the public arts in Ireland during a century cruc
 ial to its history\, the exhibition features over two hundred works from pr
 emier public and private collections. Paintings\, drawings\, prints\, embro
 ideries\, books\, and letters by patriarch John Butler Yeats and his childr
 en William\, Lily\, Elizabeth\, and Jack\, as well as William’s daughter\, 
 Anne\, highlight examples of individual artistry. They also demonstrate how
  the Yeats family’s artistic expression was varied and deeply collaborative
 . In illustrated poetry\, set designs\, embroideries for home and liturgica
 l use\, printed broadsides\, paintings\, sketchbooks\, and other media\, th
 e siblings drew upon each others’ acumen. These endeavors were often fraugh
 t with conflict\, resulting in creative tensions and financial hardships. \
 n\nThe exhibition opens by exploring portraiture of family members and repr
 esentations of the places that were important to them. It moves on to objec
 ts illustrating the family’s engagement with youth as a site of education\,
  entertainment\, and memory. Subsequent sections reveal how the Yeatses cre
 ated objects that transformed private spaces through imaginative innovation
  and material practices\, as well as how they shaped public life through th
 eater\, publishing and printing\, and visual representations of a distincti
 ve Irish identity as the nation established itself post-independence. \n\nR
 ecent gifts to Boston College anchor the exhibition: Jack B. Yeats painting
 s and Lily Yeats Stations of the Cross embroideries received by the McMulle
 n Museum and additional acquisitions of Yeats family materials by the John 
 J. Burns Library. These are complemented by major loans from the Model\, ho
 me of the Niland Collection\, the National Gallery of Ireland\, the Library
  of Trinity College Dublin\, the O’Brien Collection\, and the Collection of
  Carolyn A. and Peter S. Lynch. Supplemented by additional loans from other
  collections and anonymous lenders\, the exhibition constitutes the most ex
 pansive exploration of the Yeats family’s contributions to the public arts 
 to date. Many objects are publicly displayed for the first time\, others fo
 r the first time outside Ireland.\n\nThe exhibition is accompanied by a ful
 ly illustrated catalogue\, edited by Marjorie Howes\, which includes fiftee
 n essays contributed by an interdisciplinary team of scholars who offer new
  insights into historical contexts and interpretive frameworks for studying
  the Yeatses. \n\nOrganized by the McMullen Museum in conjunction with the 
 John J. Burns Library\, Collaborating in Conflict has been curated by Marjo
 rie Howes\, Christian Dupont\, and Diana Larsen. The exhibition is underwri
 tten by Boston College with major support from the Patrons of the McMullen 
 Museum\, the John C. Donohue Estate\, Robert ’63 and Ann Marie Reardon P’91
 \, and the Anna Frances Vegkeley Ryan Estate in memory of John Anthony Ryan
  Jr. ’50. Additional support has been provided by William J. Lundregan III\
 , Esq.\, ’62\, JD’67\, P’93\, ’96 and Elaine Stein-Cummins in memory of Dan
 iel Cummins ’58.\n\nBoston College’s Irish Studies program is organizing a 
 symposium to accompany the exhibition. With lectures by experts in Ireland’
 s visual arts\, theater and performance\, textiles and embroidery\, printin
 g and publishing\, and social and cultural history\, it will be held at Con
 nolly House and the McMullen Museum on February 20 and 21.
DTEND:20260504T210000Z
DTSTAMP:20260305T165704Z
DTSTART:20260504T140000Z
GEO:42.340795;-71.162583
LOCATION:McMullen Museum of Art
SEQUENCE:0
SUMMARY:Exhibition: "Collaborating in Conflict: The Yeats Family and the Pu
 blic Arts"
UID:tag:localist.com\,2008:EventInstance_51780871545774
URL:https://events.bc.edu/event/exhibition-collaborating-in-conflict-the-ye
 ats-family-and-the-public-arts
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts,Exhibition,Visual Arts
DESCRIPTION:Exhibition: Collaborating in Conflict: The Yeats Family and the
  Public Arts\n\nExamining the extraordinary impact the talented Yeats famil
 y had on cultural life and the public arts in Ireland during a century cruc
 ial to its history\, the exhibition features over two hundred works from pr
 emier public and private collections. Paintings\, drawings\, prints\, embro
 ideries\, books\, and letters by patriarch John Butler Yeats and his childr
 en William\, Lily\, Elizabeth\, and Jack\, as well as William’s daughter\, 
 Anne\, highlight examples of individual artistry. They also demonstrate how
  the Yeats family’s artistic expression was varied and deeply collaborative
 . In illustrated poetry\, set designs\, embroideries for home and liturgica
 l use\, printed broadsides\, paintings\, sketchbooks\, and other media\, th
 e siblings drew upon each others’ acumen. These endeavors were often fraugh
 t with conflict\, resulting in creative tensions and financial hardships. \
 n\nThe exhibition opens by exploring portraiture of family members and repr
 esentations of the places that were important to them. It moves on to objec
 ts illustrating the family’s engagement with youth as a site of education\,
  entertainment\, and memory. Subsequent sections reveal how the Yeatses cre
 ated objects that transformed private spaces through imaginative innovation
  and material practices\, as well as how they shaped public life through th
 eater\, publishing and printing\, and visual representations of a distincti
 ve Irish identity as the nation established itself post-independence. \n\nR
 ecent gifts to Boston College anchor the exhibition: Jack B. Yeats painting
 s and Lily Yeats Stations of the Cross embroideries received by the McMulle
 n Museum and additional acquisitions of Yeats family materials by the John 
 J. Burns Library. These are complemented by major loans from the Model\, ho
 me of the Niland Collection\, the National Gallery of Ireland\, the Library
  of Trinity College Dublin\, the O’Brien Collection\, and the Collection of
  Carolyn A. and Peter S. Lynch. Supplemented by additional loans from other
  collections and anonymous lenders\, the exhibition constitutes the most ex
 pansive exploration of the Yeats family’s contributions to the public arts 
 to date. Many objects are publicly displayed for the first time\, others fo
 r the first time outside Ireland.\n\nThe exhibition is accompanied by a ful
 ly illustrated catalogue\, edited by Marjorie Howes\, which includes fiftee
 n essays contributed by an interdisciplinary team of scholars who offer new
  insights into historical contexts and interpretive frameworks for studying
  the Yeatses. \n\nOrganized by the McMullen Museum in conjunction with the 
 John J. Burns Library\, Collaborating in Conflict has been curated by Marjo
 rie Howes\, Christian Dupont\, and Diana Larsen. The exhibition is underwri
 tten by Boston College with major support from the Patrons of the McMullen 
 Museum\, the John C. Donohue Estate\, Robert ’63 and Ann Marie Reardon P’91
 \, and the Anna Frances Vegkeley Ryan Estate in memory of John Anthony Ryan
  Jr. ’50. Additional support has been provided by William J. Lundregan III\
 , Esq.\, ’62\, JD’67\, P’93\, ’96 and Elaine Stein-Cummins in memory of Dan
 iel Cummins ’58.\n\nBoston College’s Irish Studies program is organizing a 
 symposium to accompany the exhibition. With lectures by experts in Ireland’
 s visual arts\, theater and performance\, textiles and embroidery\, printin
 g and publishing\, and social and cultural history\, it will be held at Con
 nolly House and the McMullen Museum on February 20 and 21.
DTEND:20260505T210000Z
DTSTAMP:20260305T165704Z
DTSTART:20260505T140000Z
GEO:42.340795;-71.162583
LOCATION:McMullen Museum of Art
SEQUENCE:0
SUMMARY:Exhibition: "Collaborating in Conflict: The Yeats Family and the Pu
 blic Arts"
UID:tag:localist.com\,2008:EventInstance_51780871546799
URL:https://events.bc.edu/event/exhibition-collaborating-in-conflict-the-ye
 ats-family-and-the-public-arts
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts,Exhibition,Visual Arts
DESCRIPTION:Exhibition: Collaborating in Conflict: The Yeats Family and the
  Public Arts\n\nExamining the extraordinary impact the talented Yeats famil
 y had on cultural life and the public arts in Ireland during a century cruc
 ial to its history\, the exhibition features over two hundred works from pr
 emier public and private collections. Paintings\, drawings\, prints\, embro
 ideries\, books\, and letters by patriarch John Butler Yeats and his childr
 en William\, Lily\, Elizabeth\, and Jack\, as well as William’s daughter\, 
 Anne\, highlight examples of individual artistry. They also demonstrate how
  the Yeats family’s artistic expression was varied and deeply collaborative
 . In illustrated poetry\, set designs\, embroideries for home and liturgica
 l use\, printed broadsides\, paintings\, sketchbooks\, and other media\, th
 e siblings drew upon each others’ acumen. These endeavors were often fraugh
 t with conflict\, resulting in creative tensions and financial hardships. \
 n\nThe exhibition opens by exploring portraiture of family members and repr
 esentations of the places that were important to them. It moves on to objec
 ts illustrating the family’s engagement with youth as a site of education\,
  entertainment\, and memory. Subsequent sections reveal how the Yeatses cre
 ated objects that transformed private spaces through imaginative innovation
  and material practices\, as well as how they shaped public life through th
 eater\, publishing and printing\, and visual representations of a distincti
 ve Irish identity as the nation established itself post-independence. \n\nR
 ecent gifts to Boston College anchor the exhibition: Jack B. Yeats painting
 s and Lily Yeats Stations of the Cross embroideries received by the McMulle
 n Museum and additional acquisitions of Yeats family materials by the John 
 J. Burns Library. These are complemented by major loans from the Model\, ho
 me of the Niland Collection\, the National Gallery of Ireland\, the Library
  of Trinity College Dublin\, the O’Brien Collection\, and the Collection of
  Carolyn A. and Peter S. Lynch. Supplemented by additional loans from other
  collections and anonymous lenders\, the exhibition constitutes the most ex
 pansive exploration of the Yeats family’s contributions to the public arts 
 to date. Many objects are publicly displayed for the first time\, others fo
 r the first time outside Ireland.\n\nThe exhibition is accompanied by a ful
 ly illustrated catalogue\, edited by Marjorie Howes\, which includes fiftee
 n essays contributed by an interdisciplinary team of scholars who offer new
  insights into historical contexts and interpretive frameworks for studying
  the Yeatses. \n\nOrganized by the McMullen Museum in conjunction with the 
 John J. Burns Library\, Collaborating in Conflict has been curated by Marjo
 rie Howes\, Christian Dupont\, and Diana Larsen. The exhibition is underwri
 tten by Boston College with major support from the Patrons of the McMullen 
 Museum\, the John C. Donohue Estate\, Robert ’63 and Ann Marie Reardon P’91
 \, and the Anna Frances Vegkeley Ryan Estate in memory of John Anthony Ryan
  Jr. ’50. Additional support has been provided by William J. Lundregan III\
 , Esq.\, ’62\, JD’67\, P’93\, ’96 and Elaine Stein-Cummins in memory of Dan
 iel Cummins ’58.\n\nBoston College’s Irish Studies program is organizing a 
 symposium to accompany the exhibition. With lectures by experts in Ireland’
 s visual arts\, theater and performance\, textiles and embroidery\, printin
 g and publishing\, and social and cultural history\, it will be held at Con
 nolly House and the McMullen Museum on February 20 and 21.
DTEND:20260506T210000Z
DTSTAMP:20260305T165704Z
DTSTART:20260506T140000Z
GEO:42.340795;-71.162583
LOCATION:McMullen Museum of Art
SEQUENCE:0
SUMMARY:Exhibition: "Collaborating in Conflict: The Yeats Family and the Pu
 blic Arts"
UID:tag:localist.com\,2008:EventInstance_51780871547824
URL:https://events.bc.edu/event/exhibition-collaborating-in-conflict-the-ye
 ats-family-and-the-public-arts
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts,Exhibition,Visual Arts
DESCRIPTION:Exhibition: Collaborating in Conflict: The Yeats Family and the
  Public Arts\n\nExamining the extraordinary impact the talented Yeats famil
 y had on cultural life and the public arts in Ireland during a century cruc
 ial to its history\, the exhibition features over two hundred works from pr
 emier public and private collections. Paintings\, drawings\, prints\, embro
 ideries\, books\, and letters by patriarch John Butler Yeats and his childr
 en William\, Lily\, Elizabeth\, and Jack\, as well as William’s daughter\, 
 Anne\, highlight examples of individual artistry. They also demonstrate how
  the Yeats family’s artistic expression was varied and deeply collaborative
 . In illustrated poetry\, set designs\, embroideries for home and liturgica
 l use\, printed broadsides\, paintings\, sketchbooks\, and other media\, th
 e siblings drew upon each others’ acumen. These endeavors were often fraugh
 t with conflict\, resulting in creative tensions and financial hardships. \
 n\nThe exhibition opens by exploring portraiture of family members and repr
 esentations of the places that were important to them. It moves on to objec
 ts illustrating the family’s engagement with youth as a site of education\,
  entertainment\, and memory. Subsequent sections reveal how the Yeatses cre
 ated objects that transformed private spaces through imaginative innovation
  and material practices\, as well as how they shaped public life through th
 eater\, publishing and printing\, and visual representations of a distincti
 ve Irish identity as the nation established itself post-independence. \n\nR
 ecent gifts to Boston College anchor the exhibition: Jack B. Yeats painting
 s and Lily Yeats Stations of the Cross embroideries received by the McMulle
 n Museum and additional acquisitions of Yeats family materials by the John 
 J. Burns Library. These are complemented by major loans from the Model\, ho
 me of the Niland Collection\, the National Gallery of Ireland\, the Library
  of Trinity College Dublin\, the O’Brien Collection\, and the Collection of
  Carolyn A. and Peter S. Lynch. Supplemented by additional loans from other
  collections and anonymous lenders\, the exhibition constitutes the most ex
 pansive exploration of the Yeats family’s contributions to the public arts 
 to date. Many objects are publicly displayed for the first time\, others fo
 r the first time outside Ireland.\n\nThe exhibition is accompanied by a ful
 ly illustrated catalogue\, edited by Marjorie Howes\, which includes fiftee
 n essays contributed by an interdisciplinary team of scholars who offer new
  insights into historical contexts and interpretive frameworks for studying
  the Yeatses. \n\nOrganized by the McMullen Museum in conjunction with the 
 John J. Burns Library\, Collaborating in Conflict has been curated by Marjo
 rie Howes\, Christian Dupont\, and Diana Larsen. The exhibition is underwri
 tten by Boston College with major support from the Patrons of the McMullen 
 Museum\, the John C. Donohue Estate\, Robert ’63 and Ann Marie Reardon P’91
 \, and the Anna Frances Vegkeley Ryan Estate in memory of John Anthony Ryan
  Jr. ’50. Additional support has been provided by William J. Lundregan III\
 , Esq.\, ’62\, JD’67\, P’93\, ’96 and Elaine Stein-Cummins in memory of Dan
 iel Cummins ’58.\n\nBoston College’s Irish Studies program is organizing a 
 symposium to accompany the exhibition. With lectures by experts in Ireland’
 s visual arts\, theater and performance\, textiles and embroidery\, printin
 g and publishing\, and social and cultural history\, it will be held at Con
 nolly House and the McMullen Museum on February 20 and 21.
DTEND:20260507T210000Z
DTSTAMP:20260305T165704Z
DTSTART:20260507T140000Z
GEO:42.340795;-71.162583
LOCATION:McMullen Museum of Art
SEQUENCE:0
SUMMARY:Exhibition: "Collaborating in Conflict: The Yeats Family and the Pu
 blic Arts"
UID:tag:localist.com\,2008:EventInstance_51780871548849
URL:https://events.bc.edu/event/exhibition-collaborating-in-conflict-the-ye
 ats-family-and-the-public-arts
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts,Exhibition,Visual Arts
DESCRIPTION:Exhibition: Collaborating in Conflict: The Yeats Family and the
  Public Arts\n\nExamining the extraordinary impact the talented Yeats famil
 y had on cultural life and the public arts in Ireland during a century cruc
 ial to its history\, the exhibition features over two hundred works from pr
 emier public and private collections. Paintings\, drawings\, prints\, embro
 ideries\, books\, and letters by patriarch John Butler Yeats and his childr
 en William\, Lily\, Elizabeth\, and Jack\, as well as William’s daughter\, 
 Anne\, highlight examples of individual artistry. They also demonstrate how
  the Yeats family’s artistic expression was varied and deeply collaborative
 . In illustrated poetry\, set designs\, embroideries for home and liturgica
 l use\, printed broadsides\, paintings\, sketchbooks\, and other media\, th
 e siblings drew upon each others’ acumen. These endeavors were often fraugh
 t with conflict\, resulting in creative tensions and financial hardships. \
 n\nThe exhibition opens by exploring portraiture of family members and repr
 esentations of the places that were important to them. It moves on to objec
 ts illustrating the family’s engagement with youth as a site of education\,
  entertainment\, and memory. Subsequent sections reveal how the Yeatses cre
 ated objects that transformed private spaces through imaginative innovation
  and material practices\, as well as how they shaped public life through th
 eater\, publishing and printing\, and visual representations of a distincti
 ve Irish identity as the nation established itself post-independence. \n\nR
 ecent gifts to Boston College anchor the exhibition: Jack B. Yeats painting
 s and Lily Yeats Stations of the Cross embroideries received by the McMulle
 n Museum and additional acquisitions of Yeats family materials by the John 
 J. Burns Library. These are complemented by major loans from the Model\, ho
 me of the Niland Collection\, the National Gallery of Ireland\, the Library
  of Trinity College Dublin\, the O’Brien Collection\, and the Collection of
  Carolyn A. and Peter S. Lynch. Supplemented by additional loans from other
  collections and anonymous lenders\, the exhibition constitutes the most ex
 pansive exploration of the Yeats family’s contributions to the public arts 
 to date. Many objects are publicly displayed for the first time\, others fo
 r the first time outside Ireland.\n\nThe exhibition is accompanied by a ful
 ly illustrated catalogue\, edited by Marjorie Howes\, which includes fiftee
 n essays contributed by an interdisciplinary team of scholars who offer new
  insights into historical contexts and interpretive frameworks for studying
  the Yeatses. \n\nOrganized by the McMullen Museum in conjunction with the 
 John J. Burns Library\, Collaborating in Conflict has been curated by Marjo
 rie Howes\, Christian Dupont\, and Diana Larsen. The exhibition is underwri
 tten by Boston College with major support from the Patrons of the McMullen 
 Museum\, the John C. Donohue Estate\, Robert ’63 and Ann Marie Reardon P’91
 \, and the Anna Frances Vegkeley Ryan Estate in memory of John Anthony Ryan
  Jr. ’50. Additional support has been provided by William J. Lundregan III\
 , Esq.\, ’62\, JD’67\, P’93\, ’96 and Elaine Stein-Cummins in memory of Dan
 iel Cummins ’58.\n\nBoston College’s Irish Studies program is organizing a 
 symposium to accompany the exhibition. With lectures by experts in Ireland’
 s visual arts\, theater and performance\, textiles and embroidery\, printin
 g and publishing\, and social and cultural history\, it will be held at Con
 nolly House and the McMullen Museum on February 20 and 21.
DTEND:20260508T210000Z
DTSTAMP:20260305T165704Z
DTSTART:20260508T140000Z
GEO:42.340795;-71.162583
LOCATION:McMullen Museum of Art
SEQUENCE:0
SUMMARY:Exhibition: "Collaborating in Conflict: The Yeats Family and the Pu
 blic Arts"
UID:tag:localist.com\,2008:EventInstance_51780871549874
URL:https://events.bc.edu/event/exhibition-collaborating-in-conflict-the-ye
 ats-family-and-the-public-arts
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts,Exhibition,Visual Arts
DESCRIPTION:Exhibition: Collaborating in Conflict: The Yeats Family and the
  Public Arts\n\nExamining the extraordinary impact the talented Yeats famil
 y had on cultural life and the public arts in Ireland during a century cruc
 ial to its history\, the exhibition features over two hundred works from pr
 emier public and private collections. Paintings\, drawings\, prints\, embro
 ideries\, books\, and letters by patriarch John Butler Yeats and his childr
 en William\, Lily\, Elizabeth\, and Jack\, as well as William’s daughter\, 
 Anne\, highlight examples of individual artistry. They also demonstrate how
  the Yeats family’s artistic expression was varied and deeply collaborative
 . In illustrated poetry\, set designs\, embroideries for home and liturgica
 l use\, printed broadsides\, paintings\, sketchbooks\, and other media\, th
 e siblings drew upon each others’ acumen. These endeavors were often fraugh
 t with conflict\, resulting in creative tensions and financial hardships. \
 n\nThe exhibition opens by exploring portraiture of family members and repr
 esentations of the places that were important to them. It moves on to objec
 ts illustrating the family’s engagement with youth as a site of education\,
  entertainment\, and memory. Subsequent sections reveal how the Yeatses cre
 ated objects that transformed private spaces through imaginative innovation
  and material practices\, as well as how they shaped public life through th
 eater\, publishing and printing\, and visual representations of a distincti
 ve Irish identity as the nation established itself post-independence. \n\nR
 ecent gifts to Boston College anchor the exhibition: Jack B. Yeats painting
 s and Lily Yeats Stations of the Cross embroideries received by the McMulle
 n Museum and additional acquisitions of Yeats family materials by the John 
 J. Burns Library. These are complemented by major loans from the Model\, ho
 me of the Niland Collection\, the National Gallery of Ireland\, the Library
  of Trinity College Dublin\, the O’Brien Collection\, and the Collection of
  Carolyn A. and Peter S. Lynch. Supplemented by additional loans from other
  collections and anonymous lenders\, the exhibition constitutes the most ex
 pansive exploration of the Yeats family’s contributions to the public arts 
 to date. Many objects are publicly displayed for the first time\, others fo
 r the first time outside Ireland.\n\nThe exhibition is accompanied by a ful
 ly illustrated catalogue\, edited by Marjorie Howes\, which includes fiftee
 n essays contributed by an interdisciplinary team of scholars who offer new
  insights into historical contexts and interpretive frameworks for studying
  the Yeatses. \n\nOrganized by the McMullen Museum in conjunction with the 
 John J. Burns Library\, Collaborating in Conflict has been curated by Marjo
 rie Howes\, Christian Dupont\, and Diana Larsen. The exhibition is underwri
 tten by Boston College with major support from the Patrons of the McMullen 
 Museum\, the John C. Donohue Estate\, Robert ’63 and Ann Marie Reardon P’91
 \, and the Anna Frances Vegkeley Ryan Estate in memory of John Anthony Ryan
  Jr. ’50. Additional support has been provided by William J. Lundregan III\
 , Esq.\, ’62\, JD’67\, P’93\, ’96 and Elaine Stein-Cummins in memory of Dan
 iel Cummins ’58.\n\nBoston College’s Irish Studies program is organizing a 
 symposium to accompany the exhibition. With lectures by experts in Ireland’
 s visual arts\, theater and performance\, textiles and embroidery\, printin
 g and publishing\, and social and cultural history\, it will be held at Con
 nolly House and the McMullen Museum on February 20 and 21.
DTEND:20260509T210000Z
DTSTAMP:20260305T165704Z
DTSTART:20260509T160000Z
GEO:42.340795;-71.162583
LOCATION:McMullen Museum of Art
SEQUENCE:0
SUMMARY:Exhibition: "Collaborating in Conflict: The Yeats Family and the Pu
 blic Arts"
UID:tag:localist.com\,2008:EventInstance_51780871550899
URL:https://events.bc.edu/event/exhibition-collaborating-in-conflict-the-ye
 ats-family-and-the-public-arts
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts,Exhibition,Visual Arts
DESCRIPTION:Exhibition: Collaborating in Conflict: The Yeats Family and the
  Public Arts\n\nExamining the extraordinary impact the talented Yeats famil
 y had on cultural life and the public arts in Ireland during a century cruc
 ial to its history\, the exhibition features over two hundred works from pr
 emier public and private collections. Paintings\, drawings\, prints\, embro
 ideries\, books\, and letters by patriarch John Butler Yeats and his childr
 en William\, Lily\, Elizabeth\, and Jack\, as well as William’s daughter\, 
 Anne\, highlight examples of individual artistry. They also demonstrate how
  the Yeats family’s artistic expression was varied and deeply collaborative
 . In illustrated poetry\, set designs\, embroideries for home and liturgica
 l use\, printed broadsides\, paintings\, sketchbooks\, and other media\, th
 e siblings drew upon each others’ acumen. These endeavors were often fraugh
 t with conflict\, resulting in creative tensions and financial hardships. \
 n\nThe exhibition opens by exploring portraiture of family members and repr
 esentations of the places that were important to them. It moves on to objec
 ts illustrating the family’s engagement with youth as a site of education\,
  entertainment\, and memory. Subsequent sections reveal how the Yeatses cre
 ated objects that transformed private spaces through imaginative innovation
  and material practices\, as well as how they shaped public life through th
 eater\, publishing and printing\, and visual representations of a distincti
 ve Irish identity as the nation established itself post-independence. \n\nR
 ecent gifts to Boston College anchor the exhibition: Jack B. Yeats painting
 s and Lily Yeats Stations of the Cross embroideries received by the McMulle
 n Museum and additional acquisitions of Yeats family materials by the John 
 J. Burns Library. These are complemented by major loans from the Model\, ho
 me of the Niland Collection\, the National Gallery of Ireland\, the Library
  of Trinity College Dublin\, the O’Brien Collection\, and the Collection of
  Carolyn A. and Peter S. Lynch. Supplemented by additional loans from other
  collections and anonymous lenders\, the exhibition constitutes the most ex
 pansive exploration of the Yeats family’s contributions to the public arts 
 to date. Many objects are publicly displayed for the first time\, others fo
 r the first time outside Ireland.\n\nThe exhibition is accompanied by a ful
 ly illustrated catalogue\, edited by Marjorie Howes\, which includes fiftee
 n essays contributed by an interdisciplinary team of scholars who offer new
  insights into historical contexts and interpretive frameworks for studying
  the Yeatses. \n\nOrganized by the McMullen Museum in conjunction with the 
 John J. Burns Library\, Collaborating in Conflict has been curated by Marjo
 rie Howes\, Christian Dupont\, and Diana Larsen. The exhibition is underwri
 tten by Boston College with major support from the Patrons of the McMullen 
 Museum\, the John C. Donohue Estate\, Robert ’63 and Ann Marie Reardon P’91
 \, and the Anna Frances Vegkeley Ryan Estate in memory of John Anthony Ryan
  Jr. ’50. Additional support has been provided by William J. Lundregan III\
 , Esq.\, ’62\, JD’67\, P’93\, ’96 and Elaine Stein-Cummins in memory of Dan
 iel Cummins ’58.\n\nBoston College’s Irish Studies program is organizing a 
 symposium to accompany the exhibition. With lectures by experts in Ireland’
 s visual arts\, theater and performance\, textiles and embroidery\, printin
 g and publishing\, and social and cultural history\, it will be held at Con
 nolly House and the McMullen Museum on February 20 and 21.
DTEND:20260510T210000Z
DTSTAMP:20260305T165704Z
DTSTART:20260510T160000Z
GEO:42.340795;-71.162583
LOCATION:McMullen Museum of Art
SEQUENCE:0
SUMMARY:Exhibition: "Collaborating in Conflict: The Yeats Family and the Pu
 blic Arts"
UID:tag:localist.com\,2008:EventInstance_51780871551924
URL:https://events.bc.edu/event/exhibition-collaborating-in-conflict-the-ye
 ats-family-and-the-public-arts
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts,Exhibition,Visual Arts
DESCRIPTION:Exhibition: Collaborating in Conflict: The Yeats Family and the
  Public Arts\n\nExamining the extraordinary impact the talented Yeats famil
 y had on cultural life and the public arts in Ireland during a century cruc
 ial to its history\, the exhibition features over two hundred works from pr
 emier public and private collections. Paintings\, drawings\, prints\, embro
 ideries\, books\, and letters by patriarch John Butler Yeats and his childr
 en William\, Lily\, Elizabeth\, and Jack\, as well as William’s daughter\, 
 Anne\, highlight examples of individual artistry. They also demonstrate how
  the Yeats family’s artistic expression was varied and deeply collaborative
 . In illustrated poetry\, set designs\, embroideries for home and liturgica
 l use\, printed broadsides\, paintings\, sketchbooks\, and other media\, th
 e siblings drew upon each others’ acumen. These endeavors were often fraugh
 t with conflict\, resulting in creative tensions and financial hardships. \
 n\nThe exhibition opens by exploring portraiture of family members and repr
 esentations of the places that were important to them. It moves on to objec
 ts illustrating the family’s engagement with youth as a site of education\,
  entertainment\, and memory. Subsequent sections reveal how the Yeatses cre
 ated objects that transformed private spaces through imaginative innovation
  and material practices\, as well as how they shaped public life through th
 eater\, publishing and printing\, and visual representations of a distincti
 ve Irish identity as the nation established itself post-independence. \n\nR
 ecent gifts to Boston College anchor the exhibition: Jack B. Yeats painting
 s and Lily Yeats Stations of the Cross embroideries received by the McMulle
 n Museum and additional acquisitions of Yeats family materials by the John 
 J. Burns Library. These are complemented by major loans from the Model\, ho
 me of the Niland Collection\, the National Gallery of Ireland\, the Library
  of Trinity College Dublin\, the O’Brien Collection\, and the Collection of
  Carolyn A. and Peter S. Lynch. Supplemented by additional loans from other
  collections and anonymous lenders\, the exhibition constitutes the most ex
 pansive exploration of the Yeats family’s contributions to the public arts 
 to date. Many objects are publicly displayed for the first time\, others fo
 r the first time outside Ireland.\n\nThe exhibition is accompanied by a ful
 ly illustrated catalogue\, edited by Marjorie Howes\, which includes fiftee
 n essays contributed by an interdisciplinary team of scholars who offer new
  insights into historical contexts and interpretive frameworks for studying
  the Yeatses. \n\nOrganized by the McMullen Museum in conjunction with the 
 John J. Burns Library\, Collaborating in Conflict has been curated by Marjo
 rie Howes\, Christian Dupont\, and Diana Larsen. The exhibition is underwri
 tten by Boston College with major support from the Patrons of the McMullen 
 Museum\, the John C. Donohue Estate\, Robert ’63 and Ann Marie Reardon P’91
 \, and the Anna Frances Vegkeley Ryan Estate in memory of John Anthony Ryan
  Jr. ’50. Additional support has been provided by William J. Lundregan III\
 , Esq.\, ’62\, JD’67\, P’93\, ’96 and Elaine Stein-Cummins in memory of Dan
 iel Cummins ’58.\n\nBoston College’s Irish Studies program is organizing a 
 symposium to accompany the exhibition. With lectures by experts in Ireland’
 s visual arts\, theater and performance\, textiles and embroidery\, printin
 g and publishing\, and social and cultural history\, it will be held at Con
 nolly House and the McMullen Museum on February 20 and 21.
DTEND:20260511T210000Z
DTSTAMP:20260305T165704Z
DTSTART:20260511T140000Z
GEO:42.340795;-71.162583
LOCATION:McMullen Museum of Art
SEQUENCE:0
SUMMARY:Exhibition: "Collaborating in Conflict: The Yeats Family and the Pu
 blic Arts"
UID:tag:localist.com\,2008:EventInstance_51780871552949
URL:https://events.bc.edu/event/exhibition-collaborating-in-conflict-the-ye
 ats-family-and-the-public-arts
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts,Exhibition,Visual Arts
DESCRIPTION:Exhibition: Collaborating in Conflict: The Yeats Family and the
  Public Arts\n\nExamining the extraordinary impact the talented Yeats famil
 y had on cultural life and the public arts in Ireland during a century cruc
 ial to its history\, the exhibition features over two hundred works from pr
 emier public and private collections. Paintings\, drawings\, prints\, embro
 ideries\, books\, and letters by patriarch John Butler Yeats and his childr
 en William\, Lily\, Elizabeth\, and Jack\, as well as William’s daughter\, 
 Anne\, highlight examples of individual artistry. They also demonstrate how
  the Yeats family’s artistic expression was varied and deeply collaborative
 . In illustrated poetry\, set designs\, embroideries for home and liturgica
 l use\, printed broadsides\, paintings\, sketchbooks\, and other media\, th
 e siblings drew upon each others’ acumen. These endeavors were often fraugh
 t with conflict\, resulting in creative tensions and financial hardships. \
 n\nThe exhibition opens by exploring portraiture of family members and repr
 esentations of the places that were important to them. It moves on to objec
 ts illustrating the family’s engagement with youth as a site of education\,
  entertainment\, and memory. Subsequent sections reveal how the Yeatses cre
 ated objects that transformed private spaces through imaginative innovation
  and material practices\, as well as how they shaped public life through th
 eater\, publishing and printing\, and visual representations of a distincti
 ve Irish identity as the nation established itself post-independence. \n\nR
 ecent gifts to Boston College anchor the exhibition: Jack B. Yeats painting
 s and Lily Yeats Stations of the Cross embroideries received by the McMulle
 n Museum and additional acquisitions of Yeats family materials by the John 
 J. Burns Library. These are complemented by major loans from the Model\, ho
 me of the Niland Collection\, the National Gallery of Ireland\, the Library
  of Trinity College Dublin\, the O’Brien Collection\, and the Collection of
  Carolyn A. and Peter S. Lynch. Supplemented by additional loans from other
  collections and anonymous lenders\, the exhibition constitutes the most ex
 pansive exploration of the Yeats family’s contributions to the public arts 
 to date. Many objects are publicly displayed for the first time\, others fo
 r the first time outside Ireland.\n\nThe exhibition is accompanied by a ful
 ly illustrated catalogue\, edited by Marjorie Howes\, which includes fiftee
 n essays contributed by an interdisciplinary team of scholars who offer new
  insights into historical contexts and interpretive frameworks for studying
  the Yeatses. \n\nOrganized by the McMullen Museum in conjunction with the 
 John J. Burns Library\, Collaborating in Conflict has been curated by Marjo
 rie Howes\, Christian Dupont\, and Diana Larsen. The exhibition is underwri
 tten by Boston College with major support from the Patrons of the McMullen 
 Museum\, the John C. Donohue Estate\, Robert ’63 and Ann Marie Reardon P’91
 \, and the Anna Frances Vegkeley Ryan Estate in memory of John Anthony Ryan
  Jr. ’50. Additional support has been provided by William J. Lundregan III\
 , Esq.\, ’62\, JD’67\, P’93\, ’96 and Elaine Stein-Cummins in memory of Dan
 iel Cummins ’58.\n\nBoston College’s Irish Studies program is organizing a 
 symposium to accompany the exhibition. With lectures by experts in Ireland’
 s visual arts\, theater and performance\, textiles and embroidery\, printin
 g and publishing\, and social and cultural history\, it will be held at Con
 nolly House and the McMullen Museum on February 20 and 21.
DTEND:20260512T210000Z
DTSTAMP:20260305T165704Z
DTSTART:20260512T140000Z
GEO:42.340795;-71.162583
LOCATION:McMullen Museum of Art
SEQUENCE:0
SUMMARY:Exhibition: "Collaborating in Conflict: The Yeats Family and the Pu
 blic Arts"
UID:tag:localist.com\,2008:EventInstance_51780871553974
URL:https://events.bc.edu/event/exhibition-collaborating-in-conflict-the-ye
 ats-family-and-the-public-arts
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts,Exhibition,Visual Arts
DESCRIPTION:Exhibition: Collaborating in Conflict: The Yeats Family and the
  Public Arts\n\nExamining the extraordinary impact the talented Yeats famil
 y had on cultural life and the public arts in Ireland during a century cruc
 ial to its history\, the exhibition features over two hundred works from pr
 emier public and private collections. Paintings\, drawings\, prints\, embro
 ideries\, books\, and letters by patriarch John Butler Yeats and his childr
 en William\, Lily\, Elizabeth\, and Jack\, as well as William’s daughter\, 
 Anne\, highlight examples of individual artistry. They also demonstrate how
  the Yeats family’s artistic expression was varied and deeply collaborative
 . In illustrated poetry\, set designs\, embroideries for home and liturgica
 l use\, printed broadsides\, paintings\, sketchbooks\, and other media\, th
 e siblings drew upon each others’ acumen. These endeavors were often fraugh
 t with conflict\, resulting in creative tensions and financial hardships. \
 n\nThe exhibition opens by exploring portraiture of family members and repr
 esentations of the places that were important to them. It moves on to objec
 ts illustrating the family’s engagement with youth as a site of education\,
  entertainment\, and memory. Subsequent sections reveal how the Yeatses cre
 ated objects that transformed private spaces through imaginative innovation
  and material practices\, as well as how they shaped public life through th
 eater\, publishing and printing\, and visual representations of a distincti
 ve Irish identity as the nation established itself post-independence. \n\nR
 ecent gifts to Boston College anchor the exhibition: Jack B. Yeats painting
 s and Lily Yeats Stations of the Cross embroideries received by the McMulle
 n Museum and additional acquisitions of Yeats family materials by the John 
 J. Burns Library. These are complemented by major loans from the Model\, ho
 me of the Niland Collection\, the National Gallery of Ireland\, the Library
  of Trinity College Dublin\, the O’Brien Collection\, and the Collection of
  Carolyn A. and Peter S. Lynch. Supplemented by additional loans from other
  collections and anonymous lenders\, the exhibition constitutes the most ex
 pansive exploration of the Yeats family’s contributions to the public arts 
 to date. Many objects are publicly displayed for the first time\, others fo
 r the first time outside Ireland.\n\nThe exhibition is accompanied by a ful
 ly illustrated catalogue\, edited by Marjorie Howes\, which includes fiftee
 n essays contributed by an interdisciplinary team of scholars who offer new
  insights into historical contexts and interpretive frameworks for studying
  the Yeatses. \n\nOrganized by the McMullen Museum in conjunction with the 
 John J. Burns Library\, Collaborating in Conflict has been curated by Marjo
 rie Howes\, Christian Dupont\, and Diana Larsen. The exhibition is underwri
 tten by Boston College with major support from the Patrons of the McMullen 
 Museum\, the John C. Donohue Estate\, Robert ’63 and Ann Marie Reardon P’91
 \, and the Anna Frances Vegkeley Ryan Estate in memory of John Anthony Ryan
  Jr. ’50. Additional support has been provided by William J. Lundregan III\
 , Esq.\, ’62\, JD’67\, P’93\, ’96 and Elaine Stein-Cummins in memory of Dan
 iel Cummins ’58.\n\nBoston College’s Irish Studies program is organizing a 
 symposium to accompany the exhibition. With lectures by experts in Ireland’
 s visual arts\, theater and performance\, textiles and embroidery\, printin
 g and publishing\, and social and cultural history\, it will be held at Con
 nolly House and the McMullen Museum on February 20 and 21.
DTEND:20260513T210000Z
DTSTAMP:20260305T165704Z
DTSTART:20260513T140000Z
GEO:42.340795;-71.162583
LOCATION:McMullen Museum of Art
SEQUENCE:0
SUMMARY:Exhibition: "Collaborating in Conflict: The Yeats Family and the Pu
 blic Arts"
UID:tag:localist.com\,2008:EventInstance_51780871554999
URL:https://events.bc.edu/event/exhibition-collaborating-in-conflict-the-ye
 ats-family-and-the-public-arts
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts,Exhibition,Visual Arts
DESCRIPTION:Exhibition: Collaborating in Conflict: The Yeats Family and the
  Public Arts\n\nExamining the extraordinary impact the talented Yeats famil
 y had on cultural life and the public arts in Ireland during a century cruc
 ial to its history\, the exhibition features over two hundred works from pr
 emier public and private collections. Paintings\, drawings\, prints\, embro
 ideries\, books\, and letters by patriarch John Butler Yeats and his childr
 en William\, Lily\, Elizabeth\, and Jack\, as well as William’s daughter\, 
 Anne\, highlight examples of individual artistry. They also demonstrate how
  the Yeats family’s artistic expression was varied and deeply collaborative
 . In illustrated poetry\, set designs\, embroideries for home and liturgica
 l use\, printed broadsides\, paintings\, sketchbooks\, and other media\, th
 e siblings drew upon each others’ acumen. These endeavors were often fraugh
 t with conflict\, resulting in creative tensions and financial hardships. \
 n\nThe exhibition opens by exploring portraiture of family members and repr
 esentations of the places that were important to them. It moves on to objec
 ts illustrating the family’s engagement with youth as a site of education\,
  entertainment\, and memory. Subsequent sections reveal how the Yeatses cre
 ated objects that transformed private spaces through imaginative innovation
  and material practices\, as well as how they shaped public life through th
 eater\, publishing and printing\, and visual representations of a distincti
 ve Irish identity as the nation established itself post-independence. \n\nR
 ecent gifts to Boston College anchor the exhibition: Jack B. Yeats painting
 s and Lily Yeats Stations of the Cross embroideries received by the McMulle
 n Museum and additional acquisitions of Yeats family materials by the John 
 J. Burns Library. These are complemented by major loans from the Model\, ho
 me of the Niland Collection\, the National Gallery of Ireland\, the Library
  of Trinity College Dublin\, the O’Brien Collection\, and the Collection of
  Carolyn A. and Peter S. Lynch. Supplemented by additional loans from other
  collections and anonymous lenders\, the exhibition constitutes the most ex
 pansive exploration of the Yeats family’s contributions to the public arts 
 to date. Many objects are publicly displayed for the first time\, others fo
 r the first time outside Ireland.\n\nThe exhibition is accompanied by a ful
 ly illustrated catalogue\, edited by Marjorie Howes\, which includes fiftee
 n essays contributed by an interdisciplinary team of scholars who offer new
  insights into historical contexts and interpretive frameworks for studying
  the Yeatses. \n\nOrganized by the McMullen Museum in conjunction with the 
 John J. Burns Library\, Collaborating in Conflict has been curated by Marjo
 rie Howes\, Christian Dupont\, and Diana Larsen. The exhibition is underwri
 tten by Boston College with major support from the Patrons of the McMullen 
 Museum\, the John C. Donohue Estate\, Robert ’63 and Ann Marie Reardon P’91
 \, and the Anna Frances Vegkeley Ryan Estate in memory of John Anthony Ryan
  Jr. ’50. Additional support has been provided by William J. Lundregan III\
 , Esq.\, ’62\, JD’67\, P’93\, ’96 and Elaine Stein-Cummins in memory of Dan
 iel Cummins ’58.\n\nBoston College’s Irish Studies program is organizing a 
 symposium to accompany the exhibition. With lectures by experts in Ireland’
 s visual arts\, theater and performance\, textiles and embroidery\, printin
 g and publishing\, and social and cultural history\, it will be held at Con
 nolly House and the McMullen Museum on February 20 and 21.
DTEND:20260514T210000Z
DTSTAMP:20260305T165704Z
DTSTART:20260514T140000Z
GEO:42.340795;-71.162583
LOCATION:McMullen Museum of Art
SEQUENCE:0
SUMMARY:Exhibition: "Collaborating in Conflict: The Yeats Family and the Pu
 blic Arts"
UID:tag:localist.com\,2008:EventInstance_51780871556024
URL:https://events.bc.edu/event/exhibition-collaborating-in-conflict-the-ye
 ats-family-and-the-public-arts
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts,Exhibition,Visual Arts
DESCRIPTION:Exhibition: Collaborating in Conflict: The Yeats Family and the
  Public Arts\n\nExamining the extraordinary impact the talented Yeats famil
 y had on cultural life and the public arts in Ireland during a century cruc
 ial to its history\, the exhibition features over two hundred works from pr
 emier public and private collections. Paintings\, drawings\, prints\, embro
 ideries\, books\, and letters by patriarch John Butler Yeats and his childr
 en William\, Lily\, Elizabeth\, and Jack\, as well as William’s daughter\, 
 Anne\, highlight examples of individual artistry. They also demonstrate how
  the Yeats family’s artistic expression was varied and deeply collaborative
 . In illustrated poetry\, set designs\, embroideries for home and liturgica
 l use\, printed broadsides\, paintings\, sketchbooks\, and other media\, th
 e siblings drew upon each others’ acumen. These endeavors were often fraugh
 t with conflict\, resulting in creative tensions and financial hardships. \
 n\nThe exhibition opens by exploring portraiture of family members and repr
 esentations of the places that were important to them. It moves on to objec
 ts illustrating the family’s engagement with youth as a site of education\,
  entertainment\, and memory. Subsequent sections reveal how the Yeatses cre
 ated objects that transformed private spaces through imaginative innovation
  and material practices\, as well as how they shaped public life through th
 eater\, publishing and printing\, and visual representations of a distincti
 ve Irish identity as the nation established itself post-independence. \n\nR
 ecent gifts to Boston College anchor the exhibition: Jack B. Yeats painting
 s and Lily Yeats Stations of the Cross embroideries received by the McMulle
 n Museum and additional acquisitions of Yeats family materials by the John 
 J. Burns Library. These are complemented by major loans from the Model\, ho
 me of the Niland Collection\, the National Gallery of Ireland\, the Library
  of Trinity College Dublin\, the O’Brien Collection\, and the Collection of
  Carolyn A. and Peter S. Lynch. Supplemented by additional loans from other
  collections and anonymous lenders\, the exhibition constitutes the most ex
 pansive exploration of the Yeats family’s contributions to the public arts 
 to date. Many objects are publicly displayed for the first time\, others fo
 r the first time outside Ireland.\n\nThe exhibition is accompanied by a ful
 ly illustrated catalogue\, edited by Marjorie Howes\, which includes fiftee
 n essays contributed by an interdisciplinary team of scholars who offer new
  insights into historical contexts and interpretive frameworks for studying
  the Yeatses. \n\nOrganized by the McMullen Museum in conjunction with the 
 John J. Burns Library\, Collaborating in Conflict has been curated by Marjo
 rie Howes\, Christian Dupont\, and Diana Larsen. The exhibition is underwri
 tten by Boston College with major support from the Patrons of the McMullen 
 Museum\, the John C. Donohue Estate\, Robert ’63 and Ann Marie Reardon P’91
 \, and the Anna Frances Vegkeley Ryan Estate in memory of John Anthony Ryan
  Jr. ’50. Additional support has been provided by William J. Lundregan III\
 , Esq.\, ’62\, JD’67\, P’93\, ’96 and Elaine Stein-Cummins in memory of Dan
 iel Cummins ’58.\n\nBoston College’s Irish Studies program is organizing a 
 symposium to accompany the exhibition. With lectures by experts in Ireland’
 s visual arts\, theater and performance\, textiles and embroidery\, printin
 g and publishing\, and social and cultural history\, it will be held at Con
 nolly House and the McMullen Museum on February 20 and 21.
DTEND:20260515T210000Z
DTSTAMP:20260305T165704Z
DTSTART:20260515T140000Z
GEO:42.340795;-71.162583
LOCATION:McMullen Museum of Art
SEQUENCE:0
SUMMARY:Exhibition: "Collaborating in Conflict: The Yeats Family and the Pu
 blic Arts"
UID:tag:localist.com\,2008:EventInstance_51780871557049
URL:https://events.bc.edu/event/exhibition-collaborating-in-conflict-the-ye
 ats-family-and-the-public-arts
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts,Exhibition,Visual Arts
DESCRIPTION:Exhibition: Collaborating in Conflict: The Yeats Family and the
  Public Arts\n\nExamining the extraordinary impact the talented Yeats famil
 y had on cultural life and the public arts in Ireland during a century cruc
 ial to its history\, the exhibition features over two hundred works from pr
 emier public and private collections. Paintings\, drawings\, prints\, embro
 ideries\, books\, and letters by patriarch John Butler Yeats and his childr
 en William\, Lily\, Elizabeth\, and Jack\, as well as William’s daughter\, 
 Anne\, highlight examples of individual artistry. They also demonstrate how
  the Yeats family’s artistic expression was varied and deeply collaborative
 . In illustrated poetry\, set designs\, embroideries for home and liturgica
 l use\, printed broadsides\, paintings\, sketchbooks\, and other media\, th
 e siblings drew upon each others’ acumen. These endeavors were often fraugh
 t with conflict\, resulting in creative tensions and financial hardships. \
 n\nThe exhibition opens by exploring portraiture of family members and repr
 esentations of the places that were important to them. It moves on to objec
 ts illustrating the family’s engagement with youth as a site of education\,
  entertainment\, and memory. Subsequent sections reveal how the Yeatses cre
 ated objects that transformed private spaces through imaginative innovation
  and material practices\, as well as how they shaped public life through th
 eater\, publishing and printing\, and visual representations of a distincti
 ve Irish identity as the nation established itself post-independence. \n\nR
 ecent gifts to Boston College anchor the exhibition: Jack B. Yeats painting
 s and Lily Yeats Stations of the Cross embroideries received by the McMulle
 n Museum and additional acquisitions of Yeats family materials by the John 
 J. Burns Library. These are complemented by major loans from the Model\, ho
 me of the Niland Collection\, the National Gallery of Ireland\, the Library
  of Trinity College Dublin\, the O’Brien Collection\, and the Collection of
  Carolyn A. and Peter S. Lynch. Supplemented by additional loans from other
  collections and anonymous lenders\, the exhibition constitutes the most ex
 pansive exploration of the Yeats family’s contributions to the public arts 
 to date. Many objects are publicly displayed for the first time\, others fo
 r the first time outside Ireland.\n\nThe exhibition is accompanied by a ful
 ly illustrated catalogue\, edited by Marjorie Howes\, which includes fiftee
 n essays contributed by an interdisciplinary team of scholars who offer new
  insights into historical contexts and interpretive frameworks for studying
  the Yeatses. \n\nOrganized by the McMullen Museum in conjunction with the 
 John J. Burns Library\, Collaborating in Conflict has been curated by Marjo
 rie Howes\, Christian Dupont\, and Diana Larsen. The exhibition is underwri
 tten by Boston College with major support from the Patrons of the McMullen 
 Museum\, the John C. Donohue Estate\, Robert ’63 and Ann Marie Reardon P’91
 \, and the Anna Frances Vegkeley Ryan Estate in memory of John Anthony Ryan
  Jr. ’50. Additional support has been provided by William J. Lundregan III\
 , Esq.\, ’62\, JD’67\, P’93\, ’96 and Elaine Stein-Cummins in memory of Dan
 iel Cummins ’58.\n\nBoston College’s Irish Studies program is organizing a 
 symposium to accompany the exhibition. With lectures by experts in Ireland’
 s visual arts\, theater and performance\, textiles and embroidery\, printin
 g and publishing\, and social and cultural history\, it will be held at Con
 nolly House and the McMullen Museum on February 20 and 21.
DTEND:20260516T210000Z
DTSTAMP:20260305T165704Z
DTSTART:20260516T160000Z
GEO:42.340795;-71.162583
LOCATION:McMullen Museum of Art
SEQUENCE:0
SUMMARY:Exhibition: "Collaborating in Conflict: The Yeats Family and the Pu
 blic Arts"
UID:tag:localist.com\,2008:EventInstance_51780871558074
URL:https://events.bc.edu/event/exhibition-collaborating-in-conflict-the-ye
 ats-family-and-the-public-arts
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts,Exhibition,Visual Arts
DESCRIPTION:Exhibition: Collaborating in Conflict: The Yeats Family and the
  Public Arts\n\nExamining the extraordinary impact the talented Yeats famil
 y had on cultural life and the public arts in Ireland during a century cruc
 ial to its history\, the exhibition features over two hundred works from pr
 emier public and private collections. Paintings\, drawings\, prints\, embro
 ideries\, books\, and letters by patriarch John Butler Yeats and his childr
 en William\, Lily\, Elizabeth\, and Jack\, as well as William’s daughter\, 
 Anne\, highlight examples of individual artistry. They also demonstrate how
  the Yeats family’s artistic expression was varied and deeply collaborative
 . In illustrated poetry\, set designs\, embroideries for home and liturgica
 l use\, printed broadsides\, paintings\, sketchbooks\, and other media\, th
 e siblings drew upon each others’ acumen. These endeavors were often fraugh
 t with conflict\, resulting in creative tensions and financial hardships. \
 n\nThe exhibition opens by exploring portraiture of family members and repr
 esentations of the places that were important to them. It moves on to objec
 ts illustrating the family’s engagement with youth as a site of education\,
  entertainment\, and memory. Subsequent sections reveal how the Yeatses cre
 ated objects that transformed private spaces through imaginative innovation
  and material practices\, as well as how they shaped public life through th
 eater\, publishing and printing\, and visual representations of a distincti
 ve Irish identity as the nation established itself post-independence. \n\nR
 ecent gifts to Boston College anchor the exhibition: Jack B. Yeats painting
 s and Lily Yeats Stations of the Cross embroideries received by the McMulle
 n Museum and additional acquisitions of Yeats family materials by the John 
 J. Burns Library. These are complemented by major loans from the Model\, ho
 me of the Niland Collection\, the National Gallery of Ireland\, the Library
  of Trinity College Dublin\, the O’Brien Collection\, and the Collection of
  Carolyn A. and Peter S. Lynch. Supplemented by additional loans from other
  collections and anonymous lenders\, the exhibition constitutes the most ex
 pansive exploration of the Yeats family’s contributions to the public arts 
 to date. Many objects are publicly displayed for the first time\, others fo
 r the first time outside Ireland.\n\nThe exhibition is accompanied by a ful
 ly illustrated catalogue\, edited by Marjorie Howes\, which includes fiftee
 n essays contributed by an interdisciplinary team of scholars who offer new
  insights into historical contexts and interpretive frameworks for studying
  the Yeatses. \n\nOrganized by the McMullen Museum in conjunction with the 
 John J. Burns Library\, Collaborating in Conflict has been curated by Marjo
 rie Howes\, Christian Dupont\, and Diana Larsen. The exhibition is underwri
 tten by Boston College with major support from the Patrons of the McMullen 
 Museum\, the John C. Donohue Estate\, Robert ’63 and Ann Marie Reardon P’91
 \, and the Anna Frances Vegkeley Ryan Estate in memory of John Anthony Ryan
  Jr. ’50. Additional support has been provided by William J. Lundregan III\
 , Esq.\, ’62\, JD’67\, P’93\, ’96 and Elaine Stein-Cummins in memory of Dan
 iel Cummins ’58.\n\nBoston College’s Irish Studies program is organizing a 
 symposium to accompany the exhibition. With lectures by experts in Ireland’
 s visual arts\, theater and performance\, textiles and embroidery\, printin
 g and publishing\, and social and cultural history\, it will be held at Con
 nolly House and the McMullen Museum on February 20 and 21.
DTEND:20260517T210000Z
DTSTAMP:20260305T165704Z
DTSTART:20260517T160000Z
GEO:42.340795;-71.162583
LOCATION:McMullen Museum of Art
SEQUENCE:0
SUMMARY:Exhibition: "Collaborating in Conflict: The Yeats Family and the Pu
 blic Arts"
UID:tag:localist.com\,2008:EventInstance_51780871559099
URL:https://events.bc.edu/event/exhibition-collaborating-in-conflict-the-ye
 ats-family-and-the-public-arts
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts,Exhibition,Visual Arts
DESCRIPTION:Exhibition: Collaborating in Conflict: The Yeats Family and the
  Public Arts\n\nExamining the extraordinary impact the talented Yeats famil
 y had on cultural life and the public arts in Ireland during a century cruc
 ial to its history\, the exhibition features over two hundred works from pr
 emier public and private collections. Paintings\, drawings\, prints\, embro
 ideries\, books\, and letters by patriarch John Butler Yeats and his childr
 en William\, Lily\, Elizabeth\, and Jack\, as well as William’s daughter\, 
 Anne\, highlight examples of individual artistry. They also demonstrate how
  the Yeats family’s artistic expression was varied and deeply collaborative
 . In illustrated poetry\, set designs\, embroideries for home and liturgica
 l use\, printed broadsides\, paintings\, sketchbooks\, and other media\, th
 e siblings drew upon each others’ acumen. These endeavors were often fraugh
 t with conflict\, resulting in creative tensions and financial hardships. \
 n\nThe exhibition opens by exploring portraiture of family members and repr
 esentations of the places that were important to them. It moves on to objec
 ts illustrating the family’s engagement with youth as a site of education\,
  entertainment\, and memory. Subsequent sections reveal how the Yeatses cre
 ated objects that transformed private spaces through imaginative innovation
  and material practices\, as well as how they shaped public life through th
 eater\, publishing and printing\, and visual representations of a distincti
 ve Irish identity as the nation established itself post-independence. \n\nR
 ecent gifts to Boston College anchor the exhibition: Jack B. Yeats painting
 s and Lily Yeats Stations of the Cross embroideries received by the McMulle
 n Museum and additional acquisitions of Yeats family materials by the John 
 J. Burns Library. These are complemented by major loans from the Model\, ho
 me of the Niland Collection\, the National Gallery of Ireland\, the Library
  of Trinity College Dublin\, the O’Brien Collection\, and the Collection of
  Carolyn A. and Peter S. Lynch. Supplemented by additional loans from other
  collections and anonymous lenders\, the exhibition constitutes the most ex
 pansive exploration of the Yeats family’s contributions to the public arts 
 to date. Many objects are publicly displayed for the first time\, others fo
 r the first time outside Ireland.\n\nThe exhibition is accompanied by a ful
 ly illustrated catalogue\, edited by Marjorie Howes\, which includes fiftee
 n essays contributed by an interdisciplinary team of scholars who offer new
  insights into historical contexts and interpretive frameworks for studying
  the Yeatses. \n\nOrganized by the McMullen Museum in conjunction with the 
 John J. Burns Library\, Collaborating in Conflict has been curated by Marjo
 rie Howes\, Christian Dupont\, and Diana Larsen. The exhibition is underwri
 tten by Boston College with major support from the Patrons of the McMullen 
 Museum\, the John C. Donohue Estate\, Robert ’63 and Ann Marie Reardon P’91
 \, and the Anna Frances Vegkeley Ryan Estate in memory of John Anthony Ryan
  Jr. ’50. Additional support has been provided by William J. Lundregan III\
 , Esq.\, ’62\, JD’67\, P’93\, ’96 and Elaine Stein-Cummins in memory of Dan
 iel Cummins ’58.\n\nBoston College’s Irish Studies program is organizing a 
 symposium to accompany the exhibition. With lectures by experts in Ireland’
 s visual arts\, theater and performance\, textiles and embroidery\, printin
 g and publishing\, and social and cultural history\, it will be held at Con
 nolly House and the McMullen Museum on February 20 and 21.
DTEND:20260518T210000Z
DTSTAMP:20260305T165704Z
DTSTART:20260518T140000Z
GEO:42.340795;-71.162583
LOCATION:McMullen Museum of Art
SEQUENCE:0
SUMMARY:Exhibition: "Collaborating in Conflict: The Yeats Family and the Pu
 blic Arts"
UID:tag:localist.com\,2008:EventInstance_51780871560124
URL:https://events.bc.edu/event/exhibition-collaborating-in-conflict-the-ye
 ats-family-and-the-public-arts
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts,Exhibition,Visual Arts
DESCRIPTION:Exhibition: Collaborating in Conflict: The Yeats Family and the
  Public Arts\n\nExamining the extraordinary impact the talented Yeats famil
 y had on cultural life and the public arts in Ireland during a century cruc
 ial to its history\, the exhibition features over two hundred works from pr
 emier public and private collections. Paintings\, drawings\, prints\, embro
 ideries\, books\, and letters by patriarch John Butler Yeats and his childr
 en William\, Lily\, Elizabeth\, and Jack\, as well as William’s daughter\, 
 Anne\, highlight examples of individual artistry. They also demonstrate how
  the Yeats family’s artistic expression was varied and deeply collaborative
 . In illustrated poetry\, set designs\, embroideries for home and liturgica
 l use\, printed broadsides\, paintings\, sketchbooks\, and other media\, th
 e siblings drew upon each others’ acumen. These endeavors were often fraugh
 t with conflict\, resulting in creative tensions and financial hardships. \
 n\nThe exhibition opens by exploring portraiture of family members and repr
 esentations of the places that were important to them. It moves on to objec
 ts illustrating the family’s engagement with youth as a site of education\,
  entertainment\, and memory. Subsequent sections reveal how the Yeatses cre
 ated objects that transformed private spaces through imaginative innovation
  and material practices\, as well as how they shaped public life through th
 eater\, publishing and printing\, and visual representations of a distincti
 ve Irish identity as the nation established itself post-independence. \n\nR
 ecent gifts to Boston College anchor the exhibition: Jack B. Yeats painting
 s and Lily Yeats Stations of the Cross embroideries received by the McMulle
 n Museum and additional acquisitions of Yeats family materials by the John 
 J. Burns Library. These are complemented by major loans from the Model\, ho
 me of the Niland Collection\, the National Gallery of Ireland\, the Library
  of Trinity College Dublin\, the O’Brien Collection\, and the Collection of
  Carolyn A. and Peter S. Lynch. Supplemented by additional loans from other
  collections and anonymous lenders\, the exhibition constitutes the most ex
 pansive exploration of the Yeats family’s contributions to the public arts 
 to date. Many objects are publicly displayed for the first time\, others fo
 r the first time outside Ireland.\n\nThe exhibition is accompanied by a ful
 ly illustrated catalogue\, edited by Marjorie Howes\, which includes fiftee
 n essays contributed by an interdisciplinary team of scholars who offer new
  insights into historical contexts and interpretive frameworks for studying
  the Yeatses. \n\nOrganized by the McMullen Museum in conjunction with the 
 John J. Burns Library\, Collaborating in Conflict has been curated by Marjo
 rie Howes\, Christian Dupont\, and Diana Larsen. The exhibition is underwri
 tten by Boston College with major support from the Patrons of the McMullen 
 Museum\, the John C. Donohue Estate\, Robert ’63 and Ann Marie Reardon P’91
 \, and the Anna Frances Vegkeley Ryan Estate in memory of John Anthony Ryan
  Jr. ’50. Additional support has been provided by William J. Lundregan III\
 , Esq.\, ’62\, JD’67\, P’93\, ’96 and Elaine Stein-Cummins in memory of Dan
 iel Cummins ’58.\n\nBoston College’s Irish Studies program is organizing a 
 symposium to accompany the exhibition. With lectures by experts in Ireland’
 s visual arts\, theater and performance\, textiles and embroidery\, printin
 g and publishing\, and social and cultural history\, it will be held at Con
 nolly House and the McMullen Museum on February 20 and 21.
DTEND:20260519T210000Z
DTSTAMP:20260305T165704Z
DTSTART:20260519T140000Z
GEO:42.340795;-71.162583
LOCATION:McMullen Museum of Art
SEQUENCE:0
SUMMARY:Exhibition: "Collaborating in Conflict: The Yeats Family and the Pu
 blic Arts"
UID:tag:localist.com\,2008:EventInstance_51780871561149
URL:https://events.bc.edu/event/exhibition-collaborating-in-conflict-the-ye
 ats-family-and-the-public-arts
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts,Exhibition,Visual Arts
DESCRIPTION:Exhibition: Collaborating in Conflict: The Yeats Family and the
  Public Arts\n\nExamining the extraordinary impact the talented Yeats famil
 y had on cultural life and the public arts in Ireland during a century cruc
 ial to its history\, the exhibition features over two hundred works from pr
 emier public and private collections. Paintings\, drawings\, prints\, embro
 ideries\, books\, and letters by patriarch John Butler Yeats and his childr
 en William\, Lily\, Elizabeth\, and Jack\, as well as William’s daughter\, 
 Anne\, highlight examples of individual artistry. They also demonstrate how
  the Yeats family’s artistic expression was varied and deeply collaborative
 . In illustrated poetry\, set designs\, embroideries for home and liturgica
 l use\, printed broadsides\, paintings\, sketchbooks\, and other media\, th
 e siblings drew upon each others’ acumen. These endeavors were often fraugh
 t with conflict\, resulting in creative tensions and financial hardships. \
 n\nThe exhibition opens by exploring portraiture of family members and repr
 esentations of the places that were important to them. It moves on to objec
 ts illustrating the family’s engagement with youth as a site of education\,
  entertainment\, and memory. Subsequent sections reveal how the Yeatses cre
 ated objects that transformed private spaces through imaginative innovation
  and material practices\, as well as how they shaped public life through th
 eater\, publishing and printing\, and visual representations of a distincti
 ve Irish identity as the nation established itself post-independence. \n\nR
 ecent gifts to Boston College anchor the exhibition: Jack B. Yeats painting
 s and Lily Yeats Stations of the Cross embroideries received by the McMulle
 n Museum and additional acquisitions of Yeats family materials by the John 
 J. Burns Library. These are complemented by major loans from the Model\, ho
 me of the Niland Collection\, the National Gallery of Ireland\, the Library
  of Trinity College Dublin\, the O’Brien Collection\, and the Collection of
  Carolyn A. and Peter S. Lynch. Supplemented by additional loans from other
  collections and anonymous lenders\, the exhibition constitutes the most ex
 pansive exploration of the Yeats family’s contributions to the public arts 
 to date. Many objects are publicly displayed for the first time\, others fo
 r the first time outside Ireland.\n\nThe exhibition is accompanied by a ful
 ly illustrated catalogue\, edited by Marjorie Howes\, which includes fiftee
 n essays contributed by an interdisciplinary team of scholars who offer new
  insights into historical contexts and interpretive frameworks for studying
  the Yeatses. \n\nOrganized by the McMullen Museum in conjunction with the 
 John J. Burns Library\, Collaborating in Conflict has been curated by Marjo
 rie Howes\, Christian Dupont\, and Diana Larsen. The exhibition is underwri
 tten by Boston College with major support from the Patrons of the McMullen 
 Museum\, the John C. Donohue Estate\, Robert ’63 and Ann Marie Reardon P’91
 \, and the Anna Frances Vegkeley Ryan Estate in memory of John Anthony Ryan
  Jr. ’50. Additional support has been provided by William J. Lundregan III\
 , Esq.\, ’62\, JD’67\, P’93\, ’96 and Elaine Stein-Cummins in memory of Dan
 iel Cummins ’58.\n\nBoston College’s Irish Studies program is organizing a 
 symposium to accompany the exhibition. With lectures by experts in Ireland’
 s visual arts\, theater and performance\, textiles and embroidery\, printin
 g and publishing\, and social and cultural history\, it will be held at Con
 nolly House and the McMullen Museum on February 20 and 21.
DTEND:20260520T210000Z
DTSTAMP:20260305T165704Z
DTSTART:20260520T140000Z
GEO:42.340795;-71.162583
LOCATION:McMullen Museum of Art
SEQUENCE:0
SUMMARY:Exhibition: "Collaborating in Conflict: The Yeats Family and the Pu
 blic Arts"
UID:tag:localist.com\,2008:EventInstance_51780871562174
URL:https://events.bc.edu/event/exhibition-collaborating-in-conflict-the-ye
 ats-family-and-the-public-arts
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts,Exhibition,Visual Arts
DESCRIPTION:Exhibition: Collaborating in Conflict: The Yeats Family and the
  Public Arts\n\nExamining the extraordinary impact the talented Yeats famil
 y had on cultural life and the public arts in Ireland during a century cruc
 ial to its history\, the exhibition features over two hundred works from pr
 emier public and private collections. Paintings\, drawings\, prints\, embro
 ideries\, books\, and letters by patriarch John Butler Yeats and his childr
 en William\, Lily\, Elizabeth\, and Jack\, as well as William’s daughter\, 
 Anne\, highlight examples of individual artistry. They also demonstrate how
  the Yeats family’s artistic expression was varied and deeply collaborative
 . In illustrated poetry\, set designs\, embroideries for home and liturgica
 l use\, printed broadsides\, paintings\, sketchbooks\, and other media\, th
 e siblings drew upon each others’ acumen. These endeavors were often fraugh
 t with conflict\, resulting in creative tensions and financial hardships. \
 n\nThe exhibition opens by exploring portraiture of family members and repr
 esentations of the places that were important to them. It moves on to objec
 ts illustrating the family’s engagement with youth as a site of education\,
  entertainment\, and memory. Subsequent sections reveal how the Yeatses cre
 ated objects that transformed private spaces through imaginative innovation
  and material practices\, as well as how they shaped public life through th
 eater\, publishing and printing\, and visual representations of a distincti
 ve Irish identity as the nation established itself post-independence. \n\nR
 ecent gifts to Boston College anchor the exhibition: Jack B. Yeats painting
 s and Lily Yeats Stations of the Cross embroideries received by the McMulle
 n Museum and additional acquisitions of Yeats family materials by the John 
 J. Burns Library. These are complemented by major loans from the Model\, ho
 me of the Niland Collection\, the National Gallery of Ireland\, the Library
  of Trinity College Dublin\, the O’Brien Collection\, and the Collection of
  Carolyn A. and Peter S. Lynch. Supplemented by additional loans from other
  collections and anonymous lenders\, the exhibition constitutes the most ex
 pansive exploration of the Yeats family’s contributions to the public arts 
 to date. Many objects are publicly displayed for the first time\, others fo
 r the first time outside Ireland.\n\nThe exhibition is accompanied by a ful
 ly illustrated catalogue\, edited by Marjorie Howes\, which includes fiftee
 n essays contributed by an interdisciplinary team of scholars who offer new
  insights into historical contexts and interpretive frameworks for studying
  the Yeatses. \n\nOrganized by the McMullen Museum in conjunction with the 
 John J. Burns Library\, Collaborating in Conflict has been curated by Marjo
 rie Howes\, Christian Dupont\, and Diana Larsen. The exhibition is underwri
 tten by Boston College with major support from the Patrons of the McMullen 
 Museum\, the John C. Donohue Estate\, Robert ’63 and Ann Marie Reardon P’91
 \, and the Anna Frances Vegkeley Ryan Estate in memory of John Anthony Ryan
  Jr. ’50. Additional support has been provided by William J. Lundregan III\
 , Esq.\, ’62\, JD’67\, P’93\, ’96 and Elaine Stein-Cummins in memory of Dan
 iel Cummins ’58.\n\nBoston College’s Irish Studies program is organizing a 
 symposium to accompany the exhibition. With lectures by experts in Ireland’
 s visual arts\, theater and performance\, textiles and embroidery\, printin
 g and publishing\, and social and cultural history\, it will be held at Con
 nolly House and the McMullen Museum on February 20 and 21.
DTEND:20260521T210000Z
DTSTAMP:20260305T165704Z
DTSTART:20260521T140000Z
GEO:42.340795;-71.162583
LOCATION:McMullen Museum of Art
SEQUENCE:0
SUMMARY:Exhibition: "Collaborating in Conflict: The Yeats Family and the Pu
 blic Arts"
UID:tag:localist.com\,2008:EventInstance_51780871563199
URL:https://events.bc.edu/event/exhibition-collaborating-in-conflict-the-ye
 ats-family-and-the-public-arts
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts,Exhibition,Visual Arts
DESCRIPTION:Exhibition: Collaborating in Conflict: The Yeats Family and the
  Public Arts\n\nExamining the extraordinary impact the talented Yeats famil
 y had on cultural life and the public arts in Ireland during a century cruc
 ial to its history\, the exhibition features over two hundred works from pr
 emier public and private collections. Paintings\, drawings\, prints\, embro
 ideries\, books\, and letters by patriarch John Butler Yeats and his childr
 en William\, Lily\, Elizabeth\, and Jack\, as well as William’s daughter\, 
 Anne\, highlight examples of individual artistry. They also demonstrate how
  the Yeats family’s artistic expression was varied and deeply collaborative
 . In illustrated poetry\, set designs\, embroideries for home and liturgica
 l use\, printed broadsides\, paintings\, sketchbooks\, and other media\, th
 e siblings drew upon each others’ acumen. These endeavors were often fraugh
 t with conflict\, resulting in creative tensions and financial hardships. \
 n\nThe exhibition opens by exploring portraiture of family members and repr
 esentations of the places that were important to them. It moves on to objec
 ts illustrating the family’s engagement with youth as a site of education\,
  entertainment\, and memory. Subsequent sections reveal how the Yeatses cre
 ated objects that transformed private spaces through imaginative innovation
  and material practices\, as well as how they shaped public life through th
 eater\, publishing and printing\, and visual representations of a distincti
 ve Irish identity as the nation established itself post-independence. \n\nR
 ecent gifts to Boston College anchor the exhibition: Jack B. Yeats painting
 s and Lily Yeats Stations of the Cross embroideries received by the McMulle
 n Museum and additional acquisitions of Yeats family materials by the John 
 J. Burns Library. These are complemented by major loans from the Model\, ho
 me of the Niland Collection\, the National Gallery of Ireland\, the Library
  of Trinity College Dublin\, the O’Brien Collection\, and the Collection of
  Carolyn A. and Peter S. Lynch. Supplemented by additional loans from other
  collections and anonymous lenders\, the exhibition constitutes the most ex
 pansive exploration of the Yeats family’s contributions to the public arts 
 to date. Many objects are publicly displayed for the first time\, others fo
 r the first time outside Ireland.\n\nThe exhibition is accompanied by a ful
 ly illustrated catalogue\, edited by Marjorie Howes\, which includes fiftee
 n essays contributed by an interdisciplinary team of scholars who offer new
  insights into historical contexts and interpretive frameworks for studying
  the Yeatses. \n\nOrganized by the McMullen Museum in conjunction with the 
 John J. Burns Library\, Collaborating in Conflict has been curated by Marjo
 rie Howes\, Christian Dupont\, and Diana Larsen. The exhibition is underwri
 tten by Boston College with major support from the Patrons of the McMullen 
 Museum\, the John C. Donohue Estate\, Robert ’63 and Ann Marie Reardon P’91
 \, and the Anna Frances Vegkeley Ryan Estate in memory of John Anthony Ryan
  Jr. ’50. Additional support has been provided by William J. Lundregan III\
 , Esq.\, ’62\, JD’67\, P’93\, ’96 and Elaine Stein-Cummins in memory of Dan
 iel Cummins ’58.\n\nBoston College’s Irish Studies program is organizing a 
 symposium to accompany the exhibition. With lectures by experts in Ireland’
 s visual arts\, theater and performance\, textiles and embroidery\, printin
 g and publishing\, and social and cultural history\, it will be held at Con
 nolly House and the McMullen Museum on February 20 and 21.
DTEND:20260522T210000Z
DTSTAMP:20260305T165704Z
DTSTART:20260522T140000Z
GEO:42.340795;-71.162583
LOCATION:McMullen Museum of Art
SEQUENCE:0
SUMMARY:Exhibition: "Collaborating in Conflict: The Yeats Family and the Pu
 blic Arts"
UID:tag:localist.com\,2008:EventInstance_51780871564224
URL:https://events.bc.edu/event/exhibition-collaborating-in-conflict-the-ye
 ats-family-and-the-public-arts
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts,Exhibition,Visual Arts
DESCRIPTION:Exhibition: Collaborating in Conflict: The Yeats Family and the
  Public Arts\n\nExamining the extraordinary impact the talented Yeats famil
 y had on cultural life and the public arts in Ireland during a century cruc
 ial to its history\, the exhibition features over two hundred works from pr
 emier public and private collections. Paintings\, drawings\, prints\, embro
 ideries\, books\, and letters by patriarch John Butler Yeats and his childr
 en William\, Lily\, Elizabeth\, and Jack\, as well as William’s daughter\, 
 Anne\, highlight examples of individual artistry. They also demonstrate how
  the Yeats family’s artistic expression was varied and deeply collaborative
 . In illustrated poetry\, set designs\, embroideries for home and liturgica
 l use\, printed broadsides\, paintings\, sketchbooks\, and other media\, th
 e siblings drew upon each others’ acumen. These endeavors were often fraugh
 t with conflict\, resulting in creative tensions and financial hardships. \
 n\nThe exhibition opens by exploring portraiture of family members and repr
 esentations of the places that were important to them. It moves on to objec
 ts illustrating the family’s engagement with youth as a site of education\,
  entertainment\, and memory. Subsequent sections reveal how the Yeatses cre
 ated objects that transformed private spaces through imaginative innovation
  and material practices\, as well as how they shaped public life through th
 eater\, publishing and printing\, and visual representations of a distincti
 ve Irish identity as the nation established itself post-independence. \n\nR
 ecent gifts to Boston College anchor the exhibition: Jack B. Yeats painting
 s and Lily Yeats Stations of the Cross embroideries received by the McMulle
 n Museum and additional acquisitions of Yeats family materials by the John 
 J. Burns Library. These are complemented by major loans from the Model\, ho
 me of the Niland Collection\, the National Gallery of Ireland\, the Library
  of Trinity College Dublin\, the O’Brien Collection\, and the Collection of
  Carolyn A. and Peter S. Lynch. Supplemented by additional loans from other
  collections and anonymous lenders\, the exhibition constitutes the most ex
 pansive exploration of the Yeats family’s contributions to the public arts 
 to date. Many objects are publicly displayed for the first time\, others fo
 r the first time outside Ireland.\n\nThe exhibition is accompanied by a ful
 ly illustrated catalogue\, edited by Marjorie Howes\, which includes fiftee
 n essays contributed by an interdisciplinary team of scholars who offer new
  insights into historical contexts and interpretive frameworks for studying
  the Yeatses. \n\nOrganized by the McMullen Museum in conjunction with the 
 John J. Burns Library\, Collaborating in Conflict has been curated by Marjo
 rie Howes\, Christian Dupont\, and Diana Larsen. The exhibition is underwri
 tten by Boston College with major support from the Patrons of the McMullen 
 Museum\, the John C. Donohue Estate\, Robert ’63 and Ann Marie Reardon P’91
 \, and the Anna Frances Vegkeley Ryan Estate in memory of John Anthony Ryan
  Jr. ’50. Additional support has been provided by William J. Lundregan III\
 , Esq.\, ’62\, JD’67\, P’93\, ’96 and Elaine Stein-Cummins in memory of Dan
 iel Cummins ’58.\n\nBoston College’s Irish Studies program is organizing a 
 symposium to accompany the exhibition. With lectures by experts in Ireland’
 s visual arts\, theater and performance\, textiles and embroidery\, printin
 g and publishing\, and social and cultural history\, it will be held at Con
 nolly House and the McMullen Museum on February 20 and 21.
DTEND:20260523T210000Z
DTSTAMP:20260305T165704Z
DTSTART:20260523T160000Z
GEO:42.340795;-71.162583
LOCATION:McMullen Museum of Art
SEQUENCE:0
SUMMARY:Exhibition: "Collaborating in Conflict: The Yeats Family and the Pu
 blic Arts"
UID:tag:localist.com\,2008:EventInstance_51780871565249
URL:https://events.bc.edu/event/exhibition-collaborating-in-conflict-the-ye
 ats-family-and-the-public-arts
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts,Exhibition,Visual Arts
DESCRIPTION:Exhibition: Collaborating in Conflict: The Yeats Family and the
  Public Arts\n\nExamining the extraordinary impact the talented Yeats famil
 y had on cultural life and the public arts in Ireland during a century cruc
 ial to its history\, the exhibition features over two hundred works from pr
 emier public and private collections. Paintings\, drawings\, prints\, embro
 ideries\, books\, and letters by patriarch John Butler Yeats and his childr
 en William\, Lily\, Elizabeth\, and Jack\, as well as William’s daughter\, 
 Anne\, highlight examples of individual artistry. They also demonstrate how
  the Yeats family’s artistic expression was varied and deeply collaborative
 . In illustrated poetry\, set designs\, embroideries for home and liturgica
 l use\, printed broadsides\, paintings\, sketchbooks\, and other media\, th
 e siblings drew upon each others’ acumen. These endeavors were often fraugh
 t with conflict\, resulting in creative tensions and financial hardships. \
 n\nThe exhibition opens by exploring portraiture of family members and repr
 esentations of the places that were important to them. It moves on to objec
 ts illustrating the family’s engagement with youth as a site of education\,
  entertainment\, and memory. Subsequent sections reveal how the Yeatses cre
 ated objects that transformed private spaces through imaginative innovation
  and material practices\, as well as how they shaped public life through th
 eater\, publishing and printing\, and visual representations of a distincti
 ve Irish identity as the nation established itself post-independence. \n\nR
 ecent gifts to Boston College anchor the exhibition: Jack B. Yeats painting
 s and Lily Yeats Stations of the Cross embroideries received by the McMulle
 n Museum and additional acquisitions of Yeats family materials by the John 
 J. Burns Library. These are complemented by major loans from the Model\, ho
 me of the Niland Collection\, the National Gallery of Ireland\, the Library
  of Trinity College Dublin\, the O’Brien Collection\, and the Collection of
  Carolyn A. and Peter S. Lynch. Supplemented by additional loans from other
  collections and anonymous lenders\, the exhibition constitutes the most ex
 pansive exploration of the Yeats family’s contributions to the public arts 
 to date. Many objects are publicly displayed for the first time\, others fo
 r the first time outside Ireland.\n\nThe exhibition is accompanied by a ful
 ly illustrated catalogue\, edited by Marjorie Howes\, which includes fiftee
 n essays contributed by an interdisciplinary team of scholars who offer new
  insights into historical contexts and interpretive frameworks for studying
  the Yeatses. \n\nOrganized by the McMullen Museum in conjunction with the 
 John J. Burns Library\, Collaborating in Conflict has been curated by Marjo
 rie Howes\, Christian Dupont\, and Diana Larsen. The exhibition is underwri
 tten by Boston College with major support from the Patrons of the McMullen 
 Museum\, the John C. Donohue Estate\, Robert ’63 and Ann Marie Reardon P’91
 \, and the Anna Frances Vegkeley Ryan Estate in memory of John Anthony Ryan
  Jr. ’50. Additional support has been provided by William J. Lundregan III\
 , Esq.\, ’62\, JD’67\, P’93\, ’96 and Elaine Stein-Cummins in memory of Dan
 iel Cummins ’58.\n\nBoston College’s Irish Studies program is organizing a 
 symposium to accompany the exhibition. With lectures by experts in Ireland’
 s visual arts\, theater and performance\, textiles and embroidery\, printin
 g and publishing\, and social and cultural history\, it will be held at Con
 nolly House and the McMullen Museum on February 20 and 21.
DTEND:20260524T210000Z
DTSTAMP:20260305T165704Z
DTSTART:20260524T160000Z
GEO:42.340795;-71.162583
LOCATION:McMullen Museum of Art
SEQUENCE:0
SUMMARY:Exhibition: "Collaborating in Conflict: The Yeats Family and the Pu
 blic Arts"
UID:tag:localist.com\,2008:EventInstance_51780871566274
URL:https://events.bc.edu/event/exhibition-collaborating-in-conflict-the-ye
 ats-family-and-the-public-arts
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts,Exhibition,Visual Arts
DESCRIPTION:Exhibition: Collaborating in Conflict: The Yeats Family and the
  Public Arts\n\nExamining the extraordinary impact the talented Yeats famil
 y had on cultural life and the public arts in Ireland during a century cruc
 ial to its history\, the exhibition features over two hundred works from pr
 emier public and private collections. Paintings\, drawings\, prints\, embro
 ideries\, books\, and letters by patriarch John Butler Yeats and his childr
 en William\, Lily\, Elizabeth\, and Jack\, as well as William’s daughter\, 
 Anne\, highlight examples of individual artistry. They also demonstrate how
  the Yeats family’s artistic expression was varied and deeply collaborative
 . In illustrated poetry\, set designs\, embroideries for home and liturgica
 l use\, printed broadsides\, paintings\, sketchbooks\, and other media\, th
 e siblings drew upon each others’ acumen. These endeavors were often fraugh
 t with conflict\, resulting in creative tensions and financial hardships. \
 n\nThe exhibition opens by exploring portraiture of family members and repr
 esentations of the places that were important to them. It moves on to objec
 ts illustrating the family’s engagement with youth as a site of education\,
  entertainment\, and memory. Subsequent sections reveal how the Yeatses cre
 ated objects that transformed private spaces through imaginative innovation
  and material practices\, as well as how they shaped public life through th
 eater\, publishing and printing\, and visual representations of a distincti
 ve Irish identity as the nation established itself post-independence. \n\nR
 ecent gifts to Boston College anchor the exhibition: Jack B. Yeats painting
 s and Lily Yeats Stations of the Cross embroideries received by the McMulle
 n Museum and additional acquisitions of Yeats family materials by the John 
 J. Burns Library. These are complemented by major loans from the Model\, ho
 me of the Niland Collection\, the National Gallery of Ireland\, the Library
  of Trinity College Dublin\, the O’Brien Collection\, and the Collection of
  Carolyn A. and Peter S. Lynch. Supplemented by additional loans from other
  collections and anonymous lenders\, the exhibition constitutes the most ex
 pansive exploration of the Yeats family’s contributions to the public arts 
 to date. Many objects are publicly displayed for the first time\, others fo
 r the first time outside Ireland.\n\nThe exhibition is accompanied by a ful
 ly illustrated catalogue\, edited by Marjorie Howes\, which includes fiftee
 n essays contributed by an interdisciplinary team of scholars who offer new
  insights into historical contexts and interpretive frameworks for studying
  the Yeatses. \n\nOrganized by the McMullen Museum in conjunction with the 
 John J. Burns Library\, Collaborating in Conflict has been curated by Marjo
 rie Howes\, Christian Dupont\, and Diana Larsen. The exhibition is underwri
 tten by Boston College with major support from the Patrons of the McMullen 
 Museum\, the John C. Donohue Estate\, Robert ’63 and Ann Marie Reardon P’91
 \, and the Anna Frances Vegkeley Ryan Estate in memory of John Anthony Ryan
  Jr. ’50. Additional support has been provided by William J. Lundregan III\
 , Esq.\, ’62\, JD’67\, P’93\, ’96 and Elaine Stein-Cummins in memory of Dan
 iel Cummins ’58.\n\nBoston College’s Irish Studies program is organizing a 
 symposium to accompany the exhibition. With lectures by experts in Ireland’
 s visual arts\, theater and performance\, textiles and embroidery\, printin
 g and publishing\, and social and cultural history\, it will be held at Con
 nolly House and the McMullen Museum on February 20 and 21.
DTEND:20260526T210000Z
DTSTAMP:20260305T165704Z
DTSTART:20260526T140000Z
GEO:42.340795;-71.162583
LOCATION:McMullen Museum of Art
SEQUENCE:0
SUMMARY:Exhibition: "Collaborating in Conflict: The Yeats Family and the Pu
 blic Arts"
UID:tag:localist.com\,2008:EventInstance_51780871568324
URL:https://events.bc.edu/event/exhibition-collaborating-in-conflict-the-ye
 ats-family-and-the-public-arts
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts,Exhibition,Visual Arts
DESCRIPTION:Exhibition: Collaborating in Conflict: The Yeats Family and the
  Public Arts\n\nExamining the extraordinary impact the talented Yeats famil
 y had on cultural life and the public arts in Ireland during a century cruc
 ial to its history\, the exhibition features over two hundred works from pr
 emier public and private collections. Paintings\, drawings\, prints\, embro
 ideries\, books\, and letters by patriarch John Butler Yeats and his childr
 en William\, Lily\, Elizabeth\, and Jack\, as well as William’s daughter\, 
 Anne\, highlight examples of individual artistry. They also demonstrate how
  the Yeats family’s artistic expression was varied and deeply collaborative
 . In illustrated poetry\, set designs\, embroideries for home and liturgica
 l use\, printed broadsides\, paintings\, sketchbooks\, and other media\, th
 e siblings drew upon each others’ acumen. These endeavors were often fraugh
 t with conflict\, resulting in creative tensions and financial hardships. \
 n\nThe exhibition opens by exploring portraiture of family members and repr
 esentations of the places that were important to them. It moves on to objec
 ts illustrating the family’s engagement with youth as a site of education\,
  entertainment\, and memory. Subsequent sections reveal how the Yeatses cre
 ated objects that transformed private spaces through imaginative innovation
  and material practices\, as well as how they shaped public life through th
 eater\, publishing and printing\, and visual representations of a distincti
 ve Irish identity as the nation established itself post-independence. \n\nR
 ecent gifts to Boston College anchor the exhibition: Jack B. Yeats painting
 s and Lily Yeats Stations of the Cross embroideries received by the McMulle
 n Museum and additional acquisitions of Yeats family materials by the John 
 J. Burns Library. These are complemented by major loans from the Model\, ho
 me of the Niland Collection\, the National Gallery of Ireland\, the Library
  of Trinity College Dublin\, the O’Brien Collection\, and the Collection of
  Carolyn A. and Peter S. Lynch. Supplemented by additional loans from other
  collections and anonymous lenders\, the exhibition constitutes the most ex
 pansive exploration of the Yeats family’s contributions to the public arts 
 to date. Many objects are publicly displayed for the first time\, others fo
 r the first time outside Ireland.\n\nThe exhibition is accompanied by a ful
 ly illustrated catalogue\, edited by Marjorie Howes\, which includes fiftee
 n essays contributed by an interdisciplinary team of scholars who offer new
  insights into historical contexts and interpretive frameworks for studying
  the Yeatses. \n\nOrganized by the McMullen Museum in conjunction with the 
 John J. Burns Library\, Collaborating in Conflict has been curated by Marjo
 rie Howes\, Christian Dupont\, and Diana Larsen. The exhibition is underwri
 tten by Boston College with major support from the Patrons of the McMullen 
 Museum\, the John C. Donohue Estate\, Robert ’63 and Ann Marie Reardon P’91
 \, and the Anna Frances Vegkeley Ryan Estate in memory of John Anthony Ryan
  Jr. ’50. Additional support has been provided by William J. Lundregan III\
 , Esq.\, ’62\, JD’67\, P’93\, ’96 and Elaine Stein-Cummins in memory of Dan
 iel Cummins ’58.\n\nBoston College’s Irish Studies program is organizing a 
 symposium to accompany the exhibition. With lectures by experts in Ireland’
 s visual arts\, theater and performance\, textiles and embroidery\, printin
 g and publishing\, and social and cultural history\, it will be held at Con
 nolly House and the McMullen Museum on February 20 and 21.
DTEND:20260527T210000Z
DTSTAMP:20260305T165704Z
DTSTART:20260527T140000Z
GEO:42.340795;-71.162583
LOCATION:McMullen Museum of Art
SEQUENCE:0
SUMMARY:Exhibition: "Collaborating in Conflict: The Yeats Family and the Pu
 blic Arts"
UID:tag:localist.com\,2008:EventInstance_51780871569349
URL:https://events.bc.edu/event/exhibition-collaborating-in-conflict-the-ye
 ats-family-and-the-public-arts
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts,Exhibition,Visual Arts
DESCRIPTION:Exhibition: Collaborating in Conflict: The Yeats Family and the
  Public Arts\n\nExamining the extraordinary impact the talented Yeats famil
 y had on cultural life and the public arts in Ireland during a century cruc
 ial to its history\, the exhibition features over two hundred works from pr
 emier public and private collections. Paintings\, drawings\, prints\, embro
 ideries\, books\, and letters by patriarch John Butler Yeats and his childr
 en William\, Lily\, Elizabeth\, and Jack\, as well as William’s daughter\, 
 Anne\, highlight examples of individual artistry. They also demonstrate how
  the Yeats family’s artistic expression was varied and deeply collaborative
 . In illustrated poetry\, set designs\, embroideries for home and liturgica
 l use\, printed broadsides\, paintings\, sketchbooks\, and other media\, th
 e siblings drew upon each others’ acumen. These endeavors were often fraugh
 t with conflict\, resulting in creative tensions and financial hardships. \
 n\nThe exhibition opens by exploring portraiture of family members and repr
 esentations of the places that were important to them. It moves on to objec
 ts illustrating the family’s engagement with youth as a site of education\,
  entertainment\, and memory. Subsequent sections reveal how the Yeatses cre
 ated objects that transformed private spaces through imaginative innovation
  and material practices\, as well as how they shaped public life through th
 eater\, publishing and printing\, and visual representations of a distincti
 ve Irish identity as the nation established itself post-independence. \n\nR
 ecent gifts to Boston College anchor the exhibition: Jack B. Yeats painting
 s and Lily Yeats Stations of the Cross embroideries received by the McMulle
 n Museum and additional acquisitions of Yeats family materials by the John 
 J. Burns Library. These are complemented by major loans from the Model\, ho
 me of the Niland Collection\, the National Gallery of Ireland\, the Library
  of Trinity College Dublin\, the O’Brien Collection\, and the Collection of
  Carolyn A. and Peter S. Lynch. Supplemented by additional loans from other
  collections and anonymous lenders\, the exhibition constitutes the most ex
 pansive exploration of the Yeats family’s contributions to the public arts 
 to date. Many objects are publicly displayed for the first time\, others fo
 r the first time outside Ireland.\n\nThe exhibition is accompanied by a ful
 ly illustrated catalogue\, edited by Marjorie Howes\, which includes fiftee
 n essays contributed by an interdisciplinary team of scholars who offer new
  insights into historical contexts and interpretive frameworks for studying
  the Yeatses. \n\nOrganized by the McMullen Museum in conjunction with the 
 John J. Burns Library\, Collaborating in Conflict has been curated by Marjo
 rie Howes\, Christian Dupont\, and Diana Larsen. The exhibition is underwri
 tten by Boston College with major support from the Patrons of the McMullen 
 Museum\, the John C. Donohue Estate\, Robert ’63 and Ann Marie Reardon P’91
 \, and the Anna Frances Vegkeley Ryan Estate in memory of John Anthony Ryan
  Jr. ’50. Additional support has been provided by William J. Lundregan III\
 , Esq.\, ’62\, JD’67\, P’93\, ’96 and Elaine Stein-Cummins in memory of Dan
 iel Cummins ’58.\n\nBoston College’s Irish Studies program is organizing a 
 symposium to accompany the exhibition. With lectures by experts in Ireland’
 s visual arts\, theater and performance\, textiles and embroidery\, printin
 g and publishing\, and social and cultural history\, it will be held at Con
 nolly House and the McMullen Museum on February 20 and 21.
DTEND:20260528T210000Z
DTSTAMP:20260305T165704Z
DTSTART:20260528T140000Z
GEO:42.340795;-71.162583
LOCATION:McMullen Museum of Art
SEQUENCE:0
SUMMARY:Exhibition: "Collaborating in Conflict: The Yeats Family and the Pu
 blic Arts"
UID:tag:localist.com\,2008:EventInstance_51780871570374
URL:https://events.bc.edu/event/exhibition-collaborating-in-conflict-the-ye
 ats-family-and-the-public-arts
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts,Exhibition,Visual Arts
DESCRIPTION:Exhibition: Collaborating in Conflict: The Yeats Family and the
  Public Arts\n\nExamining the extraordinary impact the talented Yeats famil
 y had on cultural life and the public arts in Ireland during a century cruc
 ial to its history\, the exhibition features over two hundred works from pr
 emier public and private collections. Paintings\, drawings\, prints\, embro
 ideries\, books\, and letters by patriarch John Butler Yeats and his childr
 en William\, Lily\, Elizabeth\, and Jack\, as well as William’s daughter\, 
 Anne\, highlight examples of individual artistry. They also demonstrate how
  the Yeats family’s artistic expression was varied and deeply collaborative
 . In illustrated poetry\, set designs\, embroideries for home and liturgica
 l use\, printed broadsides\, paintings\, sketchbooks\, and other media\, th
 e siblings drew upon each others’ acumen. These endeavors were often fraugh
 t with conflict\, resulting in creative tensions and financial hardships. \
 n\nThe exhibition opens by exploring portraiture of family members and repr
 esentations of the places that were important to them. It moves on to objec
 ts illustrating the family’s engagement with youth as a site of education\,
  entertainment\, and memory. Subsequent sections reveal how the Yeatses cre
 ated objects that transformed private spaces through imaginative innovation
  and material practices\, as well as how they shaped public life through th
 eater\, publishing and printing\, and visual representations of a distincti
 ve Irish identity as the nation established itself post-independence. \n\nR
 ecent gifts to Boston College anchor the exhibition: Jack B. Yeats painting
 s and Lily Yeats Stations of the Cross embroideries received by the McMulle
 n Museum and additional acquisitions of Yeats family materials by the John 
 J. Burns Library. These are complemented by major loans from the Model\, ho
 me of the Niland Collection\, the National Gallery of Ireland\, the Library
  of Trinity College Dublin\, the O’Brien Collection\, and the Collection of
  Carolyn A. and Peter S. Lynch. Supplemented by additional loans from other
  collections and anonymous lenders\, the exhibition constitutes the most ex
 pansive exploration of the Yeats family’s contributions to the public arts 
 to date. Many objects are publicly displayed for the first time\, others fo
 r the first time outside Ireland.\n\nThe exhibition is accompanied by a ful
 ly illustrated catalogue\, edited by Marjorie Howes\, which includes fiftee
 n essays contributed by an interdisciplinary team of scholars who offer new
  insights into historical contexts and interpretive frameworks for studying
  the Yeatses. \n\nOrganized by the McMullen Museum in conjunction with the 
 John J. Burns Library\, Collaborating in Conflict has been curated by Marjo
 rie Howes\, Christian Dupont\, and Diana Larsen. The exhibition is underwri
 tten by Boston College with major support from the Patrons of the McMullen 
 Museum\, the John C. Donohue Estate\, Robert ’63 and Ann Marie Reardon P’91
 \, and the Anna Frances Vegkeley Ryan Estate in memory of John Anthony Ryan
  Jr. ’50. Additional support has been provided by William J. Lundregan III\
 , Esq.\, ’62\, JD’67\, P’93\, ’96 and Elaine Stein-Cummins in memory of Dan
 iel Cummins ’58.\n\nBoston College’s Irish Studies program is organizing a 
 symposium to accompany the exhibition. With lectures by experts in Ireland’
 s visual arts\, theater and performance\, textiles and embroidery\, printin
 g and publishing\, and social and cultural history\, it will be held at Con
 nolly House and the McMullen Museum on February 20 and 21.
DTEND:20260529T210000Z
DTSTAMP:20260305T165704Z
DTSTART:20260529T140000Z
GEO:42.340795;-71.162583
LOCATION:McMullen Museum of Art
SEQUENCE:0
SUMMARY:Exhibition: "Collaborating in Conflict: The Yeats Family and the Pu
 blic Arts"
UID:tag:localist.com\,2008:EventInstance_51780871571399
URL:https://events.bc.edu/event/exhibition-collaborating-in-conflict-the-ye
 ats-family-and-the-public-arts
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts,Exhibition,Visual Arts
DESCRIPTION:Exhibition: Collaborating in Conflict: The Yeats Family and the
  Public Arts\n\nExamining the extraordinary impact the talented Yeats famil
 y had on cultural life and the public arts in Ireland during a century cruc
 ial to its history\, the exhibition features over two hundred works from pr
 emier public and private collections. Paintings\, drawings\, prints\, embro
 ideries\, books\, and letters by patriarch John Butler Yeats and his childr
 en William\, Lily\, Elizabeth\, and Jack\, as well as William’s daughter\, 
 Anne\, highlight examples of individual artistry. They also demonstrate how
  the Yeats family’s artistic expression was varied and deeply collaborative
 . In illustrated poetry\, set designs\, embroideries for home and liturgica
 l use\, printed broadsides\, paintings\, sketchbooks\, and other media\, th
 e siblings drew upon each others’ acumen. These endeavors were often fraugh
 t with conflict\, resulting in creative tensions and financial hardships. \
 n\nThe exhibition opens by exploring portraiture of family members and repr
 esentations of the places that were important to them. It moves on to objec
 ts illustrating the family’s engagement with youth as a site of education\,
  entertainment\, and memory. Subsequent sections reveal how the Yeatses cre
 ated objects that transformed private spaces through imaginative innovation
  and material practices\, as well as how they shaped public life through th
 eater\, publishing and printing\, and visual representations of a distincti
 ve Irish identity as the nation established itself post-independence. \n\nR
 ecent gifts to Boston College anchor the exhibition: Jack B. Yeats painting
 s and Lily Yeats Stations of the Cross embroideries received by the McMulle
 n Museum and additional acquisitions of Yeats family materials by the John 
 J. Burns Library. These are complemented by major loans from the Model\, ho
 me of the Niland Collection\, the National Gallery of Ireland\, the Library
  of Trinity College Dublin\, the O’Brien Collection\, and the Collection of
  Carolyn A. and Peter S. Lynch. Supplemented by additional loans from other
  collections and anonymous lenders\, the exhibition constitutes the most ex
 pansive exploration of the Yeats family’s contributions to the public arts 
 to date. Many objects are publicly displayed for the first time\, others fo
 r the first time outside Ireland.\n\nThe exhibition is accompanied by a ful
 ly illustrated catalogue\, edited by Marjorie Howes\, which includes fiftee
 n essays contributed by an interdisciplinary team of scholars who offer new
  insights into historical contexts and interpretive frameworks for studying
  the Yeatses. \n\nOrganized by the McMullen Museum in conjunction with the 
 John J. Burns Library\, Collaborating in Conflict has been curated by Marjo
 rie Howes\, Christian Dupont\, and Diana Larsen. The exhibition is underwri
 tten by Boston College with major support from the Patrons of the McMullen 
 Museum\, the John C. Donohue Estate\, Robert ’63 and Ann Marie Reardon P’91
 \, and the Anna Frances Vegkeley Ryan Estate in memory of John Anthony Ryan
  Jr. ’50. Additional support has been provided by William J. Lundregan III\
 , Esq.\, ’62\, JD’67\, P’93\, ’96 and Elaine Stein-Cummins in memory of Dan
 iel Cummins ’58.\n\nBoston College’s Irish Studies program is organizing a 
 symposium to accompany the exhibition. With lectures by experts in Ireland’
 s visual arts\, theater and performance\, textiles and embroidery\, printin
 g and publishing\, and social and cultural history\, it will be held at Con
 nolly House and the McMullen Museum on February 20 and 21.
DTEND:20260530T210000Z
DTSTAMP:20260305T165704Z
DTSTART:20260530T160000Z
GEO:42.340795;-71.162583
LOCATION:McMullen Museum of Art
SEQUENCE:0
SUMMARY:Exhibition: "Collaborating in Conflict: The Yeats Family and the Pu
 blic Arts"
UID:tag:localist.com\,2008:EventInstance_51780871572424
URL:https://events.bc.edu/event/exhibition-collaborating-in-conflict-the-ye
 ats-family-and-the-public-arts
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts,Exhibition,Visual Arts
DESCRIPTION:Exhibition: Collaborating in Conflict: The Yeats Family and the
  Public Arts\n\nExamining the extraordinary impact the talented Yeats famil
 y had on cultural life and the public arts in Ireland during a century cruc
 ial to its history\, the exhibition features over two hundred works from pr
 emier public and private collections. Paintings\, drawings\, prints\, embro
 ideries\, books\, and letters by patriarch John Butler Yeats and his childr
 en William\, Lily\, Elizabeth\, and Jack\, as well as William’s daughter\, 
 Anne\, highlight examples of individual artistry. They also demonstrate how
  the Yeats family’s artistic expression was varied and deeply collaborative
 . In illustrated poetry\, set designs\, embroideries for home and liturgica
 l use\, printed broadsides\, paintings\, sketchbooks\, and other media\, th
 e siblings drew upon each others’ acumen. These endeavors were often fraugh
 t with conflict\, resulting in creative tensions and financial hardships. \
 n\nThe exhibition opens by exploring portraiture of family members and repr
 esentations of the places that were important to them. It moves on to objec
 ts illustrating the family’s engagement with youth as a site of education\,
  entertainment\, and memory. Subsequent sections reveal how the Yeatses cre
 ated objects that transformed private spaces through imaginative innovation
  and material practices\, as well as how they shaped public life through th
 eater\, publishing and printing\, and visual representations of a distincti
 ve Irish identity as the nation established itself post-independence. \n\nR
 ecent gifts to Boston College anchor the exhibition: Jack B. Yeats painting
 s and Lily Yeats Stations of the Cross embroideries received by the McMulle
 n Museum and additional acquisitions of Yeats family materials by the John 
 J. Burns Library. These are complemented by major loans from the Model\, ho
 me of the Niland Collection\, the National Gallery of Ireland\, the Library
  of Trinity College Dublin\, the O’Brien Collection\, and the Collection of
  Carolyn A. and Peter S. Lynch. Supplemented by additional loans from other
  collections and anonymous lenders\, the exhibition constitutes the most ex
 pansive exploration of the Yeats family’s contributions to the public arts 
 to date. Many objects are publicly displayed for the first time\, others fo
 r the first time outside Ireland.\n\nThe exhibition is accompanied by a ful
 ly illustrated catalogue\, edited by Marjorie Howes\, which includes fiftee
 n essays contributed by an interdisciplinary team of scholars who offer new
  insights into historical contexts and interpretive frameworks for studying
  the Yeatses. \n\nOrganized by the McMullen Museum in conjunction with the 
 John J. Burns Library\, Collaborating in Conflict has been curated by Marjo
 rie Howes\, Christian Dupont\, and Diana Larsen. The exhibition is underwri
 tten by Boston College with major support from the Patrons of the McMullen 
 Museum\, the John C. Donohue Estate\, Robert ’63 and Ann Marie Reardon P’91
 \, and the Anna Frances Vegkeley Ryan Estate in memory of John Anthony Ryan
  Jr. ’50. Additional support has been provided by William J. Lundregan III\
 , Esq.\, ’62\, JD’67\, P’93\, ’96 and Elaine Stein-Cummins in memory of Dan
 iel Cummins ’58.\n\nBoston College’s Irish Studies program is organizing a 
 symposium to accompany the exhibition. With lectures by experts in Ireland’
 s visual arts\, theater and performance\, textiles and embroidery\, printin
 g and publishing\, and social and cultural history\, it will be held at Con
 nolly House and the McMullen Museum on February 20 and 21.
DTEND:20260531T210000Z
DTSTAMP:20260305T165704Z
DTSTART:20260531T160000Z
GEO:42.340795;-71.162583
LOCATION:McMullen Museum of Art
SEQUENCE:0
SUMMARY:Exhibition: "Collaborating in Conflict: The Yeats Family and the Pu
 blic Arts"
UID:tag:localist.com\,2008:EventInstance_51780871573449
URL:https://events.bc.edu/event/exhibition-collaborating-in-conflict-the-ye
 ats-family-and-the-public-arts
END:VEVENT
END:VCALENDAR