BEGIN:VCALENDAR VERSION:2.0 CALSCALE:GREGORIAN PRODID:iCalendar-Ruby BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:A Fresh Vision: Landscape Painting in Belgium after Romanticism \; The School of Tervuren in an International Context\n\nOn view: August 25 –29 to BC classes by appointment (contact rachel.chamberlain@bc.edu)\n\nOpe n to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \ n\nPress Release\n\nA Fresh Vision celebrates a recent gift of thirty-six o utstanding paintings from the School of Tervuren from Charles Hack and the Hearn Family Trust\, a gift that establishes the McMullen as home to the le ading collection of nineteenth-century Belgian landscape painting in North America. The exhibition explores the School of Tervuren\, a group of Belgia n artists who\, in the second half of the nineteenth century\, turned their gaze to the quiet forests and fields near Brussels. It examines how artist s rejected academic convention and the growing spectacle of modern urban li fe to embrace the natural world as a source of truth\, beauty\, and renewal .\n\nThe exhibition also demonstrates how the Tervuren painters\, including Theodore Fourmois\, Hippolyte Boulenger\, Joseph-Théodore Coosemans\, and Théodore T’Scharner\, were influenced by the French Barbizon painters to bl end Romantic sensibility with realist technique\, capturing the nuances of light\, weather\, and terrain in a modern\, expressive style. Painting outd oors—enabled by the recent invention of paint tubes\, and motivated by Roma ntic poetry and new scientific concepts of nature—they brought a fresh imme diacy to landscape painting.\n\nThough loosely defined\, the School of Terv uren represents a vital chapter in the international evolution of modern la ndscape. Like their contemporaries in Barbizon and Giverny in France\, Skag en in Denmark\, and the Hudson River Valley of New York\, these artists bel ieved in portraying nature as they saw and felt it\, in the moment. This ex hibition places Belgian landscape painting in dialogue with wider European and American movements\, inviting visitors to experience the power of place —and of painting—as a quiet yet radical form of resistance and renewal. Com parisons with selected works by Barbizon artists such as Charles-François D aubigny\, and artists associated with the Hudson River School\, like Albert Bierstadt and John Frederick Kensett\, introduce international parallels.\ n\nOrganized by the McMullen Museum\, A Fresh Vision has been curated by Je ffery Howe. Major support has been provided by Boston College and the Patro ns of the McMullen Museum. DTEND:20250902T210000Z DTSTAMP:20260412T114356Z DTSTART:20250902T140000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "A Fresh Vision: Landscape Painting in Belgium after Ro manticism\; The School of Tervuren in an International Context" UID:tag:localist.com\,2008:EventInstance_50524304872758 URL:https://events.bc.edu/event/exhibition-a-fresh-vision-landscape-paintin g-in-belgium-after-romanticism-the-school-of-tervuren-in-an-international-c ontext END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:A Fresh Vision: Landscape Painting in Belgium after Romanticism \; The School of Tervuren in an International Context\n\nOn view: August 25 –29 to BC classes by appointment (contact rachel.chamberlain@bc.edu)\n\nOpe n to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \ n\nPress Release\n\nA Fresh Vision celebrates a recent gift of thirty-six o utstanding paintings from the School of Tervuren from Charles Hack and the Hearn Family Trust\, a gift that establishes the McMullen as home to the le ading collection of nineteenth-century Belgian landscape painting in North America. The exhibition explores the School of Tervuren\, a group of Belgia n artists who\, in the second half of the nineteenth century\, turned their gaze to the quiet forests and fields near Brussels. It examines how artist s rejected academic convention and the growing spectacle of modern urban li fe to embrace the natural world as a source of truth\, beauty\, and renewal .\n\nThe exhibition also demonstrates how the Tervuren painters\, including Theodore Fourmois\, Hippolyte Boulenger\, Joseph-Théodore Coosemans\, and Théodore T’Scharner\, were influenced by the French Barbizon painters to bl end Romantic sensibility with realist technique\, capturing the nuances of light\, weather\, and terrain in a modern\, expressive style. Painting outd oors—enabled by the recent invention of paint tubes\, and motivated by Roma ntic poetry and new scientific concepts of nature—they brought a fresh imme diacy to landscape painting.\n\nThough loosely defined\, the School of Terv uren represents a vital chapter in the international evolution of modern la ndscape. Like their contemporaries in Barbizon and Giverny in France\, Skag en in Denmark\, and the Hudson River Valley of New York\, these artists bel ieved in portraying nature as they saw and felt it\, in the moment. This ex hibition places Belgian landscape painting in dialogue with wider European and American movements\, inviting visitors to experience the power of place —and of painting—as a quiet yet radical form of resistance and renewal. Com parisons with selected works by Barbizon artists such as Charles-François D aubigny\, and artists associated with the Hudson River School\, like Albert Bierstadt and John Frederick Kensett\, introduce international parallels.\ n\nOrganized by the McMullen Museum\, A Fresh Vision has been curated by Je ffery Howe. Major support has been provided by Boston College and the Patro ns of the McMullen Museum. DTEND:20250903T210000Z DTSTAMP:20260412T114356Z DTSTART:20250903T140000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "A Fresh Vision: Landscape Painting in Belgium after Ro manticism\; The School of Tervuren in an International Context" UID:tag:localist.com\,2008:EventInstance_50524304874807 URL:https://events.bc.edu/event/exhibition-a-fresh-vision-landscape-paintin g-in-belgium-after-romanticism-the-school-of-tervuren-in-an-international-c ontext END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:A Fresh Vision: Landscape Painting in Belgium after Romanticism \; The School of Tervuren in an International Context\n\nOn view: August 25 –29 to BC classes by appointment (contact rachel.chamberlain@bc.edu)\n\nOpe n to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \ n\nPress Release\n\nA Fresh Vision celebrates a recent gift of thirty-six o utstanding paintings from the School of Tervuren from Charles Hack and the Hearn Family Trust\, a gift that establishes the McMullen as home to the le ading collection of nineteenth-century Belgian landscape painting in North America. The exhibition explores the School of Tervuren\, a group of Belgia n artists who\, in the second half of the nineteenth century\, turned their gaze to the quiet forests and fields near Brussels. It examines how artist s rejected academic convention and the growing spectacle of modern urban li fe to embrace the natural world as a source of truth\, beauty\, and renewal .\n\nThe exhibition also demonstrates how the Tervuren painters\, including Theodore Fourmois\, Hippolyte Boulenger\, Joseph-Théodore Coosemans\, and Théodore T’Scharner\, were influenced by the French Barbizon painters to bl end Romantic sensibility with realist technique\, capturing the nuances of light\, weather\, and terrain in a modern\, expressive style. Painting outd oors—enabled by the recent invention of paint tubes\, and motivated by Roma ntic poetry and new scientific concepts of nature—they brought a fresh imme diacy to landscape painting.\n\nThough loosely defined\, the School of Terv uren represents a vital chapter in the international evolution of modern la ndscape. Like their contemporaries in Barbizon and Giverny in France\, Skag en in Denmark\, and the Hudson River Valley of New York\, these artists bel ieved in portraying nature as they saw and felt it\, in the moment. This ex hibition places Belgian landscape painting in dialogue with wider European and American movements\, inviting visitors to experience the power of place —and of painting—as a quiet yet radical form of resistance and renewal. Com parisons with selected works by Barbizon artists such as Charles-François D aubigny\, and artists associated with the Hudson River School\, like Albert Bierstadt and John Frederick Kensett\, introduce international parallels.\ n\nOrganized by the McMullen Museum\, A Fresh Vision has been curated by Je ffery Howe. Major support has been provided by Boston College and the Patro ns of the McMullen Museum. DTEND:20250904T210000Z DTSTAMP:20260412T114356Z DTSTART:20250904T140000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "A Fresh Vision: Landscape Painting in Belgium after Ro manticism\; The School of Tervuren in an International Context" UID:tag:localist.com\,2008:EventInstance_50524304876856 URL:https://events.bc.edu/event/exhibition-a-fresh-vision-landscape-paintin g-in-belgium-after-romanticism-the-school-of-tervuren-in-an-international-c ontext END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:A Fresh Vision: Landscape Painting in Belgium after Romanticism \; The School of Tervuren in an International Context\n\nOn view: August 25 –29 to BC classes by appointment (contact rachel.chamberlain@bc.edu)\n\nOpe n to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \ n\nPress Release\n\nA Fresh Vision celebrates a recent gift of thirty-six o utstanding paintings from the School of Tervuren from Charles Hack and the Hearn Family Trust\, a gift that establishes the McMullen as home to the le ading collection of nineteenth-century Belgian landscape painting in North America. The exhibition explores the School of Tervuren\, a group of Belgia n artists who\, in the second half of the nineteenth century\, turned their gaze to the quiet forests and fields near Brussels. It examines how artist s rejected academic convention and the growing spectacle of modern urban li fe to embrace the natural world as a source of truth\, beauty\, and renewal .\n\nThe exhibition also demonstrates how the Tervuren painters\, including Theodore Fourmois\, Hippolyte Boulenger\, Joseph-Théodore Coosemans\, and Théodore T’Scharner\, were influenced by the French Barbizon painters to bl end Romantic sensibility with realist technique\, capturing the nuances of light\, weather\, and terrain in a modern\, expressive style. Painting outd oors—enabled by the recent invention of paint tubes\, and motivated by Roma ntic poetry and new scientific concepts of nature—they brought a fresh imme diacy to landscape painting.\n\nThough loosely defined\, the School of Terv uren represents a vital chapter in the international evolution of modern la ndscape. Like their contemporaries in Barbizon and Giverny in France\, Skag en in Denmark\, and the Hudson River Valley of New York\, these artists bel ieved in portraying nature as they saw and felt it\, in the moment. This ex hibition places Belgian landscape painting in dialogue with wider European and American movements\, inviting visitors to experience the power of place —and of painting—as a quiet yet radical form of resistance and renewal. Com parisons with selected works by Barbizon artists such as Charles-François D aubigny\, and artists associated with the Hudson River School\, like Albert Bierstadt and John Frederick Kensett\, introduce international parallels.\ n\nOrganized by the McMullen Museum\, A Fresh Vision has been curated by Je ffery Howe. Major support has been provided by Boston College and the Patro ns of the McMullen Museum. DTEND:20250905T210000Z DTSTAMP:20260412T114356Z DTSTART:20250905T140000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "A Fresh Vision: Landscape Painting in Belgium after Ro manticism\; The School of Tervuren in an International Context" UID:tag:localist.com\,2008:EventInstance_50524304877881 URL:https://events.bc.edu/event/exhibition-a-fresh-vision-landscape-paintin g-in-belgium-after-romanticism-the-school-of-tervuren-in-an-international-c ontext END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:A Fresh Vision: Landscape Painting in Belgium after Romanticism \; The School of Tervuren in an International Context\n\nOn view: August 25 –29 to BC classes by appointment (contact rachel.chamberlain@bc.edu)\n\nOpe n to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \ n\nPress Release\n\nA Fresh Vision celebrates a recent gift of thirty-six o utstanding paintings from the School of Tervuren from Charles Hack and the Hearn Family Trust\, a gift that establishes the McMullen as home to the le ading collection of nineteenth-century Belgian landscape painting in North America. The exhibition explores the School of Tervuren\, a group of Belgia n artists who\, in the second half of the nineteenth century\, turned their gaze to the quiet forests and fields near Brussels. It examines how artist s rejected academic convention and the growing spectacle of modern urban li fe to embrace the natural world as a source of truth\, beauty\, and renewal .\n\nThe exhibition also demonstrates how the Tervuren painters\, including Theodore Fourmois\, Hippolyte Boulenger\, Joseph-Théodore Coosemans\, and Théodore T’Scharner\, were influenced by the French Barbizon painters to bl end Romantic sensibility with realist technique\, capturing the nuances of light\, weather\, and terrain in a modern\, expressive style. Painting outd oors—enabled by the recent invention of paint tubes\, and motivated by Roma ntic poetry and new scientific concepts of nature—they brought a fresh imme diacy to landscape painting.\n\nThough loosely defined\, the School of Terv uren represents a vital chapter in the international evolution of modern la ndscape. Like their contemporaries in Barbizon and Giverny in France\, Skag en in Denmark\, and the Hudson River Valley of New York\, these artists bel ieved in portraying nature as they saw and felt it\, in the moment. This ex hibition places Belgian landscape painting in dialogue with wider European and American movements\, inviting visitors to experience the power of place —and of painting—as a quiet yet radical form of resistance and renewal. Com parisons with selected works by Barbizon artists such as Charles-François D aubigny\, and artists associated with the Hudson River School\, like Albert Bierstadt and John Frederick Kensett\, introduce international parallels.\ n\nOrganized by the McMullen Museum\, A Fresh Vision has been curated by Je ffery Howe. Major support has been provided by Boston College and the Patro ns of the McMullen Museum. DTEND:20250906T210000Z DTSTAMP:20260412T114356Z DTSTART:20250906T160000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "A Fresh Vision: Landscape Painting in Belgium after Ro manticism\; The School of Tervuren in an International Context" UID:tag:localist.com\,2008:EventInstance_50524304879930 URL:https://events.bc.edu/event/exhibition-a-fresh-vision-landscape-paintin g-in-belgium-after-romanticism-the-school-of-tervuren-in-an-international-c ontext END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:A Fresh Vision: Landscape Painting in Belgium after Romanticism \; The School of Tervuren in an International Context\n\nOn view: August 25 –29 to BC classes by appointment (contact rachel.chamberlain@bc.edu)\n\nOpe n to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \ n\nPress Release\n\nA Fresh Vision celebrates a recent gift of thirty-six o utstanding paintings from the School of Tervuren from Charles Hack and the Hearn Family Trust\, a gift that establishes the McMullen as home to the le ading collection of nineteenth-century Belgian landscape painting in North America. The exhibition explores the School of Tervuren\, a group of Belgia n artists who\, in the second half of the nineteenth century\, turned their gaze to the quiet forests and fields near Brussels. It examines how artist s rejected academic convention and the growing spectacle of modern urban li fe to embrace the natural world as a source of truth\, beauty\, and renewal .\n\nThe exhibition also demonstrates how the Tervuren painters\, including Theodore Fourmois\, Hippolyte Boulenger\, Joseph-Théodore Coosemans\, and Théodore T’Scharner\, were influenced by the French Barbizon painters to bl end Romantic sensibility with realist technique\, capturing the nuances of light\, weather\, and terrain in a modern\, expressive style. Painting outd oors—enabled by the recent invention of paint tubes\, and motivated by Roma ntic poetry and new scientific concepts of nature—they brought a fresh imme diacy to landscape painting.\n\nThough loosely defined\, the School of Terv uren represents a vital chapter in the international evolution of modern la ndscape. Like their contemporaries in Barbizon and Giverny in France\, Skag en in Denmark\, and the Hudson River Valley of New York\, these artists bel ieved in portraying nature as they saw and felt it\, in the moment. This ex hibition places Belgian landscape painting in dialogue with wider European and American movements\, inviting visitors to experience the power of place —and of painting—as a quiet yet radical form of resistance and renewal. Com parisons with selected works by Barbizon artists such as Charles-François D aubigny\, and artists associated with the Hudson River School\, like Albert Bierstadt and John Frederick Kensett\, introduce international parallels.\ n\nOrganized by the McMullen Museum\, A Fresh Vision has been curated by Je ffery Howe. Major support has been provided by Boston College and the Patro ns of the McMullen Museum. DTEND:20250907T210000Z DTSTAMP:20260412T114356Z DTSTART:20250907T160000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "A Fresh Vision: Landscape Painting in Belgium after Ro manticism\; The School of Tervuren in an International Context" UID:tag:localist.com\,2008:EventInstance_50524304883003 URL:https://events.bc.edu/event/exhibition-a-fresh-vision-landscape-paintin g-in-belgium-after-romanticism-the-school-of-tervuren-in-an-international-c ontext END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:A Fresh Vision: Landscape Painting in Belgium after Romanticism \; The School of Tervuren in an International Context\n\nOn view: August 25 –29 to BC classes by appointment (contact rachel.chamberlain@bc.edu)\n\nOpe n to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \ n\nPress Release\n\nA Fresh Vision celebrates a recent gift of thirty-six o utstanding paintings from the School of Tervuren from Charles Hack and the Hearn Family Trust\, a gift that establishes the McMullen as home to the le ading collection of nineteenth-century Belgian landscape painting in North America. The exhibition explores the School of Tervuren\, a group of Belgia n artists who\, in the second half of the nineteenth century\, turned their gaze to the quiet forests and fields near Brussels. It examines how artist s rejected academic convention and the growing spectacle of modern urban li fe to embrace the natural world as a source of truth\, beauty\, and renewal .\n\nThe exhibition also demonstrates how the Tervuren painters\, including Theodore Fourmois\, Hippolyte Boulenger\, Joseph-Théodore Coosemans\, and Théodore T’Scharner\, were influenced by the French Barbizon painters to bl end Romantic sensibility with realist technique\, capturing the nuances of light\, weather\, and terrain in a modern\, expressive style. Painting outd oors—enabled by the recent invention of paint tubes\, and motivated by Roma ntic poetry and new scientific concepts of nature—they brought a fresh imme diacy to landscape painting.\n\nThough loosely defined\, the School of Terv uren represents a vital chapter in the international evolution of modern la ndscape. Like their contemporaries in Barbizon and Giverny in France\, Skag en in Denmark\, and the Hudson River Valley of New York\, these artists bel ieved in portraying nature as they saw and felt it\, in the moment. This ex hibition places Belgian landscape painting in dialogue with wider European and American movements\, inviting visitors to experience the power of place —and of painting—as a quiet yet radical form of resistance and renewal. Com parisons with selected works by Barbizon artists such as Charles-François D aubigny\, and artists associated with the Hudson River School\, like Albert Bierstadt and John Frederick Kensett\, introduce international parallels.\ n\nOrganized by the McMullen Museum\, A Fresh Vision has been curated by Je ffery Howe. Major support has been provided by Boston College and the Patro ns of the McMullen Museum. DTEND:20250908T210000Z DTSTAMP:20260412T114356Z DTSTART:20250908T140000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "A Fresh Vision: Landscape Painting in Belgium after Ro manticism\; The School of Tervuren in an International Context" UID:tag:localist.com\,2008:EventInstance_50524304884028 URL:https://events.bc.edu/event/exhibition-a-fresh-vision-landscape-paintin g-in-belgium-after-romanticism-the-school-of-tervuren-in-an-international-c ontext END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:A Fresh Vision: Landscape Painting in Belgium after Romanticism \; The School of Tervuren in an International Context\n\nOn view: August 25 –29 to BC classes by appointment (contact rachel.chamberlain@bc.edu)\n\nOpe n to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \ n\nPress Release\n\nA Fresh Vision celebrates a recent gift of thirty-six o utstanding paintings from the School of Tervuren from Charles Hack and the Hearn Family Trust\, a gift that establishes the McMullen as home to the le ading collection of nineteenth-century Belgian landscape painting in North America. The exhibition explores the School of Tervuren\, a group of Belgia n artists who\, in the second half of the nineteenth century\, turned their gaze to the quiet forests and fields near Brussels. It examines how artist s rejected academic convention and the growing spectacle of modern urban li fe to embrace the natural world as a source of truth\, beauty\, and renewal .\n\nThe exhibition also demonstrates how the Tervuren painters\, including Theodore Fourmois\, Hippolyte Boulenger\, Joseph-Théodore Coosemans\, and Théodore T’Scharner\, were influenced by the French Barbizon painters to bl end Romantic sensibility with realist technique\, capturing the nuances of light\, weather\, and terrain in a modern\, expressive style. Painting outd oors—enabled by the recent invention of paint tubes\, and motivated by Roma ntic poetry and new scientific concepts of nature—they brought a fresh imme diacy to landscape painting.\n\nThough loosely defined\, the School of Terv uren represents a vital chapter in the international evolution of modern la ndscape. Like their contemporaries in Barbizon and Giverny in France\, Skag en in Denmark\, and the Hudson River Valley of New York\, these artists bel ieved in portraying nature as they saw and felt it\, in the moment. This ex hibition places Belgian landscape painting in dialogue with wider European and American movements\, inviting visitors to experience the power of place —and of painting—as a quiet yet radical form of resistance and renewal. Com parisons with selected works by Barbizon artists such as Charles-François D aubigny\, and artists associated with the Hudson River School\, like Albert Bierstadt and John Frederick Kensett\, introduce international parallels.\ n\nOrganized by the McMullen Museum\, A Fresh Vision has been curated by Je ffery Howe. Major support has been provided by Boston College and the Patro ns of the McMullen Museum. DTEND:20250909T210000Z DTSTAMP:20260412T114356Z DTSTART:20250909T140000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "A Fresh Vision: Landscape Painting in Belgium after Ro manticism\; The School of Tervuren in an International Context" UID:tag:localist.com\,2008:EventInstance_50524304886077 URL:https://events.bc.edu/event/exhibition-a-fresh-vision-landscape-paintin g-in-belgium-after-romanticism-the-school-of-tervuren-in-an-international-c ontext END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:A Fresh Vision: Landscape Painting in Belgium after Romanticism \; The School of Tervuren in an International Context\n\nOn view: August 25 –29 to BC classes by appointment (contact rachel.chamberlain@bc.edu)\n\nOpe n to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \ n\nPress Release\n\nA Fresh Vision celebrates a recent gift of thirty-six o utstanding paintings from the School of Tervuren from Charles Hack and the Hearn Family Trust\, a gift that establishes the McMullen as home to the le ading collection of nineteenth-century Belgian landscape painting in North America. The exhibition explores the School of Tervuren\, a group of Belgia n artists who\, in the second half of the nineteenth century\, turned their gaze to the quiet forests and fields near Brussels. It examines how artist s rejected academic convention and the growing spectacle of modern urban li fe to embrace the natural world as a source of truth\, beauty\, and renewal .\n\nThe exhibition also demonstrates how the Tervuren painters\, including Theodore Fourmois\, Hippolyte Boulenger\, Joseph-Théodore Coosemans\, and Théodore T’Scharner\, were influenced by the French Barbizon painters to bl end Romantic sensibility with realist technique\, capturing the nuances of light\, weather\, and terrain in a modern\, expressive style. Painting outd oors—enabled by the recent invention of paint tubes\, and motivated by Roma ntic poetry and new scientific concepts of nature—they brought a fresh imme diacy to landscape painting.\n\nThough loosely defined\, the School of Terv uren represents a vital chapter in the international evolution of modern la ndscape. Like their contemporaries in Barbizon and Giverny in France\, Skag en in Denmark\, and the Hudson River Valley of New York\, these artists bel ieved in portraying nature as they saw and felt it\, in the moment. This ex hibition places Belgian landscape painting in dialogue with wider European and American movements\, inviting visitors to experience the power of place —and of painting—as a quiet yet radical form of resistance and renewal. Com parisons with selected works by Barbizon artists such as Charles-François D aubigny\, and artists associated with the Hudson River School\, like Albert Bierstadt and John Frederick Kensett\, introduce international parallels.\ n\nOrganized by the McMullen Museum\, A Fresh Vision has been curated by Je ffery Howe. Major support has been provided by Boston College and the Patro ns of the McMullen Museum. DTEND:20250910T210000Z DTSTAMP:20260412T114356Z DTSTART:20250910T140000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "A Fresh Vision: Landscape Painting in Belgium after Ro manticism\; The School of Tervuren in an International Context" UID:tag:localist.com\,2008:EventInstance_50524304888126 URL:https://events.bc.edu/event/exhibition-a-fresh-vision-landscape-paintin g-in-belgium-after-romanticism-the-school-of-tervuren-in-an-international-c ontext END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:A Fresh Vision: Landscape Painting in Belgium after Romanticism \; The School of Tervuren in an International Context\n\nOn view: August 25 –29 to BC classes by appointment (contact rachel.chamberlain@bc.edu)\n\nOpe n to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \ n\nPress Release\n\nA Fresh Vision celebrates a recent gift of thirty-six o utstanding paintings from the School of Tervuren from Charles Hack and the Hearn Family Trust\, a gift that establishes the McMullen as home to the le ading collection of nineteenth-century Belgian landscape painting in North America. The exhibition explores the School of Tervuren\, a group of Belgia n artists who\, in the second half of the nineteenth century\, turned their gaze to the quiet forests and fields near Brussels. It examines how artist s rejected academic convention and the growing spectacle of modern urban li fe to embrace the natural world as a source of truth\, beauty\, and renewal .\n\nThe exhibition also demonstrates how the Tervuren painters\, including Theodore Fourmois\, Hippolyte Boulenger\, Joseph-Théodore Coosemans\, and Théodore T’Scharner\, were influenced by the French Barbizon painters to bl end Romantic sensibility with realist technique\, capturing the nuances of light\, weather\, and terrain in a modern\, expressive style. Painting outd oors—enabled by the recent invention of paint tubes\, and motivated by Roma ntic poetry and new scientific concepts of nature—they brought a fresh imme diacy to landscape painting.\n\nThough loosely defined\, the School of Terv uren represents a vital chapter in the international evolution of modern la ndscape. Like their contemporaries in Barbizon and Giverny in France\, Skag en in Denmark\, and the Hudson River Valley of New York\, these artists bel ieved in portraying nature as they saw and felt it\, in the moment. This ex hibition places Belgian landscape painting in dialogue with wider European and American movements\, inviting visitors to experience the power of place —and of painting—as a quiet yet radical form of resistance and renewal. Com parisons with selected works by Barbizon artists such as Charles-François D aubigny\, and artists associated with the Hudson River School\, like Albert Bierstadt and John Frederick Kensett\, introduce international parallels.\ n\nOrganized by the McMullen Museum\, A Fresh Vision has been curated by Je ffery Howe. Major support has been provided by Boston College and the Patro ns of the McMullen Museum. DTEND:20250911T210000Z DTSTAMP:20260412T114356Z DTSTART:20250911T140000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "A Fresh Vision: Landscape Painting in Belgium after Ro manticism\; The School of Tervuren in an International Context" UID:tag:localist.com\,2008:EventInstance_50524304890175 URL:https://events.bc.edu/event/exhibition-a-fresh-vision-landscape-paintin g-in-belgium-after-romanticism-the-school-of-tervuren-in-an-international-c ontext END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:A Fresh Vision: Landscape Painting in Belgium after Romanticism \; The School of Tervuren in an International Context\n\nOn view: August 25 –29 to BC classes by appointment (contact rachel.chamberlain@bc.edu)\n\nOpe n to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \ n\nPress Release\n\nA Fresh Vision celebrates a recent gift of thirty-six o utstanding paintings from the School of Tervuren from Charles Hack and the Hearn Family Trust\, a gift that establishes the McMullen as home to the le ading collection of nineteenth-century Belgian landscape painting in North America. The exhibition explores the School of Tervuren\, a group of Belgia n artists who\, in the second half of the nineteenth century\, turned their gaze to the quiet forests and fields near Brussels. It examines how artist s rejected academic convention and the growing spectacle of modern urban li fe to embrace the natural world as a source of truth\, beauty\, and renewal .\n\nThe exhibition also demonstrates how the Tervuren painters\, including Theodore Fourmois\, Hippolyte Boulenger\, Joseph-Théodore Coosemans\, and Théodore T’Scharner\, were influenced by the French Barbizon painters to bl end Romantic sensibility with realist technique\, capturing the nuances of light\, weather\, and terrain in a modern\, expressive style. Painting outd oors—enabled by the recent invention of paint tubes\, and motivated by Roma ntic poetry and new scientific concepts of nature—they brought a fresh imme diacy to landscape painting.\n\nThough loosely defined\, the School of Terv uren represents a vital chapter in the international evolution of modern la ndscape. Like their contemporaries in Barbizon and Giverny in France\, Skag en in Denmark\, and the Hudson River Valley of New York\, these artists bel ieved in portraying nature as they saw and felt it\, in the moment. This ex hibition places Belgian landscape painting in dialogue with wider European and American movements\, inviting visitors to experience the power of place —and of painting—as a quiet yet radical form of resistance and renewal. Com parisons with selected works by Barbizon artists such as Charles-François D aubigny\, and artists associated with the Hudson River School\, like Albert Bierstadt and John Frederick Kensett\, introduce international parallels.\ n\nOrganized by the McMullen Museum\, A Fresh Vision has been curated by Je ffery Howe. Major support has been provided by Boston College and the Patro ns of the McMullen Museum. DTEND:20250912T210000Z DTSTAMP:20260412T114356Z DTSTART:20250912T140000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "A Fresh Vision: Landscape Painting in Belgium after Ro manticism\; The School of Tervuren in an International Context" UID:tag:localist.com\,2008:EventInstance_50524304892224 URL:https://events.bc.edu/event/exhibition-a-fresh-vision-landscape-paintin g-in-belgium-after-romanticism-the-school-of-tervuren-in-an-international-c ontext END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:A Fresh Vision: Landscape Painting in Belgium after Romanticism \; The School of Tervuren in an International Context\n\nOn view: August 25 –29 to BC classes by appointment (contact rachel.chamberlain@bc.edu)\n\nOpe n to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \ n\nPress Release\n\nA Fresh Vision celebrates a recent gift of thirty-six o utstanding paintings from the School of Tervuren from Charles Hack and the Hearn Family Trust\, a gift that establishes the McMullen as home to the le ading collection of nineteenth-century Belgian landscape painting in North America. The exhibition explores the School of Tervuren\, a group of Belgia n artists who\, in the second half of the nineteenth century\, turned their gaze to the quiet forests and fields near Brussels. It examines how artist s rejected academic convention and the growing spectacle of modern urban li fe to embrace the natural world as a source of truth\, beauty\, and renewal .\n\nThe exhibition also demonstrates how the Tervuren painters\, including Theodore Fourmois\, Hippolyte Boulenger\, Joseph-Théodore Coosemans\, and Théodore T’Scharner\, were influenced by the French Barbizon painters to bl end Romantic sensibility with realist technique\, capturing the nuances of light\, weather\, and terrain in a modern\, expressive style. Painting outd oors—enabled by the recent invention of paint tubes\, and motivated by Roma ntic poetry and new scientific concepts of nature—they brought a fresh imme diacy to landscape painting.\n\nThough loosely defined\, the School of Terv uren represents a vital chapter in the international evolution of modern la ndscape. Like their contemporaries in Barbizon and Giverny in France\, Skag en in Denmark\, and the Hudson River Valley of New York\, these artists bel ieved in portraying nature as they saw and felt it\, in the moment. This ex hibition places Belgian landscape painting in dialogue with wider European and American movements\, inviting visitors to experience the power of place —and of painting—as a quiet yet radical form of resistance and renewal. Com parisons with selected works by Barbizon artists such as Charles-François D aubigny\, and artists associated with the Hudson River School\, like Albert Bierstadt and John Frederick Kensett\, introduce international parallels.\ n\nOrganized by the McMullen Museum\, A Fresh Vision has been curated by Je ffery Howe. Major support has been provided by Boston College and the Patro ns of the McMullen Museum. DTEND:20250913T210000Z DTSTAMP:20260412T114356Z DTSTART:20250913T160000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "A Fresh Vision: Landscape Painting in Belgium after Ro manticism\; The School of Tervuren in an International Context" UID:tag:localist.com\,2008:EventInstance_50524304894273 URL:https://events.bc.edu/event/exhibition-a-fresh-vision-landscape-paintin g-in-belgium-after-romanticism-the-school-of-tervuren-in-an-international-c ontext END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:A Fresh Vision: Landscape Painting in Belgium after Romanticism \; The School of Tervuren in an International Context\n\nOn view: August 25 –29 to BC classes by appointment (contact rachel.chamberlain@bc.edu)\n\nOpe n to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \ n\nPress Release\n\nA Fresh Vision celebrates a recent gift of thirty-six o utstanding paintings from the School of Tervuren from Charles Hack and the Hearn Family Trust\, a gift that establishes the McMullen as home to the le ading collection of nineteenth-century Belgian landscape painting in North America. The exhibition explores the School of Tervuren\, a group of Belgia n artists who\, in the second half of the nineteenth century\, turned their gaze to the quiet forests and fields near Brussels. It examines how artist s rejected academic convention and the growing spectacle of modern urban li fe to embrace the natural world as a source of truth\, beauty\, and renewal .\n\nThe exhibition also demonstrates how the Tervuren painters\, including Theodore Fourmois\, Hippolyte Boulenger\, Joseph-Théodore Coosemans\, and Théodore T’Scharner\, were influenced by the French Barbizon painters to bl end Romantic sensibility with realist technique\, capturing the nuances of light\, weather\, and terrain in a modern\, expressive style. Painting outd oors—enabled by the recent invention of paint tubes\, and motivated by Roma ntic poetry and new scientific concepts of nature—they brought a fresh imme diacy to landscape painting.\n\nThough loosely defined\, the School of Terv uren represents a vital chapter in the international evolution of modern la ndscape. Like their contemporaries in Barbizon and Giverny in France\, Skag en in Denmark\, and the Hudson River Valley of New York\, these artists bel ieved in portraying nature as they saw and felt it\, in the moment. This ex hibition places Belgian landscape painting in dialogue with wider European and American movements\, inviting visitors to experience the power of place —and of painting—as a quiet yet radical form of resistance and renewal. Com parisons with selected works by Barbizon artists such as Charles-François D aubigny\, and artists associated with the Hudson River School\, like Albert Bierstadt and John Frederick Kensett\, introduce international parallels.\ n\nOrganized by the McMullen Museum\, A Fresh Vision has been curated by Je ffery Howe. Major support has been provided by Boston College and the Patro ns of the McMullen Museum. DTEND:20250914T210000Z DTSTAMP:20260412T114356Z DTSTART:20250914T160000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "A Fresh Vision: Landscape Painting in Belgium after Ro manticism\; The School of Tervuren in an International Context" UID:tag:localist.com\,2008:EventInstance_50524304896322 URL:https://events.bc.edu/event/exhibition-a-fresh-vision-landscape-paintin g-in-belgium-after-romanticism-the-school-of-tervuren-in-an-international-c ontext END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:A Fresh Vision: Landscape Painting in Belgium after Romanticism \; The School of Tervuren in an International Context\n\nOn view: August 25 –29 to BC classes by appointment (contact rachel.chamberlain@bc.edu)\n\nOpe n to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \ n\nPress Release\n\nA Fresh Vision celebrates a recent gift of thirty-six o utstanding paintings from the School of Tervuren from Charles Hack and the Hearn Family Trust\, a gift that establishes the McMullen as home to the le ading collection of nineteenth-century Belgian landscape painting in North America. The exhibition explores the School of Tervuren\, a group of Belgia n artists who\, in the second half of the nineteenth century\, turned their gaze to the quiet forests and fields near Brussels. It examines how artist s rejected academic convention and the growing spectacle of modern urban li fe to embrace the natural world as a source of truth\, beauty\, and renewal .\n\nThe exhibition also demonstrates how the Tervuren painters\, including Theodore Fourmois\, Hippolyte Boulenger\, Joseph-Théodore Coosemans\, and Théodore T’Scharner\, were influenced by the French Barbizon painters to bl end Romantic sensibility with realist technique\, capturing the nuances of light\, weather\, and terrain in a modern\, expressive style. Painting outd oors—enabled by the recent invention of paint tubes\, and motivated by Roma ntic poetry and new scientific concepts of nature—they brought a fresh imme diacy to landscape painting.\n\nThough loosely defined\, the School of Terv uren represents a vital chapter in the international evolution of modern la ndscape. Like their contemporaries in Barbizon and Giverny in France\, Skag en in Denmark\, and the Hudson River Valley of New York\, these artists bel ieved in portraying nature as they saw and felt it\, in the moment. This ex hibition places Belgian landscape painting in dialogue with wider European and American movements\, inviting visitors to experience the power of place —and of painting—as a quiet yet radical form of resistance and renewal. Com parisons with selected works by Barbizon artists such as Charles-François D aubigny\, and artists associated with the Hudson River School\, like Albert Bierstadt and John Frederick Kensett\, introduce international parallels.\ n\nOrganized by the McMullen Museum\, A Fresh Vision has been curated by Je ffery Howe. Major support has been provided by Boston College and the Patro ns of the McMullen Museum. DTEND:20250915T210000Z DTSTAMP:20260412T114356Z DTSTART:20250915T140000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "A Fresh Vision: Landscape Painting in Belgium after Ro manticism\; The School of Tervuren in an International Context" UID:tag:localist.com\,2008:EventInstance_50524304899395 URL:https://events.bc.edu/event/exhibition-a-fresh-vision-landscape-paintin g-in-belgium-after-romanticism-the-school-of-tervuren-in-an-international-c ontext END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:A Fresh Vision: Landscape Painting in Belgium after Romanticism \; The School of Tervuren in an International Context\n\nOn view: August 25 –29 to BC classes by appointment (contact rachel.chamberlain@bc.edu)\n\nOpe n to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \ n\nPress Release\n\nA Fresh Vision celebrates a recent gift of thirty-six o utstanding paintings from the School of Tervuren from Charles Hack and the Hearn Family Trust\, a gift that establishes the McMullen as home to the le ading collection of nineteenth-century Belgian landscape painting in North America. The exhibition explores the School of Tervuren\, a group of Belgia n artists who\, in the second half of the nineteenth century\, turned their gaze to the quiet forests and fields near Brussels. It examines how artist s rejected academic convention and the growing spectacle of modern urban li fe to embrace the natural world as a source of truth\, beauty\, and renewal .\n\nThe exhibition also demonstrates how the Tervuren painters\, including Theodore Fourmois\, Hippolyte Boulenger\, Joseph-Théodore Coosemans\, and Théodore T’Scharner\, were influenced by the French Barbizon painters to bl end Romantic sensibility with realist technique\, capturing the nuances of light\, weather\, and terrain in a modern\, expressive style. Painting outd oors—enabled by the recent invention of paint tubes\, and motivated by Roma ntic poetry and new scientific concepts of nature—they brought a fresh imme diacy to landscape painting.\n\nThough loosely defined\, the School of Terv uren represents a vital chapter in the international evolution of modern la ndscape. Like their contemporaries in Barbizon and Giverny in France\, Skag en in Denmark\, and the Hudson River Valley of New York\, these artists bel ieved in portraying nature as they saw and felt it\, in the moment. This ex hibition places Belgian landscape painting in dialogue with wider European and American movements\, inviting visitors to experience the power of place —and of painting—as a quiet yet radical form of resistance and renewal. Com parisons with selected works by Barbizon artists such as Charles-François D aubigny\, and artists associated with the Hudson River School\, like Albert Bierstadt and John Frederick Kensett\, introduce international parallels.\ n\nOrganized by the McMullen Museum\, A Fresh Vision has been curated by Je ffery Howe. Major support has been provided by Boston College and the Patro ns of the McMullen Museum. DTEND:20250916T210000Z DTSTAMP:20260412T114356Z DTSTART:20250916T140000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "A Fresh Vision: Landscape Painting in Belgium after Ro manticism\; The School of Tervuren in an International Context" UID:tag:localist.com\,2008:EventInstance_50524304901444 URL:https://events.bc.edu/event/exhibition-a-fresh-vision-landscape-paintin g-in-belgium-after-romanticism-the-school-of-tervuren-in-an-international-c ontext END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:A Fresh Vision: Landscape Painting in Belgium after Romanticism \; The School of Tervuren in an International Context\n\nOn view: August 25 –29 to BC classes by appointment (contact rachel.chamberlain@bc.edu)\n\nOpe n to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \ n\nPress Release\n\nA Fresh Vision celebrates a recent gift of thirty-six o utstanding paintings from the School of Tervuren from Charles Hack and the Hearn Family Trust\, a gift that establishes the McMullen as home to the le ading collection of nineteenth-century Belgian landscape painting in North America. The exhibition explores the School of Tervuren\, a group of Belgia n artists who\, in the second half of the nineteenth century\, turned their gaze to the quiet forests and fields near Brussels. It examines how artist s rejected academic convention and the growing spectacle of modern urban li fe to embrace the natural world as a source of truth\, beauty\, and renewal .\n\nThe exhibition also demonstrates how the Tervuren painters\, including Theodore Fourmois\, Hippolyte Boulenger\, Joseph-Théodore Coosemans\, and Théodore T’Scharner\, were influenced by the French Barbizon painters to bl end Romantic sensibility with realist technique\, capturing the nuances of light\, weather\, and terrain in a modern\, expressive style. Painting outd oors—enabled by the recent invention of paint tubes\, and motivated by Roma ntic poetry and new scientific concepts of nature—they brought a fresh imme diacy to landscape painting.\n\nThough loosely defined\, the School of Terv uren represents a vital chapter in the international evolution of modern la ndscape. Like their contemporaries in Barbizon and Giverny in France\, Skag en in Denmark\, and the Hudson River Valley of New York\, these artists bel ieved in portraying nature as they saw and felt it\, in the moment. This ex hibition places Belgian landscape painting in dialogue with wider European and American movements\, inviting visitors to experience the power of place —and of painting—as a quiet yet radical form of resistance and renewal. Com parisons with selected works by Barbizon artists such as Charles-François D aubigny\, and artists associated with the Hudson River School\, like Albert Bierstadt and John Frederick Kensett\, introduce international parallels.\ n\nOrganized by the McMullen Museum\, A Fresh Vision has been curated by Je ffery Howe. Major support has been provided by Boston College and the Patro ns of the McMullen Museum. DTEND:20250917T210000Z DTSTAMP:20260412T114356Z DTSTART:20250917T140000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "A Fresh Vision: Landscape Painting in Belgium after Ro manticism\; The School of Tervuren in an International Context" UID:tag:localist.com\,2008:EventInstance_50524304904517 URL:https://events.bc.edu/event/exhibition-a-fresh-vision-landscape-paintin g-in-belgium-after-romanticism-the-school-of-tervuren-in-an-international-c ontext END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:A Fresh Vision: Landscape Painting in Belgium after Romanticism \; The School of Tervuren in an International Context\n\nOn view: August 25 –29 to BC classes by appointment (contact rachel.chamberlain@bc.edu)\n\nOpe n to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \ n\nPress Release\n\nA Fresh Vision celebrates a recent gift of thirty-six o utstanding paintings from the School of Tervuren from Charles Hack and the Hearn Family Trust\, a gift that establishes the McMullen as home to the le ading collection of nineteenth-century Belgian landscape painting in North America. The exhibition explores the School of Tervuren\, a group of Belgia n artists who\, in the second half of the nineteenth century\, turned their gaze to the quiet forests and fields near Brussels. It examines how artist s rejected academic convention and the growing spectacle of modern urban li fe to embrace the natural world as a source of truth\, beauty\, and renewal .\n\nThe exhibition also demonstrates how the Tervuren painters\, including Theodore Fourmois\, Hippolyte Boulenger\, Joseph-Théodore Coosemans\, and Théodore T’Scharner\, were influenced by the French Barbizon painters to bl end Romantic sensibility with realist technique\, capturing the nuances of light\, weather\, and terrain in a modern\, expressive style. Painting outd oors—enabled by the recent invention of paint tubes\, and motivated by Roma ntic poetry and new scientific concepts of nature—they brought a fresh imme diacy to landscape painting.\n\nThough loosely defined\, the School of Terv uren represents a vital chapter in the international evolution of modern la ndscape. Like their contemporaries in Barbizon and Giverny in France\, Skag en in Denmark\, and the Hudson River Valley of New York\, these artists bel ieved in portraying nature as they saw and felt it\, in the moment. This ex hibition places Belgian landscape painting in dialogue with wider European and American movements\, inviting visitors to experience the power of place —and of painting—as a quiet yet radical form of resistance and renewal. Com parisons with selected works by Barbizon artists such as Charles-François D aubigny\, and artists associated with the Hudson River School\, like Albert Bierstadt and John Frederick Kensett\, introduce international parallels.\ n\nOrganized by the McMullen Museum\, A Fresh Vision has been curated by Je ffery Howe. Major support has been provided by Boston College and the Patro ns of the McMullen Museum. DTEND:20250918T210000Z DTSTAMP:20260412T114356Z DTSTART:20250918T140000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "A Fresh Vision: Landscape Painting in Belgium after Ro manticism\; The School of Tervuren in an International Context" UID:tag:localist.com\,2008:EventInstance_50524304908614 URL:https://events.bc.edu/event/exhibition-a-fresh-vision-landscape-paintin g-in-belgium-after-romanticism-the-school-of-tervuren-in-an-international-c ontext END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:A Fresh Vision: Landscape Painting in Belgium after Romanticism \; The School of Tervuren in an International Context\n\nOn view: August 25 –29 to BC classes by appointment (contact rachel.chamberlain@bc.edu)\n\nOpe n to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \ n\nPress Release\n\nA Fresh Vision celebrates a recent gift of thirty-six o utstanding paintings from the School of Tervuren from Charles Hack and the Hearn Family Trust\, a gift that establishes the McMullen as home to the le ading collection of nineteenth-century Belgian landscape painting in North America. The exhibition explores the School of Tervuren\, a group of Belgia n artists who\, in the second half of the nineteenth century\, turned their gaze to the quiet forests and fields near Brussels. It examines how artist s rejected academic convention and the growing spectacle of modern urban li fe to embrace the natural world as a source of truth\, beauty\, and renewal .\n\nThe exhibition also demonstrates how the Tervuren painters\, including Theodore Fourmois\, Hippolyte Boulenger\, Joseph-Théodore Coosemans\, and Théodore T’Scharner\, were influenced by the French Barbizon painters to bl end Romantic sensibility with realist technique\, capturing the nuances of light\, weather\, and terrain in a modern\, expressive style. Painting outd oors—enabled by the recent invention of paint tubes\, and motivated by Roma ntic poetry and new scientific concepts of nature—they brought a fresh imme diacy to landscape painting.\n\nThough loosely defined\, the School of Terv uren represents a vital chapter in the international evolution of modern la ndscape. Like their contemporaries in Barbizon and Giverny in France\, Skag en in Denmark\, and the Hudson River Valley of New York\, these artists bel ieved in portraying nature as they saw and felt it\, in the moment. This ex hibition places Belgian landscape painting in dialogue with wider European and American movements\, inviting visitors to experience the power of place —and of painting—as a quiet yet radical form of resistance and renewal. Com parisons with selected works by Barbizon artists such as Charles-François D aubigny\, and artists associated with the Hudson River School\, like Albert Bierstadt and John Frederick Kensett\, introduce international parallels.\ n\nOrganized by the McMullen Museum\, A Fresh Vision has been curated by Je ffery Howe. Major support has been provided by Boston College and the Patro ns of the McMullen Museum. DTEND:20250919T210000Z DTSTAMP:20260412T114356Z DTSTART:20250919T140000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "A Fresh Vision: Landscape Painting in Belgium after Ro manticism\; The School of Tervuren in an International Context" UID:tag:localist.com\,2008:EventInstance_50524304911687 URL:https://events.bc.edu/event/exhibition-a-fresh-vision-landscape-paintin g-in-belgium-after-romanticism-the-school-of-tervuren-in-an-international-c ontext END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:A Fresh Vision: Landscape Painting in Belgium after Romanticism \; The School of Tervuren in an International Context\n\nOn view: August 25 –29 to BC classes by appointment (contact rachel.chamberlain@bc.edu)\n\nOpe n to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \ n\nPress Release\n\nA Fresh Vision celebrates a recent gift of thirty-six o utstanding paintings from the School of Tervuren from Charles Hack and the Hearn Family Trust\, a gift that establishes the McMullen as home to the le ading collection of nineteenth-century Belgian landscape painting in North America. The exhibition explores the School of Tervuren\, a group of Belgia n artists who\, in the second half of the nineteenth century\, turned their gaze to the quiet forests and fields near Brussels. It examines how artist s rejected academic convention and the growing spectacle of modern urban li fe to embrace the natural world as a source of truth\, beauty\, and renewal .\n\nThe exhibition also demonstrates how the Tervuren painters\, including Theodore Fourmois\, Hippolyte Boulenger\, Joseph-Théodore Coosemans\, and Théodore T’Scharner\, were influenced by the French Barbizon painters to bl end Romantic sensibility with realist technique\, capturing the nuances of light\, weather\, and terrain in a modern\, expressive style. Painting outd oors—enabled by the recent invention of paint tubes\, and motivated by Roma ntic poetry and new scientific concepts of nature—they brought a fresh imme diacy to landscape painting.\n\nThough loosely defined\, the School of Terv uren represents a vital chapter in the international evolution of modern la ndscape. Like their contemporaries in Barbizon and Giverny in France\, Skag en in Denmark\, and the Hudson River Valley of New York\, these artists bel ieved in portraying nature as they saw and felt it\, in the moment. This ex hibition places Belgian landscape painting in dialogue with wider European and American movements\, inviting visitors to experience the power of place —and of painting—as a quiet yet radical form of resistance and renewal. Com parisons with selected works by Barbizon artists such as Charles-François D aubigny\, and artists associated with the Hudson River School\, like Albert Bierstadt and John Frederick Kensett\, introduce international parallels.\ n\nOrganized by the McMullen Museum\, A Fresh Vision has been curated by Je ffery Howe. Major support has been provided by Boston College and the Patro ns of the McMullen Museum. DTEND:20250920T210000Z DTSTAMP:20260412T114356Z DTSTART:20250920T160000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "A Fresh Vision: Landscape Painting in Belgium after Ro manticism\; The School of Tervuren in an International Context" UID:tag:localist.com\,2008:EventInstance_50524304913736 URL:https://events.bc.edu/event/exhibition-a-fresh-vision-landscape-paintin g-in-belgium-after-romanticism-the-school-of-tervuren-in-an-international-c ontext END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:A Fresh Vision: Landscape Painting in Belgium after Romanticism \; The School of Tervuren in an International Context\n\nOn view: August 25 –29 to BC classes by appointment (contact rachel.chamberlain@bc.edu)\n\nOpe n to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \ n\nPress Release\n\nA Fresh Vision celebrates a recent gift of thirty-six o utstanding paintings from the School of Tervuren from Charles Hack and the Hearn Family Trust\, a gift that establishes the McMullen as home to the le ading collection of nineteenth-century Belgian landscape painting in North America. The exhibition explores the School of Tervuren\, a group of Belgia n artists who\, in the second half of the nineteenth century\, turned their gaze to the quiet forests and fields near Brussels. It examines how artist s rejected academic convention and the growing spectacle of modern urban li fe to embrace the natural world as a source of truth\, beauty\, and renewal .\n\nThe exhibition also demonstrates how the Tervuren painters\, including Theodore Fourmois\, Hippolyte Boulenger\, Joseph-Théodore Coosemans\, and Théodore T’Scharner\, were influenced by the French Barbizon painters to bl end Romantic sensibility with realist technique\, capturing the nuances of light\, weather\, and terrain in a modern\, expressive style. Painting outd oors—enabled by the recent invention of paint tubes\, and motivated by Roma ntic poetry and new scientific concepts of nature—they brought a fresh imme diacy to landscape painting.\n\nThough loosely defined\, the School of Terv uren represents a vital chapter in the international evolution of modern la ndscape. Like their contemporaries in Barbizon and Giverny in France\, Skag en in Denmark\, and the Hudson River Valley of New York\, these artists bel ieved in portraying nature as they saw and felt it\, in the moment. This ex hibition places Belgian landscape painting in dialogue with wider European and American movements\, inviting visitors to experience the power of place —and of painting—as a quiet yet radical form of resistance and renewal. Com parisons with selected works by Barbizon artists such as Charles-François D aubigny\, and artists associated with the Hudson River School\, like Albert Bierstadt and John Frederick Kensett\, introduce international parallels.\ n\nOrganized by the McMullen Museum\, A Fresh Vision has been curated by Je ffery Howe. Major support has been provided by Boston College and the Patro ns of the McMullen Museum. DTEND:20250921T210000Z DTSTAMP:20260412T114356Z DTSTART:20250921T160000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "A Fresh Vision: Landscape Painting in Belgium after Ro manticism\; The School of Tervuren in an International Context" UID:tag:localist.com\,2008:EventInstance_50524304916809 URL:https://events.bc.edu/event/exhibition-a-fresh-vision-landscape-paintin g-in-belgium-after-romanticism-the-school-of-tervuren-in-an-international-c ontext END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:A Fresh Vision: Landscape Painting in Belgium after Romanticism \; The School of Tervuren in an International Context\n\nOn view: August 25 –29 to BC classes by appointment (contact rachel.chamberlain@bc.edu)\n\nOpe n to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \ n\nPress Release\n\nA Fresh Vision celebrates a recent gift of thirty-six o utstanding paintings from the School of Tervuren from Charles Hack and the Hearn Family Trust\, a gift that establishes the McMullen as home to the le ading collection of nineteenth-century Belgian landscape painting in North America. The exhibition explores the School of Tervuren\, a group of Belgia n artists who\, in the second half of the nineteenth century\, turned their gaze to the quiet forests and fields near Brussels. It examines how artist s rejected academic convention and the growing spectacle of modern urban li fe to embrace the natural world as a source of truth\, beauty\, and renewal .\n\nThe exhibition also demonstrates how the Tervuren painters\, including Theodore Fourmois\, Hippolyte Boulenger\, Joseph-Théodore Coosemans\, and Théodore T’Scharner\, were influenced by the French Barbizon painters to bl end Romantic sensibility with realist technique\, capturing the nuances of light\, weather\, and terrain in a modern\, expressive style. Painting outd oors—enabled by the recent invention of paint tubes\, and motivated by Roma ntic poetry and new scientific concepts of nature—they brought a fresh imme diacy to landscape painting.\n\nThough loosely defined\, the School of Terv uren represents a vital chapter in the international evolution of modern la ndscape. Like their contemporaries in Barbizon and Giverny in France\, Skag en in Denmark\, and the Hudson River Valley of New York\, these artists bel ieved in portraying nature as they saw and felt it\, in the moment. This ex hibition places Belgian landscape painting in dialogue with wider European and American movements\, inviting visitors to experience the power of place —and of painting—as a quiet yet radical form of resistance and renewal. Com parisons with selected works by Barbizon artists such as Charles-François D aubigny\, and artists associated with the Hudson River School\, like Albert Bierstadt and John Frederick Kensett\, introduce international parallels.\ n\nOrganized by the McMullen Museum\, A Fresh Vision has been curated by Je ffery Howe. Major support has been provided by Boston College and the Patro ns of the McMullen Museum. DTEND:20250922T210000Z DTSTAMP:20260412T114356Z DTSTART:20250922T140000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "A Fresh Vision: Landscape Painting in Belgium after Ro manticism\; The School of Tervuren in an International Context" UID:tag:localist.com\,2008:EventInstance_50524304918858 URL:https://events.bc.edu/event/exhibition-a-fresh-vision-landscape-paintin g-in-belgium-after-romanticism-the-school-of-tervuren-in-an-international-c ontext END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:A Fresh Vision: Landscape Painting in Belgium after Romanticism \; The School of Tervuren in an International Context\n\nOn view: August 25 –29 to BC classes by appointment (contact rachel.chamberlain@bc.edu)\n\nOpe n to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \ n\nPress Release\n\nA Fresh Vision celebrates a recent gift of thirty-six o utstanding paintings from the School of Tervuren from Charles Hack and the Hearn Family Trust\, a gift that establishes the McMullen as home to the le ading collection of nineteenth-century Belgian landscape painting in North America. The exhibition explores the School of Tervuren\, a group of Belgia n artists who\, in the second half of the nineteenth century\, turned their gaze to the quiet forests and fields near Brussels. It examines how artist s rejected academic convention and the growing spectacle of modern urban li fe to embrace the natural world as a source of truth\, beauty\, and renewal .\n\nThe exhibition also demonstrates how the Tervuren painters\, including Theodore Fourmois\, Hippolyte Boulenger\, Joseph-Théodore Coosemans\, and Théodore T’Scharner\, were influenced by the French Barbizon painters to bl end Romantic sensibility with realist technique\, capturing the nuances of light\, weather\, and terrain in a modern\, expressive style. Painting outd oors—enabled by the recent invention of paint tubes\, and motivated by Roma ntic poetry and new scientific concepts of nature—they brought a fresh imme diacy to landscape painting.\n\nThough loosely defined\, the School of Terv uren represents a vital chapter in the international evolution of modern la ndscape. Like their contemporaries in Barbizon and Giverny in France\, Skag en in Denmark\, and the Hudson River Valley of New York\, these artists bel ieved in portraying nature as they saw and felt it\, in the moment. This ex hibition places Belgian landscape painting in dialogue with wider European and American movements\, inviting visitors to experience the power of place —and of painting—as a quiet yet radical form of resistance and renewal. Com parisons with selected works by Barbizon artists such as Charles-François D aubigny\, and artists associated with the Hudson River School\, like Albert Bierstadt and John Frederick Kensett\, introduce international parallels.\ n\nOrganized by the McMullen Museum\, A Fresh Vision has been curated by Je ffery Howe. Major support has been provided by Boston College and the Patro ns of the McMullen Museum. DTEND:20250923T210000Z DTSTAMP:20260412T114356Z DTSTART:20250923T140000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "A Fresh Vision: Landscape Painting in Belgium after Ro manticism\; The School of Tervuren in an International Context" UID:tag:localist.com\,2008:EventInstance_50524304920907 URL:https://events.bc.edu/event/exhibition-a-fresh-vision-landscape-paintin g-in-belgium-after-romanticism-the-school-of-tervuren-in-an-international-c ontext END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:A Fresh Vision: Landscape Painting in Belgium after Romanticism \; The School of Tervuren in an International Context\n\nOn view: August 25 –29 to BC classes by appointment (contact rachel.chamberlain@bc.edu)\n\nOpe n to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \ n\nPress Release\n\nA Fresh Vision celebrates a recent gift of thirty-six o utstanding paintings from the School of Tervuren from Charles Hack and the Hearn Family Trust\, a gift that establishes the McMullen as home to the le ading collection of nineteenth-century Belgian landscape painting in North America. The exhibition explores the School of Tervuren\, a group of Belgia n artists who\, in the second half of the nineteenth century\, turned their gaze to the quiet forests and fields near Brussels. It examines how artist s rejected academic convention and the growing spectacle of modern urban li fe to embrace the natural world as a source of truth\, beauty\, and renewal .\n\nThe exhibition also demonstrates how the Tervuren painters\, including Theodore Fourmois\, Hippolyte Boulenger\, Joseph-Théodore Coosemans\, and Théodore T’Scharner\, were influenced by the French Barbizon painters to bl end Romantic sensibility with realist technique\, capturing the nuances of light\, weather\, and terrain in a modern\, expressive style. Painting outd oors—enabled by the recent invention of paint tubes\, and motivated by Roma ntic poetry and new scientific concepts of nature—they brought a fresh imme diacy to landscape painting.\n\nThough loosely defined\, the School of Terv uren represents a vital chapter in the international evolution of modern la ndscape. Like their contemporaries in Barbizon and Giverny in France\, Skag en in Denmark\, and the Hudson River Valley of New York\, these artists bel ieved in portraying nature as they saw and felt it\, in the moment. This ex hibition places Belgian landscape painting in dialogue with wider European and American movements\, inviting visitors to experience the power of place —and of painting—as a quiet yet radical form of resistance and renewal. Com parisons with selected works by Barbizon artists such as Charles-François D aubigny\, and artists associated with the Hudson River School\, like Albert Bierstadt and John Frederick Kensett\, introduce international parallels.\ n\nOrganized by the McMullen Museum\, A Fresh Vision has been curated by Je ffery Howe. Major support has been provided by Boston College and the Patro ns of the McMullen Museum. DTEND:20250924T210000Z DTSTAMP:20260412T114356Z DTSTART:20250924T140000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "A Fresh Vision: Landscape Painting in Belgium after Ro manticism\; The School of Tervuren in an International Context" UID:tag:localist.com\,2008:EventInstance_50524304922956 URL:https://events.bc.edu/event/exhibition-a-fresh-vision-landscape-paintin g-in-belgium-after-romanticism-the-school-of-tervuren-in-an-international-c ontext END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:A Fresh Vision: Landscape Painting in Belgium after Romanticism \; The School of Tervuren in an International Context\n\nOn view: August 25 –29 to BC classes by appointment (contact rachel.chamberlain@bc.edu)\n\nOpe n to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \ n\nPress Release\n\nA Fresh Vision celebrates a recent gift of thirty-six o utstanding paintings from the School of Tervuren from Charles Hack and the Hearn Family Trust\, a gift that establishes the McMullen as home to the le ading collection of nineteenth-century Belgian landscape painting in North America. The exhibition explores the School of Tervuren\, a group of Belgia n artists who\, in the second half of the nineteenth century\, turned their gaze to the quiet forests and fields near Brussels. It examines how artist s rejected academic convention and the growing spectacle of modern urban li fe to embrace the natural world as a source of truth\, beauty\, and renewal .\n\nThe exhibition also demonstrates how the Tervuren painters\, including Theodore Fourmois\, Hippolyte Boulenger\, Joseph-Théodore Coosemans\, and Théodore T’Scharner\, were influenced by the French Barbizon painters to bl end Romantic sensibility with realist technique\, capturing the nuances of light\, weather\, and terrain in a modern\, expressive style. Painting outd oors—enabled by the recent invention of paint tubes\, and motivated by Roma ntic poetry and new scientific concepts of nature—they brought a fresh imme diacy to landscape painting.\n\nThough loosely defined\, the School of Terv uren represents a vital chapter in the international evolution of modern la ndscape. Like their contemporaries in Barbizon and Giverny in France\, Skag en in Denmark\, and the Hudson River Valley of New York\, these artists bel ieved in portraying nature as they saw and felt it\, in the moment. This ex hibition places Belgian landscape painting in dialogue with wider European and American movements\, inviting visitors to experience the power of place —and of painting—as a quiet yet radical form of resistance and renewal. Com parisons with selected works by Barbizon artists such as Charles-François D aubigny\, and artists associated with the Hudson River School\, like Albert Bierstadt and John Frederick Kensett\, introduce international parallels.\ n\nOrganized by the McMullen Museum\, A Fresh Vision has been curated by Je ffery Howe. Major support has been provided by Boston College and the Patro ns of the McMullen Museum. DTEND:20250925T210000Z DTSTAMP:20260412T114356Z DTSTART:20250925T140000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "A Fresh Vision: Landscape Painting in Belgium after Ro manticism\; The School of Tervuren in an International Context" UID:tag:localist.com\,2008:EventInstance_50524304925005 URL:https://events.bc.edu/event/exhibition-a-fresh-vision-landscape-paintin g-in-belgium-after-romanticism-the-school-of-tervuren-in-an-international-c ontext END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:A Fresh Vision: Landscape Painting in Belgium after Romanticism \; The School of Tervuren in an International Context\n\nOn view: August 25 –29 to BC classes by appointment (contact rachel.chamberlain@bc.edu)\n\nOpe n to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \ n\nPress Release\n\nA Fresh Vision celebrates a recent gift of thirty-six o utstanding paintings from the School of Tervuren from Charles Hack and the Hearn Family Trust\, a gift that establishes the McMullen as home to the le ading collection of nineteenth-century Belgian landscape painting in North America. The exhibition explores the School of Tervuren\, a group of Belgia n artists who\, in the second half of the nineteenth century\, turned their gaze to the quiet forests and fields near Brussels. It examines how artist s rejected academic convention and the growing spectacle of modern urban li fe to embrace the natural world as a source of truth\, beauty\, and renewal .\n\nThe exhibition also demonstrates how the Tervuren painters\, including Theodore Fourmois\, Hippolyte Boulenger\, Joseph-Théodore Coosemans\, and Théodore T’Scharner\, were influenced by the French Barbizon painters to bl end Romantic sensibility with realist technique\, capturing the nuances of light\, weather\, and terrain in a modern\, expressive style. Painting outd oors—enabled by the recent invention of paint tubes\, and motivated by Roma ntic poetry and new scientific concepts of nature—they brought a fresh imme diacy to landscape painting.\n\nThough loosely defined\, the School of Terv uren represents a vital chapter in the international evolution of modern la ndscape. Like their contemporaries in Barbizon and Giverny in France\, Skag en in Denmark\, and the Hudson River Valley of New York\, these artists bel ieved in portraying nature as they saw and felt it\, in the moment. This ex hibition places Belgian landscape painting in dialogue with wider European and American movements\, inviting visitors to experience the power of place —and of painting—as a quiet yet radical form of resistance and renewal. Com parisons with selected works by Barbizon artists such as Charles-François D aubigny\, and artists associated with the Hudson River School\, like Albert Bierstadt and John Frederick Kensett\, introduce international parallels.\ n\nOrganized by the McMullen Museum\, A Fresh Vision has been curated by Je ffery Howe. Major support has been provided by Boston College and the Patro ns of the McMullen Museum. DTEND:20250926T210000Z DTSTAMP:20260412T114356Z DTSTART:20250926T140000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "A Fresh Vision: Landscape Painting in Belgium after Ro manticism\; The School of Tervuren in an International Context" UID:tag:localist.com\,2008:EventInstance_50524304926030 URL:https://events.bc.edu/event/exhibition-a-fresh-vision-landscape-paintin g-in-belgium-after-romanticism-the-school-of-tervuren-in-an-international-c ontext END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:A Fresh Vision: Landscape Painting in Belgium after Romanticism \; The School of Tervuren in an International Context\n\nOn view: August 25 –29 to BC classes by appointment (contact rachel.chamberlain@bc.edu)\n\nOpe n to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \ n\nPress Release\n\nA Fresh Vision celebrates a recent gift of thirty-six o utstanding paintings from the School of Tervuren from Charles Hack and the Hearn Family Trust\, a gift that establishes the McMullen as home to the le ading collection of nineteenth-century Belgian landscape painting in North America. The exhibition explores the School of Tervuren\, a group of Belgia n artists who\, in the second half of the nineteenth century\, turned their gaze to the quiet forests and fields near Brussels. It examines how artist s rejected academic convention and the growing spectacle of modern urban li fe to embrace the natural world as a source of truth\, beauty\, and renewal .\n\nThe exhibition also demonstrates how the Tervuren painters\, including Theodore Fourmois\, Hippolyte Boulenger\, Joseph-Théodore Coosemans\, and Théodore T’Scharner\, were influenced by the French Barbizon painters to bl end Romantic sensibility with realist technique\, capturing the nuances of light\, weather\, and terrain in a modern\, expressive style. Painting outd oors—enabled by the recent invention of paint tubes\, and motivated by Roma ntic poetry and new scientific concepts of nature—they brought a fresh imme diacy to landscape painting.\n\nThough loosely defined\, the School of Terv uren represents a vital chapter in the international evolution of modern la ndscape. Like their contemporaries in Barbizon and Giverny in France\, Skag en in Denmark\, and the Hudson River Valley of New York\, these artists bel ieved in portraying nature as they saw and felt it\, in the moment. This ex hibition places Belgian landscape painting in dialogue with wider European and American movements\, inviting visitors to experience the power of place —and of painting—as a quiet yet radical form of resistance and renewal. Com parisons with selected works by Barbizon artists such as Charles-François D aubigny\, and artists associated with the Hudson River School\, like Albert Bierstadt and John Frederick Kensett\, introduce international parallels.\ n\nOrganized by the McMullen Museum\, A Fresh Vision has been curated by Je ffery Howe. Major support has been provided by Boston College and the Patro ns of the McMullen Museum. DTEND:20250927T210000Z DTSTAMP:20260412T114356Z DTSTART:20250927T160000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "A Fresh Vision: Landscape Painting in Belgium after Ro manticism\; The School of Tervuren in an International Context" UID:tag:localist.com\,2008:EventInstance_50524304928079 URL:https://events.bc.edu/event/exhibition-a-fresh-vision-landscape-paintin g-in-belgium-after-romanticism-the-school-of-tervuren-in-an-international-c ontext END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:A Fresh Vision: Landscape Painting in Belgium after Romanticism \; The School of Tervuren in an International Context\n\nOn view: August 25 –29 to BC classes by appointment (contact rachel.chamberlain@bc.edu)\n\nOpe n to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \ n\nPress Release\n\nA Fresh Vision celebrates a recent gift of thirty-six o utstanding paintings from the School of Tervuren from Charles Hack and the Hearn Family Trust\, a gift that establishes the McMullen as home to the le ading collection of nineteenth-century Belgian landscape painting in North America. The exhibition explores the School of Tervuren\, a group of Belgia n artists who\, in the second half of the nineteenth century\, turned their gaze to the quiet forests and fields near Brussels. It examines how artist s rejected academic convention and the growing spectacle of modern urban li fe to embrace the natural world as a source of truth\, beauty\, and renewal .\n\nThe exhibition also demonstrates how the Tervuren painters\, including Theodore Fourmois\, Hippolyte Boulenger\, Joseph-Théodore Coosemans\, and Théodore T’Scharner\, were influenced by the French Barbizon painters to bl end Romantic sensibility with realist technique\, capturing the nuances of light\, weather\, and terrain in a modern\, expressive style. Painting outd oors—enabled by the recent invention of paint tubes\, and motivated by Roma ntic poetry and new scientific concepts of nature—they brought a fresh imme diacy to landscape painting.\n\nThough loosely defined\, the School of Terv uren represents a vital chapter in the international evolution of modern la ndscape. Like their contemporaries in Barbizon and Giverny in France\, Skag en in Denmark\, and the Hudson River Valley of New York\, these artists bel ieved in portraying nature as they saw and felt it\, in the moment. This ex hibition places Belgian landscape painting in dialogue with wider European and American movements\, inviting visitors to experience the power of place —and of painting—as a quiet yet radical form of resistance and renewal. Com parisons with selected works by Barbizon artists such as Charles-François D aubigny\, and artists associated with the Hudson River School\, like Albert Bierstadt and John Frederick Kensett\, introduce international parallels.\ n\nOrganized by the McMullen Museum\, A Fresh Vision has been curated by Je ffery Howe. Major support has been provided by Boston College and the Patro ns of the McMullen Museum. DTEND:20250928T210000Z DTSTAMP:20260412T114356Z DTSTART:20250928T160000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "A Fresh Vision: Landscape Painting in Belgium after Ro manticism\; The School of Tervuren in an International Context" UID:tag:localist.com\,2008:EventInstance_50524304930128 URL:https://events.bc.edu/event/exhibition-a-fresh-vision-landscape-paintin g-in-belgium-after-romanticism-the-school-of-tervuren-in-an-international-c ontext END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:A Fresh Vision: Landscape Painting in Belgium after Romanticism \; The School of Tervuren in an International Context\n\nOn view: August 25 –29 to BC classes by appointment (contact rachel.chamberlain@bc.edu)\n\nOpe n to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \ n\nPress Release\n\nA Fresh Vision celebrates a recent gift of thirty-six o utstanding paintings from the School of Tervuren from Charles Hack and the Hearn Family Trust\, a gift that establishes the McMullen as home to the le ading collection of nineteenth-century Belgian landscape painting in North America. The exhibition explores the School of Tervuren\, a group of Belgia n artists who\, in the second half of the nineteenth century\, turned their gaze to the quiet forests and fields near Brussels. It examines how artist s rejected academic convention and the growing spectacle of modern urban li fe to embrace the natural world as a source of truth\, beauty\, and renewal .\n\nThe exhibition also demonstrates how the Tervuren painters\, including Theodore Fourmois\, Hippolyte Boulenger\, Joseph-Théodore Coosemans\, and Théodore T’Scharner\, were influenced by the French Barbizon painters to bl end Romantic sensibility with realist technique\, capturing the nuances of light\, weather\, and terrain in a modern\, expressive style. Painting outd oors—enabled by the recent invention of paint tubes\, and motivated by Roma ntic poetry and new scientific concepts of nature—they brought a fresh imme diacy to landscape painting.\n\nThough loosely defined\, the School of Terv uren represents a vital chapter in the international evolution of modern la ndscape. Like their contemporaries in Barbizon and Giverny in France\, Skag en in Denmark\, and the Hudson River Valley of New York\, these artists bel ieved in portraying nature as they saw and felt it\, in the moment. This ex hibition places Belgian landscape painting in dialogue with wider European and American movements\, inviting visitors to experience the power of place —and of painting—as a quiet yet radical form of resistance and renewal. Com parisons with selected works by Barbizon artists such as Charles-François D aubigny\, and artists associated with the Hudson River School\, like Albert Bierstadt and John Frederick Kensett\, introduce international parallels.\ n\nOrganized by the McMullen Museum\, A Fresh Vision has been curated by Je ffery Howe. Major support has been provided by Boston College and the Patro ns of the McMullen Museum. DTEND:20250929T210000Z DTSTAMP:20260412T114356Z DTSTART:20250929T140000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "A Fresh Vision: Landscape Painting in Belgium after Ro manticism\; The School of Tervuren in an International Context" UID:tag:localist.com\,2008:EventInstance_50524304931153 URL:https://events.bc.edu/event/exhibition-a-fresh-vision-landscape-paintin g-in-belgium-after-romanticism-the-school-of-tervuren-in-an-international-c ontext END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:A Fresh Vision: Landscape Painting in Belgium after Romanticism \; The School of Tervuren in an International Context\n\nOn view: August 25 –29 to BC classes by appointment (contact rachel.chamberlain@bc.edu)\n\nOpe n to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \ n\nPress Release\n\nA Fresh Vision celebrates a recent gift of thirty-six o utstanding paintings from the School of Tervuren from Charles Hack and the Hearn Family Trust\, a gift that establishes the McMullen as home to the le ading collection of nineteenth-century Belgian landscape painting in North America. The exhibition explores the School of Tervuren\, a group of Belgia n artists who\, in the second half of the nineteenth century\, turned their gaze to the quiet forests and fields near Brussels. It examines how artist s rejected academic convention and the growing spectacle of modern urban li fe to embrace the natural world as a source of truth\, beauty\, and renewal .\n\nThe exhibition also demonstrates how the Tervuren painters\, including Theodore Fourmois\, Hippolyte Boulenger\, Joseph-Théodore Coosemans\, and Théodore T’Scharner\, were influenced by the French Barbizon painters to bl end Romantic sensibility with realist technique\, capturing the nuances of light\, weather\, and terrain in a modern\, expressive style. Painting outd oors—enabled by the recent invention of paint tubes\, and motivated by Roma ntic poetry and new scientific concepts of nature—they brought a fresh imme diacy to landscape painting.\n\nThough loosely defined\, the School of Terv uren represents a vital chapter in the international evolution of modern la ndscape. Like their contemporaries in Barbizon and Giverny in France\, Skag en in Denmark\, and the Hudson River Valley of New York\, these artists bel ieved in portraying nature as they saw and felt it\, in the moment. This ex hibition places Belgian landscape painting in dialogue with wider European and American movements\, inviting visitors to experience the power of place —and of painting—as a quiet yet radical form of resistance and renewal. Com parisons with selected works by Barbizon artists such as Charles-François D aubigny\, and artists associated with the Hudson River School\, like Albert Bierstadt and John Frederick Kensett\, introduce international parallels.\ n\nOrganized by the McMullen Museum\, A Fresh Vision has been curated by Je ffery Howe. Major support has been provided by Boston College and the Patro ns of the McMullen Museum. DTEND:20250930T210000Z DTSTAMP:20260412T114356Z DTSTART:20250930T140000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "A Fresh Vision: Landscape Painting in Belgium after Ro manticism\; The School of Tervuren in an International Context" UID:tag:localist.com\,2008:EventInstance_50524304933202 URL:https://events.bc.edu/event/exhibition-a-fresh-vision-landscape-paintin g-in-belgium-after-romanticism-the-school-of-tervuren-in-an-international-c ontext END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:A Fresh Vision: Landscape Painting in Belgium after Romanticism \; The School of Tervuren in an International Context\n\nOn view: August 25 –29 to BC classes by appointment (contact rachel.chamberlain@bc.edu)\n\nOpe n to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \ n\nPress Release\n\nA Fresh Vision celebrates a recent gift of thirty-six o utstanding paintings from the School of Tervuren from Charles Hack and the Hearn Family Trust\, a gift that establishes the McMullen as home to the le ading collection of nineteenth-century Belgian landscape painting in North America. The exhibition explores the School of Tervuren\, a group of Belgia n artists who\, in the second half of the nineteenth century\, turned their gaze to the quiet forests and fields near Brussels. It examines how artist s rejected academic convention and the growing spectacle of modern urban li fe to embrace the natural world as a source of truth\, beauty\, and renewal .\n\nThe exhibition also demonstrates how the Tervuren painters\, including Theodore Fourmois\, Hippolyte Boulenger\, Joseph-Théodore Coosemans\, and Théodore T’Scharner\, were influenced by the French Barbizon painters to bl end Romantic sensibility with realist technique\, capturing the nuances of light\, weather\, and terrain in a modern\, expressive style. Painting outd oors—enabled by the recent invention of paint tubes\, and motivated by Roma ntic poetry and new scientific concepts of nature—they brought a fresh imme diacy to landscape painting.\n\nThough loosely defined\, the School of Terv uren represents a vital chapter in the international evolution of modern la ndscape. Like their contemporaries in Barbizon and Giverny in France\, Skag en in Denmark\, and the Hudson River Valley of New York\, these artists bel ieved in portraying nature as they saw and felt it\, in the moment. This ex hibition places Belgian landscape painting in dialogue with wider European and American movements\, inviting visitors to experience the power of place —and of painting—as a quiet yet radical form of resistance and renewal. Com parisons with selected works by Barbizon artists such as Charles-François D aubigny\, and artists associated with the Hudson River School\, like Albert Bierstadt and John Frederick Kensett\, introduce international parallels.\ n\nOrganized by the McMullen Museum\, A Fresh Vision has been curated by Je ffery Howe. Major support has been provided by Boston College and the Patro ns of the McMullen Museum. DTEND:20251001T210000Z DTSTAMP:20260412T114356Z DTSTART:20251001T140000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "A Fresh Vision: Landscape Painting in Belgium after Ro manticism\; The School of Tervuren in an International Context" UID:tag:localist.com\,2008:EventInstance_50524304934227 URL:https://events.bc.edu/event/exhibition-a-fresh-vision-landscape-paintin g-in-belgium-after-romanticism-the-school-of-tervuren-in-an-international-c ontext END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:A Fresh Vision: Landscape Painting in Belgium after Romanticism \; The School of Tervuren in an International Context\n\nOn view: August 25 –29 to BC classes by appointment (contact rachel.chamberlain@bc.edu)\n\nOpe n to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \ n\nPress Release\n\nA Fresh Vision celebrates a recent gift of thirty-six o utstanding paintings from the School of Tervuren from Charles Hack and the Hearn Family Trust\, a gift that establishes the McMullen as home to the le ading collection of nineteenth-century Belgian landscape painting in North America. The exhibition explores the School of Tervuren\, a group of Belgia n artists who\, in the second half of the nineteenth century\, turned their gaze to the quiet forests and fields near Brussels. It examines how artist s rejected academic convention and the growing spectacle of modern urban li fe to embrace the natural world as a source of truth\, beauty\, and renewal .\n\nThe exhibition also demonstrates how the Tervuren painters\, including Theodore Fourmois\, Hippolyte Boulenger\, Joseph-Théodore Coosemans\, and Théodore T’Scharner\, were influenced by the French Barbizon painters to bl end Romantic sensibility with realist technique\, capturing the nuances of light\, weather\, and terrain in a modern\, expressive style. Painting outd oors—enabled by the recent invention of paint tubes\, and motivated by Roma ntic poetry and new scientific concepts of nature—they brought a fresh imme diacy to landscape painting.\n\nThough loosely defined\, the School of Terv uren represents a vital chapter in the international evolution of modern la ndscape. Like their contemporaries in Barbizon and Giverny in France\, Skag en in Denmark\, and the Hudson River Valley of New York\, these artists bel ieved in portraying nature as they saw and felt it\, in the moment. This ex hibition places Belgian landscape painting in dialogue with wider European and American movements\, inviting visitors to experience the power of place —and of painting—as a quiet yet radical form of resistance and renewal. Com parisons with selected works by Barbizon artists such as Charles-François D aubigny\, and artists associated with the Hudson River School\, like Albert Bierstadt and John Frederick Kensett\, introduce international parallels.\ n\nOrganized by the McMullen Museum\, A Fresh Vision has been curated by Je ffery Howe. Major support has been provided by Boston College and the Patro ns of the McMullen Museum. DTEND:20251002T210000Z DTSTAMP:20260412T114356Z DTSTART:20251002T140000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "A Fresh Vision: Landscape Painting in Belgium after Ro manticism\; The School of Tervuren in an International Context" UID:tag:localist.com\,2008:EventInstance_50524304936276 URL:https://events.bc.edu/event/exhibition-a-fresh-vision-landscape-paintin g-in-belgium-after-romanticism-the-school-of-tervuren-in-an-international-c ontext END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:A Fresh Vision: Landscape Painting in Belgium after Romanticism \; The School of Tervuren in an International Context\n\nOn view: August 25 –29 to BC classes by appointment (contact rachel.chamberlain@bc.edu)\n\nOpe n to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \ n\nPress Release\n\nA Fresh Vision celebrates a recent gift of thirty-six o utstanding paintings from the School of Tervuren from Charles Hack and the Hearn Family Trust\, a gift that establishes the McMullen as home to the le ading collection of nineteenth-century Belgian landscape painting in North America. The exhibition explores the School of Tervuren\, a group of Belgia n artists who\, in the second half of the nineteenth century\, turned their gaze to the quiet forests and fields near Brussels. It examines how artist s rejected academic convention and the growing spectacle of modern urban li fe to embrace the natural world as a source of truth\, beauty\, and renewal .\n\nThe exhibition also demonstrates how the Tervuren painters\, including Theodore Fourmois\, Hippolyte Boulenger\, Joseph-Théodore Coosemans\, and Théodore T’Scharner\, were influenced by the French Barbizon painters to bl end Romantic sensibility with realist technique\, capturing the nuances of light\, weather\, and terrain in a modern\, expressive style. Painting outd oors—enabled by the recent invention of paint tubes\, and motivated by Roma ntic poetry and new scientific concepts of nature—they brought a fresh imme diacy to landscape painting.\n\nThough loosely defined\, the School of Terv uren represents a vital chapter in the international evolution of modern la ndscape. Like their contemporaries in Barbizon and Giverny in France\, Skag en in Denmark\, and the Hudson River Valley of New York\, these artists bel ieved in portraying nature as they saw and felt it\, in the moment. This ex hibition places Belgian landscape painting in dialogue with wider European and American movements\, inviting visitors to experience the power of place —and of painting—as a quiet yet radical form of resistance and renewal. Com parisons with selected works by Barbizon artists such as Charles-François D aubigny\, and artists associated with the Hudson River School\, like Albert Bierstadt and John Frederick Kensett\, introduce international parallels.\ n\nOrganized by the McMullen Museum\, A Fresh Vision has been curated by Je ffery Howe. Major support has been provided by Boston College and the Patro ns of the McMullen Museum. DTEND:20251003T210000Z DTSTAMP:20260412T114356Z DTSTART:20251003T140000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "A Fresh Vision: Landscape Painting in Belgium after Ro manticism\; The School of Tervuren in an International Context" UID:tag:localist.com\,2008:EventInstance_50524304938325 URL:https://events.bc.edu/event/exhibition-a-fresh-vision-landscape-paintin g-in-belgium-after-romanticism-the-school-of-tervuren-in-an-international-c ontext END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:A Fresh Vision: Landscape Painting in Belgium after Romanticism \; The School of Tervuren in an International Context\n\nOn view: August 25 –29 to BC classes by appointment (contact rachel.chamberlain@bc.edu)\n\nOpe n to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \ n\nPress Release\n\nA Fresh Vision celebrates a recent gift of thirty-six o utstanding paintings from the School of Tervuren from Charles Hack and the Hearn Family Trust\, a gift that establishes the McMullen as home to the le ading collection of nineteenth-century Belgian landscape painting in North America. The exhibition explores the School of Tervuren\, a group of Belgia n artists who\, in the second half of the nineteenth century\, turned their gaze to the quiet forests and fields near Brussels. It examines how artist s rejected academic convention and the growing spectacle of modern urban li fe to embrace the natural world as a source of truth\, beauty\, and renewal .\n\nThe exhibition also demonstrates how the Tervuren painters\, including Theodore Fourmois\, Hippolyte Boulenger\, Joseph-Théodore Coosemans\, and Théodore T’Scharner\, were influenced by the French Barbizon painters to bl end Romantic sensibility with realist technique\, capturing the nuances of light\, weather\, and terrain in a modern\, expressive style. Painting outd oors—enabled by the recent invention of paint tubes\, and motivated by Roma ntic poetry and new scientific concepts of nature—they brought a fresh imme diacy to landscape painting.\n\nThough loosely defined\, the School of Terv uren represents a vital chapter in the international evolution of modern la ndscape. Like their contemporaries in Barbizon and Giverny in France\, Skag en in Denmark\, and the Hudson River Valley of New York\, these artists bel ieved in portraying nature as they saw and felt it\, in the moment. This ex hibition places Belgian landscape painting in dialogue with wider European and American movements\, inviting visitors to experience the power of place —and of painting—as a quiet yet radical form of resistance and renewal. Com parisons with selected works by Barbizon artists such as Charles-François D aubigny\, and artists associated with the Hudson River School\, like Albert Bierstadt and John Frederick Kensett\, introduce international parallels.\ n\nOrganized by the McMullen Museum\, A Fresh Vision has been curated by Je ffery Howe. Major support has been provided by Boston College and the Patro ns of the McMullen Museum. DTEND:20251004T210000Z DTSTAMP:20260412T114356Z DTSTART:20251004T160000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "A Fresh Vision: Landscape Painting in Belgium after Ro manticism\; The School of Tervuren in an International Context" UID:tag:localist.com\,2008:EventInstance_50524304939350 URL:https://events.bc.edu/event/exhibition-a-fresh-vision-landscape-paintin g-in-belgium-after-romanticism-the-school-of-tervuren-in-an-international-c ontext END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:A Fresh Vision: Landscape Painting in Belgium after Romanticism \; The School of Tervuren in an International Context\n\nOn view: August 25 –29 to BC classes by appointment (contact rachel.chamberlain@bc.edu)\n\nOpe n to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \ n\nPress Release\n\nA Fresh Vision celebrates a recent gift of thirty-six o utstanding paintings from the School of Tervuren from Charles Hack and the Hearn Family Trust\, a gift that establishes the McMullen as home to the le ading collection of nineteenth-century Belgian landscape painting in North America. The exhibition explores the School of Tervuren\, a group of Belgia n artists who\, in the second half of the nineteenth century\, turned their gaze to the quiet forests and fields near Brussels. It examines how artist s rejected academic convention and the growing spectacle of modern urban li fe to embrace the natural world as a source of truth\, beauty\, and renewal .\n\nThe exhibition also demonstrates how the Tervuren painters\, including Theodore Fourmois\, Hippolyte Boulenger\, Joseph-Théodore Coosemans\, and Théodore T’Scharner\, were influenced by the French Barbizon painters to bl end Romantic sensibility with realist technique\, capturing the nuances of light\, weather\, and terrain in a modern\, expressive style. Painting outd oors—enabled by the recent invention of paint tubes\, and motivated by Roma ntic poetry and new scientific concepts of nature—they brought a fresh imme diacy to landscape painting.\n\nThough loosely defined\, the School of Terv uren represents a vital chapter in the international evolution of modern la ndscape. Like their contemporaries in Barbizon and Giverny in France\, Skag en in Denmark\, and the Hudson River Valley of New York\, these artists bel ieved in portraying nature as they saw and felt it\, in the moment. This ex hibition places Belgian landscape painting in dialogue with wider European and American movements\, inviting visitors to experience the power of place —and of painting—as a quiet yet radical form of resistance and renewal. Com parisons with selected works by Barbizon artists such as Charles-François D aubigny\, and artists associated with the Hudson River School\, like Albert Bierstadt and John Frederick Kensett\, introduce international parallels.\ n\nOrganized by the McMullen Museum\, A Fresh Vision has been curated by Je ffery Howe. Major support has been provided by Boston College and the Patro ns of the McMullen Museum. DTEND:20251005T210000Z DTSTAMP:20260412T114356Z DTSTART:20251005T160000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "A Fresh Vision: Landscape Painting in Belgium after Ro manticism\; The School of Tervuren in an International Context" UID:tag:localist.com\,2008:EventInstance_50524304941399 URL:https://events.bc.edu/event/exhibition-a-fresh-vision-landscape-paintin g-in-belgium-after-romanticism-the-school-of-tervuren-in-an-international-c ontext END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:A Fresh Vision: Landscape Painting in Belgium after Romanticism \; The School of Tervuren in an International Context\n\nOn view: August 25 –29 to BC classes by appointment (contact rachel.chamberlain@bc.edu)\n\nOpe n to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \ n\nPress Release\n\nA Fresh Vision celebrates a recent gift of thirty-six o utstanding paintings from the School of Tervuren from Charles Hack and the Hearn Family Trust\, a gift that establishes the McMullen as home to the le ading collection of nineteenth-century Belgian landscape painting in North America. The exhibition explores the School of Tervuren\, a group of Belgia n artists who\, in the second half of the nineteenth century\, turned their gaze to the quiet forests and fields near Brussels. It examines how artist s rejected academic convention and the growing spectacle of modern urban li fe to embrace the natural world as a source of truth\, beauty\, and renewal .\n\nThe exhibition also demonstrates how the Tervuren painters\, including Theodore Fourmois\, Hippolyte Boulenger\, Joseph-Théodore Coosemans\, and Théodore T’Scharner\, were influenced by the French Barbizon painters to bl end Romantic sensibility with realist technique\, capturing the nuances of light\, weather\, and terrain in a modern\, expressive style. Painting outd oors—enabled by the recent invention of paint tubes\, and motivated by Roma ntic poetry and new scientific concepts of nature—they brought a fresh imme diacy to landscape painting.\n\nThough loosely defined\, the School of Terv uren represents a vital chapter in the international evolution of modern la ndscape. Like their contemporaries in Barbizon and Giverny in France\, Skag en in Denmark\, and the Hudson River Valley of New York\, these artists bel ieved in portraying nature as they saw and felt it\, in the moment. This ex hibition places Belgian landscape painting in dialogue with wider European and American movements\, inviting visitors to experience the power of place —and of painting—as a quiet yet radical form of resistance and renewal. Com parisons with selected works by Barbizon artists such as Charles-François D aubigny\, and artists associated with the Hudson River School\, like Albert Bierstadt and John Frederick Kensett\, introduce international parallels.\ n\nOrganized by the McMullen Museum\, A Fresh Vision has been curated by Je ffery Howe. Major support has been provided by Boston College and the Patro ns of the McMullen Museum. DTEND:20251006T210000Z DTSTAMP:20260412T114356Z DTSTART:20251006T140000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "A Fresh Vision: Landscape Painting in Belgium after Ro manticism\; The School of Tervuren in an International Context" UID:tag:localist.com\,2008:EventInstance_50524304942424 URL:https://events.bc.edu/event/exhibition-a-fresh-vision-landscape-paintin g-in-belgium-after-romanticism-the-school-of-tervuren-in-an-international-c ontext END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:A Fresh Vision: Landscape Painting in Belgium after Romanticism \; The School of Tervuren in an International Context\n\nOn view: August 25 –29 to BC classes by appointment (contact rachel.chamberlain@bc.edu)\n\nOpe n to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \ n\nPress Release\n\nA Fresh Vision celebrates a recent gift of thirty-six o utstanding paintings from the School of Tervuren from Charles Hack and the Hearn Family Trust\, a gift that establishes the McMullen as home to the le ading collection of nineteenth-century Belgian landscape painting in North America. The exhibition explores the School of Tervuren\, a group of Belgia n artists who\, in the second half of the nineteenth century\, turned their gaze to the quiet forests and fields near Brussels. It examines how artist s rejected academic convention and the growing spectacle of modern urban li fe to embrace the natural world as a source of truth\, beauty\, and renewal .\n\nThe exhibition also demonstrates how the Tervuren painters\, including Theodore Fourmois\, Hippolyte Boulenger\, Joseph-Théodore Coosemans\, and Théodore T’Scharner\, were influenced by the French Barbizon painters to bl end Romantic sensibility with realist technique\, capturing the nuances of light\, weather\, and terrain in a modern\, expressive style. Painting outd oors—enabled by the recent invention of paint tubes\, and motivated by Roma ntic poetry and new scientific concepts of nature—they brought a fresh imme diacy to landscape painting.\n\nThough loosely defined\, the School of Terv uren represents a vital chapter in the international evolution of modern la ndscape. Like their contemporaries in Barbizon and Giverny in France\, Skag en in Denmark\, and the Hudson River Valley of New York\, these artists bel ieved in portraying nature as they saw and felt it\, in the moment. This ex hibition places Belgian landscape painting in dialogue with wider European and American movements\, inviting visitors to experience the power of place —and of painting—as a quiet yet radical form of resistance and renewal. Com parisons with selected works by Barbizon artists such as Charles-François D aubigny\, and artists associated with the Hudson River School\, like Albert Bierstadt and John Frederick Kensett\, introduce international parallels.\ n\nOrganized by the McMullen Museum\, A Fresh Vision has been curated by Je ffery Howe. Major support has been provided by Boston College and the Patro ns of the McMullen Museum. DTEND:20251007T210000Z DTSTAMP:20260412T114356Z DTSTART:20251007T140000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "A Fresh Vision: Landscape Painting in Belgium after Ro manticism\; The School of Tervuren in an International Context" UID:tag:localist.com\,2008:EventInstance_50524304944473 URL:https://events.bc.edu/event/exhibition-a-fresh-vision-landscape-paintin g-in-belgium-after-romanticism-the-school-of-tervuren-in-an-international-c ontext END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:A Fresh Vision: Landscape Painting in Belgium after Romanticism \; The School of Tervuren in an International Context\n\nOn view: August 25 –29 to BC classes by appointment (contact rachel.chamberlain@bc.edu)\n\nOpe n to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \ n\nPress Release\n\nA Fresh Vision celebrates a recent gift of thirty-six o utstanding paintings from the School of Tervuren from Charles Hack and the Hearn Family Trust\, a gift that establishes the McMullen as home to the le ading collection of nineteenth-century Belgian landscape painting in North America. The exhibition explores the School of Tervuren\, a group of Belgia n artists who\, in the second half of the nineteenth century\, turned their gaze to the quiet forests and fields near Brussels. It examines how artist s rejected academic convention and the growing spectacle of modern urban li fe to embrace the natural world as a source of truth\, beauty\, and renewal .\n\nThe exhibition also demonstrates how the Tervuren painters\, including Theodore Fourmois\, Hippolyte Boulenger\, Joseph-Théodore Coosemans\, and Théodore T’Scharner\, were influenced by the French Barbizon painters to bl end Romantic sensibility with realist technique\, capturing the nuances of light\, weather\, and terrain in a modern\, expressive style. Painting outd oors—enabled by the recent invention of paint tubes\, and motivated by Roma ntic poetry and new scientific concepts of nature—they brought a fresh imme diacy to landscape painting.\n\nThough loosely defined\, the School of Terv uren represents a vital chapter in the international evolution of modern la ndscape. Like their contemporaries in Barbizon and Giverny in France\, Skag en in Denmark\, and the Hudson River Valley of New York\, these artists bel ieved in portraying nature as they saw and felt it\, in the moment. This ex hibition places Belgian landscape painting in dialogue with wider European and American movements\, inviting visitors to experience the power of place —and of painting—as a quiet yet radical form of resistance and renewal. Com parisons with selected works by Barbizon artists such as Charles-François D aubigny\, and artists associated with the Hudson River School\, like Albert Bierstadt and John Frederick Kensett\, introduce international parallels.\ n\nOrganized by the McMullen Museum\, A Fresh Vision has been curated by Je ffery Howe. Major support has been provided by Boston College and the Patro ns of the McMullen Museum. DTEND:20251008T210000Z DTSTAMP:20260412T114356Z DTSTART:20251008T140000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "A Fresh Vision: Landscape Painting in Belgium after Ro manticism\; The School of Tervuren in an International Context" UID:tag:localist.com\,2008:EventInstance_50524304946522 URL:https://events.bc.edu/event/exhibition-a-fresh-vision-landscape-paintin g-in-belgium-after-romanticism-the-school-of-tervuren-in-an-international-c ontext END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:A Fresh Vision: Landscape Painting in Belgium after Romanticism \; The School of Tervuren in an International Context\n\nOn view: August 25 –29 to BC classes by appointment (contact rachel.chamberlain@bc.edu)\n\nOpe n to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \ n\nPress Release\n\nA Fresh Vision celebrates a recent gift of thirty-six o utstanding paintings from the School of Tervuren from Charles Hack and the Hearn Family Trust\, a gift that establishes the McMullen as home to the le ading collection of nineteenth-century Belgian landscape painting in North America. The exhibition explores the School of Tervuren\, a group of Belgia n artists who\, in the second half of the nineteenth century\, turned their gaze to the quiet forests and fields near Brussels. It examines how artist s rejected academic convention and the growing spectacle of modern urban li fe to embrace the natural world as a source of truth\, beauty\, and renewal .\n\nThe exhibition also demonstrates how the Tervuren painters\, including Theodore Fourmois\, Hippolyte Boulenger\, Joseph-Théodore Coosemans\, and Théodore T’Scharner\, were influenced by the French Barbizon painters to bl end Romantic sensibility with realist technique\, capturing the nuances of light\, weather\, and terrain in a modern\, expressive style. Painting outd oors—enabled by the recent invention of paint tubes\, and motivated by Roma ntic poetry and new scientific concepts of nature—they brought a fresh imme diacy to landscape painting.\n\nThough loosely defined\, the School of Terv uren represents a vital chapter in the international evolution of modern la ndscape. Like their contemporaries in Barbizon and Giverny in France\, Skag en in Denmark\, and the Hudson River Valley of New York\, these artists bel ieved in portraying nature as they saw and felt it\, in the moment. This ex hibition places Belgian landscape painting in dialogue with wider European and American movements\, inviting visitors to experience the power of place —and of painting—as a quiet yet radical form of resistance and renewal. Com parisons with selected works by Barbizon artists such as Charles-François D aubigny\, and artists associated with the Hudson River School\, like Albert Bierstadt and John Frederick Kensett\, introduce international parallels.\ n\nOrganized by the McMullen Museum\, A Fresh Vision has been curated by Je ffery Howe. Major support has been provided by Boston College and the Patro ns of the McMullen Museum. DTEND:20251009T210000Z DTSTAMP:20260412T114356Z DTSTART:20251009T140000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "A Fresh Vision: Landscape Painting in Belgium after Ro manticism\; The School of Tervuren in an International Context" UID:tag:localist.com\,2008:EventInstance_50524304948571 URL:https://events.bc.edu/event/exhibition-a-fresh-vision-landscape-paintin g-in-belgium-after-romanticism-the-school-of-tervuren-in-an-international-c ontext END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:A Fresh Vision: Landscape Painting in Belgium after Romanticism \; The School of Tervuren in an International Context\n\nOn view: August 25 –29 to BC classes by appointment (contact rachel.chamberlain@bc.edu)\n\nOpe n to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \ n\nPress Release\n\nA Fresh Vision celebrates a recent gift of thirty-six o utstanding paintings from the School of Tervuren from Charles Hack and the Hearn Family Trust\, a gift that establishes the McMullen as home to the le ading collection of nineteenth-century Belgian landscape painting in North America. The exhibition explores the School of Tervuren\, a group of Belgia n artists who\, in the second half of the nineteenth century\, turned their gaze to the quiet forests and fields near Brussels. It examines how artist s rejected academic convention and the growing spectacle of modern urban li fe to embrace the natural world as a source of truth\, beauty\, and renewal .\n\nThe exhibition also demonstrates how the Tervuren painters\, including Theodore Fourmois\, Hippolyte Boulenger\, Joseph-Théodore Coosemans\, and Théodore T’Scharner\, were influenced by the French Barbizon painters to bl end Romantic sensibility with realist technique\, capturing the nuances of light\, weather\, and terrain in a modern\, expressive style. Painting outd oors—enabled by the recent invention of paint tubes\, and motivated by Roma ntic poetry and new scientific concepts of nature—they brought a fresh imme diacy to landscape painting.\n\nThough loosely defined\, the School of Terv uren represents a vital chapter in the international evolution of modern la ndscape. Like their contemporaries in Barbizon and Giverny in France\, Skag en in Denmark\, and the Hudson River Valley of New York\, these artists bel ieved in portraying nature as they saw and felt it\, in the moment. This ex hibition places Belgian landscape painting in dialogue with wider European and American movements\, inviting visitors to experience the power of place —and of painting—as a quiet yet radical form of resistance and renewal. Com parisons with selected works by Barbizon artists such as Charles-François D aubigny\, and artists associated with the Hudson River School\, like Albert Bierstadt and John Frederick Kensett\, introduce international parallels.\ n\nOrganized by the McMullen Museum\, A Fresh Vision has been curated by Je ffery Howe. Major support has been provided by Boston College and the Patro ns of the McMullen Museum. DTEND:20251010T210000Z DTSTAMP:20260412T114356Z DTSTART:20251010T140000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "A Fresh Vision: Landscape Painting in Belgium after Ro manticism\; The School of Tervuren in an International Context" UID:tag:localist.com\,2008:EventInstance_50524304950620 URL:https://events.bc.edu/event/exhibition-a-fresh-vision-landscape-paintin g-in-belgium-after-romanticism-the-school-of-tervuren-in-an-international-c ontext END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:A Fresh Vision: Landscape Painting in Belgium after Romanticism \; The School of Tervuren in an International Context\n\nOn view: August 25 –29 to BC classes by appointment (contact rachel.chamberlain@bc.edu)\n\nOpe n to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \ n\nPress Release\n\nA Fresh Vision celebrates a recent gift of thirty-six o utstanding paintings from the School of Tervuren from Charles Hack and the Hearn Family Trust\, a gift that establishes the McMullen as home to the le ading collection of nineteenth-century Belgian landscape painting in North America. The exhibition explores the School of Tervuren\, a group of Belgia n artists who\, in the second half of the nineteenth century\, turned their gaze to the quiet forests and fields near Brussels. It examines how artist s rejected academic convention and the growing spectacle of modern urban li fe to embrace the natural world as a source of truth\, beauty\, and renewal .\n\nThe exhibition also demonstrates how the Tervuren painters\, including Theodore Fourmois\, Hippolyte Boulenger\, Joseph-Théodore Coosemans\, and Théodore T’Scharner\, were influenced by the French Barbizon painters to bl end Romantic sensibility with realist technique\, capturing the nuances of light\, weather\, and terrain in a modern\, expressive style. Painting outd oors—enabled by the recent invention of paint tubes\, and motivated by Roma ntic poetry and new scientific concepts of nature—they brought a fresh imme diacy to landscape painting.\n\nThough loosely defined\, the School of Terv uren represents a vital chapter in the international evolution of modern la ndscape. Like their contemporaries in Barbizon and Giverny in France\, Skag en in Denmark\, and the Hudson River Valley of New York\, these artists bel ieved in portraying nature as they saw and felt it\, in the moment. This ex hibition places Belgian landscape painting in dialogue with wider European and American movements\, inviting visitors to experience the power of place —and of painting—as a quiet yet radical form of resistance and renewal. Com parisons with selected works by Barbizon artists such as Charles-François D aubigny\, and artists associated with the Hudson River School\, like Albert Bierstadt and John Frederick Kensett\, introduce international parallels.\ n\nOrganized by the McMullen Museum\, A Fresh Vision has been curated by Je ffery Howe. Major support has been provided by Boston College and the Patro ns of the McMullen Museum. DTEND:20251011T210000Z DTSTAMP:20260412T114356Z DTSTART:20251011T160000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "A Fresh Vision: Landscape Painting in Belgium after Ro manticism\; The School of Tervuren in an International Context" UID:tag:localist.com\,2008:EventInstance_50524304952669 URL:https://events.bc.edu/event/exhibition-a-fresh-vision-landscape-paintin g-in-belgium-after-romanticism-the-school-of-tervuren-in-an-international-c ontext END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:A Fresh Vision: Landscape Painting in Belgium after Romanticism \; The School of Tervuren in an International Context\n\nOn view: August 25 –29 to BC classes by appointment (contact rachel.chamberlain@bc.edu)\n\nOpe n to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \ n\nPress Release\n\nA Fresh Vision celebrates a recent gift of thirty-six o utstanding paintings from the School of Tervuren from Charles Hack and the Hearn Family Trust\, a gift that establishes the McMullen as home to the le ading collection of nineteenth-century Belgian landscape painting in North America. The exhibition explores the School of Tervuren\, a group of Belgia n artists who\, in the second half of the nineteenth century\, turned their gaze to the quiet forests and fields near Brussels. It examines how artist s rejected academic convention and the growing spectacle of modern urban li fe to embrace the natural world as a source of truth\, beauty\, and renewal .\n\nThe exhibition also demonstrates how the Tervuren painters\, including Theodore Fourmois\, Hippolyte Boulenger\, Joseph-Théodore Coosemans\, and Théodore T’Scharner\, were influenced by the French Barbizon painters to bl end Romantic sensibility with realist technique\, capturing the nuances of light\, weather\, and terrain in a modern\, expressive style. Painting outd oors—enabled by the recent invention of paint tubes\, and motivated by Roma ntic poetry and new scientific concepts of nature—they brought a fresh imme diacy to landscape painting.\n\nThough loosely defined\, the School of Terv uren represents a vital chapter in the international evolution of modern la ndscape. Like their contemporaries in Barbizon and Giverny in France\, Skag en in Denmark\, and the Hudson River Valley of New York\, these artists bel ieved in portraying nature as they saw and felt it\, in the moment. This ex hibition places Belgian landscape painting in dialogue with wider European and American movements\, inviting visitors to experience the power of place —and of painting—as a quiet yet radical form of resistance and renewal. Com parisons with selected works by Barbizon artists such as Charles-François D aubigny\, and artists associated with the Hudson River School\, like Albert Bierstadt and John Frederick Kensett\, introduce international parallels.\ n\nOrganized by the McMullen Museum\, A Fresh Vision has been curated by Je ffery Howe. Major support has been provided by Boston College and the Patro ns of the McMullen Museum. DTEND:20251012T210000Z DTSTAMP:20260412T114356Z DTSTART:20251012T160000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "A Fresh Vision: Landscape Painting in Belgium after Ro manticism\; The School of Tervuren in an International Context" UID:tag:localist.com\,2008:EventInstance_50524304954718 URL:https://events.bc.edu/event/exhibition-a-fresh-vision-landscape-paintin g-in-belgium-after-romanticism-the-school-of-tervuren-in-an-international-c ontext END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:A Fresh Vision: Landscape Painting in Belgium after Romanticism \; The School of Tervuren in an International Context\n\nOn view: August 25 –29 to BC classes by appointment (contact rachel.chamberlain@bc.edu)\n\nOpe n to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \ n\nPress Release\n\nA Fresh Vision celebrates a recent gift of thirty-six o utstanding paintings from the School of Tervuren from Charles Hack and the Hearn Family Trust\, a gift that establishes the McMullen as home to the le ading collection of nineteenth-century Belgian landscape painting in North America. The exhibition explores the School of Tervuren\, a group of Belgia n artists who\, in the second half of the nineteenth century\, turned their gaze to the quiet forests and fields near Brussels. It examines how artist s rejected academic convention and the growing spectacle of modern urban li fe to embrace the natural world as a source of truth\, beauty\, and renewal .\n\nThe exhibition also demonstrates how the Tervuren painters\, including Theodore Fourmois\, Hippolyte Boulenger\, Joseph-Théodore Coosemans\, and Théodore T’Scharner\, were influenced by the French Barbizon painters to bl end Romantic sensibility with realist technique\, capturing the nuances of light\, weather\, and terrain in a modern\, expressive style. Painting outd oors—enabled by the recent invention of paint tubes\, and motivated by Roma ntic poetry and new scientific concepts of nature—they brought a fresh imme diacy to landscape painting.\n\nThough loosely defined\, the School of Terv uren represents a vital chapter in the international evolution of modern la ndscape. Like their contemporaries in Barbizon and Giverny in France\, Skag en in Denmark\, and the Hudson River Valley of New York\, these artists bel ieved in portraying nature as they saw and felt it\, in the moment. This ex hibition places Belgian landscape painting in dialogue with wider European and American movements\, inviting visitors to experience the power of place —and of painting—as a quiet yet radical form of resistance and renewal. Com parisons with selected works by Barbizon artists such as Charles-François D aubigny\, and artists associated with the Hudson River School\, like Albert Bierstadt and John Frederick Kensett\, introduce international parallels.\ n\nOrganized by the McMullen Museum\, A Fresh Vision has been curated by Je ffery Howe. Major support has been provided by Boston College and the Patro ns of the McMullen Museum. DTEND:20251014T210000Z DTSTAMP:20260412T114356Z DTSTART:20251014T140000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "A Fresh Vision: Landscape Painting in Belgium after Ro manticism\; The School of Tervuren in an International Context" UID:tag:localist.com\,2008:EventInstance_50524304956767 URL:https://events.bc.edu/event/exhibition-a-fresh-vision-landscape-paintin g-in-belgium-after-romanticism-the-school-of-tervuren-in-an-international-c ontext END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:A Fresh Vision: Landscape Painting in Belgium after Romanticism \; The School of Tervuren in an International Context\n\nOn view: August 25 –29 to BC classes by appointment (contact rachel.chamberlain@bc.edu)\n\nOpe n to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \ n\nPress Release\n\nA Fresh Vision celebrates a recent gift of thirty-six o utstanding paintings from the School of Tervuren from Charles Hack and the Hearn Family Trust\, a gift that establishes the McMullen as home to the le ading collection of nineteenth-century Belgian landscape painting in North America. The exhibition explores the School of Tervuren\, a group of Belgia n artists who\, in the second half of the nineteenth century\, turned their gaze to the quiet forests and fields near Brussels. It examines how artist s rejected academic convention and the growing spectacle of modern urban li fe to embrace the natural world as a source of truth\, beauty\, and renewal .\n\nThe exhibition also demonstrates how the Tervuren painters\, including Theodore Fourmois\, Hippolyte Boulenger\, Joseph-Théodore Coosemans\, and Théodore T’Scharner\, were influenced by the French Barbizon painters to bl end Romantic sensibility with realist technique\, capturing the nuances of light\, weather\, and terrain in a modern\, expressive style. Painting outd oors—enabled by the recent invention of paint tubes\, and motivated by Roma ntic poetry and new scientific concepts of nature—they brought a fresh imme diacy to landscape painting.\n\nThough loosely defined\, the School of Terv uren represents a vital chapter in the international evolution of modern la ndscape. Like their contemporaries in Barbizon and Giverny in France\, Skag en in Denmark\, and the Hudson River Valley of New York\, these artists bel ieved in portraying nature as they saw and felt it\, in the moment. This ex hibition places Belgian landscape painting in dialogue with wider European and American movements\, inviting visitors to experience the power of place —and of painting—as a quiet yet radical form of resistance and renewal. Com parisons with selected works by Barbizon artists such as Charles-François D aubigny\, and artists associated with the Hudson River School\, like Albert Bierstadt and John Frederick Kensett\, introduce international parallels.\ n\nOrganized by the McMullen Museum\, A Fresh Vision has been curated by Je ffery Howe. Major support has been provided by Boston College and the Patro ns of the McMullen Museum. DTEND:20251015T210000Z DTSTAMP:20260412T114356Z DTSTART:20251015T140000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "A Fresh Vision: Landscape Painting in Belgium after Ro manticism\; The School of Tervuren in an International Context" UID:tag:localist.com\,2008:EventInstance_50524304958816 URL:https://events.bc.edu/event/exhibition-a-fresh-vision-landscape-paintin g-in-belgium-after-romanticism-the-school-of-tervuren-in-an-international-c ontext END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:A Fresh Vision: Landscape Painting in Belgium after Romanticism \; The School of Tervuren in an International Context\n\nOn view: August 25 –29 to BC classes by appointment (contact rachel.chamberlain@bc.edu)\n\nOpe n to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \ n\nPress Release\n\nA Fresh Vision celebrates a recent gift of thirty-six o utstanding paintings from the School of Tervuren from Charles Hack and the Hearn Family Trust\, a gift that establishes the McMullen as home to the le ading collection of nineteenth-century Belgian landscape painting in North America. The exhibition explores the School of Tervuren\, a group of Belgia n artists who\, in the second half of the nineteenth century\, turned their gaze to the quiet forests and fields near Brussels. It examines how artist s rejected academic convention and the growing spectacle of modern urban li fe to embrace the natural world as a source of truth\, beauty\, and renewal .\n\nThe exhibition also demonstrates how the Tervuren painters\, including Theodore Fourmois\, Hippolyte Boulenger\, Joseph-Théodore Coosemans\, and Théodore T’Scharner\, were influenced by the French Barbizon painters to bl end Romantic sensibility with realist technique\, capturing the nuances of light\, weather\, and terrain in a modern\, expressive style. Painting outd oors—enabled by the recent invention of paint tubes\, and motivated by Roma ntic poetry and new scientific concepts of nature—they brought a fresh imme diacy to landscape painting.\n\nThough loosely defined\, the School of Terv uren represents a vital chapter in the international evolution of modern la ndscape. Like their contemporaries in Barbizon and Giverny in France\, Skag en in Denmark\, and the Hudson River Valley of New York\, these artists bel ieved in portraying nature as they saw and felt it\, in the moment. This ex hibition places Belgian landscape painting in dialogue with wider European and American movements\, inviting visitors to experience the power of place —and of painting—as a quiet yet radical form of resistance and renewal. Com parisons with selected works by Barbizon artists such as Charles-François D aubigny\, and artists associated with the Hudson River School\, like Albert Bierstadt and John Frederick Kensett\, introduce international parallels.\ n\nOrganized by the McMullen Museum\, A Fresh Vision has been curated by Je ffery Howe. Major support has been provided by Boston College and the Patro ns of the McMullen Museum. DTEND:20251016T210000Z DTSTAMP:20260412T114356Z DTSTART:20251016T140000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "A Fresh Vision: Landscape Painting in Belgium after Ro manticism\; The School of Tervuren in an International Context" UID:tag:localist.com\,2008:EventInstance_50524304960865 URL:https://events.bc.edu/event/exhibition-a-fresh-vision-landscape-paintin g-in-belgium-after-romanticism-the-school-of-tervuren-in-an-international-c ontext END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:A Fresh Vision: Landscape Painting in Belgium after Romanticism \; The School of Tervuren in an International Context\n\nOn view: August 25 –29 to BC classes by appointment (contact rachel.chamberlain@bc.edu)\n\nOpe n to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \ n\nPress Release\n\nA Fresh Vision celebrates a recent gift of thirty-six o utstanding paintings from the School of Tervuren from Charles Hack and the Hearn Family Trust\, a gift that establishes the McMullen as home to the le ading collection of nineteenth-century Belgian landscape painting in North America. The exhibition explores the School of Tervuren\, a group of Belgia n artists who\, in the second half of the nineteenth century\, turned their gaze to the quiet forests and fields near Brussels. It examines how artist s rejected academic convention and the growing spectacle of modern urban li fe to embrace the natural world as a source of truth\, beauty\, and renewal .\n\nThe exhibition also demonstrates how the Tervuren painters\, including Theodore Fourmois\, Hippolyte Boulenger\, Joseph-Théodore Coosemans\, and Théodore T’Scharner\, were influenced by the French Barbizon painters to bl end Romantic sensibility with realist technique\, capturing the nuances of light\, weather\, and terrain in a modern\, expressive style. Painting outd oors—enabled by the recent invention of paint tubes\, and motivated by Roma ntic poetry and new scientific concepts of nature—they brought a fresh imme diacy to landscape painting.\n\nThough loosely defined\, the School of Terv uren represents a vital chapter in the international evolution of modern la ndscape. Like their contemporaries in Barbizon and Giverny in France\, Skag en in Denmark\, and the Hudson River Valley of New York\, these artists bel ieved in portraying nature as they saw and felt it\, in the moment. This ex hibition places Belgian landscape painting in dialogue with wider European and American movements\, inviting visitors to experience the power of place —and of painting—as a quiet yet radical form of resistance and renewal. Com parisons with selected works by Barbizon artists such as Charles-François D aubigny\, and artists associated with the Hudson River School\, like Albert Bierstadt and John Frederick Kensett\, introduce international parallels.\ n\nOrganized by the McMullen Museum\, A Fresh Vision has been curated by Je ffery Howe. Major support has been provided by Boston College and the Patro ns of the McMullen Museum. DTEND:20251017T210000Z DTSTAMP:20260412T114356Z DTSTART:20251017T140000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "A Fresh Vision: Landscape Painting in Belgium after Ro manticism\; The School of Tervuren in an International Context" UID:tag:localist.com\,2008:EventInstance_50524304962914 URL:https://events.bc.edu/event/exhibition-a-fresh-vision-landscape-paintin g-in-belgium-after-romanticism-the-school-of-tervuren-in-an-international-c ontext END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:A Fresh Vision: Landscape Painting in Belgium after Romanticism \; The School of Tervuren in an International Context\n\nOn view: August 25 –29 to BC classes by appointment (contact rachel.chamberlain@bc.edu)\n\nOpe n to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \ n\nPress Release\n\nA Fresh Vision celebrates a recent gift of thirty-six o utstanding paintings from the School of Tervuren from Charles Hack and the Hearn Family Trust\, a gift that establishes the McMullen as home to the le ading collection of nineteenth-century Belgian landscape painting in North America. The exhibition explores the School of Tervuren\, a group of Belgia n artists who\, in the second half of the nineteenth century\, turned their gaze to the quiet forests and fields near Brussels. It examines how artist s rejected academic convention and the growing spectacle of modern urban li fe to embrace the natural world as a source of truth\, beauty\, and renewal .\n\nThe exhibition also demonstrates how the Tervuren painters\, including Theodore Fourmois\, Hippolyte Boulenger\, Joseph-Théodore Coosemans\, and Théodore T’Scharner\, were influenced by the French Barbizon painters to bl end Romantic sensibility with realist technique\, capturing the nuances of light\, weather\, and terrain in a modern\, expressive style. Painting outd oors—enabled by the recent invention of paint tubes\, and motivated by Roma ntic poetry and new scientific concepts of nature—they brought a fresh imme diacy to landscape painting.\n\nThough loosely defined\, the School of Terv uren represents a vital chapter in the international evolution of modern la ndscape. Like their contemporaries in Barbizon and Giverny in France\, Skag en in Denmark\, and the Hudson River Valley of New York\, these artists bel ieved in portraying nature as they saw and felt it\, in the moment. This ex hibition places Belgian landscape painting in dialogue with wider European and American movements\, inviting visitors to experience the power of place —and of painting—as a quiet yet radical form of resistance and renewal. Com parisons with selected works by Barbizon artists such as Charles-François D aubigny\, and artists associated with the Hudson River School\, like Albert Bierstadt and John Frederick Kensett\, introduce international parallels.\ n\nOrganized by the McMullen Museum\, A Fresh Vision has been curated by Je ffery Howe. Major support has been provided by Boston College and the Patro ns of the McMullen Museum. DTEND:20251018T210000Z DTSTAMP:20260412T114356Z DTSTART:20251018T160000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "A Fresh Vision: Landscape Painting in Belgium after Ro manticism\; The School of Tervuren in an International Context" UID:tag:localist.com\,2008:EventInstance_50524304963939 URL:https://events.bc.edu/event/exhibition-a-fresh-vision-landscape-paintin g-in-belgium-after-romanticism-the-school-of-tervuren-in-an-international-c ontext END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:A Fresh Vision: Landscape Painting in Belgium after Romanticism \; The School of Tervuren in an International Context\n\nOn view: August 25 –29 to BC classes by appointment (contact rachel.chamberlain@bc.edu)\n\nOpe n to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \ n\nPress Release\n\nA Fresh Vision celebrates a recent gift of thirty-six o utstanding paintings from the School of Tervuren from Charles Hack and the Hearn Family Trust\, a gift that establishes the McMullen as home to the le ading collection of nineteenth-century Belgian landscape painting in North America. The exhibition explores the School of Tervuren\, a group of Belgia n artists who\, in the second half of the nineteenth century\, turned their gaze to the quiet forests and fields near Brussels. It examines how artist s rejected academic convention and the growing spectacle of modern urban li fe to embrace the natural world as a source of truth\, beauty\, and renewal .\n\nThe exhibition also demonstrates how the Tervuren painters\, including Theodore Fourmois\, Hippolyte Boulenger\, Joseph-Théodore Coosemans\, and Théodore T’Scharner\, were influenced by the French Barbizon painters to bl end Romantic sensibility with realist technique\, capturing the nuances of light\, weather\, and terrain in a modern\, expressive style. Painting outd oors—enabled by the recent invention of paint tubes\, and motivated by Roma ntic poetry and new scientific concepts of nature—they brought a fresh imme diacy to landscape painting.\n\nThough loosely defined\, the School of Terv uren represents a vital chapter in the international evolution of modern la ndscape. Like their contemporaries in Barbizon and Giverny in France\, Skag en in Denmark\, and the Hudson River Valley of New York\, these artists bel ieved in portraying nature as they saw and felt it\, in the moment. This ex hibition places Belgian landscape painting in dialogue with wider European and American movements\, inviting visitors to experience the power of place —and of painting—as a quiet yet radical form of resistance and renewal. Com parisons with selected works by Barbizon artists such as Charles-François D aubigny\, and artists associated with the Hudson River School\, like Albert Bierstadt and John Frederick Kensett\, introduce international parallels.\ n\nOrganized by the McMullen Museum\, A Fresh Vision has been curated by Je ffery Howe. Major support has been provided by Boston College and the Patro ns of the McMullen Museum. DTEND:20251019T210000Z DTSTAMP:20260412T114357Z DTSTART:20251019T160000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "A Fresh Vision: Landscape Painting in Belgium after Ro manticism\; The School of Tervuren in an International Context" UID:tag:localist.com\,2008:EventInstance_50524304965988 URL:https://events.bc.edu/event/exhibition-a-fresh-vision-landscape-paintin g-in-belgium-after-romanticism-the-school-of-tervuren-in-an-international-c ontext END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:A Fresh Vision: Landscape Painting in Belgium after Romanticism \; The School of Tervuren in an International Context\n\nOn view: August 25 –29 to BC classes by appointment (contact rachel.chamberlain@bc.edu)\n\nOpe n to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \ n\nPress Release\n\nA Fresh Vision celebrates a recent gift of thirty-six o utstanding paintings from the School of Tervuren from Charles Hack and the Hearn Family Trust\, a gift that establishes the McMullen as home to the le ading collection of nineteenth-century Belgian landscape painting in North America. The exhibition explores the School of Tervuren\, a group of Belgia n artists who\, in the second half of the nineteenth century\, turned their gaze to the quiet forests and fields near Brussels. It examines how artist s rejected academic convention and the growing spectacle of modern urban li fe to embrace the natural world as a source of truth\, beauty\, and renewal .\n\nThe exhibition also demonstrates how the Tervuren painters\, including Theodore Fourmois\, Hippolyte Boulenger\, Joseph-Théodore Coosemans\, and Théodore T’Scharner\, were influenced by the French Barbizon painters to bl end Romantic sensibility with realist technique\, capturing the nuances of light\, weather\, and terrain in a modern\, expressive style. Painting outd oors—enabled by the recent invention of paint tubes\, and motivated by Roma ntic poetry and new scientific concepts of nature—they brought a fresh imme diacy to landscape painting.\n\nThough loosely defined\, the School of Terv uren represents a vital chapter in the international evolution of modern la ndscape. Like their contemporaries in Barbizon and Giverny in France\, Skag en in Denmark\, and the Hudson River Valley of New York\, these artists bel ieved in portraying nature as they saw and felt it\, in the moment. This ex hibition places Belgian landscape painting in dialogue with wider European and American movements\, inviting visitors to experience the power of place —and of painting—as a quiet yet radical form of resistance and renewal. Com parisons with selected works by Barbizon artists such as Charles-François D aubigny\, and artists associated with the Hudson River School\, like Albert Bierstadt and John Frederick Kensett\, introduce international parallels.\ n\nOrganized by the McMullen Museum\, A Fresh Vision has been curated by Je ffery Howe. Major support has been provided by Boston College and the Patro ns of the McMullen Museum. DTEND:20251020T210000Z DTSTAMP:20260412T114357Z DTSTART:20251020T140000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "A Fresh Vision: Landscape Painting in Belgium after Ro manticism\; The School of Tervuren in an International Context" UID:tag:localist.com\,2008:EventInstance_50524304968037 URL:https://events.bc.edu/event/exhibition-a-fresh-vision-landscape-paintin g-in-belgium-after-romanticism-the-school-of-tervuren-in-an-international-c ontext END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:A Fresh Vision: Landscape Painting in Belgium after Romanticism \; The School of Tervuren in an International Context\n\nOn view: August 25 –29 to BC classes by appointment (contact rachel.chamberlain@bc.edu)\n\nOpe n to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \ n\nPress Release\n\nA Fresh Vision celebrates a recent gift of thirty-six o utstanding paintings from the School of Tervuren from Charles Hack and the Hearn Family Trust\, a gift that establishes the McMullen as home to the le ading collection of nineteenth-century Belgian landscape painting in North America. The exhibition explores the School of Tervuren\, a group of Belgia n artists who\, in the second half of the nineteenth century\, turned their gaze to the quiet forests and fields near Brussels. It examines how artist s rejected academic convention and the growing spectacle of modern urban li fe to embrace the natural world as a source of truth\, beauty\, and renewal .\n\nThe exhibition also demonstrates how the Tervuren painters\, including Theodore Fourmois\, Hippolyte Boulenger\, Joseph-Théodore Coosemans\, and Théodore T’Scharner\, were influenced by the French Barbizon painters to bl end Romantic sensibility with realist technique\, capturing the nuances of light\, weather\, and terrain in a modern\, expressive style. Painting outd oors—enabled by the recent invention of paint tubes\, and motivated by Roma ntic poetry and new scientific concepts of nature—they brought a fresh imme diacy to landscape painting.\n\nThough loosely defined\, the School of Terv uren represents a vital chapter in the international evolution of modern la ndscape. Like their contemporaries in Barbizon and Giverny in France\, Skag en in Denmark\, and the Hudson River Valley of New York\, these artists bel ieved in portraying nature as they saw and felt it\, in the moment. This ex hibition places Belgian landscape painting in dialogue with wider European and American movements\, inviting visitors to experience the power of place —and of painting—as a quiet yet radical form of resistance and renewal. Com parisons with selected works by Barbizon artists such as Charles-François D aubigny\, and artists associated with the Hudson River School\, like Albert Bierstadt and John Frederick Kensett\, introduce international parallels.\ n\nOrganized by the McMullen Museum\, A Fresh Vision has been curated by Je ffery Howe. Major support has been provided by Boston College and the Patro ns of the McMullen Museum. DTEND:20251021T210000Z DTSTAMP:20260412T114357Z DTSTART:20251021T140000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "A Fresh Vision: Landscape Painting in Belgium after Ro manticism\; The School of Tervuren in an International Context" UID:tag:localist.com\,2008:EventInstance_50524304969062 URL:https://events.bc.edu/event/exhibition-a-fresh-vision-landscape-paintin g-in-belgium-after-romanticism-the-school-of-tervuren-in-an-international-c ontext END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:A Fresh Vision: Landscape Painting in Belgium after Romanticism \; The School of Tervuren in an International Context\n\nOn view: August 25 –29 to BC classes by appointment (contact rachel.chamberlain@bc.edu)\n\nOpe n to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \ n\nPress Release\n\nA Fresh Vision celebrates a recent gift of thirty-six o utstanding paintings from the School of Tervuren from Charles Hack and the Hearn Family Trust\, a gift that establishes the McMullen as home to the le ading collection of nineteenth-century Belgian landscape painting in North America. The exhibition explores the School of Tervuren\, a group of Belgia n artists who\, in the second half of the nineteenth century\, turned their gaze to the quiet forests and fields near Brussels. It examines how artist s rejected academic convention and the growing spectacle of modern urban li fe to embrace the natural world as a source of truth\, beauty\, and renewal .\n\nThe exhibition also demonstrates how the Tervuren painters\, including Theodore Fourmois\, Hippolyte Boulenger\, Joseph-Théodore Coosemans\, and Théodore T’Scharner\, were influenced by the French Barbizon painters to bl end Romantic sensibility with realist technique\, capturing the nuances of light\, weather\, and terrain in a modern\, expressive style. Painting outd oors—enabled by the recent invention of paint tubes\, and motivated by Roma ntic poetry and new scientific concepts of nature—they brought a fresh imme diacy to landscape painting.\n\nThough loosely defined\, the School of Terv uren represents a vital chapter in the international evolution of modern la ndscape. Like their contemporaries in Barbizon and Giverny in France\, Skag en in Denmark\, and the Hudson River Valley of New York\, these artists bel ieved in portraying nature as they saw and felt it\, in the moment. This ex hibition places Belgian landscape painting in dialogue with wider European and American movements\, inviting visitors to experience the power of place —and of painting—as a quiet yet radical form of resistance and renewal. Com parisons with selected works by Barbizon artists such as Charles-François D aubigny\, and artists associated with the Hudson River School\, like Albert Bierstadt and John Frederick Kensett\, introduce international parallels.\ n\nOrganized by the McMullen Museum\, A Fresh Vision has been curated by Je ffery Howe. Major support has been provided by Boston College and the Patro ns of the McMullen Museum. DTEND:20251022T210000Z DTSTAMP:20260412T114357Z DTSTART:20251022T140000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "A Fresh Vision: Landscape Painting in Belgium after Ro manticism\; The School of Tervuren in an International Context" UID:tag:localist.com\,2008:EventInstance_50524304971111 URL:https://events.bc.edu/event/exhibition-a-fresh-vision-landscape-paintin g-in-belgium-after-romanticism-the-school-of-tervuren-in-an-international-c ontext END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:A Fresh Vision: Landscape Painting in Belgium after Romanticism \; The School of Tervuren in an International Context\n\nOn view: August 25 –29 to BC classes by appointment (contact rachel.chamberlain@bc.edu)\n\nOpe n to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \ n\nPress Release\n\nA Fresh Vision celebrates a recent gift of thirty-six o utstanding paintings from the School of Tervuren from Charles Hack and the Hearn Family Trust\, a gift that establishes the McMullen as home to the le ading collection of nineteenth-century Belgian landscape painting in North America. The exhibition explores the School of Tervuren\, a group of Belgia n artists who\, in the second half of the nineteenth century\, turned their gaze to the quiet forests and fields near Brussels. It examines how artist s rejected academic convention and the growing spectacle of modern urban li fe to embrace the natural world as a source of truth\, beauty\, and renewal .\n\nThe exhibition also demonstrates how the Tervuren painters\, including Theodore Fourmois\, Hippolyte Boulenger\, Joseph-Théodore Coosemans\, and Théodore T’Scharner\, were influenced by the French Barbizon painters to bl end Romantic sensibility with realist technique\, capturing the nuances of light\, weather\, and terrain in a modern\, expressive style. Painting outd oors—enabled by the recent invention of paint tubes\, and motivated by Roma ntic poetry and new scientific concepts of nature—they brought a fresh imme diacy to landscape painting.\n\nThough loosely defined\, the School of Terv uren represents a vital chapter in the international evolution of modern la ndscape. Like their contemporaries in Barbizon and Giverny in France\, Skag en in Denmark\, and the Hudson River Valley of New York\, these artists bel ieved in portraying nature as they saw and felt it\, in the moment. This ex hibition places Belgian landscape painting in dialogue with wider European and American movements\, inviting visitors to experience the power of place —and of painting—as a quiet yet radical form of resistance and renewal. Com parisons with selected works by Barbizon artists such as Charles-François D aubigny\, and artists associated with the Hudson River School\, like Albert Bierstadt and John Frederick Kensett\, introduce international parallels.\ n\nOrganized by the McMullen Museum\, A Fresh Vision has been curated by Je ffery Howe. Major support has been provided by Boston College and the Patro ns of the McMullen Museum. DTEND:20251023T210000Z DTSTAMP:20260412T114357Z DTSTART:20251023T140000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "A Fresh Vision: Landscape Painting in Belgium after Ro manticism\; The School of Tervuren in an International Context" UID:tag:localist.com\,2008:EventInstance_50524304972136 URL:https://events.bc.edu/event/exhibition-a-fresh-vision-landscape-paintin g-in-belgium-after-romanticism-the-school-of-tervuren-in-an-international-c ontext END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:A Fresh Vision: Landscape Painting in Belgium after Romanticism \; The School of Tervuren in an International Context\n\nOn view: August 25 –29 to BC classes by appointment (contact rachel.chamberlain@bc.edu)\n\nOpe n to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \ n\nPress Release\n\nA Fresh Vision celebrates a recent gift of thirty-six o utstanding paintings from the School of Tervuren from Charles Hack and the Hearn Family Trust\, a gift that establishes the McMullen as home to the le ading collection of nineteenth-century Belgian landscape painting in North America. The exhibition explores the School of Tervuren\, a group of Belgia n artists who\, in the second half of the nineteenth century\, turned their gaze to the quiet forests and fields near Brussels. It examines how artist s rejected academic convention and the growing spectacle of modern urban li fe to embrace the natural world as a source of truth\, beauty\, and renewal .\n\nThe exhibition also demonstrates how the Tervuren painters\, including Theodore Fourmois\, Hippolyte Boulenger\, Joseph-Théodore Coosemans\, and Théodore T’Scharner\, were influenced by the French Barbizon painters to bl end Romantic sensibility with realist technique\, capturing the nuances of light\, weather\, and terrain in a modern\, expressive style. Painting outd oors—enabled by the recent invention of paint tubes\, and motivated by Roma ntic poetry and new scientific concepts of nature—they brought a fresh imme diacy to landscape painting.\n\nThough loosely defined\, the School of Terv uren represents a vital chapter in the international evolution of modern la ndscape. Like their contemporaries in Barbizon and Giverny in France\, Skag en in Denmark\, and the Hudson River Valley of New York\, these artists bel ieved in portraying nature as they saw and felt it\, in the moment. This ex hibition places Belgian landscape painting in dialogue with wider European and American movements\, inviting visitors to experience the power of place —and of painting—as a quiet yet radical form of resistance and renewal. Com parisons with selected works by Barbizon artists such as Charles-François D aubigny\, and artists associated with the Hudson River School\, like Albert Bierstadt and John Frederick Kensett\, introduce international parallels.\ n\nOrganized by the McMullen Museum\, A Fresh Vision has been curated by Je ffery Howe. Major support has been provided by Boston College and the Patro ns of the McMullen Museum. DTEND:20251024T210000Z DTSTAMP:20260412T114357Z DTSTART:20251024T140000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "A Fresh Vision: Landscape Painting in Belgium after Ro manticism\; The School of Tervuren in an International Context" UID:tag:localist.com\,2008:EventInstance_50524304974185 URL:https://events.bc.edu/event/exhibition-a-fresh-vision-landscape-paintin g-in-belgium-after-romanticism-the-school-of-tervuren-in-an-international-c ontext END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:A Fresh Vision: Landscape Painting in Belgium after Romanticism \; The School of Tervuren in an International Context\n\nOn view: August 25 –29 to BC classes by appointment (contact rachel.chamberlain@bc.edu)\n\nOpe n to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \ n\nPress Release\n\nA Fresh Vision celebrates a recent gift of thirty-six o utstanding paintings from the School of Tervuren from Charles Hack and the Hearn Family Trust\, a gift that establishes the McMullen as home to the le ading collection of nineteenth-century Belgian landscape painting in North America. The exhibition explores the School of Tervuren\, a group of Belgia n artists who\, in the second half of the nineteenth century\, turned their gaze to the quiet forests and fields near Brussels. It examines how artist s rejected academic convention and the growing spectacle of modern urban li fe to embrace the natural world as a source of truth\, beauty\, and renewal .\n\nThe exhibition also demonstrates how the Tervuren painters\, including Theodore Fourmois\, Hippolyte Boulenger\, Joseph-Théodore Coosemans\, and Théodore T’Scharner\, were influenced by the French Barbizon painters to bl end Romantic sensibility with realist technique\, capturing the nuances of light\, weather\, and terrain in a modern\, expressive style. Painting outd oors—enabled by the recent invention of paint tubes\, and motivated by Roma ntic poetry and new scientific concepts of nature—they brought a fresh imme diacy to landscape painting.\n\nThough loosely defined\, the School of Terv uren represents a vital chapter in the international evolution of modern la ndscape. Like their contemporaries in Barbizon and Giverny in France\, Skag en in Denmark\, and the Hudson River Valley of New York\, these artists bel ieved in portraying nature as they saw and felt it\, in the moment. This ex hibition places Belgian landscape painting in dialogue with wider European and American movements\, inviting visitors to experience the power of place —and of painting—as a quiet yet radical form of resistance and renewal. Com parisons with selected works by Barbizon artists such as Charles-François D aubigny\, and artists associated with the Hudson River School\, like Albert Bierstadt and John Frederick Kensett\, introduce international parallels.\ n\nOrganized by the McMullen Museum\, A Fresh Vision has been curated by Je ffery Howe. Major support has been provided by Boston College and the Patro ns of the McMullen Museum. DTEND:20251025T210000Z DTSTAMP:20260412T114357Z DTSTART:20251025T160000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "A Fresh Vision: Landscape Painting in Belgium after Ro manticism\; The School of Tervuren in an International Context" UID:tag:localist.com\,2008:EventInstance_50524304975210 URL:https://events.bc.edu/event/exhibition-a-fresh-vision-landscape-paintin g-in-belgium-after-romanticism-the-school-of-tervuren-in-an-international-c ontext END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:A Fresh Vision: Landscape Painting in Belgium after Romanticism \; The School of Tervuren in an International Context\n\nOn view: August 25 –29 to BC classes by appointment (contact rachel.chamberlain@bc.edu)\n\nOpe n to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \ n\nPress Release\n\nA Fresh Vision celebrates a recent gift of thirty-six o utstanding paintings from the School of Tervuren from Charles Hack and the Hearn Family Trust\, a gift that establishes the McMullen as home to the le ading collection of nineteenth-century Belgian landscape painting in North America. The exhibition explores the School of Tervuren\, a group of Belgia n artists who\, in the second half of the nineteenth century\, turned their gaze to the quiet forests and fields near Brussels. It examines how artist s rejected academic convention and the growing spectacle of modern urban li fe to embrace the natural world as a source of truth\, beauty\, and renewal .\n\nThe exhibition also demonstrates how the Tervuren painters\, including Theodore Fourmois\, Hippolyte Boulenger\, Joseph-Théodore Coosemans\, and Théodore T’Scharner\, were influenced by the French Barbizon painters to bl end Romantic sensibility with realist technique\, capturing the nuances of light\, weather\, and terrain in a modern\, expressive style. Painting outd oors—enabled by the recent invention of paint tubes\, and motivated by Roma ntic poetry and new scientific concepts of nature—they brought a fresh imme diacy to landscape painting.\n\nThough loosely defined\, the School of Terv uren represents a vital chapter in the international evolution of modern la ndscape. Like their contemporaries in Barbizon and Giverny in France\, Skag en in Denmark\, and the Hudson River Valley of New York\, these artists bel ieved in portraying nature as they saw and felt it\, in the moment. This ex hibition places Belgian landscape painting in dialogue with wider European and American movements\, inviting visitors to experience the power of place —and of painting—as a quiet yet radical form of resistance and renewal. Com parisons with selected works by Barbizon artists such as Charles-François D aubigny\, and artists associated with the Hudson River School\, like Albert Bierstadt and John Frederick Kensett\, introduce international parallels.\ n\nOrganized by the McMullen Museum\, A Fresh Vision has been curated by Je ffery Howe. Major support has been provided by Boston College and the Patro ns of the McMullen Museum. DTEND:20251026T210000Z DTSTAMP:20260412T114357Z DTSTART:20251026T160000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "A Fresh Vision: Landscape Painting in Belgium after Ro manticism\; The School of Tervuren in an International Context" UID:tag:localist.com\,2008:EventInstance_50524304977259 URL:https://events.bc.edu/event/exhibition-a-fresh-vision-landscape-paintin g-in-belgium-after-romanticism-the-school-of-tervuren-in-an-international-c ontext END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:A Fresh Vision: Landscape Painting in Belgium after Romanticism \; The School of Tervuren in an International Context\n\nOn view: August 25 –29 to BC classes by appointment (contact rachel.chamberlain@bc.edu)\n\nOpe n to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \ n\nPress Release\n\nA Fresh Vision celebrates a recent gift of thirty-six o utstanding paintings from the School of Tervuren from Charles Hack and the Hearn Family Trust\, a gift that establishes the McMullen as home to the le ading collection of nineteenth-century Belgian landscape painting in North America. The exhibition explores the School of Tervuren\, a group of Belgia n artists who\, in the second half of the nineteenth century\, turned their gaze to the quiet forests and fields near Brussels. It examines how artist s rejected academic convention and the growing spectacle of modern urban li fe to embrace the natural world as a source of truth\, beauty\, and renewal .\n\nThe exhibition also demonstrates how the Tervuren painters\, including Theodore Fourmois\, Hippolyte Boulenger\, Joseph-Théodore Coosemans\, and Théodore T’Scharner\, were influenced by the French Barbizon painters to bl end Romantic sensibility with realist technique\, capturing the nuances of light\, weather\, and terrain in a modern\, expressive style. Painting outd oors—enabled by the recent invention of paint tubes\, and motivated by Roma ntic poetry and new scientific concepts of nature—they brought a fresh imme diacy to landscape painting.\n\nThough loosely defined\, the School of Terv uren represents a vital chapter in the international evolution of modern la ndscape. Like their contemporaries in Barbizon and Giverny in France\, Skag en in Denmark\, and the Hudson River Valley of New York\, these artists bel ieved in portraying nature as they saw and felt it\, in the moment. This ex hibition places Belgian landscape painting in dialogue with wider European and American movements\, inviting visitors to experience the power of place —and of painting—as a quiet yet radical form of resistance and renewal. Com parisons with selected works by Barbizon artists such as Charles-François D aubigny\, and artists associated with the Hudson River School\, like Albert Bierstadt and John Frederick Kensett\, introduce international parallels.\ n\nOrganized by the McMullen Museum\, A Fresh Vision has been curated by Je ffery Howe. Major support has been provided by Boston College and the Patro ns of the McMullen Museum. DTEND:20251027T210000Z DTSTAMP:20260412T114357Z DTSTART:20251027T140000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "A Fresh Vision: Landscape Painting in Belgium after Ro manticism\; The School of Tervuren in an International Context" UID:tag:localist.com\,2008:EventInstance_50524304979308 URL:https://events.bc.edu/event/exhibition-a-fresh-vision-landscape-paintin g-in-belgium-after-romanticism-the-school-of-tervuren-in-an-international-c ontext END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:A Fresh Vision: Landscape Painting in Belgium after Romanticism \; The School of Tervuren in an International Context\n\nOn view: August 25 –29 to BC classes by appointment (contact rachel.chamberlain@bc.edu)\n\nOpe n to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \ n\nPress Release\n\nA Fresh Vision celebrates a recent gift of thirty-six o utstanding paintings from the School of Tervuren from Charles Hack and the Hearn Family Trust\, a gift that establishes the McMullen as home to the le ading collection of nineteenth-century Belgian landscape painting in North America. The exhibition explores the School of Tervuren\, a group of Belgia n artists who\, in the second half of the nineteenth century\, turned their gaze to the quiet forests and fields near Brussels. It examines how artist s rejected academic convention and the growing spectacle of modern urban li fe to embrace the natural world as a source of truth\, beauty\, and renewal .\n\nThe exhibition also demonstrates how the Tervuren painters\, including Theodore Fourmois\, Hippolyte Boulenger\, Joseph-Théodore Coosemans\, and Théodore T’Scharner\, were influenced by the French Barbizon painters to bl end Romantic sensibility with realist technique\, capturing the nuances of light\, weather\, and terrain in a modern\, expressive style. Painting outd oors—enabled by the recent invention of paint tubes\, and motivated by Roma ntic poetry and new scientific concepts of nature—they brought a fresh imme diacy to landscape painting.\n\nThough loosely defined\, the School of Terv uren represents a vital chapter in the international evolution of modern la ndscape. Like their contemporaries in Barbizon and Giverny in France\, Skag en in Denmark\, and the Hudson River Valley of New York\, these artists bel ieved in portraying nature as they saw and felt it\, in the moment. This ex hibition places Belgian landscape painting in dialogue with wider European and American movements\, inviting visitors to experience the power of place —and of painting—as a quiet yet radical form of resistance and renewal. Com parisons with selected works by Barbizon artists such as Charles-François D aubigny\, and artists associated with the Hudson River School\, like Albert Bierstadt and John Frederick Kensett\, introduce international parallels.\ n\nOrganized by the McMullen Museum\, A Fresh Vision has been curated by Je ffery Howe. Major support has been provided by Boston College and the Patro ns of the McMullen Museum. DTEND:20251028T210000Z DTSTAMP:20260412T114357Z DTSTART:20251028T140000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "A Fresh Vision: Landscape Painting in Belgium after Ro manticism\; The School of Tervuren in an International Context" UID:tag:localist.com\,2008:EventInstance_50524304980333 URL:https://events.bc.edu/event/exhibition-a-fresh-vision-landscape-paintin g-in-belgium-after-romanticism-the-school-of-tervuren-in-an-international-c ontext END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:A Fresh Vision: Landscape Painting in Belgium after Romanticism \; The School of Tervuren in an International Context\n\nOn view: August 25 –29 to BC classes by appointment (contact rachel.chamberlain@bc.edu)\n\nOpe n to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \ n\nPress Release\n\nA Fresh Vision celebrates a recent gift of thirty-six o utstanding paintings from the School of Tervuren from Charles Hack and the Hearn Family Trust\, a gift that establishes the McMullen as home to the le ading collection of nineteenth-century Belgian landscape painting in North America. The exhibition explores the School of Tervuren\, a group of Belgia n artists who\, in the second half of the nineteenth century\, turned their gaze to the quiet forests and fields near Brussels. It examines how artist s rejected academic convention and the growing spectacle of modern urban li fe to embrace the natural world as a source of truth\, beauty\, and renewal .\n\nThe exhibition also demonstrates how the Tervuren painters\, including Theodore Fourmois\, Hippolyte Boulenger\, Joseph-Théodore Coosemans\, and Théodore T’Scharner\, were influenced by the French Barbizon painters to bl end Romantic sensibility with realist technique\, capturing the nuances of light\, weather\, and terrain in a modern\, expressive style. Painting outd oors—enabled by the recent invention of paint tubes\, and motivated by Roma ntic poetry and new scientific concepts of nature—they brought a fresh imme diacy to landscape painting.\n\nThough loosely defined\, the School of Terv uren represents a vital chapter in the international evolution of modern la ndscape. Like their contemporaries in Barbizon and Giverny in France\, Skag en in Denmark\, and the Hudson River Valley of New York\, these artists bel ieved in portraying nature as they saw and felt it\, in the moment. This ex hibition places Belgian landscape painting in dialogue with wider European and American movements\, inviting visitors to experience the power of place —and of painting—as a quiet yet radical form of resistance and renewal. Com parisons with selected works by Barbizon artists such as Charles-François D aubigny\, and artists associated with the Hudson River School\, like Albert Bierstadt and John Frederick Kensett\, introduce international parallels.\ n\nOrganized by the McMullen Museum\, A Fresh Vision has been curated by Je ffery Howe. Major support has been provided by Boston College and the Patro ns of the McMullen Museum. DTEND:20251029T210000Z DTSTAMP:20260412T114357Z DTSTART:20251029T140000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "A Fresh Vision: Landscape Painting in Belgium after Ro manticism\; The School of Tervuren in an International Context" UID:tag:localist.com\,2008:EventInstance_50524304982382 URL:https://events.bc.edu/event/exhibition-a-fresh-vision-landscape-paintin g-in-belgium-after-romanticism-the-school-of-tervuren-in-an-international-c ontext END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:A Fresh Vision: Landscape Painting in Belgium after Romanticism \; The School of Tervuren in an International Context\n\nOn view: August 25 –29 to BC classes by appointment (contact rachel.chamberlain@bc.edu)\n\nOpe n to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \ n\nPress Release\n\nA Fresh Vision celebrates a recent gift of thirty-six o utstanding paintings from the School of Tervuren from Charles Hack and the Hearn Family Trust\, a gift that establishes the McMullen as home to the le ading collection of nineteenth-century Belgian landscape painting in North America. The exhibition explores the School of Tervuren\, a group of Belgia n artists who\, in the second half of the nineteenth century\, turned their gaze to the quiet forests and fields near Brussels. It examines how artist s rejected academic convention and the growing spectacle of modern urban li fe to embrace the natural world as a source of truth\, beauty\, and renewal .\n\nThe exhibition also demonstrates how the Tervuren painters\, including Theodore Fourmois\, Hippolyte Boulenger\, Joseph-Théodore Coosemans\, and Théodore T’Scharner\, were influenced by the French Barbizon painters to bl end Romantic sensibility with realist technique\, capturing the nuances of light\, weather\, and terrain in a modern\, expressive style. Painting outd oors—enabled by the recent invention of paint tubes\, and motivated by Roma ntic poetry and new scientific concepts of nature—they brought a fresh imme diacy to landscape painting.\n\nThough loosely defined\, the School of Terv uren represents a vital chapter in the international evolution of modern la ndscape. Like their contemporaries in Barbizon and Giverny in France\, Skag en in Denmark\, and the Hudson River Valley of New York\, these artists bel ieved in portraying nature as they saw and felt it\, in the moment. This ex hibition places Belgian landscape painting in dialogue with wider European and American movements\, inviting visitors to experience the power of place —and of painting—as a quiet yet radical form of resistance and renewal. Com parisons with selected works by Barbizon artists such as Charles-François D aubigny\, and artists associated with the Hudson River School\, like Albert Bierstadt and John Frederick Kensett\, introduce international parallels.\ n\nOrganized by the McMullen Museum\, A Fresh Vision has been curated by Je ffery Howe. Major support has been provided by Boston College and the Patro ns of the McMullen Museum. DTEND:20251030T210000Z DTSTAMP:20260412T114357Z DTSTART:20251030T140000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "A Fresh Vision: Landscape Painting in Belgium after Ro manticism\; The School of Tervuren in an International Context" UID:tag:localist.com\,2008:EventInstance_50524304983407 URL:https://events.bc.edu/event/exhibition-a-fresh-vision-landscape-paintin g-in-belgium-after-romanticism-the-school-of-tervuren-in-an-international-c ontext END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:A Fresh Vision: Landscape Painting in Belgium after Romanticism \; The School of Tervuren in an International Context\n\nOn view: August 25 –29 to BC classes by appointment (contact rachel.chamberlain@bc.edu)\n\nOpe n to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \ n\nPress Release\n\nA Fresh Vision celebrates a recent gift of thirty-six o utstanding paintings from the School of Tervuren from Charles Hack and the Hearn Family Trust\, a gift that establishes the McMullen as home to the le ading collection of nineteenth-century Belgian landscape painting in North America. The exhibition explores the School of Tervuren\, a group of Belgia n artists who\, in the second half of the nineteenth century\, turned their gaze to the quiet forests and fields near Brussels. It examines how artist s rejected academic convention and the growing spectacle of modern urban li fe to embrace the natural world as a source of truth\, beauty\, and renewal .\n\nThe exhibition also demonstrates how the Tervuren painters\, including Theodore Fourmois\, Hippolyte Boulenger\, Joseph-Théodore Coosemans\, and Théodore T’Scharner\, were influenced by the French Barbizon painters to bl end Romantic sensibility with realist technique\, capturing the nuances of light\, weather\, and terrain in a modern\, expressive style. Painting outd oors—enabled by the recent invention of paint tubes\, and motivated by Roma ntic poetry and new scientific concepts of nature—they brought a fresh imme diacy to landscape painting.\n\nThough loosely defined\, the School of Terv uren represents a vital chapter in the international evolution of modern la ndscape. Like their contemporaries in Barbizon and Giverny in France\, Skag en in Denmark\, and the Hudson River Valley of New York\, these artists bel ieved in portraying nature as they saw and felt it\, in the moment. This ex hibition places Belgian landscape painting in dialogue with wider European and American movements\, inviting visitors to experience the power of place —and of painting—as a quiet yet radical form of resistance and renewal. Com parisons with selected works by Barbizon artists such as Charles-François D aubigny\, and artists associated with the Hudson River School\, like Albert Bierstadt and John Frederick Kensett\, introduce international parallels.\ n\nOrganized by the McMullen Museum\, A Fresh Vision has been curated by Je ffery Howe. Major support has been provided by Boston College and the Patro ns of the McMullen Museum. DTEND:20251031T210000Z DTSTAMP:20260412T114357Z DTSTART:20251031T140000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "A Fresh Vision: Landscape Painting in Belgium after Ro manticism\; The School of Tervuren in an International Context" UID:tag:localist.com\,2008:EventInstance_50524304985456 URL:https://events.bc.edu/event/exhibition-a-fresh-vision-landscape-paintin g-in-belgium-after-romanticism-the-school-of-tervuren-in-an-international-c ontext END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:A Fresh Vision: Landscape Painting in Belgium after Romanticism \; The School of Tervuren in an International Context\n\nOn view: August 25 –29 to BC classes by appointment (contact rachel.chamberlain@bc.edu)\n\nOpe n to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \ n\nPress Release\n\nA Fresh Vision celebrates a recent gift of thirty-six o utstanding paintings from the School of Tervuren from Charles Hack and the Hearn Family Trust\, a gift that establishes the McMullen as home to the le ading collection of nineteenth-century Belgian landscape painting in North America. The exhibition explores the School of Tervuren\, a group of Belgia n artists who\, in the second half of the nineteenth century\, turned their gaze to the quiet forests and fields near Brussels. It examines how artist s rejected academic convention and the growing spectacle of modern urban li fe to embrace the natural world as a source of truth\, beauty\, and renewal .\n\nThe exhibition also demonstrates how the Tervuren painters\, including Theodore Fourmois\, Hippolyte Boulenger\, Joseph-Théodore Coosemans\, and Théodore T’Scharner\, were influenced by the French Barbizon painters to bl end Romantic sensibility with realist technique\, capturing the nuances of light\, weather\, and terrain in a modern\, expressive style. Painting outd oors—enabled by the recent invention of paint tubes\, and motivated by Roma ntic poetry and new scientific concepts of nature—they brought a fresh imme diacy to landscape painting.\n\nThough loosely defined\, the School of Terv uren represents a vital chapter in the international evolution of modern la ndscape. Like their contemporaries in Barbizon and Giverny in France\, Skag en in Denmark\, and the Hudson River Valley of New York\, these artists bel ieved in portraying nature as they saw and felt it\, in the moment. This ex hibition places Belgian landscape painting in dialogue with wider European and American movements\, inviting visitors to experience the power of place —and of painting—as a quiet yet radical form of resistance and renewal. Com parisons with selected works by Barbizon artists such as Charles-François D aubigny\, and artists associated with the Hudson River School\, like Albert Bierstadt and John Frederick Kensett\, introduce international parallels.\ n\nOrganized by the McMullen Museum\, A Fresh Vision has been curated by Je ffery Howe. Major support has been provided by Boston College and the Patro ns of the McMullen Museum. DTEND:20251101T210000Z DTSTAMP:20260412T114357Z DTSTART:20251101T160000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "A Fresh Vision: Landscape Painting in Belgium after Ro manticism\; The School of Tervuren in an International Context" UID:tag:localist.com\,2008:EventInstance_50524304987505 URL:https://events.bc.edu/event/exhibition-a-fresh-vision-landscape-paintin g-in-belgium-after-romanticism-the-school-of-tervuren-in-an-international-c ontext END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:A Fresh Vision: Landscape Painting in Belgium after Romanticism \; The School of Tervuren in an International Context\n\nOn view: August 25 –29 to BC classes by appointment (contact rachel.chamberlain@bc.edu)\n\nOpe n to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \ n\nPress Release\n\nA Fresh Vision celebrates a recent gift of thirty-six o utstanding paintings from the School of Tervuren from Charles Hack and the Hearn Family Trust\, a gift that establishes the McMullen as home to the le ading collection of nineteenth-century Belgian landscape painting in North America. The exhibition explores the School of Tervuren\, a group of Belgia n artists who\, in the second half of the nineteenth century\, turned their gaze to the quiet forests and fields near Brussels. It examines how artist s rejected academic convention and the growing spectacle of modern urban li fe to embrace the natural world as a source of truth\, beauty\, and renewal .\n\nThe exhibition also demonstrates how the Tervuren painters\, including Theodore Fourmois\, Hippolyte Boulenger\, Joseph-Théodore Coosemans\, and Théodore T’Scharner\, were influenced by the French Barbizon painters to bl end Romantic sensibility with realist technique\, capturing the nuances of light\, weather\, and terrain in a modern\, expressive style. Painting outd oors—enabled by the recent invention of paint tubes\, and motivated by Roma ntic poetry and new scientific concepts of nature—they brought a fresh imme diacy to landscape painting.\n\nThough loosely defined\, the School of Terv uren represents a vital chapter in the international evolution of modern la ndscape. Like their contemporaries in Barbizon and Giverny in France\, Skag en in Denmark\, and the Hudson River Valley of New York\, these artists bel ieved in portraying nature as they saw and felt it\, in the moment. This ex hibition places Belgian landscape painting in dialogue with wider European and American movements\, inviting visitors to experience the power of place —and of painting—as a quiet yet radical form of resistance and renewal. Com parisons with selected works by Barbizon artists such as Charles-François D aubigny\, and artists associated with the Hudson River School\, like Albert Bierstadt and John Frederick Kensett\, introduce international parallels.\ n\nOrganized by the McMullen Museum\, A Fresh Vision has been curated by Je ffery Howe. Major support has been provided by Boston College and the Patro ns of the McMullen Museum. DTEND:20251102T220000Z DTSTAMP:20260412T114357Z DTSTART:20251102T170000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "A Fresh Vision: Landscape Painting in Belgium after Ro manticism\; The School of Tervuren in an International Context" UID:tag:localist.com\,2008:EventInstance_50524304988530 URL:https://events.bc.edu/event/exhibition-a-fresh-vision-landscape-paintin g-in-belgium-after-romanticism-the-school-of-tervuren-in-an-international-c ontext END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:A Fresh Vision: Landscape Painting in Belgium after Romanticism \; The School of Tervuren in an International Context\n\nOn view: August 25 –29 to BC classes by appointment (contact rachel.chamberlain@bc.edu)\n\nOpe n to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \ n\nPress Release\n\nA Fresh Vision celebrates a recent gift of thirty-six o utstanding paintings from the School of Tervuren from Charles Hack and the Hearn Family Trust\, a gift that establishes the McMullen as home to the le ading collection of nineteenth-century Belgian landscape painting in North America. The exhibition explores the School of Tervuren\, a group of Belgia n artists who\, in the second half of the nineteenth century\, turned their gaze to the quiet forests and fields near Brussels. It examines how artist s rejected academic convention and the growing spectacle of modern urban li fe to embrace the natural world as a source of truth\, beauty\, and renewal .\n\nThe exhibition also demonstrates how the Tervuren painters\, including Theodore Fourmois\, Hippolyte Boulenger\, Joseph-Théodore Coosemans\, and Théodore T’Scharner\, were influenced by the French Barbizon painters to bl end Romantic sensibility with realist technique\, capturing the nuances of light\, weather\, and terrain in a modern\, expressive style. Painting outd oors—enabled by the recent invention of paint tubes\, and motivated by Roma ntic poetry and new scientific concepts of nature—they brought a fresh imme diacy to landscape painting.\n\nThough loosely defined\, the School of Terv uren represents a vital chapter in the international evolution of modern la ndscape. Like their contemporaries in Barbizon and Giverny in France\, Skag en in Denmark\, and the Hudson River Valley of New York\, these artists bel ieved in portraying nature as they saw and felt it\, in the moment. This ex hibition places Belgian landscape painting in dialogue with wider European and American movements\, inviting visitors to experience the power of place —and of painting—as a quiet yet radical form of resistance and renewal. Com parisons with selected works by Barbizon artists such as Charles-François D aubigny\, and artists associated with the Hudson River School\, like Albert Bierstadt and John Frederick Kensett\, introduce international parallels.\ n\nOrganized by the McMullen Museum\, A Fresh Vision has been curated by Je ffery Howe. Major support has been provided by Boston College and the Patro ns of the McMullen Museum. DTEND:20251103T220000Z DTSTAMP:20260412T114357Z DTSTART:20251103T150000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "A Fresh Vision: Landscape Painting in Belgium after Ro manticism\; The School of Tervuren in an International Context" UID:tag:localist.com\,2008:EventInstance_50524304990579 URL:https://events.bc.edu/event/exhibition-a-fresh-vision-landscape-paintin g-in-belgium-after-romanticism-the-school-of-tervuren-in-an-international-c ontext END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:A Fresh Vision: Landscape Painting in Belgium after Romanticism \; The School of Tervuren in an International Context\n\nOn view: August 25 –29 to BC classes by appointment (contact rachel.chamberlain@bc.edu)\n\nOpe n to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \ n\nPress Release\n\nA Fresh Vision celebrates a recent gift of thirty-six o utstanding paintings from the School of Tervuren from Charles Hack and the Hearn Family Trust\, a gift that establishes the McMullen as home to the le ading collection of nineteenth-century Belgian landscape painting in North America. The exhibition explores the School of Tervuren\, a group of Belgia n artists who\, in the second half of the nineteenth century\, turned their gaze to the quiet forests and fields near Brussels. It examines how artist s rejected academic convention and the growing spectacle of modern urban li fe to embrace the natural world as a source of truth\, beauty\, and renewal .\n\nThe exhibition also demonstrates how the Tervuren painters\, including Theodore Fourmois\, Hippolyte Boulenger\, Joseph-Théodore Coosemans\, and Théodore T’Scharner\, were influenced by the French Barbizon painters to bl end Romantic sensibility with realist technique\, capturing the nuances of light\, weather\, and terrain in a modern\, expressive style. Painting outd oors—enabled by the recent invention of paint tubes\, and motivated by Roma ntic poetry and new scientific concepts of nature—they brought a fresh imme diacy to landscape painting.\n\nThough loosely defined\, the School of Terv uren represents a vital chapter in the international evolution of modern la ndscape. Like their contemporaries in Barbizon and Giverny in France\, Skag en in Denmark\, and the Hudson River Valley of New York\, these artists bel ieved in portraying nature as they saw and felt it\, in the moment. This ex hibition places Belgian landscape painting in dialogue with wider European and American movements\, inviting visitors to experience the power of place —and of painting—as a quiet yet radical form of resistance and renewal. Com parisons with selected works by Barbizon artists such as Charles-François D aubigny\, and artists associated with the Hudson River School\, like Albert Bierstadt and John Frederick Kensett\, introduce international parallels.\ n\nOrganized by the McMullen Museum\, A Fresh Vision has been curated by Je ffery Howe. Major support has been provided by Boston College and the Patro ns of the McMullen Museum. DTEND:20251104T220000Z DTSTAMP:20260412T114357Z DTSTART:20251104T150000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "A Fresh Vision: Landscape Painting in Belgium after Ro manticism\; The School of Tervuren in an International Context" UID:tag:localist.com\,2008:EventInstance_50524304991604 URL:https://events.bc.edu/event/exhibition-a-fresh-vision-landscape-paintin g-in-belgium-after-romanticism-the-school-of-tervuren-in-an-international-c ontext END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:A Fresh Vision: Landscape Painting in Belgium after Romanticism \; The School of Tervuren in an International Context\n\nOn view: August 25 –29 to BC classes by appointment (contact rachel.chamberlain@bc.edu)\n\nOpe n to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \ n\nPress Release\n\nA Fresh Vision celebrates a recent gift of thirty-six o utstanding paintings from the School of Tervuren from Charles Hack and the Hearn Family Trust\, a gift that establishes the McMullen as home to the le ading collection of nineteenth-century Belgian landscape painting in North America. The exhibition explores the School of Tervuren\, a group of Belgia n artists who\, in the second half of the nineteenth century\, turned their gaze to the quiet forests and fields near Brussels. It examines how artist s rejected academic convention and the growing spectacle of modern urban li fe to embrace the natural world as a source of truth\, beauty\, and renewal .\n\nThe exhibition also demonstrates how the Tervuren painters\, including Theodore Fourmois\, Hippolyte Boulenger\, Joseph-Théodore Coosemans\, and Théodore T’Scharner\, were influenced by the French Barbizon painters to bl end Romantic sensibility with realist technique\, capturing the nuances of light\, weather\, and terrain in a modern\, expressive style. Painting outd oors—enabled by the recent invention of paint tubes\, and motivated by Roma ntic poetry and new scientific concepts of nature—they brought a fresh imme diacy to landscape painting.\n\nThough loosely defined\, the School of Terv uren represents a vital chapter in the international evolution of modern la ndscape. Like their contemporaries in Barbizon and Giverny in France\, Skag en in Denmark\, and the Hudson River Valley of New York\, these artists bel ieved in portraying nature as they saw and felt it\, in the moment. This ex hibition places Belgian landscape painting in dialogue with wider European and American movements\, inviting visitors to experience the power of place —and of painting—as a quiet yet radical form of resistance and renewal. Com parisons with selected works by Barbizon artists such as Charles-François D aubigny\, and artists associated with the Hudson River School\, like Albert Bierstadt and John Frederick Kensett\, introduce international parallels.\ n\nOrganized by the McMullen Museum\, A Fresh Vision has been curated by Je ffery Howe. Major support has been provided by Boston College and the Patro ns of the McMullen Museum. DTEND:20251105T220000Z DTSTAMP:20260412T114357Z DTSTART:20251105T150000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "A Fresh Vision: Landscape Painting in Belgium after Ro manticism\; The School of Tervuren in an International Context" UID:tag:localist.com\,2008:EventInstance_50524304993653 URL:https://events.bc.edu/event/exhibition-a-fresh-vision-landscape-paintin g-in-belgium-after-romanticism-the-school-of-tervuren-in-an-international-c ontext END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:A Fresh Vision: Landscape Painting in Belgium after Romanticism \; The School of Tervuren in an International Context\n\nOn view: August 25 –29 to BC classes by appointment (contact rachel.chamberlain@bc.edu)\n\nOpe n to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \ n\nPress Release\n\nA Fresh Vision celebrates a recent gift of thirty-six o utstanding paintings from the School of Tervuren from Charles Hack and the Hearn Family Trust\, a gift that establishes the McMullen as home to the le ading collection of nineteenth-century Belgian landscape painting in North America. The exhibition explores the School of Tervuren\, a group of Belgia n artists who\, in the second half of the nineteenth century\, turned their gaze to the quiet forests and fields near Brussels. It examines how artist s rejected academic convention and the growing spectacle of modern urban li fe to embrace the natural world as a source of truth\, beauty\, and renewal .\n\nThe exhibition also demonstrates how the Tervuren painters\, including Theodore Fourmois\, Hippolyte Boulenger\, Joseph-Théodore Coosemans\, and Théodore T’Scharner\, were influenced by the French Barbizon painters to bl end Romantic sensibility with realist technique\, capturing the nuances of light\, weather\, and terrain in a modern\, expressive style. Painting outd oors—enabled by the recent invention of paint tubes\, and motivated by Roma ntic poetry and new scientific concepts of nature—they brought a fresh imme diacy to landscape painting.\n\nThough loosely defined\, the School of Terv uren represents a vital chapter in the international evolution of modern la ndscape. Like their contemporaries in Barbizon and Giverny in France\, Skag en in Denmark\, and the Hudson River Valley of New York\, these artists bel ieved in portraying nature as they saw and felt it\, in the moment. This ex hibition places Belgian landscape painting in dialogue with wider European and American movements\, inviting visitors to experience the power of place —and of painting—as a quiet yet radical form of resistance and renewal. Com parisons with selected works by Barbizon artists such as Charles-François D aubigny\, and artists associated with the Hudson River School\, like Albert Bierstadt and John Frederick Kensett\, introduce international parallels.\ n\nOrganized by the McMullen Museum\, A Fresh Vision has been curated by Je ffery Howe. Major support has been provided by Boston College and the Patro ns of the McMullen Museum. DTEND:20251106T220000Z DTSTAMP:20260412T114357Z DTSTART:20251106T150000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "A Fresh Vision: Landscape Painting in Belgium after Ro manticism\; The School of Tervuren in an International Context" UID:tag:localist.com\,2008:EventInstance_50524304994678 URL:https://events.bc.edu/event/exhibition-a-fresh-vision-landscape-paintin g-in-belgium-after-romanticism-the-school-of-tervuren-in-an-international-c ontext END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:A Fresh Vision: Landscape Painting in Belgium after Romanticism \; The School of Tervuren in an International Context\n\nOn view: August 25 –29 to BC classes by appointment (contact rachel.chamberlain@bc.edu)\n\nOpe n to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \ n\nPress Release\n\nA Fresh Vision celebrates a recent gift of thirty-six o utstanding paintings from the School of Tervuren from Charles Hack and the Hearn Family Trust\, a gift that establishes the McMullen as home to the le ading collection of nineteenth-century Belgian landscape painting in North America. The exhibition explores the School of Tervuren\, a group of Belgia n artists who\, in the second half of the nineteenth century\, turned their gaze to the quiet forests and fields near Brussels. It examines how artist s rejected academic convention and the growing spectacle of modern urban li fe to embrace the natural world as a source of truth\, beauty\, and renewal .\n\nThe exhibition also demonstrates how the Tervuren painters\, including Theodore Fourmois\, Hippolyte Boulenger\, Joseph-Théodore Coosemans\, and Théodore T’Scharner\, were influenced by the French Barbizon painters to bl end Romantic sensibility with realist technique\, capturing the nuances of light\, weather\, and terrain in a modern\, expressive style. Painting outd oors—enabled by the recent invention of paint tubes\, and motivated by Roma ntic poetry and new scientific concepts of nature—they brought a fresh imme diacy to landscape painting.\n\nThough loosely defined\, the School of Terv uren represents a vital chapter in the international evolution of modern la ndscape. Like their contemporaries in Barbizon and Giverny in France\, Skag en in Denmark\, and the Hudson River Valley of New York\, these artists bel ieved in portraying nature as they saw and felt it\, in the moment. This ex hibition places Belgian landscape painting in dialogue with wider European and American movements\, inviting visitors to experience the power of place —and of painting—as a quiet yet radical form of resistance and renewal. Com parisons with selected works by Barbizon artists such as Charles-François D aubigny\, and artists associated with the Hudson River School\, like Albert Bierstadt and John Frederick Kensett\, introduce international parallels.\ n\nOrganized by the McMullen Museum\, A Fresh Vision has been curated by Je ffery Howe. Major support has been provided by Boston College and the Patro ns of the McMullen Museum. DTEND:20251107T220000Z DTSTAMP:20260412T114357Z DTSTART:20251107T150000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "A Fresh Vision: Landscape Painting in Belgium after Ro manticism\; The School of Tervuren in an International Context" UID:tag:localist.com\,2008:EventInstance_50524304996727 URL:https://events.bc.edu/event/exhibition-a-fresh-vision-landscape-paintin g-in-belgium-after-romanticism-the-school-of-tervuren-in-an-international-c ontext END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:A Fresh Vision: Landscape Painting in Belgium after Romanticism \; The School of Tervuren in an International Context\n\nOn view: August 25 –29 to BC classes by appointment (contact rachel.chamberlain@bc.edu)\n\nOpe n to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \ n\nPress Release\n\nA Fresh Vision celebrates a recent gift of thirty-six o utstanding paintings from the School of Tervuren from Charles Hack and the Hearn Family Trust\, a gift that establishes the McMullen as home to the le ading collection of nineteenth-century Belgian landscape painting in North America. The exhibition explores the School of Tervuren\, a group of Belgia n artists who\, in the second half of the nineteenth century\, turned their gaze to the quiet forests and fields near Brussels. It examines how artist s rejected academic convention and the growing spectacle of modern urban li fe to embrace the natural world as a source of truth\, beauty\, and renewal .\n\nThe exhibition also demonstrates how the Tervuren painters\, including Theodore Fourmois\, Hippolyte Boulenger\, Joseph-Théodore Coosemans\, and Théodore T’Scharner\, were influenced by the French Barbizon painters to bl end Romantic sensibility with realist technique\, capturing the nuances of light\, weather\, and terrain in a modern\, expressive style. Painting outd oors—enabled by the recent invention of paint tubes\, and motivated by Roma ntic poetry and new scientific concepts of nature—they brought a fresh imme diacy to landscape painting.\n\nThough loosely defined\, the School of Terv uren represents a vital chapter in the international evolution of modern la ndscape. Like their contemporaries in Barbizon and Giverny in France\, Skag en in Denmark\, and the Hudson River Valley of New York\, these artists bel ieved in portraying nature as they saw and felt it\, in the moment. This ex hibition places Belgian landscape painting in dialogue with wider European and American movements\, inviting visitors to experience the power of place —and of painting—as a quiet yet radical form of resistance and renewal. Com parisons with selected works by Barbizon artists such as Charles-François D aubigny\, and artists associated with the Hudson River School\, like Albert Bierstadt and John Frederick Kensett\, introduce international parallels.\ n\nOrganized by the McMullen Museum\, A Fresh Vision has been curated by Je ffery Howe. Major support has been provided by Boston College and the Patro ns of the McMullen Museum. DTEND:20251108T220000Z DTSTAMP:20260412T114357Z DTSTART:20251108T170000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "A Fresh Vision: Landscape Painting in Belgium after Ro manticism\; The School of Tervuren in an International Context" UID:tag:localist.com\,2008:EventInstance_50524304997752 URL:https://events.bc.edu/event/exhibition-a-fresh-vision-landscape-paintin g-in-belgium-after-romanticism-the-school-of-tervuren-in-an-international-c ontext END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:A Fresh Vision: Landscape Painting in Belgium after Romanticism \; The School of Tervuren in an International Context\n\nOn view: August 25 –29 to BC classes by appointment (contact rachel.chamberlain@bc.edu)\n\nOpe n to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \ n\nPress Release\n\nA Fresh Vision celebrates a recent gift of thirty-six o utstanding paintings from the School of Tervuren from Charles Hack and the Hearn Family Trust\, a gift that establishes the McMullen as home to the le ading collection of nineteenth-century Belgian landscape painting in North America. The exhibition explores the School of Tervuren\, a group of Belgia n artists who\, in the second half of the nineteenth century\, turned their gaze to the quiet forests and fields near Brussels. It examines how artist s rejected academic convention and the growing spectacle of modern urban li fe to embrace the natural world as a source of truth\, beauty\, and renewal .\n\nThe exhibition also demonstrates how the Tervuren painters\, including Theodore Fourmois\, Hippolyte Boulenger\, Joseph-Théodore Coosemans\, and Théodore T’Scharner\, were influenced by the French Barbizon painters to bl end Romantic sensibility with realist technique\, capturing the nuances of light\, weather\, and terrain in a modern\, expressive style. Painting outd oors—enabled by the recent invention of paint tubes\, and motivated by Roma ntic poetry and new scientific concepts of nature—they brought a fresh imme diacy to landscape painting.\n\nThough loosely defined\, the School of Terv uren represents a vital chapter in the international evolution of modern la ndscape. Like their contemporaries in Barbizon and Giverny in France\, Skag en in Denmark\, and the Hudson River Valley of New York\, these artists bel ieved in portraying nature as they saw and felt it\, in the moment. This ex hibition places Belgian landscape painting in dialogue with wider European and American movements\, inviting visitors to experience the power of place —and of painting—as a quiet yet radical form of resistance and renewal. Com parisons with selected works by Barbizon artists such as Charles-François D aubigny\, and artists associated with the Hudson River School\, like Albert Bierstadt and John Frederick Kensett\, introduce international parallels.\ n\nOrganized by the McMullen Museum\, A Fresh Vision has been curated by Je ffery Howe. Major support has been provided by Boston College and the Patro ns of the McMullen Museum. DTEND:20251109T220000Z DTSTAMP:20260412T114357Z DTSTART:20251109T170000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "A Fresh Vision: Landscape Painting in Belgium after Ro manticism\; The School of Tervuren in an International Context" UID:tag:localist.com\,2008:EventInstance_50524304999801 URL:https://events.bc.edu/event/exhibition-a-fresh-vision-landscape-paintin g-in-belgium-after-romanticism-the-school-of-tervuren-in-an-international-c ontext END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:A Fresh Vision: Landscape Painting in Belgium after Romanticism \; The School of Tervuren in an International Context\n\nOn view: August 25 –29 to BC classes by appointment (contact rachel.chamberlain@bc.edu)\n\nOpe n to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \ n\nPress Release\n\nA Fresh Vision celebrates a recent gift of thirty-six o utstanding paintings from the School of Tervuren from Charles Hack and the Hearn Family Trust\, a gift that establishes the McMullen as home to the le ading collection of nineteenth-century Belgian landscape painting in North America. The exhibition explores the School of Tervuren\, a group of Belgia n artists who\, in the second half of the nineteenth century\, turned their gaze to the quiet forests and fields near Brussels. It examines how artist s rejected academic convention and the growing spectacle of modern urban li fe to embrace the natural world as a source of truth\, beauty\, and renewal .\n\nThe exhibition also demonstrates how the Tervuren painters\, including Theodore Fourmois\, Hippolyte Boulenger\, Joseph-Théodore Coosemans\, and Théodore T’Scharner\, were influenced by the French Barbizon painters to bl end Romantic sensibility with realist technique\, capturing the nuances of light\, weather\, and terrain in a modern\, expressive style. Painting outd oors—enabled by the recent invention of paint tubes\, and motivated by Roma ntic poetry and new scientific concepts of nature—they brought a fresh imme diacy to landscape painting.\n\nThough loosely defined\, the School of Terv uren represents a vital chapter in the international evolution of modern la ndscape. Like their contemporaries in Barbizon and Giverny in France\, Skag en in Denmark\, and the Hudson River Valley of New York\, these artists bel ieved in portraying nature as they saw and felt it\, in the moment. This ex hibition places Belgian landscape painting in dialogue with wider European and American movements\, inviting visitors to experience the power of place —and of painting—as a quiet yet radical form of resistance and renewal. Com parisons with selected works by Barbizon artists such as Charles-François D aubigny\, and artists associated with the Hudson River School\, like Albert Bierstadt and John Frederick Kensett\, introduce international parallels.\ n\nOrganized by the McMullen Museum\, A Fresh Vision has been curated by Je ffery Howe. Major support has been provided by Boston College and the Patro ns of the McMullen Museum. DTEND:20251110T220000Z DTSTAMP:20260412T114357Z DTSTART:20251110T150000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "A Fresh Vision: Landscape Painting in Belgium after Ro manticism\; The School of Tervuren in an International Context" UID:tag:localist.com\,2008:EventInstance_50524305001850 URL:https://events.bc.edu/event/exhibition-a-fresh-vision-landscape-paintin g-in-belgium-after-romanticism-the-school-of-tervuren-in-an-international-c ontext END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:A Fresh Vision: Landscape Painting in Belgium after Romanticism \; The School of Tervuren in an International Context\n\nOn view: August 25 –29 to BC classes by appointment (contact rachel.chamberlain@bc.edu)\n\nOpe n to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \ n\nPress Release\n\nA Fresh Vision celebrates a recent gift of thirty-six o utstanding paintings from the School of Tervuren from Charles Hack and the Hearn Family Trust\, a gift that establishes the McMullen as home to the le ading collection of nineteenth-century Belgian landscape painting in North America. The exhibition explores the School of Tervuren\, a group of Belgia n artists who\, in the second half of the nineteenth century\, turned their gaze to the quiet forests and fields near Brussels. It examines how artist s rejected academic convention and the growing spectacle of modern urban li fe to embrace the natural world as a source of truth\, beauty\, and renewal .\n\nThe exhibition also demonstrates how the Tervuren painters\, including Theodore Fourmois\, Hippolyte Boulenger\, Joseph-Théodore Coosemans\, and Théodore T’Scharner\, were influenced by the French Barbizon painters to bl end Romantic sensibility with realist technique\, capturing the nuances of light\, weather\, and terrain in a modern\, expressive style. Painting outd oors—enabled by the recent invention of paint tubes\, and motivated by Roma ntic poetry and new scientific concepts of nature—they brought a fresh imme diacy to landscape painting.\n\nThough loosely defined\, the School of Terv uren represents a vital chapter in the international evolution of modern la ndscape. Like their contemporaries in Barbizon and Giverny in France\, Skag en in Denmark\, and the Hudson River Valley of New York\, these artists bel ieved in portraying nature as they saw and felt it\, in the moment. This ex hibition places Belgian landscape painting in dialogue with wider European and American movements\, inviting visitors to experience the power of place —and of painting—as a quiet yet radical form of resistance and renewal. Com parisons with selected works by Barbizon artists such as Charles-François D aubigny\, and artists associated with the Hudson River School\, like Albert Bierstadt and John Frederick Kensett\, introduce international parallels.\ n\nOrganized by the McMullen Museum\, A Fresh Vision has been curated by Je ffery Howe. Major support has been provided by Boston College and the Patro ns of the McMullen Museum. DTEND:20251111T220000Z DTSTAMP:20260412T114357Z DTSTART:20251111T150000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "A Fresh Vision: Landscape Painting in Belgium after Ro manticism\; The School of Tervuren in an International Context" UID:tag:localist.com\,2008:EventInstance_50524305002875 URL:https://events.bc.edu/event/exhibition-a-fresh-vision-landscape-paintin g-in-belgium-after-romanticism-the-school-of-tervuren-in-an-international-c ontext END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:A Fresh Vision: Landscape Painting in Belgium after Romanticism \; The School of Tervuren in an International Context\n\nOn view: August 25 –29 to BC classes by appointment (contact rachel.chamberlain@bc.edu)\n\nOpe n to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \ n\nPress Release\n\nA Fresh Vision celebrates a recent gift of thirty-six o utstanding paintings from the School of Tervuren from Charles Hack and the Hearn Family Trust\, a gift that establishes the McMullen as home to the le ading collection of nineteenth-century Belgian landscape painting in North America. The exhibition explores the School of Tervuren\, a group of Belgia n artists who\, in the second half of the nineteenth century\, turned their gaze to the quiet forests and fields near Brussels. It examines how artist s rejected academic convention and the growing spectacle of modern urban li fe to embrace the natural world as a source of truth\, beauty\, and renewal .\n\nThe exhibition also demonstrates how the Tervuren painters\, including Theodore Fourmois\, Hippolyte Boulenger\, Joseph-Théodore Coosemans\, and Théodore T’Scharner\, were influenced by the French Barbizon painters to bl end Romantic sensibility with realist technique\, capturing the nuances of light\, weather\, and terrain in a modern\, expressive style. Painting outd oors—enabled by the recent invention of paint tubes\, and motivated by Roma ntic poetry and new scientific concepts of nature—they brought a fresh imme diacy to landscape painting.\n\nThough loosely defined\, the School of Terv uren represents a vital chapter in the international evolution of modern la ndscape. Like their contemporaries in Barbizon and Giverny in France\, Skag en in Denmark\, and the Hudson River Valley of New York\, these artists bel ieved in portraying nature as they saw and felt it\, in the moment. This ex hibition places Belgian landscape painting in dialogue with wider European and American movements\, inviting visitors to experience the power of place —and of painting—as a quiet yet radical form of resistance and renewal. Com parisons with selected works by Barbizon artists such as Charles-François D aubigny\, and artists associated with the Hudson River School\, like Albert Bierstadt and John Frederick Kensett\, introduce international parallels.\ n\nOrganized by the McMullen Museum\, A Fresh Vision has been curated by Je ffery Howe. Major support has been provided by Boston College and the Patro ns of the McMullen Museum. DTEND:20251112T220000Z DTSTAMP:20260412T114357Z DTSTART:20251112T150000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "A Fresh Vision: Landscape Painting in Belgium after Ro manticism\; The School of Tervuren in an International Context" UID:tag:localist.com\,2008:EventInstance_50524305004924 URL:https://events.bc.edu/event/exhibition-a-fresh-vision-landscape-paintin g-in-belgium-after-romanticism-the-school-of-tervuren-in-an-international-c ontext END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:A Fresh Vision: Landscape Painting in Belgium after Romanticism \; The School of Tervuren in an International Context\n\nOn view: August 25 –29 to BC classes by appointment (contact rachel.chamberlain@bc.edu)\n\nOpe n to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \ n\nPress Release\n\nA Fresh Vision celebrates a recent gift of thirty-six o utstanding paintings from the School of Tervuren from Charles Hack and the Hearn Family Trust\, a gift that establishes the McMullen as home to the le ading collection of nineteenth-century Belgian landscape painting in North America. The exhibition explores the School of Tervuren\, a group of Belgia n artists who\, in the second half of the nineteenth century\, turned their gaze to the quiet forests and fields near Brussels. It examines how artist s rejected academic convention and the growing spectacle of modern urban li fe to embrace the natural world as a source of truth\, beauty\, and renewal .\n\nThe exhibition also demonstrates how the Tervuren painters\, including Theodore Fourmois\, Hippolyte Boulenger\, Joseph-Théodore Coosemans\, and Théodore T’Scharner\, were influenced by the French Barbizon painters to bl end Romantic sensibility with realist technique\, capturing the nuances of light\, weather\, and terrain in a modern\, expressive style. Painting outd oors—enabled by the recent invention of paint tubes\, and motivated by Roma ntic poetry and new scientific concepts of nature—they brought a fresh imme diacy to landscape painting.\n\nThough loosely defined\, the School of Terv uren represents a vital chapter in the international evolution of modern la ndscape. Like their contemporaries in Barbizon and Giverny in France\, Skag en in Denmark\, and the Hudson River Valley of New York\, these artists bel ieved in portraying nature as they saw and felt it\, in the moment. This ex hibition places Belgian landscape painting in dialogue with wider European and American movements\, inviting visitors to experience the power of place —and of painting—as a quiet yet radical form of resistance and renewal. Com parisons with selected works by Barbizon artists such as Charles-François D aubigny\, and artists associated with the Hudson River School\, like Albert Bierstadt and John Frederick Kensett\, introduce international parallels.\ n\nOrganized by the McMullen Museum\, A Fresh Vision has been curated by Je ffery Howe. Major support has been provided by Boston College and the Patro ns of the McMullen Museum. DTEND:20251113T220000Z DTSTAMP:20260412T114357Z DTSTART:20251113T150000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "A Fresh Vision: Landscape Painting in Belgium after Ro manticism\; The School of Tervuren in an International Context" UID:tag:localist.com\,2008:EventInstance_50524305005949 URL:https://events.bc.edu/event/exhibition-a-fresh-vision-landscape-paintin g-in-belgium-after-romanticism-the-school-of-tervuren-in-an-international-c ontext END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:A Fresh Vision: Landscape Painting in Belgium after Romanticism \; The School of Tervuren in an International Context\n\nOn view: August 25 –29 to BC classes by appointment (contact rachel.chamberlain@bc.edu)\n\nOpe n to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \ n\nPress Release\n\nA Fresh Vision celebrates a recent gift of thirty-six o utstanding paintings from the School of Tervuren from Charles Hack and the Hearn Family Trust\, a gift that establishes the McMullen as home to the le ading collection of nineteenth-century Belgian landscape painting in North America. The exhibition explores the School of Tervuren\, a group of Belgia n artists who\, in the second half of the nineteenth century\, turned their gaze to the quiet forests and fields near Brussels. It examines how artist s rejected academic convention and the growing spectacle of modern urban li fe to embrace the natural world as a source of truth\, beauty\, and renewal .\n\nThe exhibition also demonstrates how the Tervuren painters\, including Theodore Fourmois\, Hippolyte Boulenger\, Joseph-Théodore Coosemans\, and Théodore T’Scharner\, were influenced by the French Barbizon painters to bl end Romantic sensibility with realist technique\, capturing the nuances of light\, weather\, and terrain in a modern\, expressive style. Painting outd oors—enabled by the recent invention of paint tubes\, and motivated by Roma ntic poetry and new scientific concepts of nature—they brought a fresh imme diacy to landscape painting.\n\nThough loosely defined\, the School of Terv uren represents a vital chapter in the international evolution of modern la ndscape. Like their contemporaries in Barbizon and Giverny in France\, Skag en in Denmark\, and the Hudson River Valley of New York\, these artists bel ieved in portraying nature as they saw and felt it\, in the moment. This ex hibition places Belgian landscape painting in dialogue with wider European and American movements\, inviting visitors to experience the power of place —and of painting—as a quiet yet radical form of resistance and renewal. Com parisons with selected works by Barbizon artists such as Charles-François D aubigny\, and artists associated with the Hudson River School\, like Albert Bierstadt and John Frederick Kensett\, introduce international parallels.\ n\nOrganized by the McMullen Museum\, A Fresh Vision has been curated by Je ffery Howe. Major support has been provided by Boston College and the Patro ns of the McMullen Museum. DTEND:20251114T220000Z DTSTAMP:20260412T114357Z DTSTART:20251114T150000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "A Fresh Vision: Landscape Painting in Belgium after Ro manticism\; The School of Tervuren in an International Context" UID:tag:localist.com\,2008:EventInstance_50524305007998 URL:https://events.bc.edu/event/exhibition-a-fresh-vision-landscape-paintin g-in-belgium-after-romanticism-the-school-of-tervuren-in-an-international-c ontext END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:A Fresh Vision: Landscape Painting in Belgium after Romanticism \; The School of Tervuren in an International Context\n\nOn view: August 25 –29 to BC classes by appointment (contact rachel.chamberlain@bc.edu)\n\nOpe n to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \ n\nPress Release\n\nA Fresh Vision celebrates a recent gift of thirty-six o utstanding paintings from the School of Tervuren from Charles Hack and the Hearn Family Trust\, a gift that establishes the McMullen as home to the le ading collection of nineteenth-century Belgian landscape painting in North America. The exhibition explores the School of Tervuren\, a group of Belgia n artists who\, in the second half of the nineteenth century\, turned their gaze to the quiet forests and fields near Brussels. It examines how artist s rejected academic convention and the growing spectacle of modern urban li fe to embrace the natural world as a source of truth\, beauty\, and renewal .\n\nThe exhibition also demonstrates how the Tervuren painters\, including Theodore Fourmois\, Hippolyte Boulenger\, Joseph-Théodore Coosemans\, and Théodore T’Scharner\, were influenced by the French Barbizon painters to bl end Romantic sensibility with realist technique\, capturing the nuances of light\, weather\, and terrain in a modern\, expressive style. Painting outd oors—enabled by the recent invention of paint tubes\, and motivated by Roma ntic poetry and new scientific concepts of nature—they brought a fresh imme diacy to landscape painting.\n\nThough loosely defined\, the School of Terv uren represents a vital chapter in the international evolution of modern la ndscape. Like their contemporaries in Barbizon and Giverny in France\, Skag en in Denmark\, and the Hudson River Valley of New York\, these artists bel ieved in portraying nature as they saw and felt it\, in the moment. This ex hibition places Belgian landscape painting in dialogue with wider European and American movements\, inviting visitors to experience the power of place —and of painting—as a quiet yet radical form of resistance and renewal. Com parisons with selected works by Barbizon artists such as Charles-François D aubigny\, and artists associated with the Hudson River School\, like Albert Bierstadt and John Frederick Kensett\, introduce international parallels.\ n\nOrganized by the McMullen Museum\, A Fresh Vision has been curated by Je ffery Howe. Major support has been provided by Boston College and the Patro ns of the McMullen Museum. DTEND:20251115T220000Z DTSTAMP:20260412T114357Z DTSTART:20251115T170000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "A Fresh Vision: Landscape Painting in Belgium after Ro manticism\; The School of Tervuren in an International Context" UID:tag:localist.com\,2008:EventInstance_50524305009023 URL:https://events.bc.edu/event/exhibition-a-fresh-vision-landscape-paintin g-in-belgium-after-romanticism-the-school-of-tervuren-in-an-international-c ontext END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:A Fresh Vision: Landscape Painting in Belgium after Romanticism \; The School of Tervuren in an International Context\n\nOn view: August 25 –29 to BC classes by appointment (contact rachel.chamberlain@bc.edu)\n\nOpe n to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \ n\nPress Release\n\nA Fresh Vision celebrates a recent gift of thirty-six o utstanding paintings from the School of Tervuren from Charles Hack and the Hearn Family Trust\, a gift that establishes the McMullen as home to the le ading collection of nineteenth-century Belgian landscape painting in North America. The exhibition explores the School of Tervuren\, a group of Belgia n artists who\, in the second half of the nineteenth century\, turned their gaze to the quiet forests and fields near Brussels. It examines how artist s rejected academic convention and the growing spectacle of modern urban li fe to embrace the natural world as a source of truth\, beauty\, and renewal .\n\nThe exhibition also demonstrates how the Tervuren painters\, including Theodore Fourmois\, Hippolyte Boulenger\, Joseph-Théodore Coosemans\, and Théodore T’Scharner\, were influenced by the French Barbizon painters to bl end Romantic sensibility with realist technique\, capturing the nuances of light\, weather\, and terrain in a modern\, expressive style. Painting outd oors—enabled by the recent invention of paint tubes\, and motivated by Roma ntic poetry and new scientific concepts of nature—they brought a fresh imme diacy to landscape painting.\n\nThough loosely defined\, the School of Terv uren represents a vital chapter in the international evolution of modern la ndscape. Like their contemporaries in Barbizon and Giverny in France\, Skag en in Denmark\, and the Hudson River Valley of New York\, these artists bel ieved in portraying nature as they saw and felt it\, in the moment. This ex hibition places Belgian landscape painting in dialogue with wider European and American movements\, inviting visitors to experience the power of place —and of painting—as a quiet yet radical form of resistance and renewal. Com parisons with selected works by Barbizon artists such as Charles-François D aubigny\, and artists associated with the Hudson River School\, like Albert Bierstadt and John Frederick Kensett\, introduce international parallels.\ n\nOrganized by the McMullen Museum\, A Fresh Vision has been curated by Je ffery Howe. Major support has been provided by Boston College and the Patro ns of the McMullen Museum. DTEND:20251116T220000Z DTSTAMP:20260412T114357Z DTSTART:20251116T170000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "A Fresh Vision: Landscape Painting in Belgium after Ro manticism\; The School of Tervuren in an International Context" UID:tag:localist.com\,2008:EventInstance_50524305011072 URL:https://events.bc.edu/event/exhibition-a-fresh-vision-landscape-paintin g-in-belgium-after-romanticism-the-school-of-tervuren-in-an-international-c ontext END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:A Fresh Vision: Landscape Painting in Belgium after Romanticism \; The School of Tervuren in an International Context\n\nOn view: August 25 –29 to BC classes by appointment (contact rachel.chamberlain@bc.edu)\n\nOpe n to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \ n\nPress Release\n\nA Fresh Vision celebrates a recent gift of thirty-six o utstanding paintings from the School of Tervuren from Charles Hack and the Hearn Family Trust\, a gift that establishes the McMullen as home to the le ading collection of nineteenth-century Belgian landscape painting in North America. The exhibition explores the School of Tervuren\, a group of Belgia n artists who\, in the second half of the nineteenth century\, turned their gaze to the quiet forests and fields near Brussels. It examines how artist s rejected academic convention and the growing spectacle of modern urban li fe to embrace the natural world as a source of truth\, beauty\, and renewal .\n\nThe exhibition also demonstrates how the Tervuren painters\, including Theodore Fourmois\, Hippolyte Boulenger\, Joseph-Théodore Coosemans\, and Théodore T’Scharner\, were influenced by the French Barbizon painters to bl end Romantic sensibility with realist technique\, capturing the nuances of light\, weather\, and terrain in a modern\, expressive style. Painting outd oors—enabled by the recent invention of paint tubes\, and motivated by Roma ntic poetry and new scientific concepts of nature—they brought a fresh imme diacy to landscape painting.\n\nThough loosely defined\, the School of Terv uren represents a vital chapter in the international evolution of modern la ndscape. Like their contemporaries in Barbizon and Giverny in France\, Skag en in Denmark\, and the Hudson River Valley of New York\, these artists bel ieved in portraying nature as they saw and felt it\, in the moment. This ex hibition places Belgian landscape painting in dialogue with wider European and American movements\, inviting visitors to experience the power of place —and of painting—as a quiet yet radical form of resistance and renewal. Com parisons with selected works by Barbizon artists such as Charles-François D aubigny\, and artists associated with the Hudson River School\, like Albert Bierstadt and John Frederick Kensett\, introduce international parallels.\ n\nOrganized by the McMullen Museum\, A Fresh Vision has been curated by Je ffery Howe. Major support has been provided by Boston College and the Patro ns of the McMullen Museum. DTEND:20251117T220000Z DTSTAMP:20260412T114357Z DTSTART:20251117T150000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "A Fresh Vision: Landscape Painting in Belgium after Ro manticism\; The School of Tervuren in an International Context" UID:tag:localist.com\,2008:EventInstance_50524305012097 URL:https://events.bc.edu/event/exhibition-a-fresh-vision-landscape-paintin g-in-belgium-after-romanticism-the-school-of-tervuren-in-an-international-c ontext END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:A Fresh Vision: Landscape Painting in Belgium after Romanticism \; The School of Tervuren in an International Context\n\nOn view: August 25 –29 to BC classes by appointment (contact rachel.chamberlain@bc.edu)\n\nOpe n to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \ n\nPress Release\n\nA Fresh Vision celebrates a recent gift of thirty-six o utstanding paintings from the School of Tervuren from Charles Hack and the Hearn Family Trust\, a gift that establishes the McMullen as home to the le ading collection of nineteenth-century Belgian landscape painting in North America. The exhibition explores the School of Tervuren\, a group of Belgia n artists who\, in the second half of the nineteenth century\, turned their gaze to the quiet forests and fields near Brussels. It examines how artist s rejected academic convention and the growing spectacle of modern urban li fe to embrace the natural world as a source of truth\, beauty\, and renewal .\n\nThe exhibition also demonstrates how the Tervuren painters\, including Theodore Fourmois\, Hippolyte Boulenger\, Joseph-Théodore Coosemans\, and Théodore T’Scharner\, were influenced by the French Barbizon painters to bl end Romantic sensibility with realist technique\, capturing the nuances of light\, weather\, and terrain in a modern\, expressive style. Painting outd oors—enabled by the recent invention of paint tubes\, and motivated by Roma ntic poetry and new scientific concepts of nature—they brought a fresh imme diacy to landscape painting.\n\nThough loosely defined\, the School of Terv uren represents a vital chapter in the international evolution of modern la ndscape. Like their contemporaries in Barbizon and Giverny in France\, Skag en in Denmark\, and the Hudson River Valley of New York\, these artists bel ieved in portraying nature as they saw and felt it\, in the moment. This ex hibition places Belgian landscape painting in dialogue with wider European and American movements\, inviting visitors to experience the power of place —and of painting—as a quiet yet radical form of resistance and renewal. Com parisons with selected works by Barbizon artists such as Charles-François D aubigny\, and artists associated with the Hudson River School\, like Albert Bierstadt and John Frederick Kensett\, introduce international parallels.\ n\nOrganized by the McMullen Museum\, A Fresh Vision has been curated by Je ffery Howe. Major support has been provided by Boston College and the Patro ns of the McMullen Museum. DTEND:20251118T220000Z DTSTAMP:20260412T114357Z DTSTART:20251118T150000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "A Fresh Vision: Landscape Painting in Belgium after Ro manticism\; The School of Tervuren in an International Context" UID:tag:localist.com\,2008:EventInstance_50524305014146 URL:https://events.bc.edu/event/exhibition-a-fresh-vision-landscape-paintin g-in-belgium-after-romanticism-the-school-of-tervuren-in-an-international-c ontext END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:A Fresh Vision: Landscape Painting in Belgium after Romanticism \; The School of Tervuren in an International Context\n\nOn view: August 25 –29 to BC classes by appointment (contact rachel.chamberlain@bc.edu)\n\nOpe n to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \ n\nPress Release\n\nA Fresh Vision celebrates a recent gift of thirty-six o utstanding paintings from the School of Tervuren from Charles Hack and the Hearn Family Trust\, a gift that establishes the McMullen as home to the le ading collection of nineteenth-century Belgian landscape painting in North America. The exhibition explores the School of Tervuren\, a group of Belgia n artists who\, in the second half of the nineteenth century\, turned their gaze to the quiet forests and fields near Brussels. It examines how artist s rejected academic convention and the growing spectacle of modern urban li fe to embrace the natural world as a source of truth\, beauty\, and renewal .\n\nThe exhibition also demonstrates how the Tervuren painters\, including Theodore Fourmois\, Hippolyte Boulenger\, Joseph-Théodore Coosemans\, and Théodore T’Scharner\, were influenced by the French Barbizon painters to bl end Romantic sensibility with realist technique\, capturing the nuances of light\, weather\, and terrain in a modern\, expressive style. Painting outd oors—enabled by the recent invention of paint tubes\, and motivated by Roma ntic poetry and new scientific concepts of nature—they brought a fresh imme diacy to landscape painting.\n\nThough loosely defined\, the School of Terv uren represents a vital chapter in the international evolution of modern la ndscape. Like their contemporaries in Barbizon and Giverny in France\, Skag en in Denmark\, and the Hudson River Valley of New York\, these artists bel ieved in portraying nature as they saw and felt it\, in the moment. This ex hibition places Belgian landscape painting in dialogue with wider European and American movements\, inviting visitors to experience the power of place —and of painting—as a quiet yet radical form of resistance and renewal. Com parisons with selected works by Barbizon artists such as Charles-François D aubigny\, and artists associated with the Hudson River School\, like Albert Bierstadt and John Frederick Kensett\, introduce international parallels.\ n\nOrganized by the McMullen Museum\, A Fresh Vision has been curated by Je ffery Howe. Major support has been provided by Boston College and the Patro ns of the McMullen Museum. DTEND:20251119T220000Z DTSTAMP:20260412T114357Z DTSTART:20251119T150000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "A Fresh Vision: Landscape Painting in Belgium after Ro manticism\; The School of Tervuren in an International Context" UID:tag:localist.com\,2008:EventInstance_50524305016195 URL:https://events.bc.edu/event/exhibition-a-fresh-vision-landscape-paintin g-in-belgium-after-romanticism-the-school-of-tervuren-in-an-international-c ontext END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:A Fresh Vision: Landscape Painting in Belgium after Romanticism \; The School of Tervuren in an International Context\n\nOn view: August 25 –29 to BC classes by appointment (contact rachel.chamberlain@bc.edu)\n\nOpe n to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \ n\nPress Release\n\nA Fresh Vision celebrates a recent gift of thirty-six o utstanding paintings from the School of Tervuren from Charles Hack and the Hearn Family Trust\, a gift that establishes the McMullen as home to the le ading collection of nineteenth-century Belgian landscape painting in North America. The exhibition explores the School of Tervuren\, a group of Belgia n artists who\, in the second half of the nineteenth century\, turned their gaze to the quiet forests and fields near Brussels. It examines how artist s rejected academic convention and the growing spectacle of modern urban li fe to embrace the natural world as a source of truth\, beauty\, and renewal .\n\nThe exhibition also demonstrates how the Tervuren painters\, including Theodore Fourmois\, Hippolyte Boulenger\, Joseph-Théodore Coosemans\, and Théodore T’Scharner\, were influenced by the French Barbizon painters to bl end Romantic sensibility with realist technique\, capturing the nuances of light\, weather\, and terrain in a modern\, expressive style. Painting outd oors—enabled by the recent invention of paint tubes\, and motivated by Roma ntic poetry and new scientific concepts of nature—they brought a fresh imme diacy to landscape painting.\n\nThough loosely defined\, the School of Terv uren represents a vital chapter in the international evolution of modern la ndscape. Like their contemporaries in Barbizon and Giverny in France\, Skag en in Denmark\, and the Hudson River Valley of New York\, these artists bel ieved in portraying nature as they saw and felt it\, in the moment. This ex hibition places Belgian landscape painting in dialogue with wider European and American movements\, inviting visitors to experience the power of place —and of painting—as a quiet yet radical form of resistance and renewal. Com parisons with selected works by Barbizon artists such as Charles-François D aubigny\, and artists associated with the Hudson River School\, like Albert Bierstadt and John Frederick Kensett\, introduce international parallels.\ n\nOrganized by the McMullen Museum\, A Fresh Vision has been curated by Je ffery Howe. Major support has been provided by Boston College and the Patro ns of the McMullen Museum. DTEND:20251120T220000Z DTSTAMP:20260412T114357Z DTSTART:20251120T150000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "A Fresh Vision: Landscape Painting in Belgium after Ro manticism\; The School of Tervuren in an International Context" UID:tag:localist.com\,2008:EventInstance_50524305018244 URL:https://events.bc.edu/event/exhibition-a-fresh-vision-landscape-paintin g-in-belgium-after-romanticism-the-school-of-tervuren-in-an-international-c ontext END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:A Fresh Vision: Landscape Painting in Belgium after Romanticism \; The School of Tervuren in an International Context\n\nOn view: August 25 –29 to BC classes by appointment (contact rachel.chamberlain@bc.edu)\n\nOpe n to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \ n\nPress Release\n\nA Fresh Vision celebrates a recent gift of thirty-six o utstanding paintings from the School of Tervuren from Charles Hack and the Hearn Family Trust\, a gift that establishes the McMullen as home to the le ading collection of nineteenth-century Belgian landscape painting in North America. The exhibition explores the School of Tervuren\, a group of Belgia n artists who\, in the second half of the nineteenth century\, turned their gaze to the quiet forests and fields near Brussels. It examines how artist s rejected academic convention and the growing spectacle of modern urban li fe to embrace the natural world as a source of truth\, beauty\, and renewal .\n\nThe exhibition also demonstrates how the Tervuren painters\, including Theodore Fourmois\, Hippolyte Boulenger\, Joseph-Théodore Coosemans\, and Théodore T’Scharner\, were influenced by the French Barbizon painters to bl end Romantic sensibility with realist technique\, capturing the nuances of light\, weather\, and terrain in a modern\, expressive style. Painting outd oors—enabled by the recent invention of paint tubes\, and motivated by Roma ntic poetry and new scientific concepts of nature—they brought a fresh imme diacy to landscape painting.\n\nThough loosely defined\, the School of Terv uren represents a vital chapter in the international evolution of modern la ndscape. Like their contemporaries in Barbizon and Giverny in France\, Skag en in Denmark\, and the Hudson River Valley of New York\, these artists bel ieved in portraying nature as they saw and felt it\, in the moment. This ex hibition places Belgian landscape painting in dialogue with wider European and American movements\, inviting visitors to experience the power of place —and of painting—as a quiet yet radical form of resistance and renewal. Com parisons with selected works by Barbizon artists such as Charles-François D aubigny\, and artists associated with the Hudson River School\, like Albert Bierstadt and John Frederick Kensett\, introduce international parallels.\ n\nOrganized by the McMullen Museum\, A Fresh Vision has been curated by Je ffery Howe. Major support has been provided by Boston College and the Patro ns of the McMullen Museum. DTEND:20251121T220000Z DTSTAMP:20260412T114357Z DTSTART:20251121T150000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "A Fresh Vision: Landscape Painting in Belgium after Ro manticism\; The School of Tervuren in an International Context" UID:tag:localist.com\,2008:EventInstance_50524305020293 URL:https://events.bc.edu/event/exhibition-a-fresh-vision-landscape-paintin g-in-belgium-after-romanticism-the-school-of-tervuren-in-an-international-c ontext END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:A Fresh Vision: Landscape Painting in Belgium after Romanticism \; The School of Tervuren in an International Context\n\nOn view: August 25 –29 to BC classes by appointment (contact rachel.chamberlain@bc.edu)\n\nOpe n to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \ n\nPress Release\n\nA Fresh Vision celebrates a recent gift of thirty-six o utstanding paintings from the School of Tervuren from Charles Hack and the Hearn Family Trust\, a gift that establishes the McMullen as home to the le ading collection of nineteenth-century Belgian landscape painting in North America. The exhibition explores the School of Tervuren\, a group of Belgia n artists who\, in the second half of the nineteenth century\, turned their gaze to the quiet forests and fields near Brussels. It examines how artist s rejected academic convention and the growing spectacle of modern urban li fe to embrace the natural world as a source of truth\, beauty\, and renewal .\n\nThe exhibition also demonstrates how the Tervuren painters\, including Theodore Fourmois\, Hippolyte Boulenger\, Joseph-Théodore Coosemans\, and Théodore T’Scharner\, were influenced by the French Barbizon painters to bl end Romantic sensibility with realist technique\, capturing the nuances of light\, weather\, and terrain in a modern\, expressive style. Painting outd oors—enabled by the recent invention of paint tubes\, and motivated by Roma ntic poetry and new scientific concepts of nature—they brought a fresh imme diacy to landscape painting.\n\nThough loosely defined\, the School of Terv uren represents a vital chapter in the international evolution of modern la ndscape. Like their contemporaries in Barbizon and Giverny in France\, Skag en in Denmark\, and the Hudson River Valley of New York\, these artists bel ieved in portraying nature as they saw and felt it\, in the moment. This ex hibition places Belgian landscape painting in dialogue with wider European and American movements\, inviting visitors to experience the power of place —and of painting—as a quiet yet radical form of resistance and renewal. Com parisons with selected works by Barbizon artists such as Charles-François D aubigny\, and artists associated with the Hudson River School\, like Albert Bierstadt and John Frederick Kensett\, introduce international parallels.\ n\nOrganized by the McMullen Museum\, A Fresh Vision has been curated by Je ffery Howe. Major support has been provided by Boston College and the Patro ns of the McMullen Museum. DTEND:20251122T220000Z DTSTAMP:20260412T114357Z DTSTART:20251122T170000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "A Fresh Vision: Landscape Painting in Belgium after Ro manticism\; The School of Tervuren in an International Context" UID:tag:localist.com\,2008:EventInstance_50524305021318 URL:https://events.bc.edu/event/exhibition-a-fresh-vision-landscape-paintin g-in-belgium-after-romanticism-the-school-of-tervuren-in-an-international-c ontext END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:A Fresh Vision: Landscape Painting in Belgium after Romanticism \; The School of Tervuren in an International Context\n\nOn view: August 25 –29 to BC classes by appointment (contact rachel.chamberlain@bc.edu)\n\nOpe n to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \ n\nPress Release\n\nA Fresh Vision celebrates a recent gift of thirty-six o utstanding paintings from the School of Tervuren from Charles Hack and the Hearn Family Trust\, a gift that establishes the McMullen as home to the le ading collection of nineteenth-century Belgian landscape painting in North America. The exhibition explores the School of Tervuren\, a group of Belgia n artists who\, in the second half of the nineteenth century\, turned their gaze to the quiet forests and fields near Brussels. It examines how artist s rejected academic convention and the growing spectacle of modern urban li fe to embrace the natural world as a source of truth\, beauty\, and renewal .\n\nThe exhibition also demonstrates how the Tervuren painters\, including Theodore Fourmois\, Hippolyte Boulenger\, Joseph-Théodore Coosemans\, and Théodore T’Scharner\, were influenced by the French Barbizon painters to bl end Romantic sensibility with realist technique\, capturing the nuances of light\, weather\, and terrain in a modern\, expressive style. Painting outd oors—enabled by the recent invention of paint tubes\, and motivated by Roma ntic poetry and new scientific concepts of nature—they brought a fresh imme diacy to landscape painting.\n\nThough loosely defined\, the School of Terv uren represents a vital chapter in the international evolution of modern la ndscape. Like their contemporaries in Barbizon and Giverny in France\, Skag en in Denmark\, and the Hudson River Valley of New York\, these artists bel ieved in portraying nature as they saw and felt it\, in the moment. This ex hibition places Belgian landscape painting in dialogue with wider European and American movements\, inviting visitors to experience the power of place —and of painting—as a quiet yet radical form of resistance and renewal. Com parisons with selected works by Barbizon artists such as Charles-François D aubigny\, and artists associated with the Hudson River School\, like Albert Bierstadt and John Frederick Kensett\, introduce international parallels.\ n\nOrganized by the McMullen Museum\, A Fresh Vision has been curated by Je ffery Howe. Major support has been provided by Boston College and the Patro ns of the McMullen Museum. DTEND:20251123T220000Z DTSTAMP:20260412T114357Z DTSTART:20251123T170000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "A Fresh Vision: Landscape Painting in Belgium after Ro manticism\; The School of Tervuren in an International Context" UID:tag:localist.com\,2008:EventInstance_50524305023367 URL:https://events.bc.edu/event/exhibition-a-fresh-vision-landscape-paintin g-in-belgium-after-romanticism-the-school-of-tervuren-in-an-international-c ontext END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:A Fresh Vision: Landscape Painting in Belgium after Romanticism \; The School of Tervuren in an International Context\n\nOn view: August 25 –29 to BC classes by appointment (contact rachel.chamberlain@bc.edu)\n\nOpe n to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \ n\nPress Release\n\nA Fresh Vision celebrates a recent gift of thirty-six o utstanding paintings from the School of Tervuren from Charles Hack and the Hearn Family Trust\, a gift that establishes the McMullen as home to the le ading collection of nineteenth-century Belgian landscape painting in North America. The exhibition explores the School of Tervuren\, a group of Belgia n artists who\, in the second half of the nineteenth century\, turned their gaze to the quiet forests and fields near Brussels. It examines how artist s rejected academic convention and the growing spectacle of modern urban li fe to embrace the natural world as a source of truth\, beauty\, and renewal .\n\nThe exhibition also demonstrates how the Tervuren painters\, including Theodore Fourmois\, Hippolyte Boulenger\, Joseph-Théodore Coosemans\, and Théodore T’Scharner\, were influenced by the French Barbizon painters to bl end Romantic sensibility with realist technique\, capturing the nuances of light\, weather\, and terrain in a modern\, expressive style. Painting outd oors—enabled by the recent invention of paint tubes\, and motivated by Roma ntic poetry and new scientific concepts of nature—they brought a fresh imme diacy to landscape painting.\n\nThough loosely defined\, the School of Terv uren represents a vital chapter in the international evolution of modern la ndscape. Like their contemporaries in Barbizon and Giverny in France\, Skag en in Denmark\, and the Hudson River Valley of New York\, these artists bel ieved in portraying nature as they saw and felt it\, in the moment. This ex hibition places Belgian landscape painting in dialogue with wider European and American movements\, inviting visitors to experience the power of place —and of painting—as a quiet yet radical form of resistance and renewal. Com parisons with selected works by Barbizon artists such as Charles-François D aubigny\, and artists associated with the Hudson River School\, like Albert Bierstadt and John Frederick Kensett\, introduce international parallels.\ n\nOrganized by the McMullen Museum\, A Fresh Vision has been curated by Je ffery Howe. Major support has been provided by Boston College and the Patro ns of the McMullen Museum. DTEND:20251124T220000Z DTSTAMP:20260412T114357Z DTSTART:20251124T150000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "A Fresh Vision: Landscape Painting in Belgium after Ro manticism\; The School of Tervuren in an International Context" UID:tag:localist.com\,2008:EventInstance_50524305025416 URL:https://events.bc.edu/event/exhibition-a-fresh-vision-landscape-paintin g-in-belgium-after-romanticism-the-school-of-tervuren-in-an-international-c ontext END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:A Fresh Vision: Landscape Painting in Belgium after Romanticism \; The School of Tervuren in an International Context\n\nOn view: August 25 –29 to BC classes by appointment (contact rachel.chamberlain@bc.edu)\n\nOpe n to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \ n\nPress Release\n\nA Fresh Vision celebrates a recent gift of thirty-six o utstanding paintings from the School of Tervuren from Charles Hack and the Hearn Family Trust\, a gift that establishes the McMullen as home to the le ading collection of nineteenth-century Belgian landscape painting in North America. The exhibition explores the School of Tervuren\, a group of Belgia n artists who\, in the second half of the nineteenth century\, turned their gaze to the quiet forests and fields near Brussels. It examines how artist s rejected academic convention and the growing spectacle of modern urban li fe to embrace the natural world as a source of truth\, beauty\, and renewal .\n\nThe exhibition also demonstrates how the Tervuren painters\, including Theodore Fourmois\, Hippolyte Boulenger\, Joseph-Théodore Coosemans\, and Théodore T’Scharner\, were influenced by the French Barbizon painters to bl end Romantic sensibility with realist technique\, capturing the nuances of light\, weather\, and terrain in a modern\, expressive style. Painting outd oors—enabled by the recent invention of paint tubes\, and motivated by Roma ntic poetry and new scientific concepts of nature—they brought a fresh imme diacy to landscape painting.\n\nThough loosely defined\, the School of Terv uren represents a vital chapter in the international evolution of modern la ndscape. Like their contemporaries in Barbizon and Giverny in France\, Skag en in Denmark\, and the Hudson River Valley of New York\, these artists bel ieved in portraying nature as they saw and felt it\, in the moment. This ex hibition places Belgian landscape painting in dialogue with wider European and American movements\, inviting visitors to experience the power of place —and of painting—as a quiet yet radical form of resistance and renewal. Com parisons with selected works by Barbizon artists such as Charles-François D aubigny\, and artists associated with the Hudson River School\, like Albert Bierstadt and John Frederick Kensett\, introduce international parallels.\ n\nOrganized by the McMullen Museum\, A Fresh Vision has been curated by Je ffery Howe. Major support has been provided by Boston College and the Patro ns of the McMullen Museum. DTEND:20251125T220000Z DTSTAMP:20260412T114357Z DTSTART:20251125T150000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "A Fresh Vision: Landscape Painting in Belgium after Ro manticism\; The School of Tervuren in an International Context" UID:tag:localist.com\,2008:EventInstance_50524305027465 URL:https://events.bc.edu/event/exhibition-a-fresh-vision-landscape-paintin g-in-belgium-after-romanticism-the-school-of-tervuren-in-an-international-c ontext END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:A Fresh Vision: Landscape Painting in Belgium after Romanticism \; The School of Tervuren in an International Context\n\nOn view: August 25 –29 to BC classes by appointment (contact rachel.chamberlain@bc.edu)\n\nOpe n to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \ n\nPress Release\n\nA Fresh Vision celebrates a recent gift of thirty-six o utstanding paintings from the School of Tervuren from Charles Hack and the Hearn Family Trust\, a gift that establishes the McMullen as home to the le ading collection of nineteenth-century Belgian landscape painting in North America. The exhibition explores the School of Tervuren\, a group of Belgia n artists who\, in the second half of the nineteenth century\, turned their gaze to the quiet forests and fields near Brussels. It examines how artist s rejected academic convention and the growing spectacle of modern urban li fe to embrace the natural world as a source of truth\, beauty\, and renewal .\n\nThe exhibition also demonstrates how the Tervuren painters\, including Theodore Fourmois\, Hippolyte Boulenger\, Joseph-Théodore Coosemans\, and Théodore T’Scharner\, were influenced by the French Barbizon painters to bl end Romantic sensibility with realist technique\, capturing the nuances of light\, weather\, and terrain in a modern\, expressive style. Painting outd oors—enabled by the recent invention of paint tubes\, and motivated by Roma ntic poetry and new scientific concepts of nature—they brought a fresh imme diacy to landscape painting.\n\nThough loosely defined\, the School of Terv uren represents a vital chapter in the international evolution of modern la ndscape. Like their contemporaries in Barbizon and Giverny in France\, Skag en in Denmark\, and the Hudson River Valley of New York\, these artists bel ieved in portraying nature as they saw and felt it\, in the moment. This ex hibition places Belgian landscape painting in dialogue with wider European and American movements\, inviting visitors to experience the power of place —and of painting—as a quiet yet radical form of resistance and renewal. Com parisons with selected works by Barbizon artists such as Charles-François D aubigny\, and artists associated with the Hudson River School\, like Albert Bierstadt and John Frederick Kensett\, introduce international parallels.\ n\nOrganized by the McMullen Museum\, A Fresh Vision has been curated by Je ffery Howe. Major support has been provided by Boston College and the Patro ns of the McMullen Museum. DTEND:20251129T220000Z DTSTAMP:20260412T114357Z DTSTART:20251129T170000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "A Fresh Vision: Landscape Painting in Belgium after Ro manticism\; The School of Tervuren in an International Context" UID:tag:localist.com\,2008:EventInstance_50524305029514 URL:https://events.bc.edu/event/exhibition-a-fresh-vision-landscape-paintin g-in-belgium-after-romanticism-the-school-of-tervuren-in-an-international-c ontext END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:A Fresh Vision: Landscape Painting in Belgium after Romanticism \; The School of Tervuren in an International Context\n\nOn view: August 25 –29 to BC classes by appointment (contact rachel.chamberlain@bc.edu)\n\nOpe n to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \ n\nPress Release\n\nA Fresh Vision celebrates a recent gift of thirty-six o utstanding paintings from the School of Tervuren from Charles Hack and the Hearn Family Trust\, a gift that establishes the McMullen as home to the le ading collection of nineteenth-century Belgian landscape painting in North America. The exhibition explores the School of Tervuren\, a group of Belgia n artists who\, in the second half of the nineteenth century\, turned their gaze to the quiet forests and fields near Brussels. It examines how artist s rejected academic convention and the growing spectacle of modern urban li fe to embrace the natural world as a source of truth\, beauty\, and renewal .\n\nThe exhibition also demonstrates how the Tervuren painters\, including Theodore Fourmois\, Hippolyte Boulenger\, Joseph-Théodore Coosemans\, and Théodore T’Scharner\, were influenced by the French Barbizon painters to bl end Romantic sensibility with realist technique\, capturing the nuances of light\, weather\, and terrain in a modern\, expressive style. Painting outd oors—enabled by the recent invention of paint tubes\, and motivated by Roma ntic poetry and new scientific concepts of nature—they brought a fresh imme diacy to landscape painting.\n\nThough loosely defined\, the School of Terv uren represents a vital chapter in the international evolution of modern la ndscape. Like their contemporaries in Barbizon and Giverny in France\, Skag en in Denmark\, and the Hudson River Valley of New York\, these artists bel ieved in portraying nature as they saw and felt it\, in the moment. This ex hibition places Belgian landscape painting in dialogue with wider European and American movements\, inviting visitors to experience the power of place —and of painting—as a quiet yet radical form of resistance and renewal. Com parisons with selected works by Barbizon artists such as Charles-François D aubigny\, and artists associated with the Hudson River School\, like Albert Bierstadt and John Frederick Kensett\, introduce international parallels.\ n\nOrganized by the McMullen Museum\, A Fresh Vision has been curated by Je ffery Howe. Major support has been provided by Boston College and the Patro ns of the McMullen Museum. DTEND:20251130T220000Z DTSTAMP:20260412T114357Z DTSTART:20251130T170000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "A Fresh Vision: Landscape Painting in Belgium after Ro manticism\; The School of Tervuren in an International Context" UID:tag:localist.com\,2008:EventInstance_50524305031563 URL:https://events.bc.edu/event/exhibition-a-fresh-vision-landscape-paintin g-in-belgium-after-romanticism-the-school-of-tervuren-in-an-international-c ontext END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:A Fresh Vision: Landscape Painting in Belgium after Romanticism \; The School of Tervuren in an International Context\n\nOn view: August 25 –29 to BC classes by appointment (contact rachel.chamberlain@bc.edu)\n\nOpe n to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \ n\nPress Release\n\nA Fresh Vision celebrates a recent gift of thirty-six o utstanding paintings from the School of Tervuren from Charles Hack and the Hearn Family Trust\, a gift that establishes the McMullen as home to the le ading collection of nineteenth-century Belgian landscape painting in North America. The exhibition explores the School of Tervuren\, a group of Belgia n artists who\, in the second half of the nineteenth century\, turned their gaze to the quiet forests and fields near Brussels. It examines how artist s rejected academic convention and the growing spectacle of modern urban li fe to embrace the natural world as a source of truth\, beauty\, and renewal .\n\nThe exhibition also demonstrates how the Tervuren painters\, including Theodore Fourmois\, Hippolyte Boulenger\, Joseph-Théodore Coosemans\, and Théodore T’Scharner\, were influenced by the French Barbizon painters to bl end Romantic sensibility with realist technique\, capturing the nuances of light\, weather\, and terrain in a modern\, expressive style. Painting outd oors—enabled by the recent invention of paint tubes\, and motivated by Roma ntic poetry and new scientific concepts of nature—they brought a fresh imme diacy to landscape painting.\n\nThough loosely defined\, the School of Terv uren represents a vital chapter in the international evolution of modern la ndscape. Like their contemporaries in Barbizon and Giverny in France\, Skag en in Denmark\, and the Hudson River Valley of New York\, these artists bel ieved in portraying nature as they saw and felt it\, in the moment. This ex hibition places Belgian landscape painting in dialogue with wider European and American movements\, inviting visitors to experience the power of place —and of painting—as a quiet yet radical form of resistance and renewal. Com parisons with selected works by Barbizon artists such as Charles-François D aubigny\, and artists associated with the Hudson River School\, like Albert Bierstadt and John Frederick Kensett\, introduce international parallels.\ n\nOrganized by the McMullen Museum\, A Fresh Vision has been curated by Je ffery Howe. Major support has been provided by Boston College and the Patro ns of the McMullen Museum. DTEND:20251201T220000Z DTSTAMP:20260412T114357Z DTSTART:20251201T150000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "A Fresh Vision: Landscape Painting in Belgium after Ro manticism\; The School of Tervuren in an International Context" UID:tag:localist.com\,2008:EventInstance_50524305032588 URL:https://events.bc.edu/event/exhibition-a-fresh-vision-landscape-paintin g-in-belgium-after-romanticism-the-school-of-tervuren-in-an-international-c ontext END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:A Fresh Vision: Landscape Painting in Belgium after Romanticism \; The School of Tervuren in an International Context\n\nOn view: August 25 –29 to BC classes by appointment (contact rachel.chamberlain@bc.edu)\n\nOpe n to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \ n\nPress Release\n\nA Fresh Vision celebrates a recent gift of thirty-six o utstanding paintings from the School of Tervuren from Charles Hack and the Hearn Family Trust\, a gift that establishes the McMullen as home to the le ading collection of nineteenth-century Belgian landscape painting in North America. The exhibition explores the School of Tervuren\, a group of Belgia n artists who\, in the second half of the nineteenth century\, turned their gaze to the quiet forests and fields near Brussels. It examines how artist s rejected academic convention and the growing spectacle of modern urban li fe to embrace the natural world as a source of truth\, beauty\, and renewal .\n\nThe exhibition also demonstrates how the Tervuren painters\, including Theodore Fourmois\, Hippolyte Boulenger\, Joseph-Théodore Coosemans\, and Théodore T’Scharner\, were influenced by the French Barbizon painters to bl end Romantic sensibility with realist technique\, capturing the nuances of light\, weather\, and terrain in a modern\, expressive style. Painting outd oors—enabled by the recent invention of paint tubes\, and motivated by Roma ntic poetry and new scientific concepts of nature—they brought a fresh imme diacy to landscape painting.\n\nThough loosely defined\, the School of Terv uren represents a vital chapter in the international evolution of modern la ndscape. Like their contemporaries in Barbizon and Giverny in France\, Skag en in Denmark\, and the Hudson River Valley of New York\, these artists bel ieved in portraying nature as they saw and felt it\, in the moment. This ex hibition places Belgian landscape painting in dialogue with wider European and American movements\, inviting visitors to experience the power of place —and of painting—as a quiet yet radical form of resistance and renewal. Com parisons with selected works by Barbizon artists such as Charles-François D aubigny\, and artists associated with the Hudson River School\, like Albert Bierstadt and John Frederick Kensett\, introduce international parallels.\ n\nOrganized by the McMullen Museum\, A Fresh Vision has been curated by Je ffery Howe. Major support has been provided by Boston College and the Patro ns of the McMullen Museum. DTEND:20251202T220000Z DTSTAMP:20260412T114357Z DTSTART:20251202T150000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "A Fresh Vision: Landscape Painting in Belgium after Ro manticism\; The School of Tervuren in an International Context" UID:tag:localist.com\,2008:EventInstance_50524305034637 URL:https://events.bc.edu/event/exhibition-a-fresh-vision-landscape-paintin g-in-belgium-after-romanticism-the-school-of-tervuren-in-an-international-c ontext END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:A Fresh Vision: Landscape Painting in Belgium after Romanticism \; The School of Tervuren in an International Context\n\nOn view: August 25 –29 to BC classes by appointment (contact rachel.chamberlain@bc.edu)\n\nOpe n to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \ n\nPress Release\n\nA Fresh Vision celebrates a recent gift of thirty-six o utstanding paintings from the School of Tervuren from Charles Hack and the Hearn Family Trust\, a gift that establishes the McMullen as home to the le ading collection of nineteenth-century Belgian landscape painting in North America. The exhibition explores the School of Tervuren\, a group of Belgia n artists who\, in the second half of the nineteenth century\, turned their gaze to the quiet forests and fields near Brussels. It examines how artist s rejected academic convention and the growing spectacle of modern urban li fe to embrace the natural world as a source of truth\, beauty\, and renewal .\n\nThe exhibition also demonstrates how the Tervuren painters\, including Theodore Fourmois\, Hippolyte Boulenger\, Joseph-Théodore Coosemans\, and Théodore T’Scharner\, were influenced by the French Barbizon painters to bl end Romantic sensibility with realist technique\, capturing the nuances of light\, weather\, and terrain in a modern\, expressive style. Painting outd oors—enabled by the recent invention of paint tubes\, and motivated by Roma ntic poetry and new scientific concepts of nature—they brought a fresh imme diacy to landscape painting.\n\nThough loosely defined\, the School of Terv uren represents a vital chapter in the international evolution of modern la ndscape. Like their contemporaries in Barbizon and Giverny in France\, Skag en in Denmark\, and the Hudson River Valley of New York\, these artists bel ieved in portraying nature as they saw and felt it\, in the moment. This ex hibition places Belgian landscape painting in dialogue with wider European and American movements\, inviting visitors to experience the power of place —and of painting—as a quiet yet radical form of resistance and renewal. Com parisons with selected works by Barbizon artists such as Charles-François D aubigny\, and artists associated with the Hudson River School\, like Albert Bierstadt and John Frederick Kensett\, introduce international parallels.\ n\nOrganized by the McMullen Museum\, A Fresh Vision has been curated by Je ffery Howe. Major support has been provided by Boston College and the Patro ns of the McMullen Museum. DTEND:20251203T220000Z DTSTAMP:20260412T114357Z DTSTART:20251203T150000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "A Fresh Vision: Landscape Painting in Belgium after Ro manticism\; The School of Tervuren in an International Context" UID:tag:localist.com\,2008:EventInstance_50524305036686 URL:https://events.bc.edu/event/exhibition-a-fresh-vision-landscape-paintin g-in-belgium-after-romanticism-the-school-of-tervuren-in-an-international-c ontext END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:A Fresh Vision: Landscape Painting in Belgium after Romanticism \; The School of Tervuren in an International Context\n\nOn view: August 25 –29 to BC classes by appointment (contact rachel.chamberlain@bc.edu)\n\nOpe n to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \ n\nPress Release\n\nA Fresh Vision celebrates a recent gift of thirty-six o utstanding paintings from the School of Tervuren from Charles Hack and the Hearn Family Trust\, a gift that establishes the McMullen as home to the le ading collection of nineteenth-century Belgian landscape painting in North America. The exhibition explores the School of Tervuren\, a group of Belgia n artists who\, in the second half of the nineteenth century\, turned their gaze to the quiet forests and fields near Brussels. It examines how artist s rejected academic convention and the growing spectacle of modern urban li fe to embrace the natural world as a source of truth\, beauty\, and renewal .\n\nThe exhibition also demonstrates how the Tervuren painters\, including Theodore Fourmois\, Hippolyte Boulenger\, Joseph-Théodore Coosemans\, and Théodore T’Scharner\, were influenced by the French Barbizon painters to bl end Romantic sensibility with realist technique\, capturing the nuances of light\, weather\, and terrain in a modern\, expressive style. Painting outd oors—enabled by the recent invention of paint tubes\, and motivated by Roma ntic poetry and new scientific concepts of nature—they brought a fresh imme diacy to landscape painting.\n\nThough loosely defined\, the School of Terv uren represents a vital chapter in the international evolution of modern la ndscape. Like their contemporaries in Barbizon and Giverny in France\, Skag en in Denmark\, and the Hudson River Valley of New York\, these artists bel ieved in portraying nature as they saw and felt it\, in the moment. This ex hibition places Belgian landscape painting in dialogue with wider European and American movements\, inviting visitors to experience the power of place —and of painting—as a quiet yet radical form of resistance and renewal. Com parisons with selected works by Barbizon artists such as Charles-François D aubigny\, and artists associated with the Hudson River School\, like Albert Bierstadt and John Frederick Kensett\, introduce international parallels.\ n\nOrganized by the McMullen Museum\, A Fresh Vision has been curated by Je ffery Howe. Major support has been provided by Boston College and the Patro ns of the McMullen Museum. DTEND:20251204T220000Z DTSTAMP:20260412T114357Z DTSTART:20251204T150000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "A Fresh Vision: Landscape Painting in Belgium after Ro manticism\; The School of Tervuren in an International Context" UID:tag:localist.com\,2008:EventInstance_50524305039759 URL:https://events.bc.edu/event/exhibition-a-fresh-vision-landscape-paintin g-in-belgium-after-romanticism-the-school-of-tervuren-in-an-international-c ontext END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:A Fresh Vision: Landscape Painting in Belgium after Romanticism \; The School of Tervuren in an International Context\n\nOn view: August 25 –29 to BC classes by appointment (contact rachel.chamberlain@bc.edu)\n\nOpe n to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \ n\nPress Release\n\nA Fresh Vision celebrates a recent gift of thirty-six o utstanding paintings from the School of Tervuren from Charles Hack and the Hearn Family Trust\, a gift that establishes the McMullen as home to the le ading collection of nineteenth-century Belgian landscape painting in North America. The exhibition explores the School of Tervuren\, a group of Belgia n artists who\, in the second half of the nineteenth century\, turned their gaze to the quiet forests and fields near Brussels. It examines how artist s rejected academic convention and the growing spectacle of modern urban li fe to embrace the natural world as a source of truth\, beauty\, and renewal .\n\nThe exhibition also demonstrates how the Tervuren painters\, including Theodore Fourmois\, Hippolyte Boulenger\, Joseph-Théodore Coosemans\, and Théodore T’Scharner\, were influenced by the French Barbizon painters to bl end Romantic sensibility with realist technique\, capturing the nuances of light\, weather\, and terrain in a modern\, expressive style. Painting outd oors—enabled by the recent invention of paint tubes\, and motivated by Roma ntic poetry and new scientific concepts of nature—they brought a fresh imme diacy to landscape painting.\n\nThough loosely defined\, the School of Terv uren represents a vital chapter in the international evolution of modern la ndscape. Like their contemporaries in Barbizon and Giverny in France\, Skag en in Denmark\, and the Hudson River Valley of New York\, these artists bel ieved in portraying nature as they saw and felt it\, in the moment. This ex hibition places Belgian landscape painting in dialogue with wider European and American movements\, inviting visitors to experience the power of place —and of painting—as a quiet yet radical form of resistance and renewal. Com parisons with selected works by Barbizon artists such as Charles-François D aubigny\, and artists associated with the Hudson River School\, like Albert Bierstadt and John Frederick Kensett\, introduce international parallels.\ n\nOrganized by the McMullen Museum\, A Fresh Vision has been curated by Je ffery Howe. Major support has been provided by Boston College and the Patro ns of the McMullen Museum. DTEND:20251205T220000Z DTSTAMP:20260412T114357Z DTSTART:20251205T150000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "A Fresh Vision: Landscape Painting in Belgium after Ro manticism\; The School of Tervuren in an International Context" UID:tag:localist.com\,2008:EventInstance_50524305041808 URL:https://events.bc.edu/event/exhibition-a-fresh-vision-landscape-paintin g-in-belgium-after-romanticism-the-school-of-tervuren-in-an-international-c ontext END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:A Fresh Vision: Landscape Painting in Belgium after Romanticism \; The School of Tervuren in an International Context\n\nOn view: August 25 –29 to BC classes by appointment (contact rachel.chamberlain@bc.edu)\n\nOpe n to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \ n\nPress Release\n\nA Fresh Vision celebrates a recent gift of thirty-six o utstanding paintings from the School of Tervuren from Charles Hack and the Hearn Family Trust\, a gift that establishes the McMullen as home to the le ading collection of nineteenth-century Belgian landscape painting in North America. The exhibition explores the School of Tervuren\, a group of Belgia n artists who\, in the second half of the nineteenth century\, turned their gaze to the quiet forests and fields near Brussels. It examines how artist s rejected academic convention and the growing spectacle of modern urban li fe to embrace the natural world as a source of truth\, beauty\, and renewal .\n\nThe exhibition also demonstrates how the Tervuren painters\, including Theodore Fourmois\, Hippolyte Boulenger\, Joseph-Théodore Coosemans\, and Théodore T’Scharner\, were influenced by the French Barbizon painters to bl end Romantic sensibility with realist technique\, capturing the nuances of light\, weather\, and terrain in a modern\, expressive style. Painting outd oors—enabled by the recent invention of paint tubes\, and motivated by Roma ntic poetry and new scientific concepts of nature—they brought a fresh imme diacy to landscape painting.\n\nThough loosely defined\, the School of Terv uren represents a vital chapter in the international evolution of modern la ndscape. Like their contemporaries in Barbizon and Giverny in France\, Skag en in Denmark\, and the Hudson River Valley of New York\, these artists bel ieved in portraying nature as they saw and felt it\, in the moment. This ex hibition places Belgian landscape painting in dialogue with wider European and American movements\, inviting visitors to experience the power of place —and of painting—as a quiet yet radical form of resistance and renewal. Com parisons with selected works by Barbizon artists such as Charles-François D aubigny\, and artists associated with the Hudson River School\, like Albert Bierstadt and John Frederick Kensett\, introduce international parallels.\ n\nOrganized by the McMullen Museum\, A Fresh Vision has been curated by Je ffery Howe. Major support has been provided by Boston College and the Patro ns of the McMullen Museum. DTEND:20251206T220000Z DTSTAMP:20260412T114357Z DTSTART:20251206T170000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "A Fresh Vision: Landscape Painting in Belgium after Ro manticism\; The School of Tervuren in an International Context" UID:tag:localist.com\,2008:EventInstance_50524305043857 URL:https://events.bc.edu/event/exhibition-a-fresh-vision-landscape-paintin g-in-belgium-after-romanticism-the-school-of-tervuren-in-an-international-c ontext END:VEVENT BEGIN:VEVENT CATEGORIES:Arts,Exhibition,Visual Arts DESCRIPTION:A Fresh Vision: Landscape Painting in Belgium after Romanticism \; The School of Tervuren in an International Context\n\nOn view: August 25 –29 to BC classes by appointment (contact rachel.chamberlain@bc.edu)\n\nOpe n to the public: September 2–December 7\, 2025 | Daley Family Gallery\n\n \ n\nPress Release\n\nA Fresh Vision celebrates a recent gift of thirty-six o utstanding paintings from the School of Tervuren from Charles Hack and the Hearn Family Trust\, a gift that establishes the McMullen as home to the le ading collection of nineteenth-century Belgian landscape painting in North America. The exhibition explores the School of Tervuren\, a group of Belgia n artists who\, in the second half of the nineteenth century\, turned their gaze to the quiet forests and fields near Brussels. It examines how artist s rejected academic convention and the growing spectacle of modern urban li fe to embrace the natural world as a source of truth\, beauty\, and renewal .\n\nThe exhibition also demonstrates how the Tervuren painters\, including Theodore Fourmois\, Hippolyte Boulenger\, Joseph-Théodore Coosemans\, and Théodore T’Scharner\, were influenced by the French Barbizon painters to bl end Romantic sensibility with realist technique\, capturing the nuances of light\, weather\, and terrain in a modern\, expressive style. Painting outd oors—enabled by the recent invention of paint tubes\, and motivated by Roma ntic poetry and new scientific concepts of nature—they brought a fresh imme diacy to landscape painting.\n\nThough loosely defined\, the School of Terv uren represents a vital chapter in the international evolution of modern la ndscape. Like their contemporaries in Barbizon and Giverny in France\, Skag en in Denmark\, and the Hudson River Valley of New York\, these artists bel ieved in portraying nature as they saw and felt it\, in the moment. This ex hibition places Belgian landscape painting in dialogue with wider European and American movements\, inviting visitors to experience the power of place —and of painting—as a quiet yet radical form of resistance and renewal. Com parisons with selected works by Barbizon artists such as Charles-François D aubigny\, and artists associated with the Hudson River School\, like Albert Bierstadt and John Frederick Kensett\, introduce international parallels.\ n\nOrganized by the McMullen Museum\, A Fresh Vision has been curated by Je ffery Howe. Major support has been provided by Boston College and the Patro ns of the McMullen Museum. DTEND:20251207T220000Z DTSTAMP:20260412T114357Z DTSTART:20251207T170000Z GEO:42.340795;-71.162583 LOCATION:McMullen Museum of Art SEQUENCE:0 SUMMARY:Exhibition: "A Fresh Vision: Landscape Painting in Belgium after Ro manticism\; The School of Tervuren in an International Context" UID:tag:localist.com\,2008:EventInstance_50524305045906 URL:https://events.bc.edu/event/exhibition-a-fresh-vision-landscape-paintin g-in-belgium-after-romanticism-the-school-of-tervuren-in-an-international-c ontext END:VEVENT END:VCALENDAR